Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


2 Comments

The Royal Tour Part 2: Queen for a day in Toronto

We took a week off in July in lieu of the one originally planned in June, when Jean’s work commitments meant he couldn’t get away. We had to go to Toronto on Tuesday, July 18 anyway, because we had tickets to a Queen + Adam Lambert concert. We built the rest of the vacation around that.

City Hall

The city can look purty

We’d first thought of going to Québec City after Toronto, but that’s a really popular destination this time of year. Finding a hotel was a challenge, and we started to think it would just be unpleasant with so many people crowded into the Old Town there. We switched over to Kingston, which is much less of a drive, so thought of adding a day in Toronto.

But Toronto is also a very popular destination this time of year. And while we could have stayed at our hotel an extra night, the price for that extra night jumped dramatically. (And this was for a hotel room that was probably the smallest we’ve ever had in Canada. Mind, the hotel itself—the Strathcona—was very conveniently located downtown, though something of a nightmare to drive to and expensive to park at.) So, we decided to stick with just two days in “The 6”.

City Hall

At night also

We took some time while there to visit my sister and brother-in-law in their lovely new apartment. That didn’t leave much time for doing Toronto “stuff”. Mainly, during the day, we walked around various neighbourhoods: The Harbourfront area, the Distillery District (highlight: visiting the Soma chocolate store), Kensington Market.

The main event

unorridial20poster20toronto20july201820creativesharka-xl

Unofficial poster. Seems to be one of these for each stop.

You see this warning sign? This show has strobe lights, it has lasers, it has smoke, it has explosions. You name it, this show has it. You’re allergic to any of these things? I suggest you go home now.

It was the first time I’d had to go through a metal detector at an Air Canada Centre concert, but all the ACC staff (like the one quoted above) were really very cheery and nice, helping everyone out to ensure we all got through quickly and safely. This was a relief to Jean, who’d been worried on seeing the lineup when arrived. As was the fact that we had no problem getting his camera in (only “professional” cameras were banned, but what is that?).

We sat next to a woman from Newfoundland, a fan of Queen but especially of Adam Lambert, who’d flown up special for the concert. (Jean shared that we’d flown all the way to Berlin for our Adam Lambert concert.) Her husband was in town with her, but not at the show, which caused Jean to give me a look. Well, he couldn’t very well abandon me on our 25th wedding anniversary night, could he?

Queen_Adam_Lambert_July2017 (13 of 13)

Our view was from here—and it actually wasn’t bad. Though Jean complained that they played more to the other half of the room.

And truly, it was a really great show. Would have been a shame if he missed it.

The staging, the lights, the effects

I’m not sure I’ve ever seen better. Before the show started, we could tell the stage was in a guitar shape, but were having trouble figuring out how things (like the projection screens) were laid out… Then the show began with this huge robot hand smashing through the screen, then looking out, then raising it with both hands to reveal the band playing “We Will Rock You.” Awesome!

Other highlights included Adam Lambert literally rising from the floor to sing the exquisite “Who Wants to Live Forever”; the stunning laser show; the effect of a simple disco ball in a stadium; the interesting, multi-level video background for Brian May’s solo (built around the Queen logo, deconstructed); and the stunning amount of confetti at the end.

Queen_Adam_Lambert_July2017 (12 of 13)

Disco inferno!

ror0roror0ro-xl

Dynamite with a laser beam! Source: ror0roror0ro at https://www.instagram.com/p/BWthmNKDLlL/

lauracjthistle-l

That’s a lotta confetti! Source: lauracjthistle at https://www.instagram.com/p/BWtkqdOFbbQ/

The music!

Of course I love all the songs. But the band also performs them so well—without vocal modulators or click tracks. And, the sound mixing at the ACC was quite good. So I could hear Adam Lambert’s impeccable, incredible vocal flourishes on songs like “Don’t Stop Me Now”, “Somebody to Love,” and “Who Wants to Live Forever.” And the band’s excellent harmonies on songs like “I Want It All”.

Queen_Adam_Lambert_July2017 (4 of 13)

One great band

The drum battle between Roger Taylor and new recruit (from Queen Extravaganza) Tyler Warren was fun. And the guitar solo—which I’d been dreading a bit, having found it somewhat long and dull at their last concert—was fantastic. It was shorter, for one, and all built around familiar melodies (at least to a Queen fan) from “Lost Horizon” and “Brighton Rock”. Kudos.

All the feels

The set list is designed to take you on an emotional journey. You start with the powerful adrenaline rush of a snippet of “We Will Rock You,” followed by the powerhouses “Hammer to Fall” and “Stone Cold Crazy.”

Queen_Adam_Lambert_July2017 (3 of 13)

Power!

There is then a gradual segue to the fun and frothy part of the evening, introduced by Adam Lambert singing “Killer Queen” atop the head of Frank the robot, while wearing a hot pink suit. (“Gayest suit ever!” he proclaimed.) Included at the juncture was an Adam Lambert single, “Two Fux,” along with “Don’t Stop Me Now” and “Bicycle Race,” wherein Adam rode around on a pink, flower-laded tricycle.

Queen_Adam_Lambert_July2017 (5 of 13)

He gives great head,” Adam declared

Thanks to Adam’s super-tights pants, propensity for hip thrusting, and just general handsome-ness, the entire evening was somewhat lust-inducing (if you like that sort of thing).

Adam’s groiny interpretation of Fat Bottomed Girls

But they really amped up to 11 on “Get Down, Make Love,” a welcome addition on this tour. The whole backdrop for this song was red, dripping, sexy imagery, which Lambert only enhanced with his orgasmic vocal prowess.

“Was it good for you?” he asked. (Umm, excuse me, I’ll be in my bunk.)

But Adam wasn’t the only significant contributor to this portion of the evening. Roger Taylor took lead vocals on another recent set addition, “I’m in Love with My Car,” a song that really shouldn’t be sexy, but somehow is, the way he sings it.

Brian May? Well, he introduced the poignant part of the evening, moving to the front of the stage to sing “Love of My Life,” accompanying himself on accoustic guitar. The effects here were a sea of cell phone lights, which was just beautiful. And though I knew that video Freddie Mercury would make an appearance near the end, the way they did that, with Freddie seeming to stand right beside Brian, I couldn’t help tearing up.

a_jm_v-xl

Stars in the cell phone firmament. Source: a_jm_v, https://www.instagram.com/p/BWtmDWGFpq-/

Through “Somebody to Love”, and “Under Pressure,” and “Radio Ga Ga,” [aside that I’m not listing every song they played], the band managed to create a more intimate feel in this large space.

Queen_Adam_Lambert_July2017 (8 of 13)

So close you could touch them. (Not really.)

Of course, the ending was triumphant. I liked how they rejigged “Bohemian Rhapsody.” They included the usually skipped “Is this the real life?” introduction, with Adam taking lead vocals. He also sang both verses, instead of sharing those with video Freddie. Of course, the operatic part is still from the original video. Freddie just appears at the very end, trading off lines with Adam.

The finale? “We Will Rock You / We Are the Champions,” of course. Full Toronto set list

The crowd was really great (as I usually find with Toronto). I thought we’d spend most of the concert sitting, but no, they were up for standing for probably three-quarters of the show. Brian May’s birthday was the following day, when there was no concert, so we got the fun of singing “Happy birthday” to him, after he honoured us with a selfie stick photo (posted here: https://www.youtube.com/watch?v=Vw6i-QMjSuY). At the end, Adam thought Brian should wear his crown (though that proved a bit of a problem, as it was sized for Adam’s bigger head).

Richmond Station and Ki

(This is turning an epic post, but why stop now.) The evening before the concert, we’d originally hoped to dine at Canoe, but it was summerlicious time in Toronto (that is, specially priced meals at certain restaurants), which meant that Canoe was fully booked for two weeks. (And that likely happened on the first day summerlicious reservations were open.)

So, we went to Richmond Station, a new restaurant for us, even though we couldn’t get in til 8:30 pm. We’d read that they offered surprise, multi-course “chef’s menus”, but that wasn’t mentioned on their printed menu. Jean asked about it, though, and they confirmed that it was on offer, and the head chef was in that day, so it should be a good one.

They also asked us if we had any special occasion, and Jean mumbled something about, no, we’re just here for a darn Queen concert, but I piped about it being our 25th wedding anniversary the next day. That was good, because it resulted in a complimentary glass of bubbly each, to go along with our half-liter of (delicious) Oregon Pinot Noir that we thought should be generally food friendly.

Richmond_Station_Restaurant (1 of 5)

The bubbly with our first course, oyster and trout tartar

What a nice meal we had there. All courses—eight of them—were prepared with care and delicious. The service was attentive. Our late start meant that we had a waiter switchover near the end, but that was handled very well. Tables were close together, so it was a bit loud, but that somehow didn’t bother us. And the whole thing was like, $200? Which seemed a great deal for a meal of this caliber in Toronto.

Beef tartar is not a thing I normally eat, but theirs was flavored very well. There was a small charcuterie plate. This amazingly light zucchini tempura. A set of two salads: one beet, one tomato, both great. [I feel like there might have been sweetbreads in here somewhere also?] Seared salmon with great vegetables. A smoky sirloin beef with potatoes (the smoke made it special).

I think it's a beet?

Two salads

Rishcmond Station Restaurant

Le saumon

It was all topped off by a very special dessert of ice cream, peanut butter, and hazelnut.

For Our Anniversary!

Before the concert on Tuesday, we went to our reliable Ki, where they once again did a really nice job of their “modern Japanese” food and excellent service.

Ki Restaurant

Maple tamari with pine nuts—so good

Ki Restaurant

I think this is dessert


Leave a comment

Performances tinged with nostalgia

About ten years ago around this time of year, I was scrambling to get myself to get myself to Centre in the Square. Jean was away—canoeing, I assume—and I’d made a last-minute decision to get tickets to the introductory concert of the KW Symphony’s new conductor, Edwin Outwater.

outwater_lg_2

It was busier than I expected—symphony concerts just hadn’t been very well-attended that year—so I had to park further away than expected and made it to my seat just moments before the show started. Which was all very awkward, because my seat was front row centre.

So my first look at the young, handsome conductor from California was a close-up one. He was very personable in talking to the audience. I believe they played Beethoven’s Fifth, and he dared us to be rebels and applaud between movements if we felt like it.

We originally didn’t have tickets to the final performance of Edwin Outwater as KW Symphony principal conductor last weekend, but it seems apropos that we did attend in the end. The symphony was not in a good place, artistically or financially, when he took over. It’s been great to watch the crowds grow over the past 10 years in response to his efforts to present classical music in innovative ways that still respect the tradition.

But if we hadn’t jumped on tickets for the final show immediately, it’s because it was definitely Outwater-ian: Not just a set of classical music’s greatest hits, but something that would challenge the ears.

We made it to (most of) the concert prelude that explained what we were about to hear, which is always helpful. The first piece was a very short number composed for (and about) Edwin Outwater by Richard Reed Parry of Arcade Fire. That was followed by a longer choral piece by John Adams called Harmonium, featuring two full choirs singing music inspired by poetry.

It was very strange-sounding. At intermission, one Jean’s friends we ran into commented that some of the harmonies hurt her eyes. But from the prelude, we had some appreciation of how hard it was to sing. And I just found it riveting to listen to (though I wouldn’t buy the CD).

We were kind of worried about retaining focus through a 53-minute Mahler Symphony in the second half, but we needn’t have. Mahler writes beautiful and lively music. We agreed with the prelude commentary that the third movement was the most interesting, a mournful one built around the melody of … “Frère Jacques”, and interrupted by other bursts of whimsical sound that undercut the tragedy with comedy. Then the fourth movement is full of grandiosity.

There was rather a resounding ovation at the end.


As a teenager, I was really taken with the story of Terry Fox, the young man who tried to run across the country on one leg to raise money for cancer research, only to be stopped when the cancer returned. I followed the story on the news. I kept a scrapbook . I read books about him. I saw The Terry Fox Movie.

So when I heard they wrote a musical based on his life, I wanted to go. I missed the initial run in Waterloo, but we managed to get to the shorter one in Cambridge.

It was quite well done. Admittedly, the songs aren’t the sort you’re going to be humming for days—this is no Hamilton or West Side Story. But the story is just so compelling, and they found an effective way to fit it into a two-hour stage narrative. I don’t feel that any other medium, really, as well gave the sense of just what it meant to do so much running daily under the physical challenges he faced.


Leave a comment

Not the news

A lot of grim things are happening in the world, the sun was awol for much of January, and I succumbed to one of the season’s cold viruses last week. (And now Jean is complaining of chills.)

But hey, instead complaining at length about all that, I’ll list a few things that made me happy in the past few weeks.

1. KW Glee: Redux

Two years ago we were blown away by a KW Glee (show choir) + KW Symphony concert. This year they did it again. There’s just deep entertainment value in watching a huge group of talented, enthusiastic, and attractive young people sing and dance to popular songs, in costume, while accompanied by a full orchestra.

Last time I had mentioned that I didn’t know a lot of the songs performed—they were too current for me. This time they rectified that with a set from various eras. To the point where I felt kind of bad that they were played so little of of their own generation’s music, though there was one Imagine Dragons song and one by David Guetta / Sia, both very powerful performances.

Other highlights were:

  • That old Gap commercial come to life during “Jump, Jive, and Wail”
  • The outstanding youth singer (a girl—don’t know any names) wailing through the Jackson 5’s “ABC” and “I Want You Back”
  • The beautiful contemporary dance accompanying “Falling Slowly”, from Once
  • Not one, not two, but four different lead female singers proving they were up to the challenge of singing Adele’s “Rolling in the Deep”.
  • “Bohemian Rhapsody”. Performed in full, featuring two lead singers, one male, one female, and treated not as campy fun, but as the somber piece it actually is. Outstanding.

https://www.youtube.com/watch?v=pjgbj45yXmA

  • The virtual re-enactment of Janet Jackson’s “Rhythm Nation” music video.
  • The youth choir’s 80s attire during one segment, some of which looked like it actually dated from that time. The “Frankie Say Relax” T-shirt was my favourite.
cof

Remember the 80s? These kids don’t, but they’re dressing the part anyway.

  • The youth boys running scared during “Ghostbusters” only to be have the youth girls toughly emerge, declaring that they were “Bad”.
  • The use of sign language during “Imagine”—very touching, somehow.
  • The terrific soul singer who performed “Signed, Sealed, Delivered (I’m Yours)”. (It is great that so many of the participants get to try a lead, but with some of them, you do wish for more than one song!)
  • The reprise of “Hallelujah” that blew everyone away last time, performed by the same quartet, back from university for the occasion.

A Spotify playlist of their set list!

2. The Good Place

Holy motherforking shirtballs, The Good Place was good.

This is a half-hour, 13-episode, network TV show starring Kristen Bell and Ted Danson, debuted this year to very little notice—Jean’s the only other person I know who watches it.

But it’s like nothing else I’ve ever seen. And I’m loathe to even say that much about it, as it was so much fun to go along for the ride. And it’s so full of twists! Also, hilarious! Week to week, it was the show I found myself looking forward to most.

I will give the premise. Eleanor (Kristen Bell), a not-so-stellar human being while alive, is surprised to find herself in “the good place” (yeah, that one) after she dies. They have somehow mixed her up with some good Eleanor! How does she stay in the good place?

Look, I know there’s too much good TV, no one can keep with it all. So I won’t say you must watch The Good Place. I will just point out that if you do, it might make you happy. And that at 13 22-minute episodes, it’s less time-consuming that many series. And that despite mediocre ratings, it has already been renewed for season 2, so you don’t have to worry about being left hanging.

If nothing else, you can watch this Season 1 trailer—just 2:20

3. Sandra Shamas: The Big What Now

We were in Toronto last weekend.

Toronto-0030of0133-20170128-HDR

And by the way, Jean won another photo contest recently. (Not with this photo. Just thought I’d mention it now.)

8875While there, we went to Sandra Shamas’ one-woman show about “climbing mount menopause”. Despite that intro and the predominantly female audience, it wasn’t all about the hormonal challenges of being over 50. She covered a gamut of topics from her life.

Having recently dealt with a series of similar plumbing issues, we could relate to the mix of disgust and determination in which she handled the events that started when she flushed her toilet and it “came up my bathtub”. I took (hypothetical) heart in her discovery—having failed to make herself lesbian (“turns out it’s not a choice!”)—via dating apps, that plenty of 20-something men will seek the attention of women in their 50s. (She can’t bring herself to take advantage. “Does your mother know what you’re up to?”)

I wonder if I, too, will soon be entering my “ranting” years. (“I always talked to myself. Now I do it in public. And I’m angry!”) And it was hard not to be inspired by how she made it through a serious ice storm two years ago: “I was without hydro for 8 days. But I was never without power.”

Toronto Star review of the show

4. Queen + Adam Lambert

They’re back! In North America, back! And they kicked it off with an appearance on the Late Late Show that soon went viral:

Front man battle: Adam Lambert vs. James Corden foronting Queen


Leave a comment

Sounds of 2016

My opinion of this year’s top music? That I probably didn’t hear most of it. Last year, under Adam Lambert’s Spotify / Twitter guidance, I actually heard a fair amount of the top 40. This year Adam had other priorities (tours, movies, TV shows), so I reverted to more typical behaviour for someone my age, and listened more to older stuff.

Still, some audio releases of 2016 managed to grab my attention.

Albums

The Hamilton Mixtape

We went to New York this year, but did not see Hamilton, the Broadway musical. I tried for tickets, but without really knowing much about the play, other than that it was super-p0pular. We did see the New York Library exhibit about Alexander Hamilton’s life, however, and it certainly was a colourful. So on my return, I finally listened the musical soundtrack, and really liked it. I definitely got into the story line, and a lot of the songs are just catchy. They’re not all hip-hop, but I liked those ones, too, generally.

So The Hamilton Mixtape, a collection of covers, re-imaginings, and out-takes from the musical, was the only album I got my hands on the day it came out. It did not disappoint. It just highlights why this story of someone from so long ago resonates today.

Favorite track: “It’s Quiet Uptown” by Kelly Clarkson, though it always makes me weepie

People are already weeping over Lin-Manul Miranda’s Hamilton Mixtape

Carly Rae Jepsen: E*MO*TION Side B

It actually took me a few listens to really get into the original E*MO*TION album, but I had no such trouble with Side B. Why these particular tracks didn’t make the original cut is a mystery, as they seem as strong as those.

Favourite track: “The One”

The Queen Extravaganza: A Night at the Apollo Hammersmith Live

The Queen Extravaganza are the officially sanctioned Queen tribute band, and on this outing they tackle the entirety of A Night at the Opera—something the original band never did. The do an impressive job of it. And then we get some other Queen hits.

What’s particularly striking about this band, though, is just how much singer Marc Martel sounds like Freddie Mercury. You’d occasionally swear this is a new recording by him, which is a mix of awesome and weird. The album is not available for streaming, but must be acquired from Pledge Music.

Favourite track: “The Prophet’s Song”. I dare you to not be impressed by it.

Queen Extravaganza – Seven Seas of Rhye – Live at the Apollo Hammersmith

Alysha Brilla: Human

Not every song is a home run, but this is an uplifting, positive release from this hometown artist.

Favourite track: Bigger Than That (“You put up a wall, but I’ll climb it like a cat. Cause I am bigger than that.”)

(David Bowie’s Blackstar is also worth noting, but you all knew that already.)

Songs

You’ll notice a prevalence of artists of a certain vintage here…

  • Bonnie Raitt: Need You Tonight—Sexy cover of this INXS song
  • Beyoncé: Formation
  • Roger Daltrey: Let My Love Open the Door—Who singer takes on this great Pete Townshend solo track, for charity
  • Brits 2016 Bowie Tribute, featuring Lorde—Fantastic job
  • Paul Simon: Wristband—So funny . Rest of the album is rather good, too.
  • Tanya Tagaq: Rape Me—Haunting cover of the Nrvana song. Her album has made many “best of the year” lists, but I haven’t listened to it all yet.
  • Lady Gaga: Grigio Girls

And I also liked everything Adam Lambert released this year:

  • The two dance track collaborations: “Can’t Go Home” with Steve Aoki and “Broken” with Tritonal
  • The cover of George Michael’s “Faith”
  • His Rocky Horror songs; Hot Patootie (Bless My Soul) and Science Fiction
  • And his single, performed on American Idol and featured in numerous sports broadcasts: “Welcome to the Show”

Gorgeous official video for Welcome to the Show

Concerts

Did pretty well with live shows this year, and since I blogged about each at the time, I don’t have it go on about them again. In order of greatness:

  1. Adam Lambert: Original High Tour (Berlin, Germany)
  2. Tanya Tagaq, Intersections concert with KW Symphony (Kitchener, Canada)
  3. The Who: Who Hits 50 tour (Toronto, Canada)
  4. Alysha Brilla: Album release party (Waterloo, Canada)

(You know it’s quite the year if on my favourite bands of all time is third!)

Via semi-legal webcast, I also enjoyed the Queen + Adam Lambert Rock in Lisboa, and by totally legal national broadcast, the Tragically Hip’s last show of their tour.

Podcasts

It didn’t occur to me to compile a list of particularly good podcasts, but I did spend part of the Christmas break working through Wired’s recommendations. Good list, though I have concluded I’m not really a fan of fiction podcasts, even if well done.

Audiobooks

trevor-noah-book-born-a-crime-stories-from-a-south-african-childhoodEasy, because I only finished one (not enough road trips this year): Trevor Noah’s Born a Crime. This book has been well-reviewed and I can assure you, it’s deserved. His life is fascinating, and he tells it well.

Trevor Noah was born in South Africa, during the Apartheid era, of a black mother and a white father. Their relationship was illegal; hence, “born a crime”. He spent much of his early childhood indoors. When out with either of his parents, a ruse was necessary. He’d walk with a lighter-skinned friend of his mother’s, and his mother pretended to be maid. He walked across the street from his father.

Apartheid ending just changed the complications of figuring out where he fit in.

Though it’s his life story (and does not include the tale of how he became a successful comedian in South Africa, and ultimately star of The Daily Show), his mother is the real star here. What amazing woman, to be so strong and independent in a society that gave her no training or support for being so.

Noah does narrate the book himself (unabridged) and does a great job of it. It’s fun hearing him read out the various African languages and to get the proper pronunciation of everything. It wasn’t a very easy life, but as comedians will, he pulls many funny moments out of it nonetheless. One of the best things I heard this year.

 


1 Comment

Skating’s greatest hits

The KW Symphony’s intersections series was about combining orchestra and… something else. Physics. Fiddling. Food. Heavy Metal. Though Friday’s concert was not part of that series (sadly not offered this year), it was still of that ilk. The partner this time was figure skating.

cover_kurt-browning-bea9d304There was no way I was missing this one. Particularly as it was being hosted by three-time world champion, first man to ever land a quadruple jump in competition, Kurt Browning.

Jean was considerably less enthused about attending.

If wondering, no, they did not somehow bring an ice rink into Centre in the Square, not have the symphony decamp to play at a hockey arena. Instead, most of the skating seen on video.

After an opening performance of An American in Paris, our celebrity host explained that while music was incredibly important in figure skating, it had to go through a certain amount of mangling to fit the sport’s requirements: Cropped to fit into the time constraints. Tempo adjusted to match the tricks. Bit recombined to create certain moods.

This meant that when the symphony played the soundtrack to a video of Browning’s world championship performance of Casablanca, they couldn’t just the pull out the sheet music for “As Time Goes By”. Instead, the conductor had to write a new orchestral score for the Frankenstein version of that piece that Browning skated to.

It was gorgeous.

blue-harvest-by-toller-cranston-300x300

Example of Cranston’s art

Browning was so moved by it, he barely knew what was on next, so conductor Lucas Waldin stepped in to explain that it was a tribute to Toller Cranston (who apparently pioneered this whole orchestra / figure skating idea), featuring selections from the ballet Gayane.  This time, the screens showed scenes of Toller’s amazing paintings and decor before showing his Sabre Dance skate with live orchestra. Just fab.

Given the chance to recover, Browning emerged to point out that while artistic, figure skating is still a sporting competition with some serious rivalries over the years. The Symphony played Sing Sing Sing while we saw clips from the battle of the Brians, the battle of the Carmens (though they didn’t mention that both were defeated by Canuck Liz Manley), Tonya Harding vs. Nancy Kerrigan (remember that?), Virtue/Moir vs. Davis/White, and so on.

We then moved on to a montage tribute to skaters past, when they had to skate outdoors (!), and future, in the form of the youngsters at the KW Skating Club. And Kurt Browning introduced Don Jackson, 1962 World Figure Skating Champion, who was in the audience. Cool! Oh, and the tune played for that piece was Tchaikovsky’s Swan Lake.

The next bit seemed to be interrupted by a badly timed cell phone call—only it was Kurt Browning’s phone, and on the line was Olympic Bronze medallist Joannie Rochette. (Seriously.) She talked about she managed to get through that Olympic performance just days after her mother died. Then the symphony played La cumparsita to a video of it. (Using a few stills so as to not have to cut the piece down to exactly 4 minutes.)

YouTube of Rochette’s Olympic performance from European TV

Kurt then dragged out a collection of his costumes from over the years, selecting a purple velvet hat and robe for conductor Lucas Waldin to wear. We then got a montage of some of the more interesting sartorial choices figure skaters had made (admittedly, many from gala and not competition pieces), to selections from Mel Brooks’ The Producers.

Kurt emerged in his Singin’ in the Rain outfit, and we got a singer! And tap dancer, it turned out: Mr. Geoffrey Tyler. With all that going on live, this song was not played to video footage of that famous skating piece. Instead, via roller blades, we got some live Kurt Browning skating! And the first standing ovation of the night.

The video we didn’t see of Singing in the Rain

At intermission, Jean said we very pleased about high entertainment value of the evening so far.

And he was not being sarcastic!

The second half kicked off with the Symphony playing Phantom of the Opera, on their own. Kurt came out to discuss the fact that many skaters tried to skate to that piece—but none had really succeeded in achieving an iconic performance with it. Too big a song, perhaps, for the white, bright, bare stage of figure skating competition.

Singer Tyler returned to perform What a Wonderiful World, a show piece of Kurt Browning’s. Tyler also talked about how he’s worked with figure skaters. on the dramatic aspects of their performance, on connecting emotionally. We then did a bit of a 180 into an Abba medley (though Abba sounds great orchestrated!), highlighting scenes from the world of professional figure skating.

And then, the hauntingly beautiful Mahler piece, Adagietto from Symphony No. 5. Conductor and Browning discussed how only very special skaters could do it justice. Katerina Gordeeva was one; she skated it solo as a tribute to her partner, Sergei Gringov, after his sudden death.

Ekaterina Gordeeva 1996 Celebration of Life / Mahler – Symphony No. 5 (Serguei Grinkov Tribute)

Another were Tessa Virtue and Scott Moir, who won Gold with it at the Vancouver Olympics. The video played to this beautiful piece wasn’t either of those performance in their entirety, but compilations of them along with some from Jamie Sale and David Pelletier, who didn’t use the music (that I know of) but certainly brought emotion and drama to their pairs performances.

The next piece didn’t need, and therefore didn’t get, video accompaniment: Ravel’s Bolero, forever synonymous with Torville and Dean. Though Browning informed that Carolina Kotsner is one of the few who has successfully skated to the piece since that team’s perfect performance.

Our finale was the theme of the Vancouver Olympics, I Believe, featuring the adorable singers of the Grand Philharmonic Children’s Choir. And then they gave us an encore! (Note: This is rare at the symphony.) Conducted by Kurt! The Toreador Song.

As a figure skating fan, I was thrilled to bits with the evening.

As a non-figure skating fan, Jean declared that he glad he had been “dragged out” to this performance. (Again, not sarcastically.)

It was a great intersection.

(Thanks to Skate Canada for all the footage they provided they provided for the show. Much higher quality than what you can find on YouTube…)


6 Comments

Live and on the CBC

I did watch The Tragically Hip show on CBC television last night. It seemed the thing to do, and I was interested enough. I’m of the age where their music formed the soundtrack of my life, whether I realized it or not. I own only two Tragically Hip albums (Up to Here and Road Apples), yet I knew the chorus of almost every song they played last night.

For any non-Canadians who stumble on this: The Tragically Hip’s lead singer and songwriter Gord Downie has incurable brain cancer. He’s in remission, and the band has done a cross-country tour, ending in their hometown of Kingston last night. National broadcaster CBC interrupted their Olympic coverage to bring the concert to everyone, commercial-free.

There’s been a lot of great writing about this band, and this tour, in Maclean’s, the Globe and Mail, The Washington Post, The New Yorker. I can’t compete. It’s not only that I’m not as good a music writer—though that is true—but also that, familiarity with choruses notwithstanding, I’m not a big enough fan. I could observe that the band were quite good, that they mostly pumped through the songs without a lot banter with the audience (hard to know what to say, one thinks), that Gord Downie restricted his talking to thank you’s and a comment on First Nations people up north, that they did three encores, that the show was about three hours long.

marche-watchingcanadasbiggestrockbandsayadramaticgoodbye-1200

Gord Downie from an earlier Toronto show as, in a very strange decision, the promoter would not allow official photographers at the Kingston show

But I couldn’t truly get into the emotion of it. I’m not sure why, in all these years, their songs have never really touched my soul. They’re catchy, they’re in a genre I like, the lyrics are smart and highly original.

Maybe it’s simply that, until last night, I had never seen this band live.


Friday night Jean and I went to our first-ever CD release party. No, not our CD (heavens!); Alysha Brilla’s. Alysha Brilla is a local artist with some (not Tragically Hip level) national fame.

She once lived in LA, and was signed to a big recording contract. But she couldn’t fit into that little commercial box they wanted to put her in.

“They wanted me to write songs about going to the club. And picking up guys.” she commented on Friday. “And I’m like, but I don’t go to clubs. I don’t pick up guys.”

So she scampered away from that contract, and set up as an independent artist in Canada. And the only reason most of us have heard of her is the CBC Radio often plays her songs. (See her public love letter to CBC Radio.)

Her music has always been a kind of fusion of jazz / world sounds with a touch of pop, but the latest album, Human, has more Indian influences than her past work. I listened to it on Google Music (and yes, heard a couple tracks on CBC Radio) before picking it up on Friday, but I wasn’t sure about it. It has a lot of spiritual themes (one song is actually called “Spiritual”), it’s all peace and love and changing the world (another song is literally called “Changing the World”).

It’s very granola, you know?

img_7653_smaller_1024x1024

Music, singer, songwriter, producer, artist Alysha Brilla

But after having seen her perform several tracks live, I’m kind of digging it. For one thing, she’s just such a charmer live—gets you in her corner right from the opening, and keeps you there. She was playing the Jazz Room, which has an unfortunate rectangular shape that is not ideal for live music, and was very full, and pretty hot, and during the 1.5 hour or so wait before she started, we actually pondered leaving.

But I’m glad we didn’t; the show was interactive and so fun. We got the stories behind some of the new songs: “Gender Rollz” was inspired by her time in LA, and the strict modes of behaviour expected of both men and women in the big music industry. “Ahimsa” (which means peace) came to her while on vacation in Kenya. The “Bigger Than That” singalong has great lyrics. And her cover of Amy Winehouse’s “Valerie” was awesome.(“Until Amy Winehouse came along”, she said, “I thought, ‘What hope is there for an olive-skinned weirdo like me?’”) It’s not on the album, but it is on YouTube.

And here’s some more:

Introducing Alysha Brilla (Soundcloud)

 


1 Comment

Is it live or is it Internet?

My “big plan” for the Friday of the long weekend was to watch the webcast of the opening show of Queen + Adam Lambert’s tour, performed as part of the Rock in “Rio” festival in Lisbon. So it was a bit dismaying when, on Wednesday or so, the webcast company announced that, “at the band’s request”, they would no longer be showing it.

Someone contacted Brian May about it on Twitter. And he actually answered.

Only to come back with:

So then the Glambert hunt was on to find some way to watch Portuguese broadcast TV from the Internet.

The “best” source finally found was a bit of Trojan horse one that kept trying to lure you in with “free” logins and “mandatory” Flash upgrades that actually installed malware on your computer. But with the installation of a browser ad blocker + being very careful not to click anything other than maximize video button, we were in!

b13e21803565706908cf842f8e71ba6e

Of course, it wasn’t the full-fidelity video or sound we would have had with the official webcast, but it was still a professional recording of the whole show, not just some fan’s Periscope.

So it’s really too bad the concert itself sucked.

I kid! The show was terrific, as though they’d hadn’t taken nearly a year-long break from performing together. They added a bunch of new songs (truly new to many of the Glamberts): The Hero. Hammer to Fall, Stone Cold Crazy, The Game. They had some new props. And Adam had six costume changes, all of which featured very tight pants.

six-outfits

I do wonder at the promoter’s logic here as well. Surely the number of people who’d decide that, having seen the webcast, they don’t need to an actual show would be outweighed by the number who do see it and decide it’s awesome enough that they want to be there themselves? Certainly that’s been the history of this band (all of which I was there for—watching from my living room):

A great webcast might be the closest to live you can get—but it ain’t live. It’s just not the same as being there.

Ah well. At least I got to see it, since I’m not flying off to Europe for this set of shows. And there is hope that a better-quality version will see the light of day eventually (as the promoter has also been diligent about getting any YouTubes of the Portuguese broadcast taken down). Queen Official did release this one high-quality track from the show today. Enjoy.

Queen + Adam Lambert: I Want to Break Free, Rock in Rio Lisbao