The Bauer Kitchen is a relatively new restaurant, the latest in a series by The Charcoal Group. I’ve always found Charcoal restaurants to be solid but unexciting, but was curious to try Bauer mainly because every item on the menu is paired with a particular wine by the glass.

Being lodged in a renovated factory, the place itself has a fair amount of character, which is nice. The high ceilings and Saturday night popularity made it somewhat loud, though. The service was perfectly respectable. Pretty informal (“Hi guys!”), but attentive, and no big waits for orders, food delivery, or bill pick-up.

As a starter, I had the mixed mushrooms tart with St. André and Romano cheese. I had some fear would be too cheesy, but that was not the case; the mushroom taste predominated, and was very good. That was paired with a Chilean pinot. Others at our table had cold melon soup with prociutto, part of the Summerlicious menu, and declared merely OK, and baked brie with sugared pecans and fruit. It’s hard to go wrong with baked brie.

For the main course, I went for the Cioppino. This version was a pile of tomato-y onions and sweet peppers, topped with several kinds of fish and seafood. I was pleasantly surprised how well the fish was done, with nothing overcooked. The vegetables had a definite sweet tinge, which was not unappealing. Also tried was the duck, found to be good but not great (nice sauce, but possibly overcooked); baked trout that was apparently also prepared very well; and prosciutto wrapped pork tenderloin with mashed potatoes, both a hit. My dish came with an Australian white of a type of grape I’d never heard of before, and now can’t remember. But it was fine, maybe a bit Chardonnay-like, and did suit the food.

Dessert for me was a mix of sorbet and fruit in an ice wine sauce. I couldn’t really detect the ice wine, but the sorbet was very nice. I had that with one of their specialty coffees (instead of the recommended ice wine), made with steamed milk rather than whipped cream. The other two desserts were declared perfectly appealing as well.

Overall, of course, it was not Verses or Langdon Hall quality, but then again, it’s cheaper as well. I would declare the Bauer Kitchen good value for the money.

Sunday we headed out to Beamsville to visit a few wineries. After a stop at Rosewood, where I got a Gewurtz and a Riesling, we went for lunch at Angel’s Gate Winery. The menu is quite different: It offers four platters, all intended to serve two people, on these themes: Regional, Quebec, East Coast, and cheese. We went for Regional and cheese. Then, most of us also opted for flights of wine, which is 2 0z. of four of their wines.

The Regional platter was really nice, with lamb loin, absolutely delicious tomatoes, green beans done up nicely in a truffle sauce, pickerel fillet, and crepes with berries and goats cheese. The cheese assortment included Cheddar, a Hermitage blue, a brie, and another, with a good selection of fruit and crackers.

The setting there is gorgeous: an open terrace looking out over the vineyard. And Sunday was beautiful; a perfect day for that type of lunch. Having four types of wine and so many types of food was great fun, and really, the perfect way to taste wine. Though in the end, I only bought their Tavel-style rosé (just $11.95!).

Après lunch, we headed to Crown Bench Estates, known for their flavored ice wines. Jean’s sister picked up a few of those, but we stuck to the 2007 reds, bringing home the Meritage, which is a blend.

Somewhat rounding out the culinary weekend (which, Saturday, also featured a stop at the Olive Grove in Elora, for olive oil and vinegar tasting), we made a foie gras and duck breast supper, all based on LCBO recipes. The duck was accompanied by beets, oyster mushrooms, and mint, in olive oil and balsamic, and it turned out really well. (Yes, better than at Bauer Kitchen.) The side of Jamie Oliver roasted potatoes, with very fresh rosemary and sage, were also a hit.

Now, to exercise.

Jean would be quick to point out that it wasn’t his first time there (his work has its privileges), but it was mine. Though we are foodies, and this was recently named one of the top 100 restaurants in the world, the price has always given us pause. But we finally decided to go for it. Key to enjoyment is to not obsess too much about the cost. Though it is impossible to ignore completely.

The setting of the place is beautiful. The dining room is not all that big, really, and is very bright—lots of windows. Of course, it’s all fine linens and nice antique furnishings.

Although the menu was hardly huge—about five appetizers, five entrees, plus an option to have a five-course dinner with matching wines—we spent quite a while with it, debating and trying to decide what to opt for. It didn’t help that the wine list was a virtual catalog. Mind you, an excellent way to narrow the options was to stick to bottles under $75. “OK, so no white burgundies. And most especially no red burgundies! Champagne is out….” And so on.

In the end, we decided on the three-course approach. After giving our order, they brought bread and butter—both made in-house. In-house bread I’d experienced before; in-house butter was a first. And delicious with large salt crystals.

My appetizer was… actually kind of disgusting. I had to not think about it too much. It was foie gras (that’s not the disgusting part) and pig’s head. They didn’t even have a fancy name for it. Just pig’s head. And it didn’t help that the texture was… Odd. Fortunately, the taste was delightful. Some of the best cold foie gras I’ve had, with that other thing. And the sides of gooseberry and salt were beautiful flavor bursts. With that, I had a very nice glass of 1994 Daniel Lenko late harvest riesling (just $10!).

Jean’s starter was cold poached sable fish with an assortment of other items (always harder for me to remember stuff I didn’t personally eat). I tasted the fish, and it was really nice. He had that with a 2007 Tawse Pinot Noir, which we got a half bottle of.

As my main course, I went with potato-encrusted halibut with a side of morels and asparagus. (And had the Pinot with that; very nice, easy drinking light red.) I took one bit of one asparagus, swooned, and dropped another piece in Jean’s plate for him to try. The fish on its own, though, was one slight misfire of the whole dinner: it was slightly overdone, slightly dry. But when eaten with the encrusted potato, it was delicious.

And the morels. What amazing little food items those are. And, these ones were grown right at Langdon Hall. So that’s some fresh.

Jean’s beef strip loin was also accompanied by those morels. He also got some wonderful peas. And the meat? Really good; I tasted that also. The pinot seemed too light to go with that, so he had a glass of a Spanish tempranillo. It was full and fruity, and though he didn’t find it very complex, it did suit the food very well. (The sommelier—who is a woman, which seems slightly unusual—had recommended it.)

And then, dessert. We both picked a proper dessert, then Jean asked about the cheese, and got seduced in that direction instead. He chose four: a bleu de Charlevoix (we have visited that producer), la Sauvagine (his favorite cheese), a Belgian red (new to us; it was nice), and a chèvre noir. And, he asked for something non-alcoholic to go with that, as he had to drive home soon. That unusual request took the bartender four attempts, we were told, but they did come up with a nice cocktail of rosewater, mint, cranberry, and soda water.

I had the best-tasting dark chocolate in the world over chocolate mousse with delicious in-season Ontario strawberries. Oh, my God. And there was also a nice swirl of hazelnut mouse. I drank decaf cafe latte with that.

Jean did slightly over-order on cheese, and couldn’t quite finish, but otherwise, they did a great job of providing enough but not too much food over the three courses. We concluded that they weren’t necessarily better than Verses in cooking quality, but Langdon has their own brand of originality, a more frequently changing menu, and a real local focus, down to growing their own food. It’s not going to be a regular haunt, but we’re really glad we braved the sticker shock and experienced dinner there.

Whereas last year we had one (1) pea, this year we actually had a handful! And they were delicious. And we’ve already eaten twice as many tomatoes (4) than we ever got all of last season–despite having far fewer plants this year–and there appears to be many more tomatoes on the way, working their way from green to orange to red.

Yes, the garden has been doing so well, in fact, that some animal has discovered it. This is a first, actually. It’s a raised bed, so that deters a lot of critters right there. I was just plain confused, at first, to find that the parsley and cilantro plants that had been so abundant with leaves at breakfast looked really… stemmy at dinner time. Took a while to realize that meant some sort of animal invader.

The next day was worse, the parsley and cilantro now completely leafless, and some of the tomatoes tried and discarded (they’re still pretty green, most of them).

Worst of all, the critter didn’t even touch the sage. Sage, I’m starting to realize, is the zucchini of the herb world: hardy, abundant, yet not very useful as a food item. That, I would happily share with anyone. Yet all of its many, many leaves remained intact, serving only tp make the naked parsley and cilantro plants nearby look more sad.

I went on the Interweb to look up “keeping animals out of garden”, and of course that just left me totally confused. Cayenne works, except when it doesn’t. Put dirty socks out there. Or smelly soap. Electric fences. Radios set CBC (human voice).

Anyway, we finally decided to try a modified fencing approach. We now have mesh fabric running around the whole garden, lowered at strategic points so that I can still get at it. I have no idea if I’m dealing with raccoon, bunny, or even cat exploring his vegetarian side, but regardless, at least that should make access more complicated, so hopefully they’ll go visit the neighbour’s garden instead.

• It’s easy. Most don’t require much coddling. Maybe water them if they look wilty, cut them down if they look a little overgrown. S’about it. Some even come back the next year (sage, oregano, and marjoram, for me).
• Instant satisfaction. You don’t have to wait (much) for them to grow, and certainly no wait for fruit or veg to develop. They come with leaves, and that’s what you eat.
• Delicious. One of the easiest ways to perk up an otherwise mediocre is to add fresh herbs.
• Money-saving. At least, I think so, given the price of the little packages from the grocery store, particularly considering the entire contents don’t always get used. You grow your own, you can harvest only what you need, as you need it.

Today’s menu of gnochi with wild mushrooms in a simple olive oil/butter/chicken broth/Parmesan sauce were enhanced with very fresh parsley and sage leaves, which I crisped in the toaster oven. Very delicious with a 2008 Pinot Noir from Rosewood Estates, and only took a half hour to make.

I always seem to go bigger and more complicated. Perhaps it’s true that everyone needs a challenge once in a while, and this is one I set up for myself. So, for my most recent dinner party, the idea was trying to “harmonize the food and wine for each course to a particular soundtrack, based on mood.” Which indeed was a wee bit of a challenge.

Selecting the moods

How many courses, and which mood would each have? At the start, the only thing that seemed obvious was that the start [snacks] needed to exciting and energizing, while dessert was by nature romantic. Retrospectively, only, I realize was I did from there was segue gradually down from that starting mood to the ending one. So exciting gave way to merely happy [appetizers], then to engaged/interested [main course], and onto refreshed (which I’m still not convinced is actually a mood) [palette cleanser], and finally to the relaxed romantic.

Playlist assembly

Again, the starts and ends were quite easy. Exciting = dance music to me, and I already had a large dance playlist. I could afford to get pretty picky with that, knocking out the slower numbers and the ones I didn’t like as much, and still being left with a good 7 hours of thumpa thumpa. And I similarly had a good start on the romantic already, which just required a little removal of some racier items, and the addition of some more love songs.

But happy was tough. Apparently I’m not the big a fan of the upbeat pop tune. I was really having to comb through to find enough to last a sufficient amount of time.

For engaged I looked for songs that were of moderate mellowness and featured smart lyrics. I am much more of a fan of this type of music, it appears, so this was easier to put together. A lot of women artists feaured here—Alannis, Tori, Sarah… even a little Madonna.

And refreshing? I decided that was electronica… Not sure why. As I have only about 12 electronica songs, it was easy to gather them, and that was long enough for the palette cleanser course.

Food and wine

Jean was actually a big help in getting this part settled. I really didn’t want to do fiddly little appetizer things, because I hate making that kind of stuff, but I was failing to see how I could possibly make soup or salad “fun”. He’s the one who suggested that a two-tone soup, which we’d once had at a restaurant, could be kind of fun, especially with chow mein noodles. So that’s what I went with, adapting a carrot and parsnip recipe that was meant to have everything combined, but instead cooking it in two parts.

Similarly, it was his point that salmon seemed too dull to be the only main course protein on offer, leading to the idea of offering duck as well. Which of course meant  we had to serve Pinot Noir, the intellectual wine—as we learned at the KW Symphony’s food and wine concert. And that concert is also where I got the Julia Child chocolate recipe that I thought I would make a suitable dessert.

With those main items selected, the rest just had to be built up around it. And we were so well stocked in wine at this point, selecting those proved pretty easy, and required no special trips to the LCBO. Everything was already in our wine cupboard.

Inviting guests

Oh yeah, the people! On the first date we proposed, very few could actually attend. So we were pretty surprised when, on the second day we suggested, everyone could go! But that’s a good problem to have, since we wouldn’t have invited them if we didn’t want to see them. So we were eight guests, plus Jean and me. Inventory revealed we actually did have enough chairs and dishes—as long as we weren’t too fussy about everything matching—and a little creativity allowed everyone to sit at the same table, albeit covered with three different, small table cloths.

Everyone was willing and able to bring something, and that also helped round out the menu and assuage concerns that someone would go hungry. And on the day, all were really great about helping with music changing, wine opening, dish delivery and removal. I could definitely why I wanted to spend time with these people.

So how did it go?

Generally, I think it went well. Jean and I had fun. Everyone else claimed they did too. I felt most items I made turned out well, and certainly everything brought was delicious. Definitely the most challenging part was the final preparation of the main courses, where we had to cook duck, beans, salmon in sequence in the oven (cause each needed a different temperature) while also preparing the sweet potatoes and reheating the magret, but we mostly managed that. (We probably would have done a little better had we not already had a couple glasses of wine by then, but hey, it was a party, and we didn’t have to drive.)

After that, everything was actually pretty easy to serve, as it was all ready, so then we could largely relax and just enjoy the company and conversation.

As I had typed up the menu for the whole evening, I’ll copy that in here now. Thereby making this the longest post ever!

1 – Gathering

“Cue the pulse to begin.” —The Burnside Project

Soundtrack: Swing, Disco, Dance, Hip/Hop, Reels, Jigs… As long as it’s got a beat and you can dance to it

Wine style: Refreshing white and lively red. Choice of:

• Peller Estates Ice Cuvée (ON; champagne with dosage of ice wine)
• Bartholomew Park Winery 2008 Sauvignon Blanc (CA,)
• Malivoire 2008 Lady Bug Rosé (ON)

On the menu:

• Lightly spiced orange hummus
• “Guess the secret ingredient” guacamole
• Trail mix
• Pita, corn chips, baby carrots, cherry tomatoes

2 – Appetizers

“I’m picking up good vibrations.” —The Beach Boys

Soundtrack: Upbeat pop

Wine style: Rich white. Starting with a 2006 Sauvignon Blanc from Samson Estates (ON).

On the menu:

Creamy carrot soup with parsnip swirl, topped with dried apple and mango and crisp Asian noodles

Rye toasts with smoked salmon canapé

Assorted Ace bakery bread

3 – Entree

“Did I say something true? Did I have a point of view? Well, I’m not sorry.” —Madonna, “Human Nature”

Soundtrack: Mostly alternative with some folk, pop, rock, and R&B

Wine style: Rich red—with a rustic edge

1. Rodney Strong’s 2007 Estate Pinot Noir (CA)
2. Malivoire 2008 Guilty Man red blend (ON)

On the menu:

Roast duck + magret de canard with apple-mustard glazed, served with tangy apple relish

Crisp-roasted salmon fillet topped with tomato-basil relish

Mashed sweet potatoes with touch of maple and cream

Roasted balsamic-tarragon scented green beans

French-style potato salad in Chardonnay

4 – Palette cleanser

“Find out in the garden.”—Mirah

Soundtrack: Electronica

Wine style: Off-dry white: Malivoire 2009 Chardonnay musqué spritz

On the menu:

Lavender sorbet and crudité

5 – Dessert

“The sweetest thing.” —U2

Soundtrack: Jazz, pop/rock/R&B ballads

Wine style: Sweet and rich. Choice of:

• Stratus Cabernet Franc (red) ice wine (ON)
• 10-year-old Tawny Port (Portugal)

On the menu:

Dessert trio:

Gateau au chocolat: l’éminence brune

Blueberry cobbler with blueberry whipped cream

Le Cendrillon (Québec), Oka (Québec), and Nettles Gone Wild (ON) cheeses

Tea and coffee

“No pressure over cappuccino.” —Alanis Morissette

We left around noon on Saturday, and our first stop was Rosewood Winery. We already knew that we liked their Sauvignon Blanc-like Sémillon, so we picked up a couple bottles of that, and their Ambrosia honey wine. Then we did a bit of tasting.

The 2007 Pinot Noir was sold out; the 2008 did not have the incredible rich fruitiness of that one. It tasted more like a Pinor Noir normally does, nice but somewhat light and tannic. Good enough for us to get a bottle anyway. Then we tried a few others, including the 2007 Mon Cherie, which is a cherry honey wine. Doesn’t that sound appalling? But it’s actually very nice, not overly sweet—only a little off-dry. Should actually work with food.

And, we bought some honey.

We then asked for lunch recommendations, and were directed to About Thyme bistro. It was indeed a nice place to eat. I had the thin-crust, smoked pork pizza and Jean had duck confit. I had a glass of cab sauv with my lunch (had never heard of the winery before, but it was fine), while Jean had the Egomaniac Sonafabitch Pinot Noir. Nice wine.

Then we doubled back a bit, because we wanted to visit Malivoire, an old fave. We were aiming for wines less available at the LCBO, and came out with their 2007 Chardonnay, 2006 Pinot Noir, and a couple new styles. The red Guilty Man is so named because it’s a Cabernet Sauvignon style that owner Martin Malivoire had once sworn to never produce. But it does include a splash of Pinot Noir and Gamay, and it is a really nice wine.

The other was the semi-dry 2009 Musqué Spritz, a light “Brunch-like” wine. Though somewhat concerned about when we’d drink it (we don’t do as well with sweet), it was different and good, so we got a couple of those also. And for getting 6 bottles, we got a free Cabernet France ice wine.

Next we headed to our B&B in Niagara-on-the-Lake, and checked in. It would have been great to do some walking around at this point, but it was still perfectly awful out—rainy, cool, windy. So, instead we drank more! We went to a pub where I had a Guiness (yes! Like beery coffee. Which I actually don’t hate). And Jean had a red wine.

Dinner reservations were for 7:30 at Peller Estates. They were offering their five-course dinner for $50.

Peller is a very fancy-looking place; all French chateaux and nice linens. They did a nice job with the meal, which was actually seven courses if you count the “amuse” and palette cleanser.

• Amuse: Single oyster—very delicious. Wine: Private Reserve Riesling 2008
• Appetizer: Foie Gras & Goat Cheese Soufflé  Truffle White Bean Soup. Nice, rich flavor. Wine: Signature Series Chardonnay Sur Lie 2007
• Palette cleanser: Sorbet
• Main: Dry Aged Rib Eye with Lobster Knuckle Crust Barley and Woodland Mushroom Risotto. (Beef is beef, but the barley thing was cool). Wine: Signature Series Merlot 2004. Fantastic!
• Cheese: Sweet Chili Crusted Blue Ice Croquette on Apple, Arugula and Toasted Walnut Salad. Wine: Signature Series Ice Cuvée. Not sure about this pairing, but each was nice.
• Dark & White Chocolate Marquise With a Raspberry Gamay Compote. Despite thinking we were getting full, we had no trouble devouring all of this. Wine: Signature Series Cabernet Franc Icewine 2007
• Then, decaf cappuccino’s.

So they didn’t chintz on the wine.

The next morning, I think I might have been a wee hung over. At any rate, something was making me feel somewhat headach-y and nauseous. (Jean was fine, damn him.)

So, I wasn’t much for the “breakfast” part of bed and breakfast, mostly drinking coffee and juice, and picking at my fruit. Jean had my helping of French toast.

And the B&B owner decided to site with us, and the other couple also staying there, and share her opinion on things. Such as:

• Dinner at Peller Estates is a rip-off. We only felt full because of the rich sauces. (Oh, and also because I’m a small woman.)
• Women in the Olympics are damaging their reproductive organs.
• Buildings weren’t brought down by planes, but by explosions, during 9/11.
• One can do astral projection (soul leaving the body) through meditation.
• Smoking isn’t really that bad for you. Because it’s legal.
• Norwegians are evil because they kill seals. There’s a video.

While I started out trying to debate these points, it soon appeared a bit hopeless. Especially when my head hurt. At least it was sort of… entertaining.

Anyway. After breakfast we went to more wineries! Actually, we went back to Peller first. We wanted that Merlot (which is $35). We were also shown the “private tasting room,” which has to be reserved, and given an offer to try more things. But I wasn’t quite up to it.

Next, Southbrook Winery. Turns out this one is also aiming pretty high end, with an emphasis on aging wine (which we don’t do in any big way) and some pretty expensive stock. Like, we tasted a $60 wine. So we didn’t get too much here—one Chardonnay, one Cabernet Sauvignon—and still felt we might have overspent a bit.

Next time, we’re going to have to get to Coyote’s Run.

Held at the small Conrad Centre for the Performing Arts instead of Centre in the Square, acoustics were sacrified but intimacy was gained. It proved a good trade-off.

Principle conductor Edwin Outwater introduced the evening by outlining a fact he’d only recently learned, which is that symphonies first came together as a way of accompanying large feasts in the 15th century. Then he read some of the items served at these feasts (didn’t sound too bad), along with the instruments combined to accompany each course.

Then the Symphony played their first number, Raymond Scott’s “Dinner Music for a Pack of Hungry Cannibals.” (Not the KW Symphony, but here’s a YouTube link.) A lot of Raymond Scott’s music is used in cartoons; this was one lively and fun work.

Up next, Natalie Benninger of Nick and Nate’s Uptown 21 restaurant was introduced, as Edwin explained there would actually be food as part of this concert. (We were also allowed to bring wine to our seats.) She introduced the next piece, the lyrical “Pastorale” from the film Babette’s Feast, the soundtrack to the big meal in the film. It was lovely, but I have to admit to being distracted by the appetizer being distributed while it was being played. And to the fact that Jean and I didn’t get any.  It was apparently a salad of endive and blue cheese from the film, and quite delicious. (I suppose I should add that it wasn’t only Jean and I who didn’t get any. For whatever reason, there seemed to be enough for only about half the audience.)

At some point—maybe here—we also did a video link up to Nick, toiling away back at the restaurant. In his first appearance, he talked about the type of restaurant it was, and the focus on local foods and changing menus. And then the next piece played was Shostakovich’s “Tea for Two”, a variation on that tune that he wrote on a dare. It was a lot of fun. (Look, you can hear that one on YouTube also.)

Nick appeared again, commenting that he was more of a Rolling Stones guy than a classical music fan, but he did appreciate this particular concert. Then he asked Edwin about food, to which Edwin expressed appreciation for Italian and Japanese cuisine, and his sense that chicken was a highly overrated food item.

The final piece of the first half was by a living Canadian composer, John Estacio. It was one movement from the Farmer’s Symphony, called “The Harvest.” It was quite grand, and was served with an appetizer of cornmeal in a honey sauce. (For everyone, this time.)

Before we broke for intermission, John from Art Bar spoke about the wine he’d been drinking during the performance, which was a red blend from Southbrook Winery, and how different characteristics of the wine came to the forefront with the different styles of music. Edwin then asked concertmaster Stephen Sitarski what music would best accompany Pinot Noir. He thought a relaxing smooth jazz, whereas a Bordeaux would require something more intellectual.

At intermission, I bought a glass of the Southbrook red. (I’m highly suggestible.) It was quite nice.

Part 2 led off with Ralph Vaughn Williams’ “March Past of the Kitchen Utensils”, which somewhat sounded as titled. The next number, which featured mezzo soprano Megan Latham, was an orchestral version of the Cole Porter tune “The Tale of the Oyster,” arranged by Edwin Outwater himself. This was a hilarious little number about an oyster who longs for the high life—and finds it on a silver platter. (YouTube) And Latham has a beautiful voice and a very expressive manner.

Nick then introduced a video of a competition between himself and Latham, as to who could make the best version of Julia Child’s Gateau au Chocolat. Quite amusing (and no winner declared). We then moved into Lee Holby’s Bon Appetit, which is an episode of Julia Child’s program, in which she makes that Gateau, set to music. You can definitely picture Child as the piece proceeds. And most happily, we didn’t have to imagine how the gateau tasted, because we all got a piece. It was one of the best things I’ve ever put in my mouth.

And, they gave us the recipe in the concert program. I think I might try it. Heck, it’s only 6 oz butter. Practically diet food, for Julia Child.

Anyway. The last piece was a real change of pace, an adaptation of 60’s band Strawberry Alarm Clock’s “Incense and Peppermints.” Though orchestral, it was very much in tune with the psychedelic original, complete with phase-shifting vocal (in technical terms, Latham used this gizmo to make her voice echo and layer). One the last verse, Edwin joined in the singing as well. And then he thanked us for “coming out for something we’ve never done before, and that I’ve never even heard of before.”

Though the joke was that the near-capacity crowd would then all head to the 54-seat Nick and Nate’s for a nightcap, we just headed home at that point. But we were smiling all the way.

(I have to give a CP reporter the credit for that quote.) Wasn’t that fun? The Olympic withdrawal is going to be tough. It’s been the framing device around all events for the past two weeks. Furthermore, that’s been true of almost everyone else. What else does that anymore? Not the Oscars, not the series finale of Lost, not the Superbowl, not even the Stanley Cup.

Big eating weekend

I described last weekend (Feb. 19–21) as my “big eating weekend.” For the Friday, well ahead, we had arranged to meet up with friends at Verses. They were particularly pleased to have meat there. “We’re coming off a month of veganism,” they explained. “If you think vegetarianism is hard? Try veganism.”

Then on the following Saturday, our neighborhood association held a wine tasting dinner at Solé. Solé generally does an excellent job with these, and the featured wine was from Rosewood Estates, which we really like. So we had to sign up for that as well. We ended up sitting with the owner of the winery, who proved to be a very interesting guy, with rather strong opinions about wines of different price points, and the marketing strategies of various regions.

And it was a great meal. It started with their Sémillon, which I judged reminiscent of New Zealand Sauvignon Blanc, so was pleased when informed that’s what they were going for. It was delicious, as was the smoked trout served with it—amazing stuff, the food highlight of the meal. The main course was chicken with wild mushrooms, and it was served with a Meritage wine. (I was hoping to get their Pinot Noir again, but the 2007 is apparently all sold out.) Dessert featured honey wine, served with an apple caramel tart.

Olympic-wise, that was a pretty quiet weekend. That’s when there was all that grousing about Canada’s performance being somewhat disappointing, which I mostly found irritating. But since we don’t really know our neighbours (and besides the wine people, that’s who was there), it was very handy to have that to talk about.

Shall we dance?

Despite some moments of mild panic—me on the “hockey stick” step (seriously, that’s what it’s called) of the cha-cha, Jean on the intricate shaping of the slow fox—we’re fumbling our way reasonably well through our ballroom dance classes for people who had taken a seven-year break. This week’s class coincided with the Russia-Canada hockey quarter-final, but late arrivals reported on the already lopsided score involved there, and we stopped worrying about that too much.

But our dance instructor wanted to talk about another sport:

“Why did they win?” he asked. After some brilliant responses like, “cause they were good,” the issue of synchronicity came up. “That’s right!” he said. “They danced as though they were one.” Which is what we were all striving for. “And if you practice for 8 hours a day, for 12 years, maybe learn to skate… Who knows?”

That night I planned to finish watching the ladies’ short in figure skating, recorded the night before, but I got distracted by all those other medals by all those other Canadian ladies: gold and silver in bobsled. Silver in short track.

TEDx

The day after dance class, I attended a Waterloo-hosted a TEDx conference. TED stands for Technology, Entertainment, and Design, and the motto is “Ideas worth spreading.” In 21 minutes or less.

The event started by being delayed by technical difficulties. This is when I discovered that I was, apparently, the only person in the room whose iPod was not Touch and whose cell phone was not i.  That is, no portable Internet connectivity for me. So while everyone else tapped away around me, twittering about the delay and receiving updated ladies’ curling scores… I read a magazine. I mean, a dead-tree edition magazine.

There’s some message there somewhere, and I don’t really like it. But at least I didn’t have to worry about any batteries dying.

But once the conference got underway, it did feature some interesting speakers and ideas. Terry O’Reilly from CBC’s The Age of Persuasion on the underrated importance of friction in selling products. An exploration of living architecture (using materials that respond to human touch—a bit freaky). The director of of the documentary Prom Night in Mississippi, who also shared information about how meeting The Beatles played a role in his spiritual awakening. Caroline Disler on how much of “Western” civilization actually comes from the east. And a study of the ecology of restoration, using Sudbury as a model.

And back home, the very good women’s gold medal hockey game! And the equally tough, in their own way, women of figure skating singles. Yu-na Kim perfection, a woman who does triple axels better than many of the men, and Joannie Rochette, showing it’s about more than medals (though it is great she won one).

Timmins wedding

It’s my wedding year, I guess, as we traveled again for a wedding on the weekend, this time to Timmins. But we weren’t on call to do much the Friday night, so after spending some excrutiating time watching the women’s curling final, first with my family, then with Jean’s, we went out to bar with my brother and his wife to get away from sport a bit and listen to some music.

The young singer, Louis-Phillip Sébastien, was quite good. But he was also fighting a cold, so his set was short. Really short. So then the bar turned the TV on the men’s hockey game, which seemed to go pretty well. It was only after getting home we found out that they nearly lost it in the last few minutes.

The wedding on Saturday was lovely, and I think most people had a great time, with lots of dancing. I’m not sure what the attendance would have been had a major hockey game been scheduled that night, but people were content to merely zip into the bar on breaks and report that the men’s curling team were winning gold.

The invitation to the wedding has specified “black and white dress.” On first reading that, I assume that was some other way of saying “dress up nice,” and planned on wearing a fancy black and red dress. But, it turned out that they actually wanted people to dress in black and white. We found this out only late in the game, though, and at that point, I wasn’t too thrilled by the idea of going out to buy a new dress. I just threw in a white throw to cut the effect.

So in case you’re wondering… it is a bit odd being the only person wearing red in the room.

At least I was, until the red sock dance—a weird, franco-ontarian wedding tradition whereby any unmarried older sibling has to, well, dance in red socks. I have no idea why.

The opening of the wedding presents was on Sunday, about an hour before the Gold medal game. We overheard the first period there (knowing by the cheering that it was 1-0), watched the second with Jean’s Mom, and the third and overtime with my family. Scoring with 24 seconds left? Are you kidding me? And then Crosby again scored when it really counted.

While I really think hockey got too much emphasis overall, I must admit that was quite the capper.

They really did a fine job, I thought. I liked the special effects re-creation of the ocean, and the fields, and the mountains (even if it perpetuates the myth that we’re “outdoorsy” country people, when most of us live in cities). And I liked the slam poet, reminiscent of the old “Joe Canadian” ads, but with more eloquence and no beer. (Even though it claimed an environmentalism we don’t deserve. But the rest felt right.) The fiddling medley was lively fun. And man, does this country have a great set of women singers, or what? Nikki Yanovsky, Sarah McLachlan, Joni Mitchell, Measha Brueggergosman, and most especially, KD Lang, actually outdoing her Juno performance of “Hallelujah”.

I liked that the final torch run wasn’t just Gretzky. I liked all the French. And it was appropriate that the tragic death of luger Nodar Kumaritashvili was recognized, and recognized again.

I have some sympathy with Olympic protestors. The IOC is really the most appalling organization. But the athletes… they’re mostly inspiring. They always win me in over in the end.

Finally, live TV meant not fast-forwarding the commercials, and the somewhat dubious sponsors involved. It made this 22 Minutes bit even more hilarious the second time around:

I’ve always been a mystified by ham-like meats and their various grocery store names—why is one a “sweet pickle roll” while another is a “steak” and that one there is “smoked hock”? But anyway, whatever the actual name, the big ones with the bone, that are not precooked, were on at a very good price at Sobey’s this week, so I decided to take a stab at cooking that. How hard could it be?

I had assumed it would be like other big hunks of meats, in that you flavored the outside somehow, then stuck it in the oven at a certain temperature for 2+ hours, until the middle part reached the acceptable temperature. To my surprise, though, the package for this thing said it was to be cooked on the stove top in water (for 2+ hours).

Well, thank goodness I still have that huge pasta pot I received as a wedding present and have rarely used since, because it just fit in there. The wrapper then instructed me to remove the wrapper before I cooked it in the water. Boy, what kind of an idiot does this wrapper think I am anyway, I thought, as I removed the plastic and discovered that the meat was in this other mesh-like wrapper. Was I supposed to remove that one?

“Jean! Help!”

Jean called for reinforcements. Since his Mom left the mesh on, so would I.

The instructions then said to cover the meat in cold water, then cook it over low heat for 2 to 2.5 hours, til it reached 71C. Seemed easy enough, so I did as told.

An hour later when I checked, the water was warmish but not bubbly or anything. That seemed a bit odd, but what did I know? Another half hour later, there was some simmer going, and I started working on the scalloped potatoes (which I actually know how to make).

As those when in the oven, I got the bright idea of actually sticking a meat thermometer in the meat to see how it was doing. It was nowhere near 71C. It was at, like 27, or something. And here I was, kind of hoping to eat this thing today.

I now did what I have to assume I was supposed to have done in the first place, which is bring the water to a full boil, then reduce heat to a nice simmer. That did the temperature moving up a bit quicker. But not really quickly enough.

As microwaving didn’t seem to be much of an option, I was at a bit of a loss as to how to accelerate the cooking time.

“Jean! Help!”

Jean’s suggestion, which I had sorted gleaned onto also, was to cut the big hunk of meat into smaller hunks, figuring each would cook faster that way.

And faster it did go, finally finishing about 3.5 hours after starting, and about 0.5 hours after the scalloped potatoes and braised cabbage with cranberries were done. But that wasn’t so bad. And everything was really very tasty. (Thank goodness, because I think we’re going to be eating the leftovers for the next week or two.)

So in the background of this kitchen drama, as of 6:45 or so, was The Superbowl. Muted. (Yes, I have a TV in my kitchen. Doesn’t everyone?) So I was able to look up to it every once in a while, between fretting about meat temperature, to see the first two quarters count down.

Though I needn’t really have worried, because as the second quarter wound down, I got not one but two calls informing me of the impending halftime show. It’s so nice to have people in your life who care! And who actually want to watch The Superbowl. And by then, we were actually done eating dinner (though not putting away all the leftovers).

I went downstairs where the PVR lives and put it on Superbowl channel. Only the sound was all broken up. That wasn’t going to work. So I tried other Superbowl channels – CBS, maritime, BC. Then other, non-Superbowl channels.

Basically, the sound was a fubarred anywhere. With about 2 minutes left in the second quarter, the PVR needed a reboot.

So while it reset itself, I watched the countdown on the kitchen TV. With about 10 seconds left, the PVR was back, sound restored to normality.

I then sat with the remote, planning to hit the record when The Who actually began their set. Only, it had been so long since I actually recorded anything playing live (I normally preset everything I plan to watch), I didn’t really know how to do that. Which I only realized as their set began.

“Jean! Help!”

Jean managed the highly complex [not] process of recording what was currently on (and we later remembered that it actually tapes everything from when I first tuned to that channel, so I actually have the whole thing).

And then we watched The Who—me a little more closely than Jean.

Jean [during Baba O'Reilly]: Is that all they’re doing of that one? Me (feeling weirdly proud that he now knows when Baba O’Reilly is shortened): Yeah, it’s medley.

The set list was utterly unsurprising. They only have 12 minutes. Of course they’re going to play all the CSI themes, somehow. It certainly would have been nice to hear more of their catalog, and it might have been interesting (or an interesting disaster) if they’d actually tried to “mash up” some of their songs (and come to think of it, they used do that very thing, live … quite brilliantly). But again… 12 minutes.

Jean [during Who Are You]: You must disappointed he’s wearing a shirt. Me: Yeah, and no wardrobe malfunctions this year.

The outfits: Though still in remarkably great shape for nearly 66, I don’t actually think Daltrey should still go out in full bare chest-al glory anymore. So the jacket was fine, but that scarf? I don’t really get his fondness for scarves, unless he feels having a warm neck actually helps with singing, or something. (And some bloggers are complaining about seeing Townsend’s “white tummy” far too often—which I can’t say I particular even noticed!)

Jean: [during Won't Get Fooled Again]: Wow, I’m impressed how fast they set that stage up. Me: Did you know The Who pioneered the use of lasers in rock concerts?

The staging was pretty awesome. The light show, the fireworks—it looked great on TV, it must have looked fantastic in the stadium.

As to the overall performance? Though a bit sloppy at times, I thought they were pretty good, generally. Mind, I wasn’t expecting them to sound like they did in 1971. It was fun to hear the big stadium singing along with them. Knowing that Daltrey’s voice is a thing of wonkiness these days, I was actually tense waiting for him to attempt the “Won’t Get Fooled Again” scream. But to my relief, that was great! (Though it may well be the years of doing that scream that has reduced his voice to what it is now…)

I did a bit of review reading afterward. What I found most weird were the accusations, at Rollingstone.com, that they lip-synced the entire performance. (This is not in the review, but in the dreaded comments section.) I’m with those who said, you know, if the whole thing was pre-recorded, don’t you think it would have been a little… better?

And my favourite review is the fairly poignant one in the New York Times, some of which I’ll quote below:

Instead, for what was probably its biggest one-time viewing audience, the Who chose repertory from Townshend’s increasingly ambitious late-1960s albums and afterward, when he was already taking a grown-up’s point of view: “Pinball Wizard” and the gentle “See me, feel me” snippet from his 1969 rock opera “Tommy”; “Baba O’Riley” and “Won’t Get Fooled Again” from the 1971 “Who’s Next”; and the title song from the 1978 “Who Are You.” If there was a 21st-century attention-span paradox in having the man who wrote rock operas and concept albums compress his life’s work into 12 minutes — well, Townshend said beforehand that the medley was Daltrey’s idea.

They were songs about prowess, determination, desperation and rage at how revolutions fail: an arc of verbal frustration defied, and explosively overcome, by musical assertiveness, with the power chords that the Who made ring worldwide. They were songs that expected, and got, large audiences at the time. It was music born to be heard in arenas and stadiums, and the halftime show might have been these songs’ last airing on their accustomed monumental scale.

…

The Who did its best to punk up its songs again, even amid the Super Bowl’s fiesta of corporate branding, and “Won’t Get Fooled Again” — the song that got the fullest airing — still had a good part of its old ferocity. But it was a line in “Baba O’Riley” that touched on what kind of milestone this brief, happily unkempt, late-career performance was for the Who. “Let’s get together before we get much older,” Daltrey sang, looking directly across the stage at Townshend.

PS – I also quite liked this blog post, which (despite not containing nearly enough information about ham) nicely made the point that while The Who’s Superbowl performance was mostly fine, they’re just doomed now by having once been the best live band. Period. I especially liked this line: “The Who are probably the most underrated band that many people consider wildly overrated.”