Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


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Cheap Trick

As I kept telling people, Cheap Trick was not a band I’d go out of my way to see in concert.

But Kitchener’s Centre in the Square is only a 15-minute drive away. So when I heard that Cheap Trick was playing there, on a night I didn’t have anything else booked, I figured, why not?

I was somewhat into Cheap Trick back in the day. I owned the At Budokan and Dream Police albums. I knew all the words to “The Flame”. I thought that Robin Zander and Tom Petersson were babes and hung their pictures on my wall.

But it wasn’t a band I’d particularly kept up with lo these many years. Still, when it’s easy, and I could score 4th row centre seats at a reasonable price, why not go?

Initially Jean thought that he couldn’t join me, but his work schedule changed such that he could. I was pleased to have company, and he ended up pleased to be at the show.

My goodness, they were entertaining! 30 seconds in, and Robin Zander made it clear that he had lost none of his vocal power.

He also still looks pretty good…

Guitarist Rick Neilsen, still the eccentric, had a never-ending parade of guitar changes, with many quirky designs. But what mad skills! These are guitar solos I quite enjoyed (for one, none were that long).

A not-so-quirky guitar (but I can’t say the same about the guitarist)

Tom Petersson (who also still looks pretty good) took vocals on one song. Original drummer Bun E. Carlos is no longer with the band, but their replacement is fantastic.

It was a fun, fast, efficient set, song, song, song, not too much chatter–though they did do a bit of reminiscing about past Canadian tours and having to eat seal flipper pie in Moncton. (“I had never even heard of Moncton.”)

Where some classic bands have amassed an audience with a wide age range, this Cheap Trick crowd was largely Generation X. And they were totally going back there, some even standing up to slow dance, high school style, during “The Flame”.

I stood up myself when they launched into “I Want You to Want Me”, until I started feeling vaguely rude and sat down again. Still, I like to think I started a trend, as the entire crowd leapt to their feet for the next song, “Dream Police”, and stayed there through the remaining hits, hits, hits which with they finished the show.

I’ve been having a bit of a tough time lately, and this night out was quite the tonic. So much fun. Even the songs I didn’t know had that distinct Cheap Trick sound, so I liked them, too. They are the quintessential rock band, but in a not very rock move, they started promptly at 8:00 and had us out shortly after 9:30 (in time to catch most of the Raptors game).

And I left with my very own Rick Neilsen guitar pick (as he tosses them into the crowd freely): “We’re all all right!” it says. And we were.

It would even have been worth going out of my way.


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Well, that worked out

Back in December, I wrote about going through one of life great stressors: buy tickets to a hot concert on TicketMaster. (And yes, I am mocking myself by calling that a great life stressor.) I said in that post that my experience of rather easily acquiring floor seats for Who concert was likely at once-in-lifetime thing.

Well, not so. Because apparently the key to having a less stressful ticket-buying experience is to get tickets to see The Who (vs Queen + Adam Lambert who, thanks to Bohemian Rhapsody, are one of the hottest touring acts this year).

I wasn’t even going to make an effort to get pre-sale tickets for The Who concert, but then I stumbled upon a code. I tried it, it worked, and there were only two (2) people in the “Waiting room” ahead of me (vs. 2000 for Queen + Adam Lambert). I found seats that were OK, not wonderful, but acceptable, so got those.

But then came the general sale and I thought, well, what the heck, let’s see what’s available. In the Waiting room, there were two (2) people ahead of me. Then when I got in, I was able to calmly peruse and see that there were far better seats available than I had already purchased. At not much more than I paid for those.

Then I did get slightly stressed, but soon figured, what the heck. Surely I can sell the first two?

And I ended up with floor seats again.

I fairly promptly put the first two seats on sale, not trying to make a profit, but just priced to get my money back. Ticketmaster adds their own charge, though, so they would have been more expensive than the originals.

Then I waited. The show was on June 1.

May 1 rolled around, and no interest. I decided to drop the price. Ticketmaster limits how much you can drop it by, but I went for that. But still no nibbles.

And then I got this message:

And you know what that meant? That meant I could get a full refund on the two tickets I didn’t need.

(Reason for the reschedule? Possible Raptors playoff game. Go Raptors! I guess.)

And this rather makes up for having to wait longer, and having the show be on a Tuesday instead of a Saturday, which is less convenient. But I also heard that the shows–The Who playing with a full symphony–are good, but do need some kinks worked out. They should be in fine form by September.

Rehearsal and concert footage from the Buffalo show


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Short bits

Trying to write a longer, coherent blog post on one topic was not working, so here’s a series of short takes, instead.

What I’m watching

All of the time I’ve not been spending writing has really opened up time to watch TV. Nothing is at the level of Travelers, but here are the current favorites, per source.

Warning:

Will not include Game of Thrones, because I have yet to see a single episode of that.

Network TV: The Orville

Seth McFarlane’s take on Star Trek. I’ve always liked this show more than I would have expected, and it’s become kind of serious this year, making me like it even more. Hope it gets renewed!

Netflix: Santa Clarita Diet

Back for season 3, and I’m still loving it. You have to admire Joel and Sheila’s ability to make a marriage work despite her being undead and thus having to eat people.

Crave: Orphan Black

I know, finally, right? I always thought I would like this show, but it wasn’t until my free 3-month trial of Crave that I finally put it to the test. Tatiana Manslany is just amazing in playing all these different clones (and clones pretending to be other clones). And the story has so much twisty goodness! We’re nearly done Season 2.

Amazon Prime: Catastrophe

The humour is a bit much for Jean, but I’m going to see it through! After all, it’s only six episodes per season, and I only have two left (episodes, not seasons). A very unsentimental look at marriage, but I think I love it for the sentimental reason that these two really love each other.

Also because they’re really funny.

How is Zoë doing?

Very well, thanks. She’s adapting to life as an only cat, and getting way more attention than she used to seems to suit her. She’ll never be cuddly, exactly, but she does like to be pet, tolerates being picked up, and will even lie down on us, as long as we put a blanket barrier between her and us. (Bit of an odd duck, Zoë.) She’s also been pretty chatty, and occasionally even purry.

She also likes her new cat tree

News, ugh

I’m rather missing the days when, as a Canadian, you could feel kind of smug while reading the news from elsewhere. But now we have Quebec passing blatantly racist laws, unashamed they violate Charter rights; an Ontario government denying help to kids with disabilities; the Trudeau Liberals deciding that Canada should not be so welcoming of refugees after all; and Alberta about to elect a party full of alarming candidates, including the leader.

Reading about Brexit has almost been a relief. Of course, that’s also a story about irresponsible leadership, from so many sides, causing harm—and you have to feel bad for those who voted to Remain. But the degrees and varieties of incompetency have just been so interesting! (Though with yet another extension, the drama might start to wear thin.)

And, if you haven’t already read the comparison of Brexit to building a submarine out of cheese (an oldie but a goodie), do yourself a favor and do that. Here’s the first tweet:

Then you can see the rest of the thread, and the responses, here: Guy Explains Brexit In 12 Hilarious Tweets And It Will Crack You Up.

We will still need a song

I’ve been listening to more George Michael lately, after watching the George Michael: Freedom documentary on Crave. It was so good! Assuming you have some fondness for George Michael, of course. It made me realize that I really needed to check out his oeuvre beyond the Faith album and the “Freedom ’90” song. He made good music long beyond that.

Heard some good live music, too. Like The Beatles One show last night, a good reminder that this band could really put together a tune, and that a shit-ton of them went to number one. We also enjoyed hearing a subset of the KW Symphony perform Vivaldi’s “The Four Seasons” (subset because that piece doesn’t require a whole orchestra), led by guest violinist Nikki Chooi. It was just riveting. The whole 40 minutes of it.

Also exceeding expectations was Drayton Theatre’s performance of the musical Priscilla: Queen of the Desert. A terrific cast, creative staging, enormously fun song list. And really something to see the usual Drayton crowd of grandparents, kids, parents all totally there for this celebration of gay pride.


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Finding fiction

A tip on reading more books that I’ve found useful is to just embrace having more than one on the go at a time. Prevents any one book from feeling like a slog that is stopping you from moving on to your new, shiny books.

Personally I aim to have at least one fiction and one non-fiction book in progress. Non-fiction isn’t so hard to line up—just go with subjects I’m interested in. Fiction is tougher. I now see why so many people love genres of fiction: makes it easier if your aim is to have a bunch of mysteries, romances, or sci fi novels at the ready.

But if your genre is, basically, General Fiction? Quite a bit tougher to narrow that down. I seek inspiration everywhere.

The Music Shop by Rachel Joyce

Source: Spotted it in a book store (but later bought the ebook)

A love story, of sorts, between an eccentric owner of record store—as in LPs, at the time when everybody was buying CDs (and maybe cassettes)—and a mysterious young woman who swooned outside the shop one day. She claims to know nothing about music. He agrees to teach her about it.

That’s the best part of this book, to me—the in-depth discussions of great exemplars of different types of music: jazz, rock, classical, R&B… Makes you want to rush out and listen to what’s being discussed. Fortunately, the book comes with a Spotify playlist:

I do not know what the book’s main character would have thought of Spotify…

An American Marriage by Tayah Jones

Source: Barack Obama recommendation

A novel about a recently married couple in which the husband is wrongfully convicted of sexual assault. The wife has no doubt of her husband’s innocence; nonetheless, he faces a long incarceration away from her. How do you manage that?

Much of the novel is told as a series of letters. The story does not proceed on a predictable path, but it is plausible one. Thanks, Obama.

Young Jane Young by Gabrielle Zevin

Source: Kobo (ebook seller) recommendation

A work of fiction built around the story of a young woman who has an affair with the older, married, male Senator she’s an intern for. Shades of Monica Lewinski, yes, though that affair is mentioned in the novel as the news that drives her own story out of the headlines.

What’s interesting is that the story is told exclusively from the point of view of the women involved: the intern, her mother, her daughter (the story covers many years), and the Senator’s wife. And you’re not always sure who is who, at least not right away. I loved the approach and really got caught up in this novel.

Asymmetry by Lisa Halliday

Source: New York Times best books of 2018

This one didn’t work out!

The novel is in three parts. The first two seem unrelated. The third is supposed to bring them together. I read the first part, about a love affair between a young woman and much older man (a writer). They were interesting characters, but they didn’t really do much. There wasn’t much plot happening.

Before proceeding, I look into other reviews. They said that the second part was less interesting than the first, and that the supposed connection you find out about in the third is tenuous, maybe unfathomable. So, I gave up on this one.

The Flight Attendant by Chris Bohjalian

Source: Recommendation from The Washington Post

Cassandra Bowden, a flight attendant and a binge drinker, wakes from drunken stupor to find that the man she spent the night in Dubai with has been murdered. What to do?

If there’s one genre I do tend to return to, it’s the thriller, and this one is somewhat reminiscent of The Girl on the Train. Unlike that novel, however, it’s clear early on in this story that Cassandra did not murder her lover. But her lack of memory about what happened complicates her situation. And her frequently poor judgment often makes things worse.

This was a pretty fun read. I got it as a library ebook and had to binge read through the last parts because someone else had put a hold on it and I wanted to know how it ended.

Non-fiction

I’ve been in a bit of a rut here, of musician bios.

Thanks a Lot, Mr. Kibblewhite is Roger Daltrey’s breezy, easy-reading autobiography. You can tell that it was built from Roger telling his story to the writer he worked with, who assembled the pieces into a coherent narrative.

It is an interesting story, starting in the deprivations of post-war London and continuing up to closing out the Olympic Games, making a triumphant return to Hyde Park, and nearly dying of viral meningitis. With many entertaining anecdotes on the way, from Keith Moon’s antics to the many women in his life (and a number of surprise children) to The Who’s financial challenges and musical triumphs.

I can recommend this one as being appealing even to more casual fans of The Who, as Jean and I listened to the audiobook version (read by Roger Daltrey) and Jean was approving. He had a much higher opinion of Mr. Daltrey by the end of reading this than he had going in.

Unlike with Roger Daltrey’s book, which I preordered and read pretty promptly, this one has been sitting on the bookshelf for a while. I ended up quite enjoying it, though.

This Ray Davies’ second autobiography. Though it does some moving back and forth in time, it’s told in a much more straightforward fashion than his first, which employed a faux, third-party narrator. Here, Ray just writes his own story, focusing on The Kinks relationship with America, and therefore covering the period starting in the early 1970s when the band’s work ban was lifted. It includes the whole 1980s “arena rock” period during which I discovered The Kinks and became a fan, so was of particular interest.

Ray discusses some of his relationships he was in during this time, but with considerable discretion, so if you’re hoping for dirt on his volatile relationship with Chrissie Hynde, you’ll be disappointed. It’s mostly about the music, the band, and his uneasy relationship with the US itself—culminating in his shooting by a mugger in New Orleans. Getting shot is no joke, it turns out…

Another book with a soundtrack (yes, there’s also a Part 1; I just prefer Part 2)


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And now, for something more trivial

Jean says I need a new post to replace the sad one. So, how about them Oscars, eh? (This is a topic Jean will find boring, but I assume that’s a preferable feeling.)

I have the PVR set to record the Academy Awards (plus the News at 11:00 pm that will, in fact, be the Academy Awards, continuing into overtime). But I do plan to watch the opening live. Because this:

Can you say squeee!!! (Even though the news has brought out the Adam Lambert haters. Get over yourselves!)

But, I can’t say how much of the rest I’ll watch live, since there are only some categories I’m interested. And the show does go kind of late for a school night.

Best Picture

Unlike the actual awards, I’ll start here. No clear front runner this year! I don’t really expect Bohemian Rhapsody to take it, though if it did, I would be quite tickled. Can’t honestly argue that it deserves the honor, though. While I still think a lot of the criticism of it was on a weak foundation (that it should have aspired to documentary realism or portrayed Freddie in the way that individual imagined him to be), it remains true that some of the dialogue was clunky, and a number of the scenes were cliche (Freddie walks off in the rain, alone…[where is he going? Does he even have a wallet?]). It would deserve a Most Entertaining Picture award, but this is supposed to be Best Picture.

best_picture_poster

Of the remaining contenders, I’ve seen four. Black Panther was a very smart superhero movie, and probably what I’d like to see win if not BoRhap. A Star Is Born hasn’t done too well this award season. I liked it, but it didn’t hit me emotionally the way it seems to have other people. BlacKkKlansman would be a real dark horse win, as most seem to admire it more than love it—me too, I suppose (though it was pretty entertaining, also).  And Roma? A real contender, they say, but too slow and low on plot for me. Of the ones I’ve seen, I’d rank it last in order of preference.

(And they do vote on Best Picture by ranked ballot, did you know that? Makes predictions even trickier, as people’s second and third choices can come into play.)

Of the ones I haven’t seen, it’s not due to lack of opportunity. Vice? Why would I see a movie about Dick Cheney? Green Book—actually, I’d probably like that one, and likely will see it at some point. It does sound rather Driving Miss Daisy, though, so I can see why it’s a controversial front-runner. And The Favourite? Is directed by the same person who directed The Lobster, which is not a selling point for me. The Lobster was creative and sort of compelling, but so disturbing! Too disturbing. And The Favourite is sitting at 94% with critics but only 65% with audiences. I remain leery of it.

The New York Times talked to 20 Academy Award voters about their Best Picture choice, and found no consensus (and a fair amount of mumbling about Bohemian Rhapsody being a guilty pleasure).

All 20, however, had the same pick for

Lead Actor

And that was Rami Malek. So yes, he’s the favorite, and I would be disappointed if he didn’t win. He was so good in the role! And he gives the most gracious acceptance speeches, right up there with Alanis Morissette and Jared Leto.

playing-freddie-mercury-was-gun-to-head-moment-rami-malek-0001

I don’t really care about the other acting nominations—I do think it would be nice for Glenn Close to finally get recognized, but I haven’t seen The Wife—so moving on to the key category of

Sound Mixing

Admittedly, sound was one of the better aspects of Roma, with this surround thing happening that was something of an unprecedented experience. (But most people will see the movie on Netflix and miss all that.)

But Bohemian Rhapsody, people—that was one fine, fine-sounding film. Those were fantastic mixes of Queen songs, and they also did a great job of incorporating audience sounds (and making sure we could hear the dialogue)! I think it deserves this one.

Bohemian Rhapsody is also up for Sound Editing, but I’m not quite so sure what that is…

It’s also up for Film Editing, and I do know what that is, but also don’t feel qualified to comment on whether it merits that honor. (Though the American Cinema Editors thought it did, for what that’s worth.)

But getting back to sound…

Original Song

It’s got to be “Shallow” from A Star Is Born, right? And that’s fine with me. I don’t know any of the other songs, but I really like this one. Apart from Queen + Adam Lambert, the Lady Gaga / Bradley Cooper performance of it is the musical moment I’m most looking forward to.

And poor Mr. Cooper was snubbed for

Director

Which most people think will go to Alfonso Cuaron for Roma. But I think it should be Spike Lee, for BlacKkKlansman. Because I liked that movie more, and because it’s absurd that Spike Lee hasn’t even been nominated until now!

Looking for anything else I at all care about…

Animated Feature

I only saw one of them, Spider-Man: Into the Spider-Verse, but it was good, and is considered a leading contender. I’d be fine with that.

This weekend we might go see all the nominated

Animated Short

films, but until or if that happens, I of course have no opinion here.

Well, that leaves a lot of Categories of Indifference. It would likely be wise to turn elsewhere after the Queen performance, and let the PVR pile up some footage that I could fast-forward through as required.

In the meantime, I shall distract myself with Adam Lambert’s new song, to be released tonight at midnight. (Bite me, haters.)


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Ticketmonster

I was on vacation in Seattle, and awake before Jean was, for some reason, when I got an email about a pre-sale for a Who concert in Toronto nearly a year later. Buying a concert ticket on a tablet while on vacation isn’t the ideal scenario, but I had the time, so I figured I might as well see what I could get.

As anyone who’s tried it knows, buying tickets from Ticketmaster is a roll of the dice. Who knows what seats it will cough up for your consideration, and at what price, at any given time?

But this time the dice landed landed on: Floor seats! In the front centre section! And at the normal price, no VIP / resale nonsense!

Stunned, I started the checkout process…

Only to lose the connection partway as the flaky hotel wifi conked out.

Cue the swearing. (Quiet swearing, as Jean was still sleeping.)

Wifi returned, I tried again, and… So did my luck! I was still able to get front center floor seats at the normal price! And this time managed to complete the purchase. (The show was great.)

View from the floor was pretty good!

I have no idea how or why that happened or how I could possibly replicate it. I don’t recall who I got  this presale offer for, except that it wasn’t the fan club and it wasn’t American Express (I’ve never had an American Express). Was it just that the sale took place so far ahead? Did The Who just decide not to hold back that many seats as “VIP”?

We know the deal with Ticketmaster, that it’s exceedingly difficult for any human to beat out the resell bots—that, it turns out, Ticketmaster is in cahoots with). And that presales (and even the general sale) only have a subset of seats on offer, giving a constant impression that they are going fast.

I have had great, even front row, seats at other rock concerts, but that involved either not dealing with Ticketmaster (Bob Geldof in Ottawa, Roger Daltrey at Casinorama), or paying for VIP (Adam Lambert, who, as a solo artist, at least has moderate prices. If you don’t count the expense of getting to Berlin.).

Views from the front row

But for big shows in arenas, I think that Who concert was my once-in-a-lifetime good ticket-buying experience that won’t come around again. Especially since Ticketmaster keeps finding ways to make things worse.

Their latest ploy is to not tell you what the ticket prices are ahead of time. I don’t buy tickets often enough to know when this changed, but I’m certain that in the past you could look up ahead of time what ticket prices would be at different levels, so you could plan. They seem to not do that now.

I thought their main motivation must be that, in the frenzy, people might spend more than they otherwise would had they been able to plan ahead. But according to the CBC report on Ticketmaster, it’s also because they sometimes raise the prices a few hours after they initially go on sale.

They’re taking their queue from the airline industry.

Then there’s the new “Waiting room”. Admittedly, it wasn’t ideal before, sitting on the ticket buying web page waiting for the on-sale time, then refreshing and hoping nothing crashed before you could get in there to roll your dice.

So now, about an hour before the on-sale time, you can click to go into a “waiting room”. At on-sale time, it refreshes and you are “randomly” assigned a place in line.

I had over 2000 people in line ahead of me. The only other person I know who’s tried this also started with over 2000 people in line ahead of her. Make of that what you will.

There’s a little animation of your place in line that moves along as the number of people in front of you drop. You daren’t go anywhere else, but it’s not the most compelling viewing. (I can’t find a screen cap of it. Everybody must be too stressed while waiting to take one.)

Finally, your turn comes up, you copy in your presale code, you see what seats come up! And how much they are!

My target this time was yet another Queen + Adam Lambert tour. It was awful. I switched between seeing what was available for general sale and what the “cheaper” VIP offered. You couldn’t seem to look at both options at once, and of course, every time I went back to one or the other, the available seating was less. (Also, the Best Available sorting? Really wasn’t in that order!)

I finally picked something. I winced at the total, but smiled at the seating chart.

I don’t have a solution to this. If you want to see a big rock concert at an arena, Ticketmaster and resellers are your only option. Queen + Adam Lambert are encouraging use of Twickets, where people aren’t allowed to sell the tickets at higher than the price they paid. So that’s nice, but they currently have 0 tickets on offer. (Admittedly, there’s a lot of time for people’s plans to change.)

In Europe, they seem to have many more places where you can still buy general floor seats, then end up with a good spot if you’re willing to wait in line for them. Not all that helpful for North Americans.

So, I’m just glad there aren’t that many artists for whom I’m willing to go through this.

AdamLambert-Queen_7-1-14_SJ-e1543849102217

One of the few


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Everybody Dance Now

Jean had so much business travel this fall that it was pointless to sign up for ballroom dance classes—we would have missed too many. I decided to scan the city recreational guide for alternatives.

Have fun and work up a sweat with songs from the 80s, 90s, and 00s. Start with a warm up to get footloose and ready to bust a move, and enjoy a new routine each week. Styles of dance include hip hop, jazz funk, and chair dance. Beginners are always welcome. Let’s dance!

Sounded intriguing.

Week 1

After the warm-up, we were to get in touch with our inner Britney… Spears, that is, circa “Oops I Did It Again.” With each round of running through the choreograhy, we were instructed to try to up the sass level. “This move is straight from the video,” noted instructor Julie, at one point.

Huh, I thought, I don’t think I’ve ever seen this video. Still, I felt pleased that I didn’t get hopelessly lost. And I realized that the idea of the class was that each week we’d learn video-inspired steps to a not-so-current song.

Some weeks later, I finally watched this

Week 2

Missed class because I was in Portugal.

Week 3

Slightly jet-lagged on the first day back from Portugal. The song was “That’s What I Like About You.”. The choreography was very lively and quite aerobic but, fortunately, not overly complex. I realize that while I know this song, of course, I have no idea who sings it or even what era it’s from, quite.

Turns out it’s The Romantics, in the 1980s, and they don’t really dance in this video…

But coming up is Halloween, and we have a decision to make. Which song should we do on Halloween week versus the week before: Michael Jackson “Thriller” or Backstreet Boys? I vote for “Thriller”, having no idea Backstreet Boys even had a Halloween song.

Week 4

Week before Halloween, and we warm up to “The Time Warp”. I feel like I know this choreography already, but she throws in some twists to keep me on my toes.

Then it’s Backstreet Boys Halloween song (?). Which turns out to be that one Backstreet Boys song I do know, “Everybody (Backstreet’s Back)”? Whose lyrics don’t seem very Halloween-y to me. “Who’s never seen this video?” Julie asks, and I’m the only one who raises my hand. (So, apparently, I’m the oldest in the class, but at least I’m keeping up with the whipper-snappers.) (Also, in ballroom class, I’m usually one of the youngest.)

The choreography’s fun, with the bunny hands and what-not, though I have to ignore all the “This is the part that everybody knows!” comments.

Basically, it’s the video that’s Halloween-y, not the song

Week 5

Day after Halloween, and it’s Thriller-time! (After another round of “Time Warp” warm-up.)

This is the first time I’m actually familiar with the video in question. Julie’s had to simplify it somewhat so that we get through more than a stanza. (But it’s a long song, so we still only get up to the first round of the chorus, basically.) Crotch-grabbing is a key feature. Yay to this class not being videotaped.

Instead of maximum sass, we’re aiming for maximum zombie decay.

Week 6

Been a stressful day, but it’s good to go be distracted by having to focus on learning dance steps. This week’s is “Hips Don’t Lie” by Shakira. I’ve seen the video before, but I finally got the sense to re-watch it before the class. Major hip isolations required. First time something here might be useful for ballroom dance (at least the Latin dances).

Next week, we’re doing Usher “Yeah.” Oh great, I think, a song I don’t even know.

Week 7

I look up Usher “Yeah” ahead of time, and I totally do know that song, I just didn’t know that it was by Usher or that it was called “Yeah.” (Details.)

It’s the first hip hop, and that’s a bit of a mind-bender for a middle-aged white lady like me. I’m so focused on trying to remember all the fiddly steps (we’re learning the men’s steps, since the girls are mainly just twerking) my timing is all off. It finally occurs to me that it might work better to follow the beat of the music! Hey! Secrets of dance success!

At Jean’s company Christmas party, I keep threatening to break out my hip-hop moves. Fortunately for Jean (and probably me), they never do play “Yeah”.

Week 8 and 9

Have not happened yet, but I know they will feature “Jump for my Love” by the Pointer Sisters (know that song, not that video; must look up video) and “Bootylicious” by Destiny’s Child (ditto, except I don’t know that song as well).

In the winter, we might be able to sign up for ballroom dance again. Which is good, but I think I will miss working out to some crazy video-inspired choreography each week.