September 23, 2011

Fall means new TV

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Last year at this time, I was complaining that so many summer shows were still on, I had no time to check out any new programs. This year, that’s not the case. Both dancing shows are done (one permanently—sniff!), Mad Men is not on until March or something, Flashpoint took a hiatus… My PVR’s been near empty for weeks.

But I need a distraction from the news, which I’ve been particularly depressing of late. So I’ve decided to audition a number of new shows, to see if any are worth sticking with.

Best new show (so far)

Completely unfair to judge this yet, as I haven’t even watched all the new shows I intend. And just one episode isn’t much to go on. Nevertheless, I feel I should mention CBC’s Michael: Tuesdays and Thursdays (which, confusingly, actually plays on Wednesdays) as I suspect most haven’t heard of it. It’s a half hour comedy, pretty simple premise: Michael has been in therapy for 15 years for various social phobias. His doctor is writing a book about it.

Doesn’t sound like much, but it’s funny. And feels true. And it has women characters as well, and they even get to talk to each other (not about men). And it’s fun spotting the various Ottawa locations in use. And being Canadian, it’s both unlikely to overstay its welcome, or get cancelled prematurely—at least this season. CBC has no doubt ordered a certain number of episodes, all of which it will broadcast.

New shows I’m checking out only because of the cast

1. The Secret Circle

Because it features the delicious Gale Harold, whom I loved in Queer as Folk, here playing a very nasty warlock. It’s a show about teenage witches in a small town. And based on one episode, it’s… exactly what you’d expect a show about teenage witches in a small town to be. So far, not promising to be more, à la Buffy the Vampire Slayer. But still, enough entertainment factor there for me to return for more episodes and see how it goes.

2. Ringer

Speaking of Buffy, Sarah Michelle Gellar is back in this new series, playing identical twin sisters. Boy, has this one received mixed reviews, some really dire. And sure, the premise is fairly ridiculous, but again based on only one episode, I’m willing to give it a few more views to see how it develops.

3. New Girl

This one stars Zooey Deschanel, and its main selling is most definitely that it stars Zooey Deschanel. It is totally running on her personal charisma. I found the first episode OK. It had some funny moments. I know feminist me is supposed to be offended by her manic pixie dream girl persona, but in a season also giving us a redone Charlie’s Angels and The Playboy Club, (and I’m not so sure about Pan Am, either) it’s hard to work up the outrage.

Returning shows I’m looking forward to

1. The Mentalist

This is one I never would have picked before. Not that I dislike The Mentalist, but it’s more Jean’s show, just one I also don’t mind watching, because the characters are fun and have good interaction.

But I have to say that last season’s finale really blew me away. It was completely gripping in and of itself, in a way that show isn’t usually, it apparently resolved the Red John storyline that had underlined the series since its start (but had become increasingly and a somewhat absurdly convoluted), and in way that I really didn’t expect but still didn’t seem unrealistic at all.

Now, I just can’t wait to see how they get Jayne out of this, and back to helping the CBI solve crimes. (They promise it won’t all have been a dream.)

2. Big Bang Theory

Here’s another show that went out last season with an ending both surprising and realistic, and it should be great fun watching all this unravel. I love this show for its consistent ability to make me laugh out loud. For real.

3. Battle of the Blades

Because the only hockey players I want to see are those wearing figure skates.

Returning shows I’m not sure I’ll keep returning to

I’ve already decided to drop the too-uneven How I Met Your Mother, and I’m not sure about these two:

1. Glee

Because in the past, no matter how bad this show sometimes got mid-season (and it could get pretty bad), it always seemed to pull together a finale that made me love it again. But last season? Holy geez, that was crappy. Replaying the Quinn-Finn-Jessie-Rachel love triangle again? Seriously? It’s the night before Nationals, and they haven’t even written the songs they’re going to perform yet? What?

And having made Coach Sylvester a total cartoon then decided we all needed to cry over her sister, what the heck will they do with her next? And apparently they had some reality show this summer to pick new cast members.

I don’t know, Glee. You’re sitting on the PVR there, but I’m not feeling in a big hurry to press Play.

2. Bones

Brennan and Booth and baby. Boring!

And for a bit of dancing

I have been checking out Nico Archambault’s Ils Dansent, focusing on the training of 10 male dancers. With no dropping of one dancer each week! Just learning new and increasingly complex choreography. Nice-looking show. And I can certainly use the weekly exposure to the French language.

 

September 9, 2011

Twinning

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On the long weekend, we happened to see two productions involving the concept of doubles.

Another Earth posterFirst up was the movie Another Earth, in which a mirror image of our planet suddenly appears in the sky. It seems to be identical, right down to the cities. Who are the inhabitants? Are they duplicates, too? A millionaire runs a lottery to allow the lucky winners to get a trip there to find out.

Though it all sounds very sci-fi, it’s really more of an indie drama. The focus is on the main character, Rhoda Williams, whose inebriated self gets so distracted by the appearance of Earth Two that she crashes into another car, killing a woman and child, and putting a man into a coma. She goes to prison; the man eventually emerges from the coma. All this happens in the first 15 minutes or so.

The rest focuses on Rhoda’s post-prison life, and her attempts to make amends. She visits the man to apologize, but loses her nerve and says she’s offering a cleaning service instead. She ends up his regular housekeeper, and they get to know each other—the secret remaining concealed. Meanwhile, she’s fascinated by the idea of Earth Two, and maybe starting over there.

It’s an uncomfortable film. It starts with a terrible tragedy and continues with a deception that you know has to blow up at some point. But it’s intriguing as well, and stays with you, pondering the big questions. All on a small budget.

If you can handle the premise, I’d recommend it.

Twelfth Night at StratfordNext was much lighter fare: William Shakespeare’s Twelfth Night, as directed by Des McAnuff at Stratford. That is the one with the twins, Viola and Sebastian, who get mistaken for one another after Viola disguises herself as a man.

The production is excellent. Just hilarious, set in a kind of 60s era with a soundtrack to match, with a strong cast, including Brian Dennehy as Sir Toby. I admit I was a bit daunted at its 3 hours, 7 minutes running time, but it goes by really quickly. Highlights include the Viola / Sir Andrew sword “fight” (mostly sword avoidance) and the choreographed spying on Malvolio as he reads the love letter he believes to be from Olivia. Ben Carlson as Feste also has a lovely singing voice.

Now, the whole thing does require one to ignore the scientific knowledge we now have that identical twins cannot, by definition, be of different genders. But the very distinctive outfits Sebastian / “Cesario” wear make that work OK (particularly from our cheap discounts seats).

And as many Shakespeare comedies, one has to accept character that are remarkably flexible in their romantic affections. Orsino is supposedly desperately in love with Olivia throughout the production, but can switch to Viola on a dime once it’s clear she’s not a dude. Olivia is not the least upset that she’s actually married to Sebastian despite thinking she married “Cesario”. Though particularly delightful is her reaction to seeing both Sebastian and Cesario for the first time: Double the fun!

 

August 28, 2011

A Taste of Canada in Ottawa

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For the Ottawa portion of our trip, we booked a package called Taste of Canada that included hotel accommodations, entry to the War Museum and National Gallery, and $100 off dinner at Signatures Bistro. These were the highlights.

Being car-free

The reason we were car-free despite this being a road trip is that we experienced a broken wheel bearing on the car while in Timmins. And in Timmins, you can’t get Audi parts. So, we booked an appointment for the car in Ottawa and dropped the car off there on arrival, after a rather noisy (and lengthy) trip.

The circumstances weren’t ideal, but you don’t really need a car when being a tourist in Ottawa. Particularly as we were staying at the well-located Lord Elgin Hotel. And though we could have taken advantage of their pretty good bus system, instead, boy did we walk. To the War Museum and back. Along the canal. To Parliament Hill at night, where they were projecting images onto the House of Commons. (Very cool.) And of course, to and around the market.

House of Commons

Supreme Court of Canada

Dining mostly per Where to Eat in Canada

It’s good we were that active, because there may have been eating involved as well.

The first day’s walk was in the rain, so we went to Murray Street. Last time here we’d arrived drenched; this time we were merely damp. Murray Street is very casual, with very friendly service, and has excellent food. We skipped the appetizers, though, and I had the deer fricasse while Jean had the quail. He declared his perfect, but my meat was a little dry. No complaints about the sauce and veggies, though. Or the petit syrah (CA) we drank. I also enjoyed the nanaimo dessert.

For lunch the next day, we tried Play, which was new to us. It specializes in small plates, with glasses of wine suggested with each. I had the gnocchi with peas, endamame, and Parmesan, which was delicious. And the recommended Appleby Pinot. Jean had the mussels with smoked tomato and chorizo, which he also liked, though not as much as my dish. And a Sauvignon Blanc with an unusual taste. For dessert, I had lavendar creme brulee with peach conserve and maple, and a French Muscat, which was very neat tasting—not overly sweet. Jean had a cheese plate with port.

For dinner that day, we tried another new one, Navarra. It specializes in the unusual. It was also remarkably small, with its 20 table packed in tight.

I decided to be daring and order the bone marrow appetizer. I’m not sure what I was expecting, but it was indeed a couple large cow leg bones, from which you had to extract the marrow with a little fork. There were also olives, bread, and roasted red peppers. Everything tasted good—even the marrow, which had a mild beef taste. But frankly, it kind of freaked me out.

Jean meanwhile, had ordered the lamb prosciutto. only to find it very heavy on the salad greens, which aren’t really his thing. So, we traded. I founded his Parmesan-laced salad delicious (the lamb was just so-so; I would have preferred it more crispy); and he found the marrow the best part of the whole meal.

On to mains. I had sea scallops, which tasted good, but boy did they seem overcooked. Affected the texture. And Jean had the gnocchi, which he liked, though he found it pretty spicy. So this was an uneven one. (We had a couple glasses of the house wines, which were fine, but not exciting.)

But desserts, we had no complaints about. And the service was very good.

Navarra dessert

Other Navarra dessert

The final meal of note was at Signatures Bistro. It was our first time since it had been transformed into bistro style, and lost a star in Where to Eat in Canada. But the room still looked very grand, with white linens and all. And the food? Pretty damn amazing.

I started with the asparagus soup with gnocchi, which was as a surprise, as I had been expecting more gnocchi, less soup. But the soup was the best part. Just so fresh and delicious. And my main was a duck magret with beet foam, rhubarb, and cherry compote. Oh my, God. Amazing,

Jean seemed pretty happy with his escargot appetizer and pork main, as well. And certainly his cheese plate dessert. Me, I went with chocolate ganache with ice cream.

Though we didn’t have as many people tending our table as before, the service was still excellent. Except at the very end, when our waiter just… disappeared. Very strange, and unlikely to have happened in the old days. (Maybe he was out looking for their missing star rating.)

And the museums?

We did use our two museum entries. The National Gallery was featuring a Caravaggio exhibit that showed his influence on other painters of his time. It was interesting, seeing how different artists inspired each to take on similar themes and styles. In some cases it was difficult to tell one from the other. But on a pure art level, we weren’t totally blown away.

The War Museum had a special exhibit on medicine in wartime. You kind of got a tour through the different types of injuries soldiers suffered, and how these were treated through history. (Much better now!) The whole thing was a bit gruesome, but it was the infections featured near the end that I had the most trouble with. Eew. And the very last part was on psychological injuries, like post-traumatic stress. Oy.

And then we had the rest of the museum to see. We joked that we hoped it was cheerier, like “the lighter side of war”. But by comparison, it actually was. Like to explain the War of 1812, they had a film of French and English Canadian sitting together commenting on a documentary about it. Then partway through their Native friends pipes up. “Jim, when you did get here?” “Me? I’ve always been here!” I thought that was funny.

 

July 8, 2011

Jesus Christ. Superstar.

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Do you really think we have the resources to help the poor with their lot? There will be poor always, pathetically struggling. Look at the good things we’ve got.

Jesus Christ, Superstar

I’ve spoken to a lot of lapsed Catholics since I wrote the book and we all had a crush on Jesus.

Samantha Bee

Did you mean to die like that? Was that a mistake? Or did you know your messy death would be a record-breaker?

Judas Iscariot

I’ll tell you one thing, this Jesus is cool.

Last night we saw Jesus Christ Superstar at Stratford. It was my first time seeing any version of this show, live. But I have seen the movie several times. When in the McGill choir, I sang some of the tunes. (I just remembered that today.) And I used to have the soundtrack album—on casette!

I was definitely already a fan of the music. And, this particular production has been receiving rave reviews. So I went in with pretty high expectations.

Very happily, those expectations were met. Standing ovations come cheap these days, but this musical earned the one it got from the sell-out crowd. And I was one of the first to my feet.

This particular musical does not require huge, elaborate sets. A couple of moving risers and a backlit screen were enough to create the different scenes and keep us on track through the last seven days of Jesus’ life. It keeps the focus where it should be, on the songs and the amazing voices singing them: Paul Nolan as Jesus, Josh Young as Judas, and Chilina Kennedy as Mary Magdalene. Some of the best versions of these I’ve ever heard. The production is very fast-paced, lasting only two hours even with the intermissions, moving quickly from song to song, day to day. No time to be bored here!

I have a bit of complex relationship with Jesus. I’m not being entirely sure if he ever existed, and havedefinite doubts about all the whole God the Father thing. But I was raised Catholic, so He’s been part of my life forever, and I still think many of the sayings attributed to him have moral validity. And that yeah, he’s kind of cool. And in this production, pretty darn hot as well.

So I felt all swept up in the Jesus love in the first half. Hosannah, hey, Superstar!

It almost seemed unfortunate that we did have take an intermission break, but the second half does have a very different feel than the first. It’s much darker, as it gets into the Last Supper, the crowd turning against him, the betrayal, the crucifixion. It has a little bit of dialog. The songs are more spectacular, with pauses between (during which people can’t help but clap).

Brent Carver, whose part is smaller than some might expect, does a wonderful job as Pontius Pilate here, as a very reluctant executor. Though where I was somewhat swept up in Jesus-love in the first half, here I got a little distracted by my rational brain. Like knowing that the actual Pontius Pilate was a ruthless tyrant who would have had no such doubts, and that the blame got put onto the Jews instead was just… Well, that caused a lot of trouble later on.

But that shouldn’t be taken as a criticism of this production, as so much of the drama is about everyone (other than Mary Magdalene) turning against Jesus. And Jesus’ staunch refusal to do anything to save himself.

I don’t think this is any kind of spoiler, but the play does not end the same way the movie does. I mean, there’s still no resurrection, but it’s not just people getting on a bus, either. I much prefer the play’s approach, which was more epic and moving.

(And Jean’s take on the whole thing? For a musical, not bad at all. Cool staging of the lashing scene. And Mary Magdalene was a cutie.)

So if you think you have any interest in this thing at all, I wouldn’t hesitate to go.

Here’s a taste (though I think it was even better last night):

 

May 22, 2011

Movie review: Polytechnique

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*** Polytechnique (February 2009) – Rental
Karine Vanasse, Sébastien Huberdeau. Looks at the Montreal Massacre through the eyes of two survivors, a man sent from the room, and a woman who had to stay inside. French with subtitles.

She says: I don’t know the best way of tackling this subject matter. This movie was very arty—black and white, moments of banal quiet suddenly interrupted by moments of terror. The killer is never named, not glorified. The focus is on the victims—that day, and some months afterward—and they get all your sympathy. At a taut 70 minutes, the movie certainly keeps your attention.
He says: Can I sit here and watch this with you? [A little later] Oh God, I don’t want to see this. I’m going on the computer. [A little later, having returned] Are you expecting to sleep well after this? [After it was done] Well, that was depressing.

 

May 21, 2011

A cooking show I like

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I like to cook, and I’ve been known to watch a little television, so people are sometimes puzzled that I don’t particularly like watching cooking shows. Some other people who like to cook, I’ve learned, love cooking cooking. In fact, they find themselves becoming somewhat “addicted” (their words) to the Food Network.

Me, not so much. For whatever reason, I don’t particular enjoy sitting there watching celebrity chefs prepare food (that I’m not going to get to eat). So since Food Detectives stopped making new episodes (far as I can tell), there is no Food Network program that I watch regularly.

But over on the W Network, I have recently discovered Anna and Kristina’s Grocery Bags. It’s basically a cooking show. And that one, I may be just a little addicted to.

Photo of Anna and KristinaI had seen their previous show (possibly still on), called Shopping Bags, in which they test various consumer products. It was definitely an entertaining approach to product testing, but the information always seems to whiz by so quickly it wasn’t that useful. Three types of five different products in one half-hour; how are you supposed to remember which to buy afterward?

Whereas each episode of Grocery Bag focuses on one (1) cookbook. That’s what they test: cookbooks. They do this by making a sampling of recipes from the book, within a time limit, to be judged by a chef. Interspersed in there, they do a little pre-taped product testing of both kitchen gadgets and ingredients, to be used on “cook day”.

I like it in part because I can relate to it. Anna and Kristina are competent cooks, but not trained chefs. As the stress mounts of trying to prepare five or more new recipes for a guest who is coming to judge your efforts, they make mistakes. They get annoyed with each other. They swear. They redo. They run off to the grocery store to buy more ingredients. They curse the poor instructions or weird ingredients of the book. They get grossed out trying to deal with octopus tentacles or squid ink.

Then when the food is done and the chef arrives with a bottle of wine, everything seems a little better. And the tasting begins… Will the dishes make the taste buds sing, or stimulate the gag reflex?

It’s drama, man. It’s highly entertaining every time.

Plus, it’s useful. As it’s a test, they try to be real sticklers for following the recipes—like manually chopping all the onions if the book says to, instead of what I would do, which is stick those suckers in the food processor. In the end, they come out with a recommendation to buy or not, but as you’ve seen how and why they came to that conclusion, you can decide if you agree. It’s made me consider cookbooks I otherwise never would have, like Gwyneth Paltrow”s (!)—turns out it’s not just the vegan, raw-food weirdness you might expect—and Gordon Ramsey’s.

Now what I want to know is whether those “addicted to the Food Network” people would (or do) like this show. Or is it just too real?

 

May 9, 2011

We paid $48 to watch someone do Pattycake

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Last night, May 7, Lowest of the Low played Massey Hall the first time, the capper on their tour celebrating the 20th anniversary of “quite possibly the best Canadian debut album ever”, Shakespeare My Butt. I was not there. But I did see their sold-out show at the Starlight Club in Waterloo, on April 21.

The show itself, I have no complaints about. The opening act were Mick Thomas and Squeezebox Wally, an Australian duo so taken with Shakespeare My Butt  that they would play the entire album at their shows. They even made one of the songs—“Rosy and Grey”—a hit there. So there was much more collaboration between opening act and headliner than you normally get, with Lowest members joining in on Mick’s set, and Mick contributing to the Lowest set.

Lowest of the Low played the entirety of Shakespeare My Butt, in order, then came back to do various songs from their other two albums, including “Black Monday” and “The Last Recidivist”. It was fun being in a room full of people who also knew all the words to all the songs. And it was nice to hear, from singer and main songwriter Ron Hawkins, that both “Subversives” and the afore-mentioned “Black Monday” were as honest and beautiful as they were because each was inspired by women he really loved. (He explained it in a less mushy way, but that’s what it came down to.) Performances of both those songs, I found particularly powerful.

But the room? With the low ceiling and all, the music was painfully loud. I had to do the extremely cool “Kleenex in the ears thing” to survive. And with the full house, it was hot and crowded. Plus, way too many tall dudes. I had to keep moving around, trying to get a spot where I actually see the band, and not just the back of someone’s head. The crowd was very well-behaved—no smoke of any kind, and surprisingly little beer spilled. But still. I’d say I’m too old for this kind of show, but I didn’t really like them when I was younger, either.

So kind of glad I didn’t drag any friends with me to this, as I feel I would have just had to apologize. Instead, I suggest, just check out Lowest of the Low on record. That way you’ll thank me later. Maybe start with these ones:

  • “4 O’Clock Stop”, Shakespeare My Butt, the insanely catchy opening number. Lyrics may not cohere as a whole, but they sure feel right as they hurtle along.
  • “Black Monday”, Hallucigenia, as the singer regrets the effects of his depressive nature on the “sad and beautiful” Kate. “The way I am has never been too good for us.”
  • “Rosy & Grey”, Shakespeare My Butt, the most Canadian love song ever, where even “the smell of snow warms me today”.
  • “Gamble”, Hallucigenia, which sounds like it’s exactly about Buffy and Spike, Season 6, even though it was written before then.
  • “Henry Needs a New Pair of Shoes”, Shakespeare My Butt, a deceptively upbeat little ditty that, on closer listening, reveals the social conscience of the band, along with their sense of humour.

And now for something completely different….

A couple years ago I wrote about attending the Open Ears festival, and the organizers noticed. So the notified me about this year’s festival, “celebrating the art of listening”. It took place at a busy time for us, but we did manage to attend one concert: Toca Loca, on April 30.

Where Lowest gave me some unpleasant flashbacks to concerts of my youth, this was like nothing I’d ever seen or heard before. The opening number was “Temazcal”, a piece for maracas and tape. So recorded sounds were played, then a live percussionist joined in on maracas. That was followed by “AK-47”, a piano solo based on the assault rifle. It was both virtuosic, and pretty noisy.

Then there was “Pattycake”. Two performers sat facing each other clapping out the familiar childhood rhythm, but at increasingly dizzying speeds, and with some variation in the original words. It was riveting, as mistakes would be—if not disastrous—at least potentially quite painful. “Repetition is good. It builds trust. Soon you come to know what’s expected.”

In the next two pieces, all three members played along to pieces composed for them, one a fusion of New Wave, Synth-Punk, and No Wave (I don’t know what that means, either), the other a love song as expressed by an industrial machine.

And finally, the “Halo Ballet”. In this one, five gamers manipulated the Halo participants into a kind of dance pattern, instead of the usual trying to kill each other. They would shoot patterns into the sky, or be stacked on one other and twirl, or leap around in synchronicity. We watched all that projected on video. Meanwhile, of course, the band was supplying the soundtrack.

Afterward, Jean commented on how we had paid $48 to watch people do Pattycake. “Did you dislike the music?” “No, can’t say I disliked it.” “Were you bored?” “Absolutely wasn’t bored.”

Me either. $48 well spent. And looking forward to the next Open Ears, where I can hopefully experience more of the aurally novel.

 

March 16, 2011

Movie review: Canadian film fest

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In the wake of the Genies, we saw the two main contenders on the weekend.

*** Barney’s Version (January 2011) – Theatre
Paul Giamatti, Rosamund Pike. A movie built around Barney Panofsky’s relationships—with his father, his friends (especially Boogie), and the three Mrs. Panofsky’s.

She says: Very well-acted, engaging, funny in parts, but a lot of tragedy as well. A realistic love story at its heart. Just barely passes the Bechdel Test, though.
He says: I enjoyed it. Paul Giamatti is a really good actor.

? Incendies (April 2011) – Theatre
Lubna Azabal, Rémy Girard. After their mother’s death, her children (twins) are told to locate the father and the brother they knew nothing about. It leads to a tragic voyage of discovery about their mother’s past.

She says: Very well-crafted, completely compelling, but a dark story with a really disturbing twist.
He says: God, that was so depressing. I’m really disturbed now. Why would anyone want to see that?
She says: I think the fact that it’s affecting you so much shows that it’s a good movie.
He says: No. It was terrible.
She says: The story is terrible. (And I’m grateful that the worst of it wasn’t actually shown.) But I still think the movie was good. It was haunting.

 

February 21, 2011

A ballet at the Moulin Rouge and a symphony in space

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The recent calendar has been a little busy, starting with a surprise party for Jean last Friday (at Verses), and a Valentine’s Dance on Saturday (at which we received some nice comments on our dancing, actually), and ending with another Verses dinner this Saturday, with a dance class and practice night fit in there as well.

And we also attended…

Moulin Rouge: The Ballet

The first ballet we’ve been to since, I think, the Ballet Béjart tribute to Freddie Mercury, quite a few years ago, in Montreal.

This one featured the Royal Winnipeg Ballet, and took place in our home town concert hall. It was inspired by the Bahz Luhrmann movie, but didn’t imitate it so closely as to get into copyright trouble. So though it is still a love triangle between a woman who works at the Moulin Rouge, an impoverished artist, and a more powerful man, they aren’t the same characters as in the movie. We still get a tango scene, and green fairy scene, but not at the same points, nor for the same reasons, as in the movie.

No matter. The plot isn’t the point in a ballet; it’s just window dressing for the dancing. And that setting and themes made for some really lively dancing. It particularly came to life, of course, with the extended can-can scene inside the Moulin Rouge. That part begun with an unfortunate flub, in which one dancer was nearly dropped, but otherwise the dancing was nothing but impressive. (Not that I’m any expert.) I wasn’t sure what Jean thought of the whole thing, but he assured me he found it enjoyable—even though he knows this may mean has had to attend another ballet in another 10 years or so.

And Friday, we had tickets to Symphony in Space.

Space image

This was a KW Symphony Pops concert intended to feature music with a astrological theme. So there was some Star Wars music, some Star Trek music, and some things you wouldn’t expect, like Bach’s Bradenburg Concerto, which apparently is out there on a space capsule somewhere, searching for intelligent life.

I’ve never seen conductor John Morris Russell before, but man, what an enthusiastic, lively personality he is. Along with being interested in science as well as music, he’s quite passionate about education, so the show also featured some young performers. The most adorable thing was seeing all these tiny violin players trot out to join the symphony in Suzuki’s “Variations on Twinkle Twinkle Little Star”. Brought back memories of my own violin-playing days. But these kids were much better.

The second half was hosted by an astronaut, Bjarni Tryggvason, who guided us through the planets of our solar system as the symphony played excerpts from Holst: The Planets and a bit of Mozart (Jupiter). This part was also accompanied by these gorgeous NASA photos of the various planets. It was really hard to get bored during this concert.

The conclusion featured the Eastwood Collegiate Concert Choir accompanying soloist AJ Bridel on “Defying Gravity” from Wicked. Man, does that girl have chops. Remember that name: She might be someone someday.

All in all it was one of the most enjoyable symphony performances of the season. Well worth making time for!

 

February 14, 2011

Congratulations, Arcade Fire

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… On winning Album of the Year at the Grammy’s. Which I actually didn’t realize would be such a shock to everyone who isn’t me. (Cause it was certainly the best 2010 album I heard all year…)

And congratulations, Grammy’s, on giving Neil Young an award for an actual song (not just nice music repackaging), thus eliminating one from your embarrassing top 10 list of people who’ve never won a Grammy.

And to all the people in Twitter-ville so very, very upset that the Grammy’s dared award Album of the Year to a band they’ve never heard of… I gave you my very mature response:

Nyah, nyah, nyah, nyah, nyah. My band rules.

 

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