Tag: documentary

Plus ça change

What a day it was. Monday May 11, 1970.

Thirty-five women, with chains hidden in their purses, infiltrated the public galleries of the House of Commons. They shackled themselves to their chairs. During Question Period, they started to shout. The business of parliament came to a halt. It was the culmination of what became known as the Abortion Caravan, a defiant country wide trek aimed at putting the issue of abortion access on the national agenda. It called to mind some of the more audacious tactics of the suffragettes more than fifty years earlier – in the first wave of feminism. But this was very much a “second wave” event, in which abortion on demand symbolized a fight for women’s autonomy on every front.

Listening to a documentary about this on CBC Radio’s Sunday Report a few weeks ago was pretty riveting. First of all, I hadn’t heard of this event before. Secondly, it was quite extraordinary to hear so many women proclaim, so loudly, the importance of choice. Everyone seems to tiptoe around the subject these days. Ssh. Wouldn’t want to offend anyone.

One of the most striking clips was one of the women speaking with one of the male (of course) politicians—I didn’t catch who. She pointed out that he, being a privileged, wealthy man, would be able to arrange for a woman in his life to have a safe abortion, if she wanted one. But other Canadian women, those of lesser means and lower social standing, could not do this.

“So?” he replied.

“I couldn’t believe it, ” she recollected, this many years later. “It was so arrogant, so dismissive.”

Then today, there’s this:

No abortion in Canada’s G8 maternal health plan

International Co-operation Minister Bev Oda said the government would consider funding family planning measures such as contraception, but not abortion under any circumstances.

“They just reopened the abortion debate,” [Bob] Rae told reporters outside the House of Commons. “We are saying to the countries that are the poorest: ‘We won’t apply the law that we have in Canada’.”

Or to paraphrase, we are saying, “So?”

Maple flavour films

Cultural lessons in three movies… (Links are to YouTube trailers of same)

1

Last Saturday we wanted to go see The Stone Angel, but it was on at 7:00, and we just couldn’t get ourselves organized to get there on time. So as a kind of boobie prize, we thought, we decided to go see the comedy Forgetting Sarah Marshall. Now, admittedly, that film had received pretty decent critical notices, which is why we considered it at all… But so did Knocked Up, and I was pretty underwhelmed by that one, with its many “man-boy” characters.

But Forgetting Sarah Marshall was different. It is what it is, which is unabashedly a sex comedy, but it rises above what I was expecting in that none of the characters were mere caricatures. Sarah wasn’t just a bitch. Her new boyfriend wasn’t just a stupid himbo. The main character wasn’t entirely blameless for the break-up. You kind of cared about these people. You kind of liked them.

We left the movie in a really good mood.

2

The next night we managed to get ourselves to The Stone Angel. It featured good performances (from the likes of Ellen Burstyn, Ellen Page*, and the yummy Kevin Zegers), moments of humour, and strong characters. But it is what it is, and that is a drama about a 90-year-old woman looking back at the tragedies of her life, and the decisions that led to them.

We didn’t dislike the film, but we weren’t in as good a mood afterwards.

3

By Thursday DH was a little movied-out, but I went to see Maple Flavour Films, a documentary about English-language Canadian movies, and why Canadians don’t go see them. (Ironically, very few people were there!) Various theories are put forward as to why that is—screens dominated by Hollywood movies; lack of star system; lack of promotion. But the director’s own view (he was there for the screening) was that Canadians make too many dramas, which never do as well as other genres. Why not make more of the types of movies people want to see—why not more comedies? Why wasn’t the low-budget, Scarborough-inspired Wayne’s World not made in Canada? “We need our Full Montey“!

And he may have a point. But I’m also thinking, even if The Stone Angel wasn’t a barrel of laughs, there are a number of Canadian movies that have a put big smile on my face. La Grande Séduction—OK, that’s a French-language film—but it’s still one of the damn funniest movies I’ve ever seen. Bon Cop, Bad Cop—bilingual—was rather a lot of fun as well. And Touch of Pink—all in English—was rather fun as well.

And—this sounds like damning with faint praise, but it’s not—some movies are lot more fun than their premise would make you think. Yes, in Saint Ralph, the boy is inspired to run because his mother’s in a coma… But the focus is on him, not her, and the journey is fun, funny, inspiring. Last Night is about the end of the world, but it’s Don McKellar, and to some extent, it restores your faith in humanity as you marvel at some of the absurd responses to this fact. Snow Cake begins with a terrible car crash (I’m maybe not helping the cause here), but gains considerable humour as the British driver involved (the lovely Alan Rickman) is thrust amongst Canadians in Wawa, of all places—including an autistic woman played Sigourney Weaver. And New Waterford Girl has overtones of Juno—a preternaturally smart and witty teenager finds pregnancy the only possible escape from her tiny home town, though in this case it’s a fake one (the pregnancy is, not the town).

And I’m not going to pretend that Les Invasions Barbares or Away from Her are anything but primarily dramatic, but they really do have a lot of humour, and they’re both just so good, everyone should see them.

Or maybe my tastes are weird. Certainly I see way, way more Canadian movies than other people do…

* In 2008, when this was written, this was the name of this actor.