Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


2 Comments

Sing-along musicals

The KW Symphony recently presented “Sing-Along Musicals”! I got tickets even though Jean is not so big on “singing along”. When I saw the program, I wasn’t so sure how much of that I would be doing, either. South PacificOklahomaThe King and I? Those are some old-timey musicals! Did I even know any of the songs from those?

Turns out I did, at least somewhat. “I’m Going to Wash That Man Right Outta my Hair” has not always been a shampoo jingle, it turns out. Oklahoma includes “Oh What a Beautiful Morning”, “The Surrey with the Fringe on Top”, “ I Can’t Say No”, and “People Will Say We’re in Love”. The King and I has “I Whistle a Happy Tune”, “Getting to Know You”, and “Shall We Dance”. And they projected the lyrics, so you didn’t need those memorized.

sound20of20music20two

The second half got a bit more modern, with “Defying Gravity” (done as a solo, mind you), selections from The Sound of Music, and a surprise encore of “Let It Go” from Frozen. The whole evening was fun, the concert featuring a youth choir, two talented young singers leading the sing-along (when they weren’t solo-ing), and young dancers making an appearance during some numbers. Conductor John Morris Russell, of the Cincinnati Pops, was lively as usual. So Jean enjoyed it also.

It got me thinking, though: What would be my picks if programming a sing-along musicals concert? Excluding any musicals based on the works of great rock and pop artists (such as We Will Rock You, Tommy, American Idiot, Mamma Mia, and Jersey Boys), because that would be cheating. And I guess that also excludes Moulin Rouge, though kudos to Baz Luhrmann for truly re-imagining all those pop songs in that music.

But merely having mentioned Moulin Rouge, I can now include this Virtue and Moir dance video, right?

First up, musicals with multiple great numbers in them, so we could do a bit of a singalong medley with those. In no particular order…

1. Jesus Christ Superstar

The first collaboration between Tim Rice and Andrew Lloyd Weber, and maybe the best. The songs from this are so good, if lyrically a little weighty, given the subject matter. I loved the Stratford of this play (which later went on to Broadway).

Roger Daltrey’s take on “Heaven on Their Minds” (because, why not Roger Daltrey’s take)

2. Grease

I believe that sing-along versions of the movie Grease actually are a thing. And it is a bunch of great songs. Even if the gender dynamics of the whole movie are a bit troubling, at this point. (“Did she put up a fight?” “She’s a real pussy wagon”)

But Rizzo, women are under no obligation to have sex just because they batted their eyes and danced close! (Still a nice tune, though.)

3. Hamilton

Sing-along-wise, all the rapping sections would be problematic. I think we’d all have to stop at that point and leave those bits to a solo rap artist. There’s also the issue that only the privileged few have managed to see Hamilton at this point (me not among them)—though anyone can listen to the soundtrack on Spotify (just sayin’). And it’s such good music.

4. Rocky Horror Picture Show

Creepy, wonderful fun here—I’m planning to see the Stratford production this summer. Everyone knows “Time Warp”, but it also has “Hot Patootie”, “Touch-A, Touch-A”, “Superheroes”, and the theme song:

Adam Lambert was the only good thing about Fox’s Rocky Horror TV remake, however

5. Buffy the Vampire Slayer: Once More with Feeling

Once upon a time, there were live showings of the Buffy singalong, whereupon this season five episode in which all the characters magically found themselves singing, as though they were in a musical, played on a big screen with subtitles, while people sang along. But the poo-poo heads at Fox shut it down before I could get myself to one.

The beauty of singing along with this is—some of these actors don’t sing a whole lot better than you do, probably, so it’s much less intimidating. And the songs are surprisingly catchy.

Spike’s big number in the musical, the rockin’ “Rest in Peace”

Then a few individual pieces from musicals.

1. “Seasons of Love” from Rent

Maybe Rent has a bunch of other good songs, but I only know this one, the most famous one.

“Seasons of Love” from Glee, where it was used in tribute to Finn / Cory (and it still kills me)

2. “I Got Life” from Hair

We’re allowed to sing about “tits” and “ass” in these days, aren’t we? Especially as it’s not in a sexual context here?

Treat Williams was amazing in this movie

Actually, with “Aquarius”, “Good Morning, Starshine”, and “Where Do I Go”, Hair almost qualifies for the medley treatment—though a lot of its other songs are considerably more problematic, lyrically, than “I Got Life” (once taken out of context of the play / movie, at any rate).

[I’m being all serious here, as if I’ve actually ever going to program a musical concert.]

3. “The Rainbow Connection” from The Muppet Movie

Look, it’s a beautiful song, and it’s been covered by everybody.

4. “America” from West Side Story

West Side Story is a brilliant musical and I love it. But I don’t find myself listening to the soundtrack much. Except for “America”.

5. “Dogs in the Yard” from Fame

Leaving the obscurest for last, this is a song from the 1980 movie Fame that I think was just played over the credits. But I had the soundtrack LP, and I’ve always loved this song.

You wild man—you go and play poker! Live a little!


2 Comments

Lowest of the Low live at Maxwell’s

I went to see Lowest of the Low in concert again on January 20. That ties  them with The Who, Bob Geldof, U2, and Sting as the artists I’ve seen live most often: three times each.

If I keep going back to see Lowest of the Low, it’s partly that it’s so easy to do: All the shows I’ve seen have been at small-ish venues in my hometown. But it’s also that, 26 years after their first album’s release, the music still holds up.

Now, the challenge of finding someone to join me at a Lowest of the Low concert is that most people have never heard of them. (The challenge of finding someone to join me at a concert by a more famous artist is that most people won’t like them enough to want to pay the ticket prices. So concert company is always a challenge.) But, I didn’t give Jean much choice in the matter, and then he suggested I invite Tim and Jess, and they were willing to give it a go.

First we had a rather enjoyable dinner at Solé.  Lots of laughs during the conversation. (Turns out we could make a double-entendre out of anything, even snowshoes.) We also enjoyed the food.

Winterliscious

A rather arty photo by Jean of our Sole dinner

And we arrived in a good time at Maxwell’s, my first time at this relatively new venue. I knew there wasn’t assigned seating, but wasn’t aware there basically wouldn’t be any seating. Jean suggested we go right up to the front of the stage, so we could lean on the barriers. This led to Tim to singing a bit of Alanis’ “Front row” (not one of her more famous songs—but I know it).

And speaking of famous songs, Tim wondered if there would be any Lowest of the Low songs he’d recognize. I had to suggest that, perhaps, he would not know any. Jean, who lives with me, and therefore by osmosis knows many Lowest of the Low songs, was a bit incredulous. What about “Henry Needs a New Pair of Shoes?” he said. Or “Rosy and Grey”?

But the thing is, although Lowest of the Low have the one semi-famous album, Shakespeare My Butt (routinely selected among the “Best Canadian albums of all time”), from which various songs were indeed played on some Canadian radio stations, no one particular song from that album became a big hit. So seems people either know all 17 songs from that album, or they know 0.

Now, we were all the 0 group for opening act Jane’s Party Band—but they weren’t bad at all. They are Toronto-based, and get some support from various members of Blue Rodeo. And their guitar player, who was standing right in front of us, was a real babe. So it wasn’t hard to pay attention.

Then around 9:20, Lowest of the Low started their set. By this time, the place looked really full! They apparently have not lost their ability to draw a crowd in KW.

Lowest_of_the_Low (16 of 48)

I’m in the front row
The front row with popcorn [beer, really]
I get to see you
See you, close up

I knew I’d have no hope of remembering the setlist, but thank you Internet, here it is. Mostly from Shakespeare My Butt, still, starting with “Kinda the Lonely One” and ending with “Rosy and Grey”, with seven others in between. Next most represented was the new album, Do the Right Now, with five songs. Then two each from album three Sordid Fiction and the under-rated (in my opinion) second album Hallucigenia (and that did not include “Black Monday”, much to the dismay of the dude requesting it from the opening chords).

Lowest_of_the_Low (35 of 48)

It was a fun show. Lead singer and songwriter Ron Hawkins is very charismatic and entertaining. And while I like all their music, it is true that the Shakespeare My Butt songs that still make up the bulk of the set have a certain poppy “bounce” to them that it somewhat lost in their later work. The lyrics take on some big issues, so it’s a little weird (when you think about it) to be happily singing and dancing to songs about homelessness, serial killers, mental illness, and the Spanish civil war. Best not to think about it!

“Hey Waterloo. What a perky bunch! Pace yourselves; we have a lot of songs to play.” — Ron Hawkins

New Low ... for the Low :)

The crowd were a perky bunch. When Ron decided to take a lay-down mid-song, the girls behind us requested front-row access to get photos. Which was fine. They also occasionally joined Jean and I in dancing. Also fine. But then another girl decided she was getting the front row, and staying there, and flaying her arms around, putting Jess at considerable risk until Tim made himself a human shield. Less fine.

[Like, if you’re that big a fan, get to the show earlier, man.]

Still, we overall had a good time. I liked this venue better than the last one I’d seen them in, The Starlight. It just seemed cleaner (at least at the start of the show) and was bigger, and better suited to loud, lively band. And since Lowest of the Low fans are few and far between in the world, it really is fun to have the rare occasion of being in a room full of people who also know all the words.

Set list:

  1. Kinda the Lonely One
  2. Powerlines
  3. Saint Spurious
  4. Salesmen, Cheats, and Liars
  5. So Long Bernie
  6. Infinite
  7. California Gothic
  8. For the Hand of Magdelena
  9. Concave
  10. Gerona Train
  11. Gossip Talkin’ Blues
  12. Life Imitates Art
  13. Darkhorse
  14. Henry Needs a New Pair of Shoes (snipping of Bankrobber by The Clash)
  15. Eternal Fatalist

Encore

  1. Subversives
  2. Confetti (The Lemonheads cover)
  3. Bleed a Little While Tonight (with a bit of Walk on the Wild Side by Lou Reed)
  4. Rosy and Grey

 


Leave a comment

Writer’s playlist

Return Post—The Bangles

Writing the lines as they come to me
Scratching them out almost immediately
Don’t know what it’s done to me

When I Write My Master’s Thesis—John K. Samson

It’s all gonna change
When I write my master’s thesis

Paperback Writer—The Beatles

Dear Sir or Madam, will you read my book?
It took me years to write, will you take a look?

Every Day I Write the Book—Elvis Costello

Chapter One: We didn’t really get along.
Chapter Two: I think I fell in love with you.
You said you’d stand by me in the middle of Chapter Three
But you were up to your old tricks in Chapters Four
Five and Six.
And I’m giving you a longing look
Every day, every day, every day I write the book

Suzanne Vega—Book and a Cover

What’s that they told you
About a book and a cover?

Jools and Jim—Pete Townshend

Typewriter tappers
You’re all just crappers
You listen to love with your intellect

Wrote My Way Out—Nas, Lin-Manuel Miranda, Dave East, Aloe Blacc

Sister tapped my brains, said, pssh, you’ll get ’em right back
Oversensitive, defenseless, I made sense of it, I pencil in
The lengths to which I’d go to learn my strengths and knock ’em senseless
These sentences are endless, so what if they leave me friendless?

We Used to Wait—Arcade Fire

I  used to write
I used to write letters
I used to sign my name
I used to sleep at night
Before the flashing lights settled deep in my brain

Please Read the Letter—Robert Plant and Allison Krause

Please read the letter, I
Wrote it in my sleep
With help and consultation from
The angels of the deep

The Letter—The Box Tops

Well, she wrote me a letter
Said she couldn’t live without me no more

Letter from Bilbao—Lowest of the Low

I am writing you this letter
In desperation, I’m afraid

All She Wrote—Ray Davies

All she wrote was a goodbye letter
“It’s over for us, to tell you the truth
I’ve met this person in a disco
He’s really special, reminds me of you”

Word Crimes—Weird Al Yankovic

Like I could care less
That means you do care
At least a little

Underwhelmed—Sloan

She wrote out a story about her life
I think it included something about me
I’m not sure of that but I’m sure of one thing

Her spelling’s atrocious


Leave a comment

Movie review: Guardians of the Galaxy Vol. 2

Yes, we were quite late to this one, but Canada Day weekend we finally took in Guardians of the Galaxy Vol. 2. We were both fans of the first one, and had heard generally positive reviews of the sequel, albeit with some debate as to which volume was better.

The first movie was a fun discovery. This one had to meet the expectations raised by that one. It tries to do so in a big hurry, with an amazing opening action sequence that is soon interspersed with a musical interlude featuring a dancing Baby Groot. Shameless, but I loved it anyway.

The whole movie continues along in similar fashion, with more action, more humour, more classic rock, more cute Baby Groot.

But its real strength are its full complement of flawed but lovable characters, who are dealing with various family issues in this one. Peter has a chance to reconnect with the father who abandoned him as a child. Gamora has taken her troublesome sister hostage. Rocket ponders on the consequences of his prickly approach to his teammates (other than Baby Groot). Drax mourns his lost wife and daughter while bonding with a new acquaintance, Mantis.

First one better? Sequel better? I don’t know. I just think the two would make a nice double bill.


2 Comments

Roundup: Riverdale, Lala Land, Malcolm Gladwell, and more

I haven’t done anything major of late, but I’m still keeping busy with a number of minor items, such as…

Watching Riverdale

A very buzzy show right now, playing on CW in the US and on Netflix in Canada. Beforehand, I liked the idea of a dark, Twin Peaks-y take on Archie Comics, and I’ve been generally happy with the results. The tone is still somewhat uneven—sometimes exaggerated Gothic, sometimes gritty realism—and Jean does tend to roll his eyes at the drama, drama of some scenes. But we’re both pretty entertained by it, overall.

Doesn’t hurt that he took an instant shine to Betty, while I am seriously crushing on Jughead… On Jughead, yeah. This is not like the comics! Sure, Archie is handsome, but also a jock and a bit bland, and Kevin is cute, but not  in that Adam Lambert way. But Jughead is a writer, he’s sensitive, he’s moral, he’s troubled (poor and bullied; alcoholic father)—and also, so pretty!

jughead

[SPOILERY] There’s been considerable Internet discussion about whether the Jughead character would be asexual / aromantic as in the comics, so I was curious how that would play out. I can’t say I’m personally disappointed with the decision, but it is certainly a missed opportunity to do something groundbreaking.

Finding a movie Jean likes

Back in December we went to see Office Christmas Party, an over-the-top, light comedy we both found kind of fun. But then we followed withe Loving and Moonlight. These are both quality films that I enjoyed. But they are also slow-paced, character-driven dramas, and Jean was somewhat bored by both. So I took a pass on going to Fences and Manchester by the Sea with him—I’ll catch up on those myself.

The Lego Batman Movie seemed like it should be a good bet, though, right? And while it was not quite as good as the original Lego Movie, I was still very entertained by it. But while Jean wasn’t exactly bored, he was just kind of meh on this one. He just didn’t catch all the digs at the Batman lore that made the movie so clever.

And Lala Land? (“Did you know this is a musical?” he asked, walking in. Umm…)

But hey Mikey, he liked it! (Me too. It’s fun, and beautifully filmed.)

Fretting about details of a party we’re hosting

Usually late at night, when I should be falling asleep.

“Huh,” said Jean, when I reported this. “I don’t think about that at all.”

But he definitely helps me work on whatever aspect I’m most recently fretting about.

I guess that makes us a good partnership. Though I do envy his ability to just assume that things will be fine and work out.

Learning from Malcolm Gladwell

Revisionist History is a podcast series, available on iTunes and Google Play.

Each week, over the course of 10 weeks, Revisionist History will go back and reinterpret something from the past. An event. A person. An idea. Something overlooked. Something misunderstood. Because sometimes the past deserves a second chance.

I’ve listened to 8 out of 10 so far, and find them all fascinating. Like:

  • The Lady Vanishes, on how one woman (or African-American, or gay person) achieving breakthrough success doesn’t necessarily pave the way for more.
  • Thanks to The Big Man Can’t Shoot, I now understand that my very disinterest in looking athletic (a hopeless endeavour, anyway; I am simply not athletic) made me a basketball free-throw champion. (It was literally the only thing I was ever better than anyone else at in gym class.)
  • Hallelujah explains the creative process and unlikely series of fortunate events that turned Leonard Cohen’s original un-listenable song into the iconic tune it is today. (Though I think KD Lang should also have earned a shout-out in this piece.) And as a bonus, introduced me to a new Elvis Costello tune.

Listening to women

I’ve always been a feminist, of course, but the US election has made it all feel more acute. My Twitter feed has been feeling gender unbalanced, so I’ve been seeking out more women’s voices:

  • @robyndoolittle, who’s been working on an important series for the Globe and Mail on how many sexual assault cases in Canada are labelled unfounded. (The first: Unfounded: Why police dismiss 1 in 5 sexual assault claims as baseless)
  • @AKimCampbell, first woman Prime Minister of Canada, and also a really hilarious person. (And very active retweeter, but I’ve learned you can follow a person’s tweets but not their retweets.)
  • @kashanacauley, humorist and now writer at The Daily Show.
  • @tagaq, wherein singer Tanya Tagaq provides an interesting, First Nations perspective on the day’s issues.

I’ve also been listening to more music by women. This has led Spotify, who previously recommended me a whole lot of dance club music (thanks to following Adam Lambert, and perhaps enforced by a bout of listening to show tunes) to conclude, well, maybe I would enjoy some Indigo Girls and Melissa Ethridge as well.

I kind of do like their music, though, so it’s all good. And also, the songs by these strong women:


2 Comments

Anniversary playlist

Wedding anniversary celebrations aren’t until later in the year, but since one has to plan ahead for those things, it’s consuming some mind-space now. One detail I’ve pondered is whether we can play our own music during dinner in the restaurant space we’ve rented. I’m guessing no, but if we could, I wouldn’t have to spend time creating the playlist.

Many years ago I made Jean a mixed CD sort of thing (back when one still did that sort of thing) of songs that reminded me of him / us. Since then I’ve continued to add to it when so inspired. (That being one of those things I do—maintain lists of stuff.)

Since it might not actually get played, I thought I would at least share it:

Anniversary playlist (Google music)

The list reflects different stages of our relationship.

In the beginning

Songs like Bob Geldof’s “Dazzled by You” and Alanis Morissette’s “Head over Feet” cover the wonder of new relationships. But I think the one that best captures our specific “I now see you in a different way” encounter at a dance bar is Madonna’s “Crazy for You”.

“We’re so close but still a world away / What I’m dying to say / Is that I’m crazy for you”

(Young love. It’s so wonderfully sappy.)

As for our first date, this is best summed up by a recent addition—“Satisfied” from Hamilton. It really captures that amazing rush when a conversation clicks so well.

“So so so— / So this is what it feels like to match wits / With someone at your level! … The feeling of freedom, of seein’ the light / It’s Ben Franklin with a key and a kite! You see it, right? … Ev’rything we said in total agreement, it’s / A dream and it’s a bit of a dance / A bit of a posture, it’s a bit of a stance. He’s a / Bit of a flirt, but I’m ‘a give it a chance”

(… Even though it didn’t actually work out for Alexander and Angelika. They’ll never be satisfied.)

Let’s not rush things

We were kind of young when we met. We dated for two years before moving in together, and another two before marrying. Carly Rae Jepsen’s “The One” definitely captures that “everything is fine, but don’t rush me” feeling of the earlier years.

“If you want to / You can stay the night / I don’t want to be the one, the one / It’s too much pressure”

We’re one, but we’re not the same

We are rather different personalities, and that required some adjustment, as expressed in, yes, U2’s “One” (though I think that might actually be about a relationship with God) as well Joe Jackson’s “Breaking Us in Two” and even Bruce Springsteen’s “Brilliant Disguise” (really a divorce song).

“You don’t do the things that I do / You want to do things I can’t do”

Secure in love

But there’s a lot more of these types of songs, among them “Automatic” by Prince, “Don’t Get Me Wrong” by The Pretenders, “You Make Loving Fun” by Fleetwood Mac, “As Sure as I Am” by Crowded House, “Je savoure ton amour” by Swing, and the beautiful “Lost Together” by Blue Rodeo.

“I want all the world to know / That your love’s all I need”

Which doesn’t mean it’s boring

Come to think of it, maybe “Automatic” by Prince belongs in this category, but Sade is truly the queen of the naughty but lovely love song.

Your Love Is King: “You’re making me dance… Inside

It’s been a long time but it’s still great

“Still the One” by Shania Twain should be the ultimate of these songs, but it’s kind of ruined by knowing how her marriage to “Mutt” Lange actually ended up. Similar issue with Billy Joel’s “Just the Way You Are”, written for the wife he left he left for Christie Brinkley (and which didn’t even make the list).

But those Beatles guys were really into their wives. (The second wives, anyway, in most cases.) Paul McCartney wrote “Maybe I’m Amazed” about Linda. John Lennon has a bunch of great Yoko-inspired songs: “Woman”, “Grow Old with Me”, and my favourite, “Out the Blue”. And Sting, though he’s a bit intellectual about it, also has the lovely (and presumably Trudie-inspired) “Straight to My Heart”.

The actual ultimate of these, I think, is “You’re My Best Friend”, by Queen’s John Deacon, who to this day still with wife #1.

“You’re the best friend / That I ever had / I been with you such a long time / You’re my sunshine … You make me live”

Unconditional love

The problem with this playlist is that a lot of the songs do make me uncomfortably emotional, none more so than “Everything” by Alanis Morissette.

“And you’re still here”. Jesus, it kills me every time.

Distinctly unsentimental

Still, it’s not just as an emotional breather that songs like Tim Minchin’s “Confessions (in three parts”, the “Bones Theme” by Crystal Method, and Spirit of the West’s “Home for a Rest” are included as well. But I’ll leave you to ponder just why they’re included.

“I’ve been gone for a week / I’ve been drunk since I left”

 


Leave a comment

Sounds of 2016

My opinion of this year’s top music? That I probably didn’t hear most of it. Last year, under Adam Lambert’s Spotify / Twitter guidance, I actually heard a fair amount of the top 40. This year Adam had other priorities (tours, movies, TV shows), so I reverted to more typical behaviour for someone my age, and listened more to older stuff.

Still, some audio releases of 2016 managed to grab my attention.

Albums

The Hamilton Mixtape

We went to New York this year, but did not see Hamilton, the Broadway musical. I tried for tickets, but without really knowing much about the play, other than that it was super-p0pular. We did see the New York Library exhibit about Alexander Hamilton’s life, however, and it certainly was a colourful. So on my return, I finally listened the musical soundtrack, and really liked it. I definitely got into the story line, and a lot of the songs are just catchy. They’re not all hip-hop, but I liked those ones, too, generally.

So The Hamilton Mixtape, a collection of covers, re-imaginings, and out-takes from the musical, was the only album I got my hands on the day it came out. It did not disappoint. It just highlights why this story of someone from so long ago resonates today.

Favorite track: “It’s Quiet Uptown” by Kelly Clarkson, though it always makes me weepie

People are already weeping over Lin-Manul Miranda’s Hamilton Mixtape

Carly Rae Jepsen: E*MO*TION Side B

It actually took me a few listens to really get into the original E*MO*TION album, but I had no such trouble with Side B. Why these particular tracks didn’t make the original cut is a mystery, as they seem as strong as those.

Favourite track: “The One”

The Queen Extravaganza: A Night at the Apollo Hammersmith Live

The Queen Extravaganza are the officially sanctioned Queen tribute band, and on this outing they tackle the entirety of A Night at the Opera—something the original band never did. The do an impressive job of it. And then we get some other Queen hits.

What’s particularly striking about this band, though, is just how much singer Marc Martel sounds like Freddie Mercury. You’d occasionally swear this is a new recording by him, which is a mix of awesome and weird. The album is not available for streaming, but must be acquired from Pledge Music.

Favourite track: “The Prophet’s Song”. I dare you to not be impressed by it.

Queen Extravaganza – Seven Seas of Rhye – Live at the Apollo Hammersmith

Alysha Brilla: Human

Not every song is a home run, but this is an uplifting, positive release from this hometown artist.

Favourite track: Bigger Than That (“You put up a wall, but I’ll climb it like a cat. Cause I am bigger than that.”)

(David Bowie’s Blackstar is also worth noting, but you all knew that already.)

Songs

You’ll notice a prevalence of artists of a certain vintage here…

  • Bonnie Raitt: Need You Tonight—Sexy cover of this INXS song
  • Beyoncé: Formation
  • Roger Daltrey: Let My Love Open the Door—Who singer takes on this great Pete Townshend solo track, for charity
  • Brits 2016 Bowie Tribute, featuring Lorde—Fantastic job
  • Paul Simon: Wristband—So funny . Rest of the album is rather good, too.
  • Tanya Tagaq: Rape Me—Haunting cover of the Nrvana song. Her album has made many “best of the year” lists, but I haven’t listened to it all yet.
  • Lady Gaga: Grigio Girls

And I also liked everything Adam Lambert released this year:

  • The two dance track collaborations: “Can’t Go Home” with Steve Aoki and “Broken” with Tritonal
  • The cover of George Michael’s “Faith”
  • His Rocky Horror songs; Hot Patootie (Bless My Soul) and Science Fiction
  • And his single, performed on American Idol and featured in numerous sports broadcasts: “Welcome to the Show”

Gorgeous official video for Welcome to the Show

Concerts

Did pretty well with live shows this year, and since I blogged about each at the time, I don’t have it go on about them again. In order of greatness:

  1. Adam Lambert: Original High Tour (Berlin, Germany)
  2. Tanya Tagaq, Intersections concert with KW Symphony (Kitchener, Canada)
  3. The Who: Who Hits 50 tour (Toronto, Canada)
  4. Alysha Brilla: Album release party (Waterloo, Canada)

(You know it’s quite the year if on my favourite bands of all time is third!)

Via semi-legal webcast, I also enjoyed the Queen + Adam Lambert Rock in Lisboa, and by totally legal national broadcast, the Tragically Hip’s last show of their tour.

Podcasts

It didn’t occur to me to compile a list of particularly good podcasts, but I did spend part of the Christmas break working through Wired’s recommendations. Good list, though I have concluded I’m not really a fan of fiction podcasts, even if well done.

Audiobooks

trevor-noah-book-born-a-crime-stories-from-a-south-african-childhoodEasy, because I only finished one (not enough road trips this year): Trevor Noah’s Born a Crime. This book has been well-reviewed and I can assure you, it’s deserved. His life is fascinating, and he tells it well.

Trevor Noah was born in South Africa, during the Apartheid era, of a black mother and a white father. Their relationship was illegal; hence, “born a crime”. He spent much of his early childhood indoors. When out with either of his parents, a ruse was necessary. He’d walk with a lighter-skinned friend of his mother’s, and his mother pretended to be maid. He walked across the street from his father.

Apartheid ending just changed the complications of figuring out where he fit in.

Though it’s his life story (and does not include the tale of how he became a successful comedian in South Africa, and ultimately star of The Daily Show), his mother is the real star here. What amazing woman, to be so strong and independent in a society that gave her no training or support for being so.

Noah does narrate the book himself (unabridged) and does a great job of it. It’s fun hearing him read out the various African languages and to get the proper pronunciation of everything. It wasn’t a very easy life, but as comedians will, he pulls many funny moments out of it nonetheless. One of the best things I heard this year.