Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


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Very Important People at the Queen show

I’ve already written about how the stress of fast-moving Queen + Adam Lambert tickets led me to invest (sure, let’s call it that) in VIP tickets this time around. It was mainly for the better seats, but Jean wondered what else was included.

Not sure, I responded. Some kind of separate entry. Maybe a keychain or something.

Unofficial poster of the Toronto show. Design @nicole42.

We received an email a few days before explaining where to go for the VIP entry. There was still a line-up there, but a shorter one. They checked our name off a list, gave us tickets (the old-fashioned paper kind), and handed us each a Queen-logoed bag with something in it.

The something turned out to be this purple silk boxing robe with the Queen crest front and back. What could be more perfectly Queen? It was ridiculous, but also fantastic. Who needs a T-shirt if you have this? (It also allowed me to avoid the huge, huge line-up to buy merchandise!)

[To be inserted later: A photo of me wearing the robe. I can’t get a good selfie of this, and Jean’s not around to take the photo right now.]

We made our way to our seats in a very roundabout way (though we were trying to follow the instructions). We ended up 13 rows from the stage. Pretty good seats in a stadium regardless, but at a Queen show, it’s even better than that, because they use a catwalk that goes right down into the floor section. When they were on that, we were very close to them.

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This happened right by our row…

Talking to some other fans, I realized that the popularity of this show wasn’t only due to the movie, but also to the fact that this was one of only two Canadian shows this time out—they didn’t play Ottawa, Calgary, or even Montreal… Just Toronto and Vancouver. So we had a few travelers joining the new Bohemian Rhapsody fans (who skewed the age a bit younger than at past QAL shows, though they’ve all been multi-generational).

Unlike the last iteration, this concert began fairly punctually, counted down by the last, untitled track from Made in Heaven, which people cheered throughout its 22 minutes. Then a bit of “Innuendo” (by which I mean the song, I’m not insinuating anything), and they took the stage. Now they were here. Now they were there.

There wasn’t a ton of chatter during this 2.5 hour concert. They mostly let the music do the talking. The Bohemian Rhapsody movie was mentioned only once, when Brian asked if anyone had seen it, but it absolutely informed the set list. Every song from the soundtrack was included. Even “Doing All Right” (the song Smile performs). Even “Ay-Oh”—led by Freddie, of course. (Hey, first time I do “Ay-oh” with Freddie in a crowd, I think.) And including honorary soundtrack song, “I’m in Love with My Car.” So we can all judge for ourselves whether it’s “strong enough”. (It is.)

These three are so comfortable with each other by now…

This was great, because it meant hearing a lot of the early tracks that aren’t as often performed, to which they added “Seven Seas of Rhye” and “Lap of the Gods”. To fit everything in, many of the songs were shortened and medley-ed, which also suited me fine.

He’s a Killer Queen (this picture was super popular on Twitter!)

There were changes from past shows. Adam again noted the obvious fact that he wasn’t Freddie, but fairly perfunctorily, and only after noting that he’s been Queen’s singer for 8 years now. He did not comment about trying to find somebody to love, now that he has fallen in love (and this time he knows it’s for real.) He did not run around slapping people’s hands during “Radio Ga Ga”. (Was that disappointing, given that I was closer? Nah. I still wasn’t within hand-slapping distance.) The tricycle was traded for a motorbike (for “Bicycle Races”). The sexy “Get Down, Make Love” was absent.

But the omissions were made up for by the additions, which were not all movie-inspired. Brian performed the wonderful “39” to images of the Apollo astronauts, in homage to the anniversary of the moon landing. They performed the truly obscure track, “Machines (or Back to Humans)” (from 1989’s The Game), probably because its lyrics seem so contemporary.

The very photogenic Brian May

And everything you wanted to be there still was.

Adam Lambert demonstrating that he’s one of the best singers alive throughout, but particularly on tracks like “Somebody to Love”, “Who Wants to Live Forever”, and “I Want It All”.

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If you could hear this, you’d be very impressed

Brian managing to not bore everyone during a guitar solo, and only partly because of the very cool space effects.

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Not sure this is during the guitar solo, but a cool picture regardless

Brian singing “Love of My Life”, accompanied by the crowd, who also provided the lighting. And Freddie joining in at the very end, which somehow continues to bring me to tears.

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The best use of a cell phone, per Brian. (And this isn’t even peak lighting.)

The trio on the catwalk, performing “Under Pressure” (and a few other tunes).

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Costume changes (and not only by Adam).

This photo was even more popular on Twitter! I captioned it: I’m glad the fringes are back. And I was. Lambert meets Daltrey.

All the biggest hits–Another One Bites the Dust (with Adam dance), Crazy Little Thing Called Love, Bohemian Rhapsody, We Are the Champions, We Will Rock You.

The magnificent laser show during “Who Wants to Live Forever”.

Confetti. We were drowning in it!

Pre-confetti. Post-confetti, it’s all you could see!

The crowd was fantastic, on its feet through the whole show (and not only in the floor section), and ably singing along. The next day on Instagram, Brian May said that Toronto was the loudest crowd so far! Both Brian and Adam made comments about putting phones down, and there were times I wish people had, as they do block the view. On the other hand, the wish is a bit hypocritical of me, as I have the luxury of being totally in the moment and not taking a single photo, secure in the knowledge that Jean was taking over a thousand of them (with a camera, and not a phone, but…).

Being so close, I had to remind myself to sometimes look at big screen to see what the projected effects were. Very cool, as always–like in “Radio Gaga”, the band was integrated into what looked like scenes from the past. But much more prominent overall was a theme of forward movement, and looking ahead. Queen, founded in 1970 (or so), is one of hottest bands of 2019. Who woulda thunk.

Toronto set list (courtesy @JamieBester)

More Jean photos (no, not a thousand–he picked out a few): https://www.jean-cathy.com/CathysPhotos/Queen-and-Adam-Lambert-2019/

And thanks to “Fiercealien” here, you can see video of the entire Toronto show, from seats on the opposite side and just a few rows closer than we were. (If you’re hooked, Firecelian also offers video of the New York, Vancouver, and Los Angeles shows. Expensive hobby!)

Playlist of videos of the entire Toronto show


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And now, for something more trivial

Jean says I need a new post to replace the sad one. So, how about them Oscars, eh? (This is a topic Jean will find boring, but I assume that’s a preferable feeling.)

I have the PVR set to record the Academy Awards (plus the News at 11:00 pm that will, in fact, be the Academy Awards, continuing into overtime). But I do plan to watch the opening live. Because this:

Can you say squeee!!! (Even though the news has brought out the Adam Lambert haters. Get over yourselves!)

But, I can’t say how much of the rest I’ll watch live, since there are only some categories I’m interested in. And the show does go kind of late for a school night.

Best Picture

Unlike the actual awards, I’ll start here. No clear front runner this year! I don’t really expect Bohemian Rhapsody to take it, though if it did, I would be quite tickled. Can’t honestly argue that it deserves the honor, though. While I still think a lot of the criticism of it was on a weak foundation (that it should have aspired to documentary realism or portrayed Freddie in the way that individual imagined him to be), it remains true that some of the dialogue was clunky, and a number of the scenes were cliche (Freddie walks off in the rain, alone…[where is he going? Does he even have a wallet?]). It would deserve a Most Entertaining Picture award, but this is supposed to be Best Picture.

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Of the remaining contenders, I’ve seen four. Black Panther was a very smart superhero movie, and probably what I’d like to see win if not BoRhap. A Star Is Born hasn’t done too well this award season. I liked it, but it didn’t hit me emotionally the way it seems to have other people. BlacKkKlansman would be a real dark horse win, as most seem to admire it more than love it—me too, I suppose (though it was pretty entertaining, also).  And Roma? A real contender, they say, but too slow and low on plot for me. Of the ones I’ve seen, I’d rank it last in order of preference.

(And they do vote on Best Picture by ranked ballot, did you know that? Makes predictions even trickier, as people’s second and third choices can come into play.)

Of the ones I haven’t seen, it’s not due to lack of opportunity. Vice? Why would I see a movie about Dick Cheney? Green Book—actually, I’d probably like that one, and likely will see it at some point. It does sound rather Driving Miss Daisy, though, so I can see why it’s a controversial front-runner. And The Favourite? Is directed by the same person who directed The Lobster, which is not a selling point for me. The Lobster was creative and sort of compelling, but so disturbing! Too disturbing. And The Favourite is sitting at 94% with critics but only 65% with audiences. I remain leery of it.

The New York Times talked to 20 Academy Award voters about their Best Picture choice, and found no consensus (and a fair amount of mumbling about Bohemian Rhapsody being a guilty pleasure).

All 20, however, had the same pick for…

Lead Actor

And that was Rami Malek. So yes, he’s the favorite, and I would be disappointed if he didn’t win. He was so good in the role! And he gives the most gracious acceptance speeches, right up there with Alanis Morissette and Jared Leto.

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I don’t really care about the other acting nominations—I do think it would be nice for Glenn Close to finally get recognized, but I haven’t seen The Wife—so moving on to the key category of…

Sound Mixing

Admittedly, sound was one of the better aspects of Roma, with this surround thing happening that was something of an unprecedented experience. (But most people will see the movie on Netflix and miss all that.)

But Bohemian Rhapsody, people—that was one fine, fine-sounding film. Those were fantastic mixes of Queen songs, and they also did a great job of incorporating audience sounds (and making sure we could hear the dialogue)! I think it deserves this one.

Bohemian Rhapsody is also up for Sound Editing, but I’m not quite so sure what that is…

It’s also up for Film Editing, and I do know what that is, but also don’t feel qualified to comment on whether it merits that honor. (Though the American Cinema Editors thought it did, for what that’s worth.)

But getting back to sound…

Original Song

It’s got to be “Shallow” from A Star Is Born, right? And that’s fine with me. I don’t know any of the other songs, but I really like this one. Apart from Queen + Adam Lambert, the Lady Gaga / Bradley Cooper performance of it is the musical moment I’m most looking forward to.

And poor Mr. Cooper was snubbed for…

Director

Which most people think will go to Alfonso Cuaron for Roma. But I think it should be Spike Lee, for BlacKkKlansman. Because I liked that movie more, and because it’s absurd that Spike Lee hasn’t even been nominated until now!

Looking for anything else I at all care about…

Animated Feature

I only saw one of them, Spider-Man: Into the Spider-Verse, but it was good, and is considered a leading contender. I’d be fine with that.

This weekend we might go see all the nominated…

Animated Short

films, but until or if that happens, I of course have no opinion here.

Well, that leaves a lot of Categories of Indifference. It would likely be wise to turn elsewhere after the Queen performance, and let the PVR pile up some footage that I could fast-forward through as required.

In the meantime, I shall distract myself with Adam Lambert’s new song, to be released tonight at midnight. (Bite me, haters.)


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Ticketmonster

I was on vacation in Seattle, and awake before Jean was, for some reason, when I got an email about a pre-sale for a Who concert in Toronto nearly a year later. Buying a concert ticket on a tablet while on vacation isn’t the ideal scenario, but I had the time, so I figured I might as well see what I could get.

As anyone who’s tried it knows, buying tickets from Ticketmaster is a roll of the dice. Who knows what seats it will cough up for your consideration, and at what price, at any given time?

But this time the dice landed landed on: Floor seats! In the front centre section! And at the normal price, no VIP / resale nonsense!

Stunned, I started the checkout process…

Only to lose the connection partway as the flaky hotel wifi conked out.

Cue the swearing. (Quiet swearing, as Jean was still sleeping.)

Wifi returned, I tried again, and… So did my luck! I was still able to get front center floor seats at the normal price! And this time managed to complete the purchase. (The show was great.)

View from the floor was pretty good!

I have no idea how or why that happened or how I could possibly replicate it. I don’t recall who I got  this presale offer for, except that it wasn’t the fan club and it wasn’t American Express (I’ve never had an American Express). Was it just that the sale took place so far ahead? Did The Who just decide not to hold back that many seats as “VIP”?

We know the deal with Ticketmaster, that it’s exceedingly difficult for any human to beat out the resell bots—that, it turns out, Ticketmaster is in cahoots with). And that presales (and even the general sale) only have a subset of seats on offer, giving a constant impression that they are going fast.

I have had great, even front row, seats at other rock concerts, but that involved either not dealing with Ticketmaster (Bob Geldof in Ottawa, Roger Daltrey at Casinorama), or paying for VIP (Adam Lambert, who, as a solo artist, at least has moderate prices. If you don’t count the expense of getting to Berlin.).

Views from the front row

But for big shows in arenas, I think that Who concert was my once-in-a-lifetime good ticket-buying experience that won’t come around again. Especially since Ticketmaster keeps finding ways to make things worse.

Their latest ploy is to not tell you what the ticket prices are ahead of time. I don’t buy tickets often enough to know when this changed, but I’m certain that in the past you could look up ahead of time what ticket prices would be at different levels, so you could plan. They seem to not do that now.

I thought their main motivation must be that, in the frenzy, people might spend more than they otherwise would had they been able to plan ahead. But according to the CBC report on Ticketmaster, it’s also because they sometimes raise the prices a few hours after they initially go on sale.

They’re taking their queue from the airline industry.

Then there’s the new “Waiting room”. Admittedly, it wasn’t ideal before, sitting on the ticket buying web page waiting for the on-sale time, then refreshing and hoping nothing crashed before you could get in there to roll your dice.

So now, about an hour before the on-sale time, you can click to go into a “waiting room”. At on-sale time, it refreshes and you are “randomly” assigned a place in line.

I had over 2000 people in line ahead of me. The only other person I know who’s tried this also started with over 2000 people in line ahead of her. Make of that what you will.

There’s a little animation of your place in line that moves along as the number of people in front of you drop. You daren’t go anywhere else, but it’s not the most compelling viewing. (I can’t find a screen cap of it. Everybody must be too stressed while waiting to take one.)

Finally, your turn comes up, you copy in your presale code, you see what seats come up! And how much they are!

My target this time was yet another Queen + Adam Lambert tour. It was awful. I switched between seeing what was available for general sale and what the “cheaper” VIP offered. You couldn’t seem to look at both options at once, and of course, every time I went back to one or the other, the available seating was less. (Also, the Best Available sorting? Really wasn’t in that order!)

I finally picked something. I winced at the total, but smiled at the seating chart.

I don’t have a solution to this. If you want to see a big rock concert at an arena, Ticketmaster and resellers are your only option. Queen + Adam Lambert are encouraging use of Twickets, where people aren’t allowed to sell the tickets at higher than the price they paid. So that’s nice, but they currently have 0 tickets on offer. (Admittedly, there’s a lot of time for people’s plans to change.)

In Europe, they seem to have many more places where you can still buy general floor seats, then end up with a good spot if you’re willing to wait in line for them. Not all that helpful for North Americans.

So, I’m just glad there aren’t that many artists for whom I’m willing to go through this.

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One of the few


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Sing-along musicals

The KW Symphony recently presented “Sing-Along Musicals”! I got tickets even though Jean is not so big on “singing along”. When I saw the program, I wasn’t so sure how much of that I would be doing, either. South PacificOklahomaThe King and I? Those are some old-timey musicals! Did I even know any of the songs from those?

Turns out I did, at least somewhat. “I’m Going to Wash That Man Right Outta my Hair” has not always been a shampoo jingle, it turns out. Oklahoma includes “Oh What a Beautiful Morning”, “The Surrey with the Fringe on Top”, “ I Can’t Say No”, and “People Will Say We’re in Love”. The King and I has “I Whistle a Happy Tune”, “Getting to Know You”, and “Shall We Dance”. And they projected the lyrics, so you didn’t need those memorized.

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The second half got a bit more modern, with “Defying Gravity” (done as a solo, mind you), selections from The Sound of Music, and a surprise encore of “Let It Go” from Frozen. The whole evening was fun, the concert featuring a youth choir, two talented young singers leading the sing-along (when they weren’t solo-ing), and young dancers making an appearance during some numbers. Conductor John Morris Russell, of the Cincinnati Pops, was lively as usual. So Jean enjoyed it also.

It got me thinking, though: What would be my picks if programming a sing-along musicals concert? Excluding any musicals based on the works of great rock and pop artists (such as We Will Rock You, Tommy, American Idiot, Mamma Mia, and Jersey Boys), because that would be cheating. And I guess that also excludes Moulin Rouge, though kudos to Baz Luhrmann for truly re-imagining all those pop songs in that music.

But merely having mentioned Moulin Rouge, I can now include this Virtue and Moir dance video, right?

First up, musicals with multiple great numbers in them, so we could do a bit of a singalong medley with those. In no particular order…

1. Jesus Christ Superstar

The first collaboration between Tim Rice and Andrew Lloyd Weber, and maybe the best. The songs from this are so good, if lyrically a little weighty, given the subject matter. I loved the Stratford version of this play (which later went on to Broadway).

Roger Daltrey’s take on “Heaven on Their Minds” (because, why not Roger Daltrey’s take)

2. Grease

I believe that sing-along versions of the movie Grease actually are a thing. And it is a bunch of great songs. Even if the gender dynamics of the whole movie are a bit troubling, at this point. (“Did she put up a fight?” “She’s a real pussy wagon”)

But Rizzo, women are under no obligation to have sex just because they batted their eyes and danced close! (Still a nice tune, though.)

3. Hamilton

Sing-along-wise, all the rapping sections would be problematic. I think we’d all have to stop at that point and leave those bits to a solo rap artist. There’s also the issue that only the privileged few have managed to see Hamilton at this point (me not among them)—though anyone can listen to the soundtrack on Spotify (just sayin’). And it’s such good music.

4. Rocky Horror Picture Show

Creepy, wonderful fun here—I’m planning to see the Stratford production this summer. Everyone knows “Time Warp”, but it also has “Hot Patootie”, “Touch-A, Touch-A”, “Superheroes”, and the theme song:

Adam Lambert was the only good thing about Fox’s Rocky Horror TV remake, however

5. Buffy the Vampire Slayer: Once More with Feeling

Once upon a time, there were live showings of the Buffy singalong, whereupon this season five episode in which all the characters magically found themselves singing, as though they were in a musical, played on a big screen with subtitles, while people sang along. But the poo-poo heads at Fox shut it down before I could get myself to one.

The beauty of singing along with this is—some of these actors don’t sing a whole lot better than you do, probably, so it’s much less intimidating. And the songs are surprisingly catchy.

Spike’s big number in the musical, the rockin’ “Rest in Peace”

Then a few individual pieces from musicals.

1. “Seasons of Love” from Rent

Maybe Rent has a bunch of other good songs, but I only know this one, the most famous one.

“Seasons of Love” from Glee, where it was used in tribute to Finn / Cory (and it still kills me)

2. “I Got Life” from Hair

We’re allowed to sing about “tits” and “ass” in these days, aren’t we? Especially as it’s not in a sexual context here?

Treat Williams was amazing in this movie

Actually, with “Aquarius”, “Good Morning, Starshine”, and “Where Do I Go”, Hair almost qualifies for the medley treatment—though a lot of its other songs are considerably more problematic, lyrically, than “I Got Life” (once taken out of context of the play / movie, at any rate).

[I’m being all serious here, as if I’ve actually ever going to program a musical concert.]

3. “The Rainbow Connection” from The Muppet Movie

Look, it’s a beautiful song, and it’s been covered by everybody.

4. “America” from West Side Story

West Side Story is a brilliant musical and I love it. But I don’t find myself listening to the soundtrack much. Except for “America”.

5. “Dogs in the Yard” from Fame

Leaving the obscurest for last, this is a song from the 1980 movie Fame that I think was just played over the credits. But I had the soundtrack LP, and I’ve always loved this song.

You wild man—you go and play poker! Live a little!


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Camel camel camel

I’m probably late to this whole thing, but in case anyone else is too…

Earlier this year I’d written about the baffling and frequent ways that pricing on Amazon varies. My example was a blu-ray of a Queen+Adam Lambert concert. I’d described a price range of $145 to $48. And wondered if I should have waited even longer for a cheaper price.

Among all the Black Friday / Cyber Monday coverage this week, I read about the very handy camelcamelcamel.com website (this link will bring you to the Canadian site, but you can pick another country from there). Here you can paste in a URL of an Amazon item, and see just how much that item’s price has ranged in the last six months. Here’s what I got for that QAL blu-ray:

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Showing that not only had it at times been more than $145, I had indeed purchased it at a historic low price.

Clearly a handy tool if you’re wondering just how good a current Amazon sale price is. (Turns out I should have bought that toaster oven at $203 Friday; that’s just $4 above its historic low and now it’s at $230. Meh.)


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Of news, Netflix, Amazon, and chimunks

Just because I haven’t been blogging lately doesn’t mean I haven’t been thinking about stuff…

Not writing about news is good news

I’ve actually started a number of posts about current events, but it all gets so depressing. And it changes so fast.

Like after Charlottesville, I was going to write a thing about how Canadians could join the Sleeping Giant twitter campaign to discourage companies from advertising on the alt-right Rebel Media website. But within days, The Rebel seemed to be sort of falling apart anyway, and it no longer seemed, maybe, the best way to spend one’s limited amount of time for activism.

443527_m1494452946Then I went to see An Inconvenient Sequel, on climate change. That seemed a better target for activism. And then with Harvey’s severity clearly being an illustration of what climate change looks like… But me writing about that, seems like piling sanctimony on top of tragedy. Better to leave it to those who have studied it longer, and have more skin in the game like Eric Berger (This is probably the worst US flood storm ever, and I’ll never be the same) and Brian Merchant (Climate change denial should be a crime).

Whereas I will write more trivial stuff, like…

The chipmunk invader

“We have a chipmunk living behind our TV cabinets”, I wrote to our catsitter.

That was mid-July, and it had already been around for a couple weeks. Nearing September, the chipmunk was still with us.

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Yes, they’re cute. But they’re still rodents.

It seemed to have a developed a routine of leaving its hiding place mid-morning to drink water from the cats’ bowls (handily kept right near the TV cabinets) and scrounge for food—which it was clearly doing successfully, given its longevity.

[Something I just learned from “Interesting facts about chipmunks: “Chipmunks are diurnal. In other words, they only come out during the daytime. The reason is not because they are blind at night, but because everything is too dark for their main defense system—their eyes—to work to their advantage.” Would explain why I never saw it in the evening.]

The chipmunk became increasingly brazen, stopping to give me a look to determine that I still appeared unable to catch (it was right; there is no catching a chipmunk!) before scurrying up the stairs to see what treasures could be found on the main floor. The cats occasionally decided to give chase, but more often just watched it, bemused.

The chipmunk was too big to be caught in mouse traps, too small to set off the squirrel trap, which we’d find untripped, bait missing. (“Great,” I said. “Now we’re purposefully feeding it.”)

We’d leave windows open a crack, but it showed no interest in exiting.

Maybe we need a rat trap, Jean suggested.

Before going that lethal route, we tried one more live trap, this one apparently designed for chipmunks: The Havahart Model #1025.

It took three days, but it actually worked: Chipmunk out for its rounds, almost immediately entered the trap, and… Trap door shut!

Chipmunk not happy.

I was a little freaked out by the success, especially as the little thing was making a terrible ruckus trying to bang its way out. Then I got it together enough to throw a pillow case over the trap (that’s supposed to calm the animal), and cary it out and over to the park, where I released it into the woods.

Herein ends your unrequested lesson in how to get a chipmunk out of your house. Now if only we could locate its entry point, so it can’t find its way back in…

Beyond the Lights or under the radar?

It was nominated for an Oscar and won some BET and critic’s awards, but I’m not sure how many people have heard of the movie Beyond the Lights. I was sort of looking out for it when it was released in 2015, but if it came around, it didn’t stay long.

I saw it recently as a DVD loaner from the library (it’s also on US Netflix). It’s about a young black woman, Noni, whose latest single is a big hit and whose first album is hotly anticipated. But after an award-winning night, she goes off alone and stands on the balcony of her fancy hotel room, thinking about jumping. She’s rescued by the young black officer on duty to protect her. They really seem to connect…

So yes, this is a romance, but better-written than most. Their challenges as a couple—the paparazzi, parental disapproval on both sides, conflicting career aspirations (the police officer also has political ambitions)—seem believable, not just plot contrivances. That Noni has a stage mom is a bit of cliche, but the character isn’t just a cartoon villain. The movie also offers a critique of the highly sexualized way young women are marketed in the music industry. (The film was written and directed by a woman, Gina Prince-Bythewood.) The actors are good, and lead Gugu Mbatha-Raw does have a lovely voice.

So if this sounds like your kind of thing, I think you’ll enjoy it. (And if not, like Jean, you’ll likely still admit it’s a decent film.)

Also recommended—but I assume most people have heard of this movie—the “still in theatres” The Big Sick. Making comedy out of the unfunny matters of race and illness.

Amazon pricing: Maybe it’s a game?

queen_al_live_in_japanSo back in November, the first-ever official live Queen + Adam Lambert blu-ray was released, initially sold only from a Japanese website. I most definitely wanted this thing, but when I did the conversion from Yen, it was $120 Canadian for the single disc + CD, plus shipping from Japan, which seemed… pricey, given that your average blu-ray is about $20.

So I waited for it to be available from Amazon as an import, whereupon it was listed for… $145. This was not going in the right direction. I kept checking it periodically, but the price remained stubbornly high, and nowhere else (including ebay) seemed to offer anything better.

Then one day Amazon emailed me to inform me that the price had dropped. Which it had… To $101.

I was considering that, but wasn’t yet convinced.

Then a little over a week ago, I had a random look Friday at lunch time and… It was $48.

So, fine, I ordered it. (And despite them telling me that by not choosing Prime, I’d have to wait til Thursday to get it, it arrived on Monday, Prime time!)

But the thing is, when I looked at the price again later that very same day—when I happened to be logged in as Jean—it was $62.

And right now, for both of me and Jean, it’s $67.

I’ve heard that Amazon has these sophisticated pricing algorithms that causes pricing to vary at any given time based on your past purchasing habits.

Which makes me wonder: Did I cave too soon? If I had kept checking at random times and days, would I have eventually acquired this item at $25?

And does this mean that all Amazon items are cheaper for me at lunchtime? Or on Fridays? Or have I ruined both now by going through with a purchase at that time and day?

And what’s up with the wildly different prices on the same piece of clothing at different sizes?

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One dress, but each of its four sizes is a different price with a $140 range!

Anyway. The blu-ray is a gorgeous thing, with the best video and sound I’ve ever seen and heard on recorded Queen + Adam Lambert material. So I’m happy with it, even if the camera operator doesn’t always know when it’s important to focus on Adam (like, when he’s getting on his bike, and riding!).

 

Netflix: Giving us the sitcom revivals we didn’t know we needed

I don’t know that the world was clamoring for a remake of the Bonnie Franklin-starring 70s / 80s sitcom One Day at a Time, but Netflix has gifted it with one anyway. I was surprised to see how high it appeared on lists of best Netflix originals, so I decided to check it out.

What has it retained from the original? Well, there’s still a single Mom living in an apartment with her two teenage children, and a building supervisor named Schneider. Also, the same theme song, only re-recorded in a cooler version.

Other than that, not much. The family is Cuban-American; Mom Penelope is an army veteran; there is a daughter and son, not two girls; her mother lives with them, also; and Schneider is a wealthy Canadian ex-pat who never wears denim, carries a toolbox, or hits on Penelope. (See Why the New Schneider on One Day at a Time Is So Much Better Than the Old One.)

With its live studio audience and typical sitcom wisecracks flying, the series initially lulls you into thinking it will be super-light entertainment. But though it never gets too heavy, almost every episode touches on serious and often timely subjects: Dealing with PTSD. The challenges veterans have getting help from the VA. Figuring out your sexual identity. Raising boys in the age of online porn. Crackdowns on undocumented immigrants. Pay equity. Affirmative action.

(Hey, I somehow circled back to news, sort of.)

It wasn’t the sort of addictive thing that I had to keep watching, but I enjoyed every episode and grew quite fond of the characters. Despite that list of Serious Issues, it is a comedy, and a funny one. I was sad to see the end of Season 1. Fortunately, it has been renewed for a second season.


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The Royal Tour Part 2: Queen for a day in Toronto

We took a week off in July in lieu of the one originally planned in June, when Jean’s work commitments meant he couldn’t get away. We had to go to Toronto on Tuesday, July 18 anyway, because we had tickets to a Queen + Adam Lambert concert. We built the rest of the vacation around that.

City Hall

The city can look purty

We’d first thought of going to Québec City after Toronto, but that’s a really popular destination this time of year. Finding a hotel was a challenge, and we started to think it would just be unpleasant with so many people crowded into the Old Town there. We switched over to Kingston, which is much less of a drive, so thought of adding a day in Toronto.

But Toronto is also a very popular destination this time of year. And while we could have stayed at our hotel an extra night, the price for that extra night jumped dramatically. (And this was for a hotel room that was probably the smallest we’ve ever had in Canada. Mind, the hotel itself—the Strathcona—was very conveniently located downtown, though something of a nightmare to drive to and expensive to park at.) So, we decided to stick with just two days in “The 6”.

City Hall

At night also

We took some time while there to visit my sister and brother-in-law in their lovely new apartment. That didn’t leave much time for doing Toronto “stuff”. Mainly, during the day, we walked around various neighbourhoods: The Harbourfront area, the Distillery District (highlight: visiting the Soma chocolate store), Kensington Market.

The main event

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Unofficial poster. Seems to be one of these for each stop.

You see this warning sign? This show has strobe lights, it has lasers, it has smoke, it has explosions. You name it, this show has it. You’re allergic to any of these things? I suggest you go home now.

It was the first time I’d had to go through a metal detector at an Air Canada Centre concert, but all the ACC staff (like the one quoted above) were really very cheery and nice, helping everyone out to ensure we all got through quickly and safely. This was a relief to Jean, who’d been worried on seeing the lineup when arrived. As was the fact that we had no problem getting his camera in (only “professional” cameras were banned, but what is that?).

We sat next to a woman from Newfoundland, a fan of Queen but especially of Adam Lambert, who’d flown up special for the concert. (Jean shared that we’d flown all the way to Berlin for our Adam Lambert concert.) Her husband was in town with her, but not at the show, which caused Jean to give me a look. Well, he couldn’t very well abandon me on our 25th wedding anniversary night, could he?

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Our view was from here—and it actually wasn’t bad. Though Jean complained that they played more to the other half of the room.

And truly, it was a really great show. Would have been a shame if he missed it.

The staging, the lights, the effects

I’m not sure I’ve ever seen better. Before the show started, we could tell the stage was in a guitar shape, but were having trouble figuring out how things (like the projection screens) were laid out… Then the show began with this huge robot hand smashing through the screen, then looking out, then raising it with both hands to reveal the band playing “We Will Rock You.” Awesome!

Other highlights included Adam Lambert literally rising from the floor to sing the exquisite “Who Wants to Live Forever”; the stunning laser show; the effect of a simple disco ball in a stadium; the interesting, multi-level video background for Brian May’s solo (built around the Queen logo, deconstructed); and the stunning amount of confetti at the end.

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Disco inferno!

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Dynamite with a laser beam! Source: ror0roror0ro at https://www.instagram.com/p/BWthmNKDLlL/

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That’s a lotta confetti! Source: lauracjthistle at https://www.instagram.com/p/BWtkqdOFbbQ/

The music!

Of course I love all the songs. But the band also performs them so well—without vocal modulators or click tracks. And, the sound mixing at the ACC was quite good. So I could hear Adam Lambert’s impeccable, incredible vocal flourishes on songs like “Don’t Stop Me Now”, “Somebody to Love,” and “Who Wants to Live Forever.” And the band’s excellent harmonies on songs like “I Want It All”.

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One great band

The drum battle between Roger Taylor and new recruit (from Queen Extravaganza) Tyler Warren was fun. And the guitar solo—which I’d been dreading a bit, having found it somewhat long and dull at their last concert—was fantastic. It was shorter, for one, and all built around familiar melodies (at least to a Queen fan) from “Lost Horizon” and “Brighton Rock”. Kudos.

All the feels

The set list is designed to take you on an emotional journey. You start with the powerful adrenaline rush of a snippet of “We Will Rock You,” followed by the powerhouses “Hammer to Fall” and “Stone Cold Crazy.”

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Power!

There is then a gradual segue to the fun and frothy part of the evening, introduced by Adam Lambert singing “Killer Queen” atop the head of Frank the robot, while wearing a hot pink suit. (“Gayest suit ever!” he proclaimed.) Included at the juncture was an Adam Lambert single, “Two Fux,” along with “Don’t Stop Me Now” and “Bicycle Race,” wherein Adam rode around on a pink, flower-laded tricycle.

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He gives great head,” Adam declared

Thanks to Adam’s super-tights pants, propensity for hip thrusting, and just general handsome-ness, the entire evening was somewhat lust-inducing (if you like that sort of thing).

Adam’s groiny interpretation of Fat Bottomed Girls

But they really amped up to 11 on “Get Down, Make Love,” a welcome addition on this tour. The whole backdrop for this song was red, dripping, sexy imagery, which Lambert only enhanced with his orgasmic vocal prowess.

“Was it good for you?” he asked. (Umm, excuse me, I’ll be in my bunk.)

But Adam wasn’t the only significant contributor to this portion of the evening. Roger Taylor took lead vocals on another recent set addition, “I’m in Love with My Car,” a song that really shouldn’t be sexy, but somehow is, the way he sings it.

Brian May? Well, he introduced the poignant part of the evening, moving to the front of the stage to sing “Love of My Life,” accompanying himself on accoustic guitar. The effects here were a sea of cell phone lights, which was just beautiful. And though I knew that video Freddie Mercury would make an appearance near the end, the way they did that, with Freddie seeming to stand right beside Brian, I couldn’t help tearing up.

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Stars in the cell phone firmament. Source: a_jm_v, https://www.instagram.com/p/BWtmDWGFpq-/

Through “Somebody to Love”, and “Under Pressure,” and “Radio Ga Ga,” [aside that I’m not listing every song they played], the band managed to create a more intimate feel in this large space.

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So close you could touch them. (Not really.)

Of course, the ending was triumphant. I liked how they rejigged “Bohemian Rhapsody.” They included the usually skipped “Is this the real life?” introduction, with Adam taking lead vocals. He also sang both verses, instead of sharing those with video Freddie. Of course, the operatic part is still from the original video. Freddie just appears at the very end, trading off lines with Adam.

The finale? “We Will Rock You / We Are the Champions,” of course. Full Toronto set list

The crowd was really great (as I usually find with Toronto). I thought we’d spend most of the concert sitting, but no, they were up for standing for probably three-quarters of the show. Brian May’s birthday was the following day, when there was no concert, so we got the fun of singing “Happy birthday” to him, after he honoured us with a selfie stick photo (posted here: https://www.youtube.com/watch?v=Vw6i-QMjSuY). At the end, Adam thought Brian should wear his crown (though that proved a bit of a problem, as it was sized for Adam’s bigger head).

Richmond Station and Ki

(This is turning an epic post, but why stop now.) The evening before the concert, we’d originally hoped to dine at Canoe, but it was summerlicious time in Toronto (that is, specially priced meals at certain restaurants), which meant that Canoe was fully booked for two weeks. (And that likely happened on the first day summerlicious reservations were open.)

So, we went to Richmond Station, a new restaurant for us, even though we couldn’t get in til 8:30 pm. We’d read that they offered surprise, multi-course “chef’s menus”, but that wasn’t mentioned on their printed menu. Jean asked about it, though, and they confirmed that it was on offer, and the head chef was in that day, so it should be a good one.

They also asked us if we had any special occasion, and Jean mumbled something about, no, we’re just here for a darn Queen concert, but I piped about it being our 25th wedding anniversary the next day. That was good, because it resulted in a complimentary glass of bubbly each, to go along with our half-liter of (delicious) Oregon Pinot Noir that we thought should be generally food friendly.

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The bubbly with our first course, oyster and trout tartar

What a nice meal we had there. All courses—eight of them—were prepared with care and delicious. The service was attentive. Our late start meant that we had a waiter switchover near the end, but that was handled very well. Tables were close together, so it was a bit loud, but that somehow didn’t bother us. And the whole thing was like, $200? Which seemed a great deal for a meal of this caliber in Toronto.

Beef tartar is not a thing I normally eat, but theirs was flavored very well. There was a small charcuterie plate. This amazingly light zucchini tempura. A set of two salads: one beet, one tomato, both great. [I feel like there might have been sweetbreads in here somewhere also?] Seared salmon with great vegetables. A smoky sirloin beef with potatoes (the smoke made it special).

I think it's a beet?

Two salads

Rishcmond Station Restaurant

Le saumon

It was all topped off by a very special dessert of ice cream, peanut butter, and hazelnut.

For Our Anniversary!

Before the concert on Tuesday, we went to our reliable Ki, where they once again did a really nice job of their “modern Japanese” food and excellent service.

Ki Restaurant

Maple tamari with pine nuts—so good

Ki Restaurant

I think this is dessert