I’ve gathered up some bits of wisdom of late that I’d like to share.
First up, how to…
…Figure out what streaming service a particular show is on
Netflix, Apple TV, Disney+, Prime, Crave, Tubi, CBC Gem… It’s nuts. So many services! I don’t subscribe to them all, but enough to make it hard to remember what’s where.
It’s even more confusing for Canadians, since US media will tell us a show is on a service we don’t have in this country (Hulu, Peacock, HBO+)—but that doesn’t always mean we can’t get it on a service we do have. Even more confusing, just because it’s on an American version of a service we have (like Netflix or Prime) doesn’t mean it’s also on the Canadian one. Could be on some other service entirely here.
This is why I love the JustWatch app. You select the streaming services you have access to and it serves up what’s on each. You can set up a Watchlist of every TV show or movie you’re currently watching, or plan to watch, and have one-page look of everything you’re currently caring about. You can mark off episodes or movies as you watch them. It will notify you when new episodes or a new season become available. And it has a pretty good recommendation engine if you need more to watch.
Of course, you can also use it to look up some show you’ve heard about, to find out if it is available to you at all, and if so, where.
…Watch Poker Face
Solid as I generally find the JustWatch app to be, one thing it doesn’t quite get is conventional cable. Particularly when it behaves unconventionally.
I’ll blame Gus the cat for my slowness in getting into any kind of Christmas spirit this year. A few weeks after his pretty speed recovery from the injury above his eye, he suddenly come down with something… He stopped eating, grooming, or doing anything other than shuffling uncomfortably from one sleeping spot to another. It was a weekend, and the vet was open only for supplies, not medical appointments. They suggested taking Gus to the emergency veterinary hospital.
There he got tested for everything imaginable. He had some neurological symptoms—asymmetrical eye pupils, inconsistent results on the “knuckling” test—and few slightly abnormal results on the blood test. Could be infection, could be tumors… He was admitted and hydrated, appetite stimulated, given pain killers, and started on antibiotics. I went home to fret.
Gus responded quite well to the various ministrations, though, and we were able to take him home the next day. He seemed pretty good from that point, though lower energy, and with the uneven pupils persisting a while. We continued the antibiotics for seven days, and a few days later, the eyes improved, the energy back. I brought him in for a final check from our vet, who found that all seemed good, except for the eye on the injured side looking a little irritated.
So she suggested a week of twice daily eye drops. Gus was much better about letting us give him those than we expected. What seemed much more upsetting to him was if we had to chase him down first; he’d sometimes hide for hours afterwards. So we took to surprising him with eye drops. Those done, he continued to seem quite fine.
Whereas our last vacation took place in the comfort of declining case numbers and the ease of doing activities outdoors, this time, case numbers were steadily increasing, and it was Fall. The need to use vacation days remained, however, and the idea of just staying home for a week wasn’t that appealing. Road trips remained the only feasible option, but to where?
At one point we were to head north for a wedding, but that all changed when the private gathering rules changed to a drastically reduced number, such that we were no longer invited.
We instead settled on Ottawa, followed by the Kingston area. Ottawa had became something of provincial hotspot for cases (Code red: Ottawa reaches highest level on pandemic scale), but we stuck with it anyway, using the following chart as a guide to what activities to do (hike, stay at a hotel, visit museums), and not (meet with friends, go into a bar).
Xander: She fell. Willow: The flu. Cordelia: She fainted. Xander: The flu, fainted and fell. She’s sick, make it better!
Giles: Death and disease are, are things, possibly the *only* things that, that Buffy cannot fight.
Killed by Death
Huh. Well, how about some tunes.
I can’t stay on your life support There’s a shortage in the switch
I think I’ll get outta here, where I can Run just as fast as I can To the middle of nowhere To the middle of my frustrated fears And I swear you’re just like a pill ‘Stead of makin’ me better You keep makin’ me ill
Pink, Just Like a Pill
But hey, y’all, we’re doing all right. Feeling healthy, first of all, which is the main thing. Both still employed full-time, which is certainly something to be grateful for. Managed to get toilet paper this week, which is good, especially since they were all out of Kleenex.
And yes, they had no bananas.
Which leaves me with my final words of wisdom for now: Plantains are not at all the same thing as bananas. Do not put raw plantains in the chocolate cream pie!
Having finished the latest seasons of Glow and Mindhunter on Netflix, and the six episodes of Chernobyl on HBO (those are all recommended series, by the way, as is the new Stumptown), Jean and I needed a new show to stream. I short-listed four:
When They See Us
Jean declared interest in all but the last (about the Central Park Five), which he thought he’d find too depressing.
We decided to start with the six-episode Good Omens, from Amazon Prime.
The premise here is that history as told in the Bible is actually true, and all that dinosaur evidence to the contrary is just God’s idea of a joke. Also, the apocalypse is nearing. An angel (Aziraphale) and a demon (Crowley), who have both been on Earth for quite some time, and have grown rather fond of the place, secretly team up to try and thwart it.
Four episodes in, we’re quite enjoying it. It’s quirky and funny. The cast, led by Michael Sheen and David Tennant–but also featuring John Hamm, Michael McKean, and the voice of Frances Macdormand–is terrific. The episodes don’t waste any time in speeding along toward the end of days. As an added bonus, it also happens to feature a great deal of Queen music.
If there’s anything the show reminds of me of, that would be my favourite network show, NBC’s The Good Place.
Currently in season four, with past seasons available on Netflix, The Good Place is a half-hour comedy starring Kristen Bell and Ted Dansen. It begins when Eleanor Shellstrop dies and finds herself in “the good place” (as opposed to “the bad place”). Only, given the wonderfully charitable lives the other inhabits of “the good place” have led, Eleanor fears that she has mistakenly been assigned there. And has to figure out how to avoid being found out and sent to the bad place.
But that’s just the initial setup. This series goes places in its four seasons, with twists you don’t see coming, unexpected alliances, and utterly bold time jumps and compression. The series is really better watched unspoiled, so I don’t want to give much away. But it does share with Good Omens the off-kilter look at religious themes, the representation of the forces of good and evil as largely banal bureaucracies, and a cartoon-like comedy approach to dealing with deep subjects. Like the best of fantasy series (hi, Buffy) both use the fantastical to comment on modern human realities.
Still, you can’t push it too far. Good Omens is a six-part series of one-hour episodes, based on a beloved (albeit not read by me) Neil Gaiman and Terry Pratchett novel. It’s largely about poking fun at the absurdity of literal religious beliefs. (I think. I mean, I still have two episodes to go.)
(But, one of my favourite parts of Good Omens so far is the look back at the time of Noah’s Ark.
[The following are not exact quotes, but…] “What’s going on, then?” asks Crowley. “God’s feeling tetchy. She’s decided to drown everyone. Big storm,” replies Aziraphale. “What? Everyone? Even the children?” The angel nods, mutely. Then adds, “Well, just the locals. I don’t think she’s mad at the Chinese. Or the Native Americans…”)
Whereas The Good Place is a completely original, four-season (all short seasons) sitcom. It does not take on traditional religion and its beliefs, but really digs into morality and philosophy: can people change? What does it mean to be good? It’s stunning that there is a half-hour American sitcom about that, isn’t it? (And yes, it’s hilarious!)
So, in summary, Good Omens and The Good Place are both good shows that are somewhat similar but also not really, except that both are deserving of your time and attention.
MobileSyrup ran an article recently called Are you experiencing platform subscription fatigue?. It focused on the mounting cost of the different services: Netflix, Crave, YouTube Premium, Amazon Prime, and so on. “I just wish there was one subscription service for everything”, the writer noted. Which I found a bit funny. Doesn’t that sound like a plea for the big, fat single cable TV bundle that streaming was supposed to save us from?
Nevertheless, I do sympathize. There are so many services now, with more on the way, and they keep raising their prices. The glory days of cutting the cord and getting by with $8 a month for Netflix are long gone.
Apart from the cost of all this, there is just the challenge of remembering what you’re watching (or want to watch) where, then maybe switching from the cable PVR to grabbing the phone to cast from Netflix, the logging in to your Amazon account to see something on Prime. It’s all rather inconvenient!
What I want, I’ve lamented for some time, is a Sonos for TV shows. Sonos is a wireless speaker system that, apart from allowing you control speakers in various rooms in the house, consolidates most anything you want to listen to in one place. Your own digital music library. Spotify. Google Music. YouTube Music. Podcast apps. Audible audiobooks. Apple music. Radio stations. Where applicable, the subscriptions are up to you to set up, but once have, you can search through it all, you create playlists that mix and match among them—you can have all your “sound” stuff organized in one place. (At least when you’re home.)
Rogers Ignite is kind of like that for TV. By “Rogers”, I do mean, yes, the big cable company. Ignite TV is their IPTV (TV over the Internet) offering. Initially available only with expensive, premium packages, they now have cheaper tiers on offer, and we switched to it this summer.
Of course you get the cable channels you subscribe to, which in our case isn’t a lot (just the $25 “starter package”). But we were also offered Crave + HBO free for six months, which we of course accepted. At regular price, Crave + HBO from Rogers cost the same as if you subscribed to them directly, but then you can access them from TV same as any other channel, including on-demand. (You should also have access to them through the Crave app with your Rogers login, but there is some bug there preventing that from working—Crave can’t seem to recognize that you really do have a Rogers cable subscription.)
If you have a Netflix subscription, you can access that through your Ignite box as well. Also, YouTube. And apparently coming soon: Amazon Prime.
The Ignite box itself is this tiny little thing, compared with the large, power-hungry PVRs of the past. You get a ton of cloud storage with it, so you can record shows to your heart’s content. And it’s much smarter about recording those: if the same show plays three times in a week, it’s only going to record it once for you.
The basic Ignite package comes with only one box; you can add others for $5/month each. We have two. All the same information (recordings, viewing history) is available on both. If wanting to move one to a different TV in the house, temporarily or permanently, that’s quite easy to do.
There’s also a lovely, seamless integration with anything available on demand. Previously I almost never looked at Rogers On Demand stuff; it was off in its own universe, on those special, hard-to-navigate channels. I often forgot it was even there. Now you can find and watch that on-demand content as easily as anything you’ve recorded.
To find things, as their ads point out, you can just talk to the remote. Wherever it is—on demand, available to record, online—it will show you and give you watch options. It remembers what you’ve already watched and makes logical assumptions based on that. It’s all pretty slick.
Oh, and you can also watch on your phone, tablet, or PC, through the Ignite TV app—live TV, recordings, and on demand content. In many cases, you can download your recordings for off-line viewing. One thing not available? Chromecast, as I guess that would kind be competition. But since your Chromecast is typically on your TV, and you can already watch all the stuff on your TV, I don’t see that as a huge issue. (Just if wanting to watch on someone else’s Chromecast while away, I guess.)
So that does bring much TV content together, saving mental energy, though not money. I have no idea what we do about the ballooning cost. For now, I’ll just try to resist the pending Disney service and YouTube Premium.
Trying to write a longer, coherent blog post on one topic was not working, so here’s a series of short takes, instead.
What I’m watching
All of the time I’ve not been spending writing has really opened up time to watch TV. Nothing is at the level of Travelers, but here are the current favorites, per source.
Will not include Game of Thrones, because I have yet to see a single episode of that.
Network TV: The Orville
Seth McFarlane’s take on Star Trek. I’ve always liked this show more than I would have expected, and it’s become kind of serious this year, making me like it even more. Hope it gets renewed!
Netflix: Santa Clarita Diet
Back for season 3, and I’m still loving it. You have to admire Joel and Sheila’s ability to make a marriage work despite her being undead and thus having to eat people.
I know, finally, right? I always thought I would like this show, but it wasn’t until my free 3-month trial of Crave that I finally put it to the test. Tatiana Manslany is just amazing in playing all these different clones (and clones pretending to be other clones). And the story has so much twisty goodness! We’re nearly done Season 2.
Amazon Prime: Catastrophe
The humour is a bit much for Jean, but I’m going to see it through! After all, it’s only six episodes per season, and I only have two left (episodes, not seasons). A very unsentimental look at marriage, but I think I love it for the sentimental reason that these two really love each other.
Also because they’re really funny.
How is Zoë doing?
Very well, thanks. She’s adapting to life as an only cat, and getting way more attention than she used to seems to suit her. She’ll never be cuddly, exactly, but she does like to be pet, tolerates being picked up, and will even lie down on us, as long as we put a blanket barrier between her and us. (Bit of an odd duck, Zoë.) She’s also been pretty chatty, and occasionally even purry.
Reading about Brexit has almost been a relief. Of course, that’s also a story about irresponsible leadership, from so many sides, causing harm—and you have to feel bad for those who voted to Remain. But the degrees and varieties of incompetency have just been so interesting! (Though with yet another extension, the drama might start to wear thin.)
And, if you haven’t already read the comparison of Brexit to building a submarine out of cheese (an oldie but a goodie), do yourself a favor and do that. Here’s the first tweet:
I’ve been listening to more George Michael lately, after watching the George Michael: Freedom documentary on Crave. It was so good! Assuming you have some fondness for George Michael, of course. It made me realize that I really needed to check out his oeuvre beyond the Faith album and the “Freedom ’90” song. He made good music long beyond that.
Heard some good live music, too. Like The Beatles One show last night, a good reminder that this band could really put together a tune, and that a shit-ton of them went to number one. We also enjoyed hearing a subset of the KW Symphony perform Vivaldi’s “The Four Seasons” (subset because that piece doesn’t require a whole orchestra), led by guest violinist Nikki Chooi. It was just riveting. The whole 40 minutes of it.
Also exceeding expectations was Drayton Theatre’s performance of the musical Priscilla: Queen of the Desert. A terrific cast, creative staging, enormously fun song list. And really something to see the usual Drayton crowd of grandparents, kids, parents all totally there for this celebration of gay pride.
Jean says I need a new post to replace the sad one. So, how about them Oscars, eh? (This is a topic Jean will find boring, but I assume that’s a preferable feeling.)
I have the PVR set to record the Academy Awards (plus the News at 11:00 pm that will, in fact, be the Academy Awards, continuing into overtime). But I do plan to watch the opening live. Because this:
Can you say squeee!!! (Even though the news has brought out the Adam Lambert haters. Get over yourselves!)
But, I can’t say how much of the rest I’ll watch live, since there are only some categories I’m interested in. And the show does go kind of late for a school night.
Unlike the actual awards, I’ll start here. No clear front runner this year! I don’t really expect Bohemian Rhapsody to take it, though if it did, I would be quite tickled. Can’t honestly argue that it deserves the honor, though. While I still think a lot of the criticism of it was on a weak foundation (that it should have aspired to documentary realism or portrayed Freddie in the way that individual imagined him to be), it remains true that some of the dialogue was clunky, and a number of the scenes were cliche (Freddie walks off in the rain, alone…[where is he going? Does he even have a wallet?]). It would deserve a Most Entertaining Picture award, but this is supposed to be Best Picture.
Of the remaining contenders, I’ve seen four. Black Panther was a very smart superhero movie, and probably what I’d like to see win if not BoRhap.A Star Is Born hasn’t done too well this award season. I liked it, but it didn’t hit me emotionally the way it seems to have other people. BlacKkKlansman would be a real dark horse win, as most seem to admire it more than love it—me too, I suppose (though it was pretty entertaining, also). And Roma? A real contender, they say, but too slow and low on plot for me. Of the ones I’ve seen, I’d rank it last in order of preference.
(And they do vote on Best Picture by ranked ballot, did you know that? Makes predictions even trickier, as people’s second and third choices can come into play.)
Of the ones I haven’t seen, it’s not due to lack of opportunity. Vice? Why would I see a movie about Dick Cheney? Green Book—actually, I’d probably like that one, and likely will see it at some point. It does sound rather Driving Miss Daisy, though, so I can see why it’s a controversial front-runner. And The Favourite? Is directed by the same person who directed The Lobster, which is not a selling point for me. The Lobster was creative and sort of compelling, but so disturbing! Too disturbing. And The Favourite is sitting at 94% with critics but only 65% with audiences. I remain leery of it.
And that was Rami Malek. So yes, he’s the favorite, and I would be disappointed if he didn’t win. He was so good in the role! And he gives the most gracious acceptance speeches, right up there with Alanis Morissette and Jared Leto.
I don’t really care about the other acting nominations—I do think it would be nice for Glenn Close to finally get recognized, but I haven’t seen The Wife—so moving on to the key category of…
Admittedly, sound was one of the better aspects of Roma, with this surround thing happening that was something of an unprecedented experience. (But most people will see the movie on Netflix and miss all that.)
But Bohemian Rhapsody, people—that was one fine, fine-sounding film. Those were fantastic mixes of Queen songs, and they also did a great job of incorporating audience sounds (and making sure we could hear the dialogue)! I think it deserves this one.
Bohemian Rhapsody is also up for Sound Editing, but I’m not quite so sure what that is…
It’s also up for Film Editing, and I do know what that is, but also don’t feel qualified to comment on whether it merits that honor. (Though the American Cinema Editors thought it did, for what that’s worth.)
But getting back to sound…
It’s got to be “Shallow” from A Star IsBorn, right? And that’s fine with me. I don’t know any of the other songs, but I really like this one. Apart from Queen + Adam Lambert, the Lady Gaga / Bradley Cooper performance of it is the musical moment I’m most looking forward to.
And poor Mr. Cooper was snubbed for…
Which most people think will go to Alfonso Cuaron for Roma. But I think it should be Spike Lee, for BlacKkKlansman. Because I liked that movie more, and because it’s absurd that Spike Lee hasn’t even been nominated until now!
Looking for anything else I at all care about…
I only saw one of them, Spider-Man: Into the Spider-Verse, but it was good, and is considered a leading contender. I’d be fine with that.
This weekend we might go see all the nominated…
films, but until or if that happens, I of course have no opinion here.
Well, that leaves a lot of Categories of Indifference. It would likely be wise to turn elsewhere after the Queen performance, and let the PVR pile up some footage that I could fast-forward through as required.
In the meantime, I shall distract myself with Adam Lambert’s new song, to be released tonight at midnight. (Bite me, haters.)
In a TV interview, actor Eric McCormack talked about the very enjoyable challenge he faced in balancing his role in Travelers, where he plays a very serious character facing life and death situations, and his role on the comedic Will and Grace. That’s all I remember about that interview, yet somehow it was enough to cause me seek out Travelers on Netflix, where it was described thusly:
A federal agent tracks four people who suddenly seem to possess entirely new personalities, leading to a startling discovery about humanity’s future.
That sounded quite interesting to me (despite Netflix’s estimate that it only 70% matched my past interests), and something that Jean might like, also. Having blown through the six episodes of the British The Bodyguard, we needed a new show.
But hat’s all I knew about it. And that was great! Because holy, moley, was this an addictive show. Full of twists, none of them spoiled by the media, who never seemed to mention this show, or by any friends and acquaintances, as hardly anyone else seemed to watch it.
And which likely explains why, after three seasons, it has been cancelled.
But the three seasons remain available on Netflix, and you just might want to check them out. Jean and I started watching Travelers in mid-December and were done all three seasons before the end of January. For us, that’s some record bingeing speed. We’d sometimes watch two episodes in a row! Nothing else seemed as interesting as long as another Travelers episode was available. (70% interest, my toe.)
I want to avoid revealing too much plot, but can say that it involves time travel, with this particular take: the consciousness of people from the future can be transported into people from the past (our time), called hosts. All hosts selected are about to die. The traveler from the future inhabits their body seconds before that death is to occur, and takes action to prevent it. Then lives on in their body.
They are doing this to try to improve humanity’s fate.
But oh, the complication and ethical dilemmas that ensue! Especially as they have rules about when and how they can and cannot act on their knowledge of future events. But also, only a fragmentary idea of what the overall mission is.
The core cast is a team of five, two women, three men, each with particular skills and individual challenges based on their host’s situation. The acting is very good. The characters are compelling. I miss them already. (Especially Phillip.)
You can watch to find out why there are six people in this photo. And which one of them is Phillip.
And I will mention this: Season 3 has an ending. It’s the sort of ending that they could have built on for a Season 4, had Netflix decided to renew. But not the sort that leaves you all frustrated about a cliffhanger—which would have been the case, for example, had it ended with Season 2 rather than 3.