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Of food, technology, movies, music, and travel—or whatever else strikes my fancy


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52 candles

Not a particularly significant birthday this year, so I wasn’t thinking too much about it. However, some months ago, when looking to pick a date to go see Sting’s The Last Ship in Toronto, I figured why not pick my birthday weekend.

Then events got built around that. I took the Friday off (to do a whole lot of nothing special—but still better than a work day). And I noticed that the KW Comedy Festival was having their opening gala the Thursday night before, so I got tickets.

I don’t think it was as strong as last year. My favorite act of the first half was Arthur Simeon, originally from Uganda but now living in Toronto. In the second half it was Emily Galati, the only woman featured, along with the headliner, Sean Majunder. The rest of the comedians were a bunch of white guys. And to be fair, one of them, host Derek Seguin, provided the evening’s most hilarious bit, in his description of the challenges of man-scaping.

But overall, it was some absurdist comedy, which is not really my thing, and a lot of jokes about their kids, or about why they don’t have kids—maybe one of the few safe subjects for white guys to joke about these days? But not as effective, for me, as Simeon, Galati, and Majunder’s takes on politics, social media, racism, and sexism. Tricky time to be funny, I guess, but the event would have benefited from more diversity than it had.

Everywhere you go, always take the weather

When we booked our bus to Toronto, we discovered that the Greyhound schedule isn’t as good as it used to be. Not as many buses, and they all have more stops. (This is just annoying. It’s not as though the train service is any better on Saturdays.) There was one bus that would have gotten us there around 10:50, which would have been ideal, but it would have taken three hours. So we went with the one that scheduled to arrive around 11:30, because it was only supposed to take two hours.

I didn’t think the forecasted 2 cm of snow would really affect it, but I was wrong. For one, I think it was somewhat more snow than that. Regardless, it slowed down all the traffic. We clearly weren’t going to make our 12:15 lunch reservation, so I texted my sister about that, and suggested that she could order for us, and we’d aim to arrive by 1:00.

Off the bus, we had trouble finding a cab, so we called an Uber, and initially had trouble finding them, too, but we did connect. Only to find that they had the wrong Holiday Inn listed as the destination, which I needed to change in the app. Which was not as easy to do as one would hope. By the time I finally got it to work (Jean’s suggestion to turn off wifi was key), we were there!

Fortunately, hotel check-in went smoothly, and calling a second Uber to take us to lunch was drama-free. We ate the O&B Canteen at the TIFF Bell Lightbox. A bit pricey for what you got ($19 for a burger?), but everything was very good.

I didn’t know a whole lot about The Last Ship other than that Sting wrote the music (it was not one of those musicals built around an artist’s famous songs), inspired by the ship building heritage of his home town. But it was really good! Strong cast, great singers, and a very moving story. In the first half, I was kind of with the capitalists (“Be realistic! The ship building industry is dying!”) and identifying with the characters who felt they just had to leave the town to secure their futures elsewhere. But by the end of the second half, I was totally with the workers.

We had an hour after the play before our dinner reservation, which gave us time to walk back to the hotel, and stay there briefly before walking to dinner at Buca Yorkville.

That was a fine meal. We started with three kinds of house-cured fish, which were small taste sensations. We added in a nice rosemary foccacia that was served with the most amazing olive oil. As a main, I had chestnut-stuffed ravioli with porcini, that was just fantastic, and a side of Swiss chard.

Buca Yorkville mmmmm!

Jean had the day’s special of uni spaghetti, also good, but not quite as good as the ravioli.

Uni Spagetti (Sea Urchin)

The wine with that was the waiter’s suggestion of an Italian Riesling, which did work well.

For dessert, Jean went with the waiter’s suggestion of the affogato using decaf espresso, and it really was delicious (they make their own ice cream). I also enjoyed the cranberry millefeuilles that I had.

Birthday Girl!

Apart from the candle on the dessert plate, as my birthday bonus I got a takeout of fresh pasta with little containers of olive oil and pepper and little containers of cheese. And instructions on how to cook this into a meal for two. This I did this past Thursday, and it was very nice.

The whole experience somewhat reminded of New York dining: Impeccable service, fantastic food, but no dawdling. One course arrived promptly after another, and we were done by 8:00. Probably because they needed the table for someone else.

Lazing on a Sunday afternoon

After that rather packed Saturday, it was nice not to have anything planned ahead for Sunday, other than our bus back. We had breakfast at Cora, and decided it was better than the Cora we’d tried previously (forget where, but not the one in KW). We then decided to visit the ROM, as they were featuring this year’s winners of the Wildlife Photography contest. That exhibit was terrific, again. The work to get some of those shots!

We then visited the “Treasures of the Earth” exhibit, that I don’t recall having been to before. It featured some beautiful minerals, gems, meteorites, and rocks, and had a section on Canadian mining, in which my home town featured prominently.

Gold from Northern Ontario mines

Since Richmond Station is very difficult to get dinner reservations at, but recently started opening Sundays, we thought we’d try to just go there and see if we could get in for a late lunch. It worked! We got a table.

To start, with shared the duck liver pate—creamy and rich. Then I had the lamb forestiere cavatelli, while Jean had duck two ways. We had a half-glass of sparkling to start with that, then a glass of red each. We were left too full for dessert.

Duck Paté at Richmond Station!

All that was left was to gather our luggage back at the hotel, then get to the station. There was a bit of Uber drama here too, that I won’t get into. But we made it to the station in plenty of time, and that bus was not delayed.


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Ticketmonster

I was on vacation in Seattle, and awake before Jean was, for some reason, when I got an email about a pre-sale for a Who concert in Toronto nearly a year later. Buying a concert ticket on a tablet while on vacation isn’t the ideal scenario, but I had the time, so I figured I might as well see what I could get.

As anyone who’s tried it knows, buying tickets from Ticketmaster is a roll of the dice. Who knows what seats it will cough up for your consideration, and at what price, at any given time?

But this time the dice landed landed on: Floor seats! In the front centre section! And at the normal price, no VIP / resale nonsense!

Stunned, I started the checkout process…

Only to lose the connection partway as the flaky hotel wifi conked out.

Cue the swearing. (Quiet swearing, as Jean was still sleeping.)

Wifi returned, I tried again, and… So did my luck! I was still able to get front center floor seats at the normal price! And this time managed to complete the purchase. (The show was great.)

View from the floor was pretty good!

I have no idea how or why that happened or how I could possibly replicate it. I don’t recall who I got  this presale offer for, except that it wasn’t the fan club and it wasn’t American Express (I’ve never had an American Express). Was it just that the sale took place so far ahead? Did The Who just decide not to hold back that many seats as “VIP”?

We know the deal with Ticketmaster, that it’s exceedingly difficult for any human to beat out the resell bots—that, it turns out, Ticketmaster is in cahoots with). And that presales (and even the general sale) only have a subset of seats on offer, giving a constant impression that they are going fast.

I have had great, even front row, seats at other rock concerts, but that involved either not dealing with Ticketmaster (Bob Geldof in Ottawa, Roger Daltrey at Casinorama), or paying for VIP (Adam Lambert, who, as a solo artist, at least has moderate prices. If you don’t count the expense of getting to Berlin.).

Views from the front row

But for big shows in arenas, I think that Who concert was my once-in-a-lifetime good ticket-buying experience that won’t come around again. Especially since Ticketmaster keeps finding ways to make things worse.

Their latest ploy is to not tell you what the ticket prices are ahead of time. I don’t buy tickets often enough to know when this changed, but I’m certain that in the past you could look up ahead of time what ticket prices would be at different levels, so you could plan. They seem to not do that now.

I thought their main motivation must be that, in the frenzy, people might spend more than they otherwise would had they been able to plan ahead. But according to the CBC report on Ticketmaster, it’s also because they sometimes raise the prices a few hours after they initially go on sale.

They’re taking their queue from the airline industry.

Then there’s the new “Waiting room”. Admittedly, it wasn’t ideal before, sitting on the ticket buying web page waiting for the on-sale time, then refreshing and hoping nothing crashed before you could get in there to roll your dice.

So now, about an hour before the on-sale time, you can click to go into a “waiting room”. At on-sale time, it refreshes and you are “randomly” assigned a place in line.

I had over 2000 people in line ahead of me. The only other person I know who’s tried this also started with over 2000 people in line ahead of her. Make of that what you will.

There’s a little animation of your place in line that moves along as the number of people in front of you drop. You daren’t go anywhere else, but it’s not the most compelling viewing. (I can’t find a screen cap of it. Everybody must be too stressed while waiting to take one.)

Finally, your turn comes up, you copy in your presale code, you see what seats come up! And how much they are!

My target this time was yet another Queen + Adam Lambert tour. It was awful. I switched between seeing what was available for general sale and what the “cheaper” VIP offered. You couldn’t seem to look at both options at once, and of course, every time I went back to one or the other, the available seating was less. (Also, the Best Available sorting? Really wasn’t in that order!)

I finally picked something. I winced at the total, but smiled at the seating chart.

I don’t have a solution to this. If you want to see a big rock concert at an arena, Ticketmaster and resellers are your only option. Queen + Adam Lambert are encouraging use of Twickets, where people aren’t allowed to sell the tickets at higher than the price they paid. So that’s nice, but they currently have 0 tickets on offer. (Admittedly, there’s a lot of time for people’s plans to change.)

In Europe, they seem to have many more places where you can still buy general floor seats, then end up with a good spot if you’re willing to wait in line for them. Not all that helpful for North Americans.

So, I’m just glad there aren’t that many artists for whom I’m willing to go through this.

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One of the few


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Four days in January

Now that I’ve come up with it, the title of this post seem vaguely ominous, as though I’m about to recount some tragic event that, in four short days, changed my life forever.

But no, sorry, this is nothing that interesting, I’m afraid. (Mind you, I am glad I haven’t recently experienced a great tragedy.)

Jean’s work has been requiring more travel lately, including three weeks in Barrie (about a 2-hour drive away). The first weekend in between, he came home. The second one, he decided to go a conference in Toronto. I would join him there.

This conference is annual, and normally I just stay over for one, maybe two nights. But with us having seen less of each other, I went there Friday after work and took Monday off, such that we could spend three nights and (part of) four days together.

Due to heavy Toronto traffic, my Friday bus was late arriving. Meanwhile, Jean was dealing with the fact that he couldn’t get into his hotel room, because the hotel (Doubletree by Hilton) had mistakenly registered him as staying only one night, even though we had booked for four (and had the paperwork to prove it). Initially, they also weren’t sure where his luggage was. (Turned out it was still in the room.) That all got straightened out shortly before I arrived.

Originally we’d been planning to meet with my younger sister and her husband for dinner, but she’d contacted us a couple days before with the realization that her son had a basketball game and her husband would be out of town, so… We made other plans. Which was just as well, as with the bus delay and hotel troubles, we would have been late for dinner.

But we were on time for the alternative we booked, old reliable Ki, where we once again had a really nice meal of their “modern sushi”, with a bottle of Grüner Veltliner.

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The jalapenos gave this a nice kick

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Sushi and sashimi assortment

Saturday morning Jean had more conferencing, and we had an early dinner booking, so in the afternoon, we just did a bit of ambling about on Toronto streets…

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Hospital street art

Til the weather became rainy and unpleasant, at which point we decided to explore the Toronto underground. This told us that… A lot of stores in the Toronto underground are closed on Saturdays. Kind of weird.

Dinner was at the very popular Richmond Station, which we’d really enjoyed this past summer. Given its popularity, we were only able to get reservations at either 5:15 or 10 pm. We went with 5:15 pm. We were able to do the chef’s surprise menu, which made it easy. They were able to give us five courses before they needed the table again, and everything was lovely, from the raw oysters…

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To the truffle mushroom soup, and on to the trout with cauliflower and barley…

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to the beef main course, and the hazelnut ice cream dessert, and polished off with some chocolates and macaroons.

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The wine we had was a French Pinot noir that was a pretty flexible match.

We were back at the hotel early enough to watch Eddie the Eagle on Netflix. Pretty much the definition of “feel good movie”, that one, but it’s well done. Eddie the Eagle was the British ski jumper at the Calgary Olympics who had taken up the sport only a year before, and came dead last in the competition, but was thrilled just to land on his feet (and, incidentally, set a British record for that sport). This movie was good at showing that this really was an accomplishment! Landing at Olympic ski jumping is not easy.

So, I’d recommend it. (Canadians, though, will have to look elsewhere than Netflix to watch it. They dropped it on February 1. Hence my hurry to watch it in January.)

Sunday late morning we met with my other sister at the Crown Princess for dim sum. Food and conversation were good, as usual.

Then we headed to the ROM, where they were featuring three special exhibits. Once we got through the rather long entry lineup, we went to the first one, on the Vikings. And found it somewhat underwhelming. Definitely I learned more about the Vikings, but that included the fact that they didn’t leave behind that many artifacts. I was expecting something more spectacular, I guess.

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I was amused by Zuul’s tag line

The Wildlife Photography exhibit, on the other hand, was really great. Lots of fantastic photographs (none of which we could take photos of, of course). As for Christian Dior exhibit? Honestly, we didn’t go ub because of the lineups. Which is really unfortunate, because when we first got to the exhibit door, there was no lineup. Had we realized, we would have gone in then and looked at the Wildlife Photography afterwards. But we didn’t, and we didn’t.

Our dinner that night, with some friends, was at our first new (to us) restaurant, Pearl Diver. It was a little bit noisy, but friendly service and definitely good at preparing its signature cuisine, seafood.

Pearl Diver Restaurant (1 of 1)

Jean’s meal was Spanish-style: No sides! But they weren’t all like that.

And snowy Monday was basically about getting ourselves on the road, back to our respective destination cities.


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The Royal Tour Part 2: Queen for a day in Toronto

We took a week off in July in lieu of the one originally planned in June, when Jean’s work commitments meant he couldn’t get away. We had to go to Toronto on Tuesday, July 18 anyway, because we had tickets to a Queen + Adam Lambert concert. We built the rest of the vacation around that.

City Hall

The city can look purty

We’d first thought of going to Québec City after Toronto, but that’s a really popular destination this time of year. Finding a hotel was a challenge, and we started to think it would just be unpleasant with so many people crowded into the Old Town there. We switched over to Kingston, which is much less of a drive, so thought of adding a day in Toronto.

But Toronto is also a very popular destination this time of year. And while we could have stayed at our hotel an extra night, the price for that extra night jumped dramatically. (And this was for a hotel room that was probably the smallest we’ve ever had in Canada. Mind, the hotel itself—the Strathcona—was very conveniently located downtown, though something of a nightmare to drive to and expensive to park at.) So, we decided to stick with just two days in “The 6”.

City Hall

At night also

We took some time while there to visit my sister and brother-in-law in their lovely new apartment. That didn’t leave much time for doing Toronto “stuff”. Mainly, during the day, we walked around various neighbourhoods: The Harbourfront area, the Distillery District (highlight: visiting the Soma chocolate store), Kensington Market.

The main event

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Unofficial poster. Seems to be one of these for each stop.

You see this warning sign? This show has strobe lights, it has lasers, it has smoke, it has explosions. You name it, this show has it. You’re allergic to any of these things? I suggest you go home now.

It was the first time I’d had to go through a metal detector at an Air Canada Centre concert, but all the ACC staff (like the one quoted above) were really very cheery and nice, helping everyone out to ensure we all got through quickly and safely. This was a relief to Jean, who’d been worried on seeing the lineup when arrived. As was the fact that we had no problem getting his camera in (only “professional” cameras were banned, but what is that?).

We sat next to a woman from Newfoundland, a fan of Queen but especially of Adam Lambert, who’d flown up special for the concert. (Jean shared that we’d flown all the way to Berlin for our Adam Lambert concert.) Her husband was in town with her, but not at the show, which caused Jean to give me a look. Well, he couldn’t very well abandon me on our 25th wedding anniversary night, could he?

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Our view was from here—and it actually wasn’t bad. Though Jean complained that they played more to the other half of the room.

And truly, it was a really great show. Would have been a shame if he missed it.

The staging, the lights, the effects

I’m not sure I’ve ever seen better. Before the show started, we could tell the stage was in a guitar shape, but were having trouble figuring out how things (like the projection screens) were laid out… Then the show began with this huge robot hand smashing through the screen, then looking out, then raising it with both hands to reveal the band playing “We Will Rock You.” Awesome!

Other highlights included Adam Lambert literally rising from the floor to sing the exquisite “Who Wants to Live Forever”; the stunning laser show; the effect of a simple disco ball in a stadium; the interesting, multi-level video background for Brian May’s solo (built around the Queen logo, deconstructed); and the stunning amount of confetti at the end.

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Disco inferno!

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Dynamite with a laser beam! Source: ror0roror0ro at https://www.instagram.com/p/BWthmNKDLlL/

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That’s a lotta confetti! Source: lauracjthistle at https://www.instagram.com/p/BWtkqdOFbbQ/

The music!

Of course I love all the songs. But the band also performs them so well—without vocal modulators or click tracks. And, the sound mixing at the ACC was quite good. So I could hear Adam Lambert’s impeccable, incredible vocal flourishes on songs like “Don’t Stop Me Now”, “Somebody to Love,” and “Who Wants to Live Forever.” And the band’s excellent harmonies on songs like “I Want It All”.

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One great band

The drum battle between Roger Taylor and new recruit (from Queen Extravaganza) Tyler Warren was fun. And the guitar solo—which I’d been dreading a bit, having found it somewhat long and dull at their last concert—was fantastic. It was shorter, for one, and all built around familiar melodies (at least to a Queen fan) from “Lost Horizon” and “Brighton Rock”. Kudos.

All the feels

The set list is designed to take you on an emotional journey. You start with the powerful adrenaline rush of a snippet of “We Will Rock You,” followed by the powerhouses “Hammer to Fall” and “Stone Cold Crazy.”

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Power!

There is then a gradual segue to the fun and frothy part of the evening, introduced by Adam Lambert singing “Killer Queen” atop the head of Frank the robot, while wearing a hot pink suit. (“Gayest suit ever!” he proclaimed.) Included at the juncture was an Adam Lambert single, “Two Fux,” along with “Don’t Stop Me Now” and “Bicycle Race,” wherein Adam rode around on a pink, flower-laded tricycle.

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He gives great head,” Adam declared

Thanks to Adam’s super-tights pants, propensity for hip thrusting, and just general handsome-ness, the entire evening was somewhat lust-inducing (if you like that sort of thing).

Adam’s groiny interpretation of Fat Bottomed Girls

But they really amped up to 11 on “Get Down, Make Love,” a welcome addition on this tour. The whole backdrop for this song was red, dripping, sexy imagery, which Lambert only enhanced with his orgasmic vocal prowess.

“Was it good for you?” he asked. (Umm, excuse me, I’ll be in my bunk.)

But Adam wasn’t the only significant contributor to this portion of the evening. Roger Taylor took lead vocals on another recent set addition, “I’m in Love with My Car,” a song that really shouldn’t be sexy, but somehow is, the way he sings it.

Brian May? Well, he introduced the poignant part of the evening, moving to the front of the stage to sing “Love of My Life,” accompanying himself on accoustic guitar. The effects here were a sea of cell phone lights, which was just beautiful. And though I knew that video Freddie Mercury would make an appearance near the end, the way they did that, with Freddie seeming to stand right beside Brian, I couldn’t help tearing up.

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Stars in the cell phone firmament. Source: a_jm_v, https://www.instagram.com/p/BWtmDWGFpq-/

Through “Somebody to Love”, and “Under Pressure,” and “Radio Ga Ga,” [aside that I’m not listing every song they played], the band managed to create a more intimate feel in this large space.

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So close you could touch them. (Not really.)

Of course, the ending was triumphant. I liked how they rejigged “Bohemian Rhapsody.” They included the usually skipped “Is this the real life?” introduction, with Adam taking lead vocals. He also sang both verses, instead of sharing those with video Freddie. Of course, the operatic part is still from the original video. Freddie just appears at the very end, trading off lines with Adam.

The finale? “We Will Rock You / We Are the Champions,” of course. Full Toronto set list

The crowd was really great (as I usually find with Toronto). I thought we’d spend most of the concert sitting, but no, they were up for standing for probably three-quarters of the show. Brian May’s birthday was the following day, when there was no concert, so we got the fun of singing “Happy birthday” to him, after he honoured us with a selfie stick photo (posted here: https://www.youtube.com/watch?v=Vw6i-QMjSuY). At the end, Adam thought Brian should wear his crown (though that proved a bit of a problem, as it was sized for Adam’s bigger head).

Richmond Station and Ki

(This is turning an epic post, but why stop now.) The evening before the concert, we’d originally hoped to dine at Canoe, but it was summerlicious time in Toronto (that is, specially priced meals at certain restaurants), which meant that Canoe was fully booked for two weeks. (And that likely happened on the first day summerlicious reservations were open.)

So, we went to Richmond Station, a new restaurant for us, even though we couldn’t get in til 8:30 pm. We’d read that they offered surprise, multi-course “chef’s menus”, but that wasn’t mentioned on their printed menu. Jean asked about it, though, and they confirmed that it was on offer, and the head chef was in that day, so it should be a good one.

They also asked us if we had any special occasion, and Jean mumbled something about, no, we’re just here for a darn Queen concert, but I piped about it being our 25th wedding anniversary the next day. That was good, because it resulted in a complimentary glass of bubbly each, to go along with our half-liter of (delicious) Oregon Pinot Noir that we thought should be generally food friendly.

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The bubbly with our first course, oyster and trout tartar

What a nice meal we had there. All courses—eight of them—were prepared with care and delicious. The service was attentive. Our late start meant that we had a waiter switchover near the end, but that was handled very well. Tables were close together, so it was a bit loud, but that somehow didn’t bother us. And the whole thing was like, $200? Which seemed a great deal for a meal of this caliber in Toronto.

Beef tartar is not a thing I normally eat, but theirs was flavored very well. There was a small charcuterie plate. This amazingly light zucchini tempura. A set of two salads: one beet, one tomato, both great. [I feel like there might have been sweetbreads in here somewhere also?] Seared salmon with great vegetables. A smoky sirloin beef with potatoes (the smoke made it special).

I think it's a beet?

Two salads

Rishcmond Station Restaurant

Le saumon

It was all topped off by a very special dessert of ice cream, peanut butter, and hazelnut.

For Our Anniversary!

Before the concert on Tuesday, we went to our reliable Ki, where they once again did a really nice job of their “modern Japanese” food and excellent service.

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Maple tamari with pine nuts—so good

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I think this is dessert


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Not the news

A lot of grim things are happening in the world, the sun was awol for much of January, and I succumbed to one of the season’s cold viruses last week. (And now Jean is complaining of chills.)

But hey, instead complaining at length about all that, I’ll list a few things that made me happy in the past few weeks.

1. KW Glee: Redux

Two years ago we were blown away by a KW Glee (show choir) + KW Symphony concert. This year they did it again. There’s just deep entertainment value in watching a huge group of talented, enthusiastic, and attractive young people sing and dance to popular songs, in costume, while accompanied by a full orchestra.

Last time I had mentioned that I didn’t know a lot of the songs performed—they were too current for me. This time they rectified that with a set from various eras. To the point where I felt kind of bad that they were played so little of of their own generation’s music, though there was one Imagine Dragons song and one by David Guetta / Sia, both very powerful performances.

Other highlights were:

  • That old Gap commercial come to life during “Jump, Jive, and Wail”
  • The outstanding youth singer (a girl—don’t know any names) wailing through the Jackson 5’s “ABC” and “I Want You Back”
  • The beautiful contemporary dance accompanying “Falling Slowly”, from Once
  • Not one, not two, but four different lead female singers proving they were up to the challenge of singing Adele’s “Rolling in the Deep”.
  • “Bohemian Rhapsody”. Performed in full, featuring two lead singers, one male, one female, and treated not as campy fun, but as the somber piece it actually is. Outstanding.

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  • The virtual re-enactment of Janet Jackson’s “Rhythm Nation” music video.
  • The youth choir’s 80s attire during one segment, some of which looked like it actually dated from that time. The “Frankie Say Relax” T-shirt was my favourite.
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Remember the 80s? These kids don’t, but they’re dressing the part anyway.

  • The youth boys running scared during “Ghostbusters” only to be have the youth girls toughly emerge, declaring that they were “Bad”.
  • The use of sign language during “Imagine”—very touching, somehow.
  • The terrific soul singer who performed “Signed, Sealed, Delivered (I’m Yours)”. (It is great that so many of the participants get to try a lead, but with some of them, you do wish for more than one song!)
  • The reprise of “Hallelujah” that blew everyone away last time, performed by the same quartet, back from university for the occasion.

A Spotify playlist of their set list!

2. The Good Place

Holy motherforking shirtballs, The Good Place was good.

This is a half-hour, 13-episode, network TV show starring Kristen Bell and Ted Danson, debuted this year to very little notice—Jean’s the only other person I know who watches it.

But it’s like nothing else I’ve ever seen. And I’m loathe to even say that much about it, as it was so much fun to go along for the ride. And it’s so full of twists! Also, hilarious! Week to week, it was the show I found myself looking forward to most.

I will give the premise. Eleanor (Kristen Bell), a not-so-stellar human being while alive, is surprised to find herself in “the good place” (yeah, that one) after she dies. They have somehow mixed her up with some good Eleanor! How does she stay in the good place?

Look, I know there’s too much good TV, no one can keep with it all. So I won’t say you must watch The Good Place. I will just point out that if you do, it might make you happy. And that at 13 22-minute episodes, it’s less time-consuming that many series. And that despite mediocre ratings, it has already been renewed for season 2, so you don’t have to worry about being left hanging.

If nothing else, you can watch this Season 1 trailer—just 2:20

3. Sandra Shamas: The Big What Now

We were in Toronto last weekend.

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And by the way, Jean won another photo contest recently. (Not with this photo. Just thought I’d mention it now.)

8875While there, we went to Sandra Shamas’ one-woman show about “climbing mount menopause”. Despite that intro and the predominantly female audience, it wasn’t all about the hormonal challenges of being over 50. She covered a gamut of topics from her life.

Having recently dealt with a series of similar plumbing issues, we could relate to the mix of disgust and determination in which she handled the events that started when she flushed her toilet and it “came up my bathtub”. I took (hypothetical) heart in her discovery—having failed to make herself lesbian (“turns out it’s not a choice!”)—via dating apps, that plenty of 20-something men will seek the attention of women in their 50s. (She can’t bring herself to take advantage. “Does your mother know what you’re up to?”)

I wonder if I, too, will soon be entering my “ranting” years. (“I always talked to myself. Now I do it in public. And I’m angry!”) And it was hard not to be inspired by how she made it through a serious ice storm two years ago: “I was without hydro for 8 days. But I was never without power.”

Toronto Star review of the show

4. Queen + Adam Lambert

They’re back! In North America, back! And they kicked it off with an appearance on the Late Late Show that soon went viral:

Front man battle: Adam Lambert vs. James Corden foronting Queen


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Let’s go to the Ex (whoa, baby)

When I expressed the desire to squeeze in a final summer holiday, Jean suggested Toronto as a place we could get to quickly enough to have time to enjoy with only minimal time off work (I took half a day).

“Hey, the Ex is on then,” I exclaimed. “Can we go?”

“Uh, I guess,” Jean replied, a bit mystified by my interest.

“The Ex” is the Canadian National Exhibition, an annual late-summer fair held in Toronto lo these past 138 years. Neither of us had ever been.

When I was a youngster back in Northern Ontario (from where one could not get to Toronto very quickly), the Ex seemed like coolest thing, based on ads like these:

The classic 1982 Let’s Go to the Ex commercial, with the cow

As an adult, admittedly, it seemed more like a site of cheesy entertainment and appalling-sound junk food (see: The Straight-Up Craziest Stuff To Eat At This Year’s CNE In Toronto). But, partly inspired by The Globe’s A guide to Toronto’s 2016 CNE, from someone who has been every year of her life, I thought we should check it out for ourselves. At least once in our lives.

Getting there was the first challenge. We aren’t experts on Toronto Transit, but the CNE grounds were too far for our usual “we’ll just walk there” approach to getting around in that city. The CNE website clearly listed the best transit options, but that didn’t stop us from messing up: Confusing the Dundas West subway stop(which had a direct bus to the CNE) with Dundas one (which did not). Taking a while to figure out that the “street” car stop at Union Station is not actually on the street, but below ground. And then some confusion about whether we were taking the street car in the right direction.

So we were well ready for lunch by the time we got there, and headed straight to the Food Building. We munched on completely un-weird fish and chips (Jean) and fish tacos (me), but when we walked around afterwards looking for things like the Bug Bistro and the philly sandwiches with whipped cream, we couldn’t find them. It pretty much seemed like any other food court.

Mind, we were rushing through a bit as we (well, I) wanted to get a seat at the popular ice skating and aerial acrobatics show. It featured Olympic bronze medallist Joannie Rochette. She indeed did a lovely solo, but I was actually more impressed with some of acrobatics, and from seeing two male ice skaters skate together. And it seemed a bit rude that they didn’t introduce any performers other than Joannie.

Much of the CNE grounds is a really big midway / fair sort of thing, with rides and games. We didn’t partake of that part at all, beyond walking through it. We had planned to Ferris wheel together, but Jean got a bit overwhelmed with the crowds in those parts.

Instead, we visited a few exhibitions spaces—the farm, arts and hobbies, kitchen stuff (my favourite)—and concluded the day with the (also very popular) Superdogs show. That was so cute and fun, all these different types of dogs doing tricks or playing the clown. Was probably the day’s highlight.

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One of the Superdogs–from Toronto.com

After the Ex

The new Where to Eat in Canada had arrived just before this trip, so we took the opportunity to visit a couple of the listed places. We met some friends for dinner at Origin. I had been a bit pushy on this suggestion, despite never having been, so was relieved to find that:

  • The place was quiet enough for conversation
  • The food was very good
  • The prices weren’t outlandish

It’s one of those places with more of a tapas focus, and the servers were very good about helping us through our selections and bringing out items in a sensible order. We had the devilled eggs, a couple items from the raw (sushi) bar, a mozarella-based appetizer, a kale salad, and crispy calamari. (Who needs meat?)

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This kale salad was freakin’ delicious

The next day went to the ROM ahead of our reservation at Cafe Boulud. We had forgotten, however, that we were just there in February, and basically remembered the regular collection enough that we didn’t feel the need to look at it again. They had a Chihully exhibit, but having also been to his gallery in Seattle recently, we didn’t feel inclined to pay extra for that. Fortunately, we were saved by being time for a tour of their Egyptian collection, which was really interesting!

Cafe Boulud is a chi-chi poo-poo restaurant in a chi-chi poo-poo hotel. We were there for brunch, which is one of the cheaper ways of partaking in it ($45 for two courses with coffee). The wines by the glass were almost as expensive as bottles are in some others places, so we stuck with the $9 mimosa.

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Berries tartine and soupe de mais (corn soup) with our mimosa

The food was quite good, though, excluding Jean’s duck confit being more salted than he cared for. I wasn’t sure what to expect from my Gorditas de papa con chorizo, but I quite enjoyed it.

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This is Gorditas de papa con chorizo

The rest of the day we wandered the streets of Toronto, the predicted rain never quite materializing. It was quite warm, so we stopped regularly for beverages of the non-alcoholic variety. We saw street fests and visited some favourite stores and burnt off restaurant calories.

On to Fall.


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Sometimes you have to be a little bit naughty

Just because you find that life’s not fair it
Doesn’t mean that you just have to grin and bear it
If you always take it on the chin and wear it
Nothing will change.

My interest in seeing the musical Matilda was mainly that the music was written by Tim Minchin, a comedian-musician whose songs often promote reason, science, and humanism. And also cheese.

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The show has also received a number of awards, though, and a great review in the Globe and Mail, so I was pleased when my sister and brother-in-law agreed to go see it with me while Jean was off canoeing.

The play opens with a chorus of children whose doting, self-esteem-boosting parents lead them to be believe they are special little princes and princesses. “It seems that there are millions of these one-in-a-millions these days / Specialness seems de rigueur.” By contrast, Matilda really is remarkable—a genius. Her thick parents don’t know what to make of her love of books and stories; they can barely stand to have her around.

In her big number, Matilda’s mother explains that “People don’t like smarty-pants / What go round claiming / That they know stuff / We don’t know / Content, has never been less important… You’ve just got to be loud.” (This is truly a musical of our time.)

School should be an oasis for such a child, but Matilda’s school is run by the authoritarian Miss Trunchbull. Played by a large man (Dan Chameroy), she cuts a ridiculous-looking figure, but is a terrifying adversary nonetheless—a bully who brooks no dissent, who cares little about fainess (once she decides you’re guilty, you’re guilty), and who favours cruel punishments.

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Miss Trunchbull and Miss Honey. Photo by Joan Marcus, from http://www.mirvish.com

Besides the town librarian (delightfully played by Keisha T. Fraser), the only one on Matilda’s side is her teacher, Miss Honey, who calls herself pathetic for not being more effective at standing up to Miss Trunchbull and Matilda’s parents. Matilda, endowed with a sense of justice as deep as her intelligence, realizes that this is a battle she must fight for herself. (With a little help from her schoolmates.)

But nobody else is gonna put it right for me
Nobody but me is gonna change my story
Sometimes you have to be a little bit naughty.

Three young girls alternate the role of Matilda in the Toronto production. We got Hannah Levinson, who was dang amazing, delivering each line with such clarity and perfect timing that you never doubted her sharp, mature mind. She also had a lovely singing voice.

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Hannah Levinson as Matilda. Photo by Joan Marcus, from http://www.mirvish.com

With intermission, the play runs just over 2.5 hours. It moves along well, with none of the numbers seeming to drag—proving that Tim Minchin can write songs advocating intelligence, self-determination, justice, and education, without expletives in them. Much like the rest of his oeuvre, Matilda is often thought-provoking and moving—but still kind of fun!

Trailer for Matilda the Musical in Toronto