Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


Leave a comment

Roundup: Riverdale, Lala Land, Malcolm Gladwell, and more

I haven’t done anything major of late, but I’m still keeping busy with a number of minor items, such as…

Watching Riverdale

A very buzzy show right now, playing on CW in the US and on Netflix in Canada. Beforehand, I liked the idea of a dark, Twin Peaks-y take on Archie Comics, and I’ve been generally happy with the results. The tone is still somewhat uneven—sometimes exaggerated Gothic, sometimes gritty realism—and Jean does tend to roll his eyes at the drama, drama of some scenes. But we’re both pretty entertained by it, overall.

Doesn’t hurt that he took an instant shine to Betty, while I am seriously crushing on Jughead… On Jughead, yeah. This is not like the comics! Sure, Archie is handsome, but also a jock and a bit bland, and Kevin is cute, but not  in that Adam Lambert way. But Jughead is a writer, he’s sensitive, he’s moral, he’s troubled (poor and bullied; alcoholic father)—and also, so pretty!

jughead

[SPOILERY] There’s been considerable Internet discussion about whether the Jughead character would be asexual / aromantic as in the comics, so I was curious how that would play out. I can’t say I’m personally disappointed with the decision, but it is certainly a missed opportunity to do something groundbreaking.

Finding a movie Jean likes

Back in December we went to see Office Christmas Party, an over-the-top, light comedy we both found kind of fun. But then we followed withe Loving and Moonlight. These are both quality films that I enjoyed. But they are also slow-paced, character-driven dramas, and Jean was somewhat bored by both. So I took a pass on going to Fences and Manchester by the Sea with him—I’ll catch up on those myself.

The Lego Batman Movie seemed like it should be a good bet, though, right? And while it was not quite as good as the original Lego Movie, I was still very entertained by it. But while Jean wasn’t exactly bored, he was just kind of meh on this one. He just didn’t catch all the digs at the Batman lore that made the movie so clever.

And Lala Land? (“Did you know this is a musical?” he asked, walking in. Umm…)

But hey Mikey, he liked it! (Me too. It’s fun, and beautifully filmed.)

Fretting about details of a party we’re hosting

Usually late at night, when I should be falling asleep.

“Huh,” said Jean, when I reported this. “I don’t think about that at all.”

But he definitely helps me work on whatever aspect I’m most recently fretting about.

I guess that makes us a good partnership. Though I do envy his ability to just assume that things will be fine and work out.

Learning from Malcolm Gladwell

Revisionist History is a podcast series, available on iTunes and Google Play.

Each week, over the course of 10 weeks, Revisionist History will go back and reinterpret something from the past. An event. A person. An idea. Something overlooked. Something misunderstood. Because sometimes the past deserves a second chance.

I’ve listened to 8 out of 10 so far, and find them all fascinating. Like:

  • The Lady Vanishes, on how one woman (or African-American, or gay person) achieving breakthrough success doesn’t necessarily pave the way for more.
  • Thanks to The Big Man Can’t Shoot, I now understand that my very disinterest in looking athletic (a hopeless endeavour, anyway; I am simply not athletic) made me a basketball free-throw champion. (It was literally the only thing I was ever better than anyone else at in gym class.)
  • Hallelujah explains the creative process and unlikely series of fortunate events that turned Leonard Cohen’s original un-listenable song into the iconic tune it is today. (Though I think KD Lang should also have earned a shout-out in this piece.) And as a bonus, introduced me to a new Elvis Costello tune.

Listening to women

I’ve always been a feminist, of course, but the US election has made it all feel more acute. My Twitter feed has been feeling gender unbalanced, so I’ve been seeking out more women’s voices:

  • @robyndoolittle, who’s been working on an important series for the Globe and Mail on how many sexual assault cases in Canada are labelled unfounded. (The first: Unfounded: Why police dismiss 1 in 5 sexual assault claims as baseless)
  • @AKimCampbell, first woman Prime Minister of Canada, and also a really hilarious person. (And very active retweeter, but I’ve learned you can follow a person’s tweets but not their retweets.)
  • @kashanacauley, humorist and now writer at The Daily Show.
  • @tagaq, wherein singer Tanya Tagaq provides an interesting, First Nations perspective on the day’s issues.

I’ve also been listening to more music by women. This has led Spotify, who previously recommended me a whole lot of dance club music (thanks to following Adam Lambert, and perhaps enforced by a bout of listening to show tunes) to conclude, well, maybe I would enjoy some Indigo Girls and Melissa Ethridge as well.

I kind of do like their music, though, so it’s all good. And also, the songs by these strong women:


2 Comments

Anniversary playlist

Wedding anniversary celebrations aren’t until later in the year, but since one has to plan ahead for those things, it’s consuming some mind-space now. One detail I’ve pondered is whether we can play our own music during dinner in the restaurant space we’ve rented. I’m guessing no, but if we could, I wouldn’t have to spend time creating the playlist.

Many years ago I made Jean a mixed CD sort of thing (back when one still did that sort of thing) of songs that reminded me of him / us. Since then I’ve continued to add to it when so inspired. (That being one of those things I do—maintain lists of stuff.)

Since it might not actually get played, I thought I would at least share it:

Anniversary playlist (Google music)

The list reflects different stages of our relationship.

In the beginning

Songs like Bob Geldof’s “Dazzled by You” and Alanis Morissette’s “Head over Feet” cover the wonder of new relationships. But I think the one that best captures our specific “I now see you in a different way” encounter at a dance bar is Madonna’s “Crazy for You”.

“We’re so close but still a world away / What I’m dying to say / Is that I’m crazy for you”

(Young love. It’s so wonderfully sappy.)

As for our first date, this is best summed up by a recent addition—“Satisfied” from Hamilton. It really captures that amazing rush when a conversation clicks so well.

“So so so— / So this is what it feels like to match wits / With someone at your level! … The feeling of freedom, of seein’ the light / It’s Ben Franklin with a key and a kite! You see it, right? … Ev’rything we said in total agreement, it’s / A dream and it’s a bit of a dance / A bit of a posture, it’s a bit of a stance. He’s a / Bit of a flirt, but I’m ‘a give it a chance”

(… Even though it didn’t actually work out for Alexander and Angelika. They’ll never be satisfied.)

Let’s not rush things

We were kind of young when we met. We dated for two years before moving in together, and another two before marrying. Carly Rae Jepsen’s “The One” definitely captures that “everything is fine, but don’t rush me” feeling of the earlier years.

“If you want to / You can stay the night / I don’t want to be the one, the one / It’s too much pressure”

We’re one, but we’re not the same

We are rather different personalities, and that required some adjustment, as expressed in, yes, U2’s “One” (though I think that might actually be about a relationship with God) as well Joe Jackson’s “Breaking Us in Two” and even Bruce Springsteen’s “Brilliant Disguise” (really a divorce song).

“You don’t do the things that I do / You want to do things I can’t do”

Secure in love

But there’s a lot more of these types of songs, among them “Automatic” by Prince, “Don’t Get Me Wrong” by The Pretenders, “You Make Loving Fun” by Fleetwood Mac, “As Sure as I Am” by Crowded House, “Je savoure ton amour” by Swing, and the beautiful “Lost Together” by Blue Rodeo.

“I want all the world to know / That your love’s all I need”

Which doesn’t mean it’s boring

Come to think of it, maybe “Automatic” by Prince belongs in this category, but Sade is truly the queen of the naughty but lovely love song.

Your Love Is King: “You’re making me dance… Inside

It’s been a long time but it’s still great

“Still the One” by Shania Twain should be the ultimate of these songs, but it’s kind of ruined by knowing how her marriage to “Mutt” Lange actually ended up. Similar issue with Billy Joel’s “Just the Way You Are”, written for the wife he left he left for Christie Brinkley (and which didn’t even make the list).

But those Beatles guys were really into their wives. (The second wives, anyway, in most cases.) Paul McCartney wrote “Maybe I’m Amazed” about Linda. John Lennon has a bunch of great Yoko-inspired songs: “Woman”, “Grow Old with Me”, and my favourite, “Out the Blue”. And Sting, though he’s a bit intellectual about it, also has the lovely (and presumably Trudie-inspired) “Straight to My Heart”.

The actual ultimate of these, I think, is “You’re My Best Friend”, by Queen’s John Deacon, who to this day still with wife #1.

“You’re the best friend / That I ever had / I been with you such a long time / You’re my sunshine … You make me live”

Unconditional love

The problem with this playlist is that a lot of the songs do make me uncomfortably emotional, none more so than “Everything” by Alanis Morissette.

“And you’re still here”. Jesus, it kills me every time.

Distinctly unsentimental

Still, it’s not just as an emotional breather that songs like Tim Minchin’s “Confessions (in three parts”, the “Bones Theme” by Crystal Method, and Spirit of the West’s “Home for a Rest” are included as well. But I’ll leave you to ponder just why they’re included.

“I’ve been gone for a week / I’ve been drunk since I left”

 


Leave a comment

Not the news

A lot of grim things are happening in the world, the sun was awol for much of January, and I succumbed to one of the season’s cold viruses last week. (And now Jean is complaining of chills.)

But hey, instead complaining at length about all that, I’ll list a few things that made me happy in the past few weeks.

1. KW Glee: Redux

Two years ago we were blown away by a KW Glee (show choir) + KW Symphony concert. This year they did it again. There’s just deep entertainment value in watching a huge group of talented, enthusiastic, and attractive young people sing and dance to popular songs, in costume, while accompanied by a full orchestra.

Last time I had mentioned that I didn’t know a lot of the songs performed—they were too current for me. This time they rectified that with a set from various eras. To the point where I felt kind of bad that they were played so little of of their own generation’s music, though there was one Imagine Dragons song and one by David Guetta / Sia, both very powerful performances.

Other highlights were:

  • That old Gap commercial come to life during “Jump, Jive, and Wail”
  • The outstanding youth singer (a girl—don’t know any names) wailing through the Jackson 5’s “ABC” and “I Want You Back”
  • The beautiful contemporary dance accompanying “Falling Slowly”, from Once
  • Not one, not two, but four different lead female singers proving they were up to the challenge of singing Adele’s “Rolling in the Deep”.
  • “Bohemian Rhapsody”. Performed in full, featuring two lead singers, one male, one female, and treated not as campy fun, but as the somber piece it actually is. Outstanding.

https://www.youtube.com/watch?v=pjgbj45yXmA

  • The virtual re-enactment of Janet Jackson’s “Rhythm Nation” music video.
  • The youth choir’s 80s attire during one segment, some of which looked like it actually dated from that time. The “Frankie Say Relax” T-shirt was my favourite.
cof

Remember the 80s? These kids don’t, but they’re dressing the part anyway.

  • The youth boys running scared during “Ghostbusters” only to be have the youth girls toughly emerge, declaring that they were “Bad”.
  • The use of sign language during “Imagine”—very touching, somehow.
  • The terrific soul singer who performed “Signed, Sealed, Delivered (I’m Yours)”. (It is great that so many of the participants get to try a lead, but with some of them, you do wish for more than one song!)
  • The reprise of “Hallelujah” that blew everyone away last time, performed by the same quartet, back from university for the occasion.

A Spotify playlist of their set list!

2. The Good Place

Holy motherforking shirtballs, The Good Place was good.

This is a half-hour, 13-episode, network TV show starring Kristen Bell and Ted Danson, debuted this year to very little notice—Jean’s the only other person I know who watches it.

But it’s like nothing else I’ve ever seen. And I’m loathe to even say that much about it, as it was so much fun to go along for the ride. And it’s so full of twists! Also, hilarious! Week to week, it was the show I found myself looking forward to most.

I will give the premise. Eleanor (Kristen Bell), a not-so-stellar human being while alive, is surprised to find herself in “the good place” (yeah, that one) after she dies. They have somehow mixed her up with some good Eleanor! How does she stay in the good place?

Look, I know there’s too much good TV, no one can keep with it all. So I won’t say you must watch The Good Place. I will just point out that if you do, it might make you happy. And that at 13 22-minute episodes, it’s less time-consuming that many series. And that despite mediocre ratings, it has already been renewed for season 2, so you don’t have to worry about being left hanging.

If nothing else, you can watch this Season 1 trailer—just 2:20

3. Sandra Shamas: The Big What Now

We were in Toronto last weekend.

Toronto-0030of0133-20170128-HDR

And by the way, Jean won another photo contest recently. (Not with this photo. Just thought I’d mention it now.)

8875While there, we went to Sandra Shamas’ one-woman show about “climbing mount menopause”. Despite that intro and the predominantly female audience, it wasn’t all about the hormonal challenges of being over 50. She covered a gamut of topics from her life.

Having recently dealt with a series of similar plumbing issues, we could relate to the mix of disgust and determination in which she handled the events that started when she flushed her toilet and it “came up my bathtub”. I took (hypothetical) heart in her discovery—having failed to make herself lesbian (“turns out it’s not a choice!”)—via dating apps, that plenty of 20-something men will seek the attention of women in their 50s. (She can’t bring herself to take advantage. “Does your mother know what you’re up to?”)

I wonder if I, too, will soon be entering my “ranting” years. (“I always talked to myself. Now I do it in public. And I’m angry!”) And it was hard not to be inspired by how she made it through a serious ice storm two years ago: “I was without hydro for 8 days. But I was never without power.”

Toronto Star review of the show

4. Queen + Adam Lambert

They’re back! In North America, back! And they kicked it off with an appearance on the Late Late Show that soon went viral:

Front man battle: Adam Lambert vs. James Corden foronting Queen


Leave a comment

Sounds of 2016

My opinion of this year’s top music? That I probably didn’t hear most of it. Last year, under Adam Lambert’s Spotify / Twitter guidance, I actually heard a fair amount of the top 40. This year Adam had other priorities (tours, movies, TV shows), so I reverted to more typical behaviour for someone my age, and listened more to older stuff.

Still, some audio releases of 2016 managed to grab my attention.

Albums

The Hamilton Mixtape

We went to New York this year, but did not see Hamilton, the Broadway musical. I tried for tickets, but without really knowing much about the play, other than that it was super-p0pular. We did see the New York Library exhibit about Alexander Hamilton’s life, however, and it certainly was a colourful. So on my return, I finally listened the musical soundtrack, and really liked it. I definitely got into the story line, and a lot of the songs are just catchy. They’re not all hip-hop, but I liked those ones, too, generally.

So The Hamilton Mixtape, a collection of covers, re-imaginings, and out-takes from the musical, was the only album I got my hands on the day it came out. It did not disappoint. It just highlights why this story of someone from so long ago resonates today.

Favorite track: “It’s Quiet Uptown” by Kelly Clarkson, though it always makes me weepie

People are already weeping over Lin-Manul Miranda’s Hamilton Mixtape

Carly Rae Jepsen: E*MO*TION Side B

It actually took me a few listens to really get into the original E*MO*TION album, but I had no such trouble with Side B. Why these particular tracks didn’t make the original cut is a mystery, as they seem as strong as those.

Favourite track: “The One”

The Queen Extravaganza: A Night at the Apollo Hammersmith Live

The Queen Extravaganza are the officially sanctioned Queen tribute band, and on this outing they tackle the entirety of A Night at the Opera—something the original band never did. The do an impressive job of it. And then we get some other Queen hits.

What’s particularly striking about this band, though, is just how much singer Marc Martel sounds like Freddie Mercury. You’d occasionally swear this is a new recording by him, which is a mix of awesome and weird. The album is not available for streaming, but must be acquired from Pledge Music.

Favourite track: “The Prophet’s Song”. I dare you to not be impressed by it.

Queen Extravaganza – Seven Seas of Rhye – Live at the Apollo Hammersmith

Alysha Brilla: Human

Not every song is a home run, but this is an uplifting, positive release from this hometown artist.

Favourite track: Bigger Than That (“You put up a wall, but I’ll climb it like a cat. Cause I am bigger than that.”)

(David Bowie’s Blackstar is also worth noting, but you all knew that already.)

Songs

You’ll notice a prevalence of artists of a certain vintage here…

  • Bonnie Raitt: Need You Tonight—Sexy cover of this INXS song
  • Beyoncé: Formation
  • Roger Daltrey: Let My Love Open the Door—Who singer takes on this great Pete Townshend solo track, for charity
  • Brits 2016 Bowie Tribute, featuring Lorde—Fantastic job
  • Paul Simon: Wristband—So funny . Rest of the album is rather good, too.
  • Tanya Tagaq: Rape Me—Haunting cover of the Nrvana song. Her album has made many “best of the year” lists, but I haven’t listened to it all yet.
  • Lady Gaga: Grigio Girls

And I also liked everything Adam Lambert released this year:

  • The two dance track collaborations: “Can’t Go Home” with Steve Aoki and “Broken” with Tritonal
  • The cover of George Michael’s “Faith”
  • His Rocky Horror songs; Hot Patootie (Bless My Soul) and Science Fiction
  • And his single, performed on American Idol and featured in numerous sports broadcasts: “Welcome to the Show”

Gorgeous official video for Welcome to the Show

Concerts

Did pretty well with live shows this year, and since I blogged about each at the time, I don’t have it go on about them again. In order of greatness:

  1. Adam Lambert: Original High Tour (Berlin, Germany)
  2. Tanya Tagaq, Intersections concert with KW Symphony (Kitchener, Canada)
  3. The Who: Who Hits 50 tour (Toronto, Canada)
  4. Alysha Brilla: Album release party (Waterloo, Canada)

(You know it’s quite the year if on my favourite bands of all time is third!)

Via semi-legal webcast, I also enjoyed the Queen + Adam Lambert Rock in Lisboa, and by totally legal national broadcast, the Tragically Hip’s last show of their tour.

Podcasts

It didn’t occur to me to compile a list of particularly good podcasts, but I did spend part of the Christmas break working through Wired’s recommendations. Good list, though I have concluded I’m not really a fan of fiction podcasts, even if well done.

Audiobooks

trevor-noah-book-born-a-crime-stories-from-a-south-african-childhoodEasy, because I only finished one (not enough road trips this year): Trevor Noah’s Born a Crime. This book has been well-reviewed and I can assure you, it’s deserved. His life is fascinating, and he tells it well.

Trevor Noah was born in South Africa, during the Apartheid era, of a black mother and a white father. Their relationship was illegal; hence, “born a crime”. He spent much of his early childhood indoors. When out with either of his parents, a ruse was necessary. He’d walk with a lighter-skinned friend of his mother’s, and his mother pretended to be maid. He walked across the street from his father.

Apartheid ending just changed the complications of figuring out where he fit in.

Though it’s his life story (and does not include the tale of how he became a successful comedian in South Africa, and ultimately star of The Daily Show), his mother is the real star here. What amazing woman, to be so strong and independent in a society that gave her no training or support for being so.

Noah does narrate the book himself (unabridged) and does a great job of it. It’s fun hearing him read out the various African languages and to get the proper pronunciation of everything. It wasn’t a very easy life, but as comedians will, he pulls many funny moments out of it nonetheless. One of the best things I heard this year.

 


1 Comment

Skating’s greatest hits

The KW Symphony’s intersections series was about combining orchestra and… something else. Physics. Fiddling. Food. Heavy Metal. Though Friday’s concert was not part of that series (sadly not offered this year), it was still of that ilk. The partner this time was figure skating.

cover_kurt-browning-bea9d304There was no way I was missing this one. Particularly as it was being hosted by three-time world champion, first man to ever land a quadruple jump in competition, Kurt Browning.

Jean was considerably less enthused about attending.

If wondering, no, they did not somehow bring an ice rink into Centre in the Square, not have the symphony decamp to play at a hockey arena. Instead, most of the skating seen on video.

After an opening performance of An American in Paris, our celebrity host explained that while music was incredibly important in figure skating, it had to go through a certain amount of mangling to fit the sport’s requirements: Cropped to fit into the time constraints. Tempo adjusted to match the tricks. Bit recombined to create certain moods.

This meant that when the symphony played the soundtrack to a video of Browning’s world championship performance of Casablanca, they couldn’t just the pull out the sheet music for “As Time Goes By”. Instead, the conductor had to write a new orchestral score for the Frankenstein version of that piece that Browning skated to.

It was gorgeous.

blue-harvest-by-toller-cranston-300x300

Example of Cranston’s art

Browning was so moved by it, he barely knew what was on next, so conductor Lucas Waldin stepped in to explain that it was a tribute to Toller Cranston (who apparently pioneered this whole orchestra / figure skating idea), featuring selections from the ballet Gayane.  This time, the screens showed scenes of Toller’s amazing paintings and decor before showing his Sabre Dance skate with live orchestra. Just fab.

Given the chance to recover, Browning emerged to point out that while artistic, figure skating is still a sporting competition with some serious rivalries over the years. The Symphony played Sing Sing Sing while we saw clips from the battle of the Brians, the battle of the Carmens (though they didn’t mention that both were defeated by Canuck Liz Manley), Tonya Harding vs. Nancy Kerrigan (remember that?), Virtue/Moir vs. Davis/White, and so on.

We then moved on to a montage tribute to skaters past, when they had to skate outdoors (!), and future, in the form of the youngsters at the KW Skating Club. And Kurt Browning introduced Don Jackson, 1962 World Figure Skating Champion, who was in the audience. Cool! Oh, and the tune played for that piece was Tchaikovsky’s Swan Lake.

The next bit seemed to be interrupted by a badly timed cell phone call—only it was Kurt Browning’s phone, and on the line was Olympic Bronze medallist Joannie Rochette. (Seriously.) She talked about she managed to get through that Olympic performance just days after her mother died. Then the symphony played La cumparsita to a video of it. (Using a few stills so as to not have to cut the piece down to exactly 4 minutes.)

YouTube of Rochette’s Olympic performance from European TV

Kurt then dragged out a collection of his costumes from over the years, selecting a purple velvet hat and robe for conductor Lucas Waldin to wear. We then got a montage of some of the more interesting sartorial choices figure skaters had made (admittedly, many from gala and not competition pieces), to selections from Mel Brooks’ The Producers.

Kurt emerged in his Singin’ in the Rain outfit, and we got a singer! And tap dancer, it turned out: Mr. Geoffrey Tyler. With all that going on live, this song was not played to video footage of that famous skating piece. Instead, via roller blades, we got some live Kurt Browning skating! And the first standing ovation of the night.

The video we didn’t see of Singing in the Rain

At intermission, Jean said we very pleased about high entertainment value of the evening so far.

And he was not being sarcastic!

The second half kicked off with the Symphony playing Phantom of the Opera, on their own. Kurt came out to discuss the fact that many skaters tried to skate to that piece—but none had really succeeded in achieving an iconic performance with it. Too big a song, perhaps, for the white, bright, bare stage of figure skating competition.

Singer Tyler returned to perform What a Wonderiful World, a show piece of Kurt Browning’s. Tyler also talked about how he’s worked with figure skaters. on the dramatic aspects of their performance, on connecting emotionally. We then did a bit of a 180 into an Abba medley (though Abba sounds great orchestrated!), highlighting scenes from the world of professional figure skating.

And then, the hauntingly beautiful Mahler piece, Adagietto from Symphony No. 5. Conductor and Browning discussed how only very special skaters could do it justice. Katerina Gordeeva was one; she skated it solo as a tribute to her partner, Sergei Gringov, after his sudden death.

Ekaterina Gordeeva 1996 Celebration of Life / Mahler – Symphony No. 5 (Serguei Grinkov Tribute)

Another were Tessa Virtue and Scott Moir, who won Gold with it at the Vancouver Olympics. The video played to this beautiful piece wasn’t either of those performance in their entirety, but compilations of them along with some from Jamie Sale and David Pelletier, who didn’t use the music (that I know of) but certainly brought emotion and drama to their pairs performances.

The next piece didn’t need, and therefore didn’t get, video accompaniment: Ravel’s Bolero, forever synonymous with Torville and Dean. Though Browning informed that Carolina Kotsner is one of the few who has successfully skated to the piece since that team’s perfect performance.

Our finale was the theme of the Vancouver Olympics, I Believe, featuring the adorable singers of the Grand Philharmonic Children’s Choir. And then they gave us an encore! (Note: This is rare at the symphony.) Conducted by Kurt! The Toreador Song.

As a figure skating fan, I was thrilled to bits with the evening.

As a non-figure skating fan, Jean declared that he glad he had been “dragged out” to this performance. (Again, not sarcastically.)

It was a great intersection.

(Thanks to Skate Canada for all the footage they provided they provided for the show. Much higher quality than what you can find on YouTube…)


6 Comments

Live and on the CBC

I did watch The Tragically Hip show on CBC television last night. It seemed the thing to do, and I was interested enough. I’m of the age where their music formed the soundtrack of my life, whether I realized it or not. I own only two Tragically Hip albums (Up to Here and Road Apples), yet I knew the chorus of almost every song they played last night.

For any non-Canadians who stumble on this: The Tragically Hip’s lead singer and songwriter Gord Downie has incurable brain cancer. He’s in remission, and the band has done a cross-country tour, ending in their hometown of Kingston last night. National broadcaster CBC interrupted their Olympic coverage to bring the concert to everyone, commercial-free.

There’s been a lot of great writing about this band, and this tour, in Maclean’s, the Globe and Mail, The Washington Post, The New Yorker. I can’t compete. It’s not only that I’m not as good a music writer—though that is true—but also that, familiarity with choruses notwithstanding, I’m not a big enough fan. I could observe that the band were quite good, that they mostly pumped through the songs without a lot banter with the audience (hard to know what to say, one thinks), that Gord Downie restricted his talking to thank you’s and a comment on First Nations people up north, that they did three encores, that the show was about three hours long.

marche-watchingcanadasbiggestrockbandsayadramaticgoodbye-1200

Gord Downie from an earlier Toronto show as, in a very strange decision, the promoter would not allow official photographers at the Kingston show

But I couldn’t truly get into the emotion of it. I’m not sure why, in all these years, their songs have never really touched my soul. They’re catchy, they’re in a genre I like, the lyrics are smart and highly original.

Maybe it’s simply that, until last night, I had never seen this band live.


Friday night Jean and I went to our first-ever CD release party. No, not our CD (heavens!); Alysha Brilla’s. Alysha Brilla is a local artist with some (not Tragically Hip level) national fame.

She once lived in LA, and was signed to a big recording contract. But she couldn’t fit into that little commercial box they wanted to put her in.

“They wanted me to write songs about going to the club. And picking up guys.” she commented on Friday. “And I’m like, but I don’t go to clubs. I don’t pick up guys.”

So she scampered away from that contract, and set up as an independent artist in Canada. And the only reason most of us have heard of her is the CBC Radio often plays her songs. (See her public love letter to CBC Radio.)

Her music has always been a kind of fusion of jazz / world sounds with a touch of pop, but the latest album, Human, has more Indian influences than her past work. I listened to it on Google Music (and yes, heard a couple tracks on CBC Radio) before picking it up on Friday, but I wasn’t sure about it. It has a lot of spiritual themes (one song is actually called “Spiritual”), it’s all peace and love and changing the world (another song is literally called “Changing the World”).

It’s very granola, you know?

img_7653_smaller_1024x1024

Music, singer, songwriter, producer, artist Alysha Brilla

But after having seen her perform several tracks live, I’m kind of digging it. For one thing, she’s just such a charmer live—gets you in her corner right from the opening, and keeps you there. She was playing the Jazz Room, which has an unfortunate rectangular shape that is not ideal for live music, and was very full, and pretty hot, and during the 1.5 hour or so wait before she started, we actually pondered leaving.

But I’m glad we didn’t; the show was interactive and so fun. We got the stories behind some of the new songs: “Gender Rollz” was inspired by her time in LA, and the strict modes of behaviour expected of both men and women in the big music industry. “Ahimsa” (which means peace) came to her while on vacation in Kenya. The “Bigger Than That” singalong has great lyrics. And her cover of Amy Winehouse’s “Valerie” was awesome.(“Until Amy Winehouse came along”, she said, “I thought, ‘What hope is there for an olive-skinned weirdo like me?’”) It’s not on the album, but it is on YouTube.

And here’s some more:

Introducing Alysha Brilla (Soundcloud)

 


Leave a comment

To the late night, double feature, picture show

Rocky Horror Picture Show and I go way back.

I read about the movie years before I actually saw it. In my small, Northern Ontario town back in the day, there were no late-night (or any time) showings, but I read about them in the rock magazines. I recall being quite taken by the photos of Tim Curry in his fishnets. (I later learned that many women found themselves surprised by how much they were taken by Tim Curry in his fishnets.)

e8545d806bfba7892fda615b590cf10c

Attending the film itself had to wait until I went to university in Montreal.  The McGill Film Society showed it and my friends and I were there, armed with newspapers and rice, but not in costume. The audience was a mix of newbies and, fortunately, some veterans who knew what you were supposed to shout at the screen when. I wasn’t entirely sure if the movie was good (so campy!), but I found the whole experience fun.

2016-08-16 20_51_21-rocky horror picture show audience - Google Search

Not the performance I was at–back then we didn’t take pictures of everything…

I never did become a regular screening attendee, but I’ve certainly seen the movie a number of times since then. Our local repertory cinema still plays it every year at Halloween. Jean and I attended with friends at least once. We hadn’t planned for enough ahead to get fully costumed as any character, but I did aim for a sort of Goth look. (And I believe that Jean eccentrically went as a clown.)

Since then, I’ve seen Rocky Horror on network TV, purchased and devoured the DVD–including all extras–saw a very fun live performance of it courtesy of the University of Waterloo drama department (being a performance for alumni and faculty, that was a different audience than previous), and even checked out the TMN parody (more nudity, but much less gay).

So when I read that JM Drama Productions had another local version on this past weekend, it was an easy to decision to go.

Most appropriately, we had to run through heavy rain to get to the theatre, where we were confronted by a number of scantily clad Goth types. Rocky Horror is always a sexy beast, but this production really laid that on thick, aided by the many very attractive young actors cast. For instance, Janet starting panting the minute she saw Dr. Frank (and who can blame her), and the choreography ensured that you didn’t miss any of the double entendres in the lyrics.

b822643398z-1_20160804164655_000_g7v1nd6a0-2_gallery

The JM Drama cast; picture from The Waterloo Region Record

JM Drama is community theatre, so their budgets were small. But their costumes and makeup were top-notch, and they were very creative about the props and sets. The vocals weren’t always great; but then, that’s not as important for this particular musical. (It’s hardly Les Miz.) Fortunately, some of the best singing was done by lead Dr. Frank, who gave an excellent, charismatic performance.

Appropriately, there was some gender-bending within the casting. Both the narrator and Dr. Scott were played by women, and why not? It even allowed for some fun Frank / Dr. Scott flirtation. And Magenta was played by the absolutely fabulous David Cho.

Overall, the whole thing was a hoot (to quote Jean’s post-show assessment). Of course, with a live production, the audience couildn’t (and didn’t) yell back or throw any projectiles. But, they did invite everyone on stage at the end for a reprise of “The Time Warp.” Jean promptly sat back in his chair, but I went for it! And yay me, as I got to dance near the two hunkiest members of the cast, Rocky immediately to my right and Frank directly in front. (Which is why Jean didn’t manage to get a picture; the actor playing Frank was very tall.)

This isn’t the kind of play that’s meant to be contemplated on too deeply, but this production gave rise to some thoughts:

  • They weren’t nearly as clear on the difference between transsexuals, transvestites, and bisexuals back when this was written as we are now, eh?
  • All that stuff we used to yell at the screen? “Slut!” “The f word for gay!” That would just be uncomfortable now.
  • Is there supposed to be some sort of lesson here, and if so, what is it? Frank is very cool but really the villain, and he doesn’t win in the end. But what of Brad and Janet? Is it good for them that they let loose? They were so uptight at first, but seem so traumatized at the end.

Eh. Too serious. It’s just a jump to the left. And a step to the right.

See you back here after I watch Fox’s Rocky Horror reboot on TV, coming up in October.

Trailer for the new Rocky Horror Picture Show on Fox