Tag: Queen

A night at the ballet

What: Les Ballet Jazz de Montréal

Where: Centre in the Square, Kitchener

When: Tuesday, 18 November 2013

While awaiting the start of this performance, Jean and tried to think how many other live dance performances we’d seen. It’s not that many, way behind live music and drama. For whatever reason, I went far more often back when I lived in Montreal, as a student. And Jean and I once saw Ballet Béjart on a trip to Montreal. They’re a Swiss company, and they were presenting a very modern ballet inspired by life of one Freddie Mercury. (Jean wasn’t sure to make of it immediately afterward, but it has aged well in his memory, and he now thinks on it fondly.)

But outside of La Belle Province, we’ve mostly experienced less arty dancing, like a “Riverdance” kind of show in Toronto (only more with tango and Latin and not so much Irish step dancing) and the So You Think You Can Dance: Canada tour stop in Hamilton (and actually, that was just me).

So it was nice of Montreal to bring the jazz ballet right to us.

They performed three pieces. The first was a sensual duet to a Phillip Glass soundtrack. The second was a longer piece featuring the whole company. It used an electronica soundtrack to present “scenes from a city”, starting with dancing at a club but moving on to various other scenes and themes. I’m not going to pretend I interpreted it all correctly, but I found the energy, beauty, and musical interpretation quite riveting.

After intermission, they performed the final, longest piece, Harry. This was presented as a sort of danced play, complete with the dancers speaking lines of dialogue (in English). But it was not a linear story; more of a revisiting of the themes of war, love, destiny, and determination. Which makes it sound all dour and serious, but it was neither; it was very funny at times and always entertaining, incorporating all kinds of dance styles, even ballroom.

And tickets were only $35 for this! If you could have gone to this, and didn’t… That was a mistake.

Harry excerpt from YouTube

On things sporting

Have watched The Olympics, but not obsessively. I prefer the winter ones, as more of the sports are more interesting, and Canada is more competitive. The time difference is also difficult, as most events take place before I’m up or when I’m at work.

Live-streaming is a nice thing, though. The most thrilling thing I did get to view live via that technology was the end of the women’s soccer match, including that one goal! Though I didn’t watch much of the heart-breaker soccer match between Canada and the US, I heard so much about it after, I felt like I had. So I was vested in that Bronze medal match. Christine Sinclair is a good choice to carry the flag.

Another fun live-stream was that incredibly long tennis match between Miloas Raonic and Jo-Wilfried Tsonga. Live on TV, I enjoyed the men’s 1500-meter swim, which was surprisingly exciting for such a long race, and I managed to catch the women’s eight rowing team final.

But I am really looking forward to the Closing Ceremonies, with its promised focus on British music, including Ray Davies, Queen, and The Who. Great Britain proved themselves athletically in these games with the amazing performance of their team, but they long-ago demonstrated that they were unsurpassed in producing great rock musicians.

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For various reasons, my main workout choice these days has been via exercise DVD. I like to get new ones semi-regularly to shake things up, and avoid boredom. Looking up my collected titles, you might think I’m desperate to lose weight:

  • Dance Off the Inches! Hip Hop Party
  • 10 Pounds Down! Cardio Abs
  • Fat Burning Fusion!
  • Super Slim Down!
  • Secrets to a Great Upper Body!

Which is just starting to get on my nerves. I know it’s all marketing, and there are a lot of overweight people that might be sold on such promises, but… Does “thin-ness” have to be the only selling point for these things? I mean, I have one called Fat-Burning Yoga, for heaven’s sake. Yoga. And it’s not some funky fusion of yoga and aerobics or whatever; it’s just your basic yoga stretches and holds, maybe  a little more peppy. But not so you’re going to break much of a sweat.

Thing is, inside, they’re really good workouts that will do good things for your heart, lungs, muscles, stress level, sleep, and so on. In most cases, by the end of these workouts, I feel great. That’s why I do them. Yes, I’m sure it’s helping me maintain a healthy weight as well, but that’s not what’s motivating me to keep it up.

Is that so unusual? Reminds me of having been stopped by someone selling gym memberships, and asked why I exercise. I said, “To stay healthy”, and she looked down her list of possible answers and said, “Huh. That’s not on here.” So maybe it is that unusual…

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And that big toenail that I damaged on my Amalfi hiking trip? Gone! Leaving just the stub of toenail that had been growing underneath it.

It’s kind of gross, of course. And the timing is really bad, because it’s still sandal season. (I’m thinking, cover it with a Band Aid, I guess?) But it’s still making me feel unusually athletic. Me, the marathoners, and the cross-country skiers: Losing toenails in our pursuit of extreme sport. 🙂

The Queen Extravaganza

The Canadian locations for The Queen Extravaganza tour consisted of the usual suspects—Toronto, Montreal, Vancouver, Calgary, Edmonton—and one outlier: Québec City.

The Queen Extravaganza is a project of Roger Taylor of Queen. He held an online competition to find, essentially, the ultimate Queen tribute band. And of the nine winners, a full third are from Québec: Québec City native son Francois-Olivier Doyon on bass, Yvan Pednault—familiar to many from his long run starring in Toronto’s We Will Rock—on vocals, and Marc Martel, YouTube sensation for his uncanny physical and aural resemblance to Freddie Mercury, also on vocals.

Yvan Pednault

Yvan Pednault, apparently not yet tired of singing Queen songs for a living

So odd a choice as Québec City might have seemed for tour opener, it was probably a wise choice. The show sold out (trying to get my two tickets that opening day was a challenge, let me tell you), and the crowd was super-enthusiastic.

And yes, I was there. Naturally, Toronto would have been closer and easier—but it was on a Tuesday, and we hadn’t been to Québec in a while, so there we were. In Québec for the Queen Extravaganza.

Continue reading “The Queen Extravaganza” →

The trifecta: Big bands, a night at the opera, and war horse

trifecta, n. (traɪˈfɛktə)

Any achievement involving three successful outcomes

Our self-created “culture weekend” began Friday night with the KW Symphony’s salute to big band music, featuring In the Mood, Take the A Train, It Don’t Mean a Thing (If It Ain’t Got That Swing), Come On-A My House, As Times Goes by… Songs like that. Songs that swing.

Guest conductor Matt Catingub, who’s from Hawaii, brought along some guest saxophonists, guitar and bass, and drummer. He himself at various time played sax, sang, and played piano. The symphony were able to keep up with the challenging arrangements—ones that taxed the horn section in particular.

It was a very fun night out. The only thing that would have made it better was if the Centre in the Square had a dance floor we could have used. This music was made for dancing, not sitting.

A Night at the Opera cover

Saturday we made our way to Toronto for Classic Albums Live: Queen—A Night at the Opera. This was our second time seeing a Classic Albums Live presentation, and we were both a little dubious about it, having been underwhelmed by the first. But I just couldn’t resist seeing how they would possibly tackle this very challenging album, “cut for cut, note for note”.

As the liner notes for the show said, “with Queen, the key word was more. More singers. More guitars. More sound.”

So to handle Brian May’s multi-layered guitar sound, they had six guitarists (one of whom focused on the acoustic and the koto). Lead vocal duties were handled by three different singers: one for Freddie’s higher vocal parts (that was a woman), another for his lower range, and one more singer to present Brian and Roger’s vocal leads. And another singer (another woman) who did lead backup.

That not being enough, there was also a full choir. (“We had all of Toronto up here on stage”, the announcer said.) Somehow, though, they did manage with just one each of drums, bass, and piano.

Classic albums live for Queen

“It takes a village” to perform Queen music. (And this doesn’t even include the choir.)

It was really an awesome show. Why did it work so much better than The Beatles one, which felt a bit pointless and lifeless to me?

  • You can’t suck the life and fun out of Queen sings by playing them as recorded, because fun is built into the songs. Doing this whole album meant singing a passionate love song to a car, doing an entire musical break on kazoos, and embracing lyrics like “You call me sweet like I’m some kind of cheese” and “Thursdays I go waltzing to the zoo”.
  • By playing live what were purely studio effects (just four musicians and three singers, massively overdubbed), you aren’t reproducing what was on the record. You are re-creating it. And as an audience, we are hearing it in a new way, for the first time.
  • Queen were show-offs, and the musicians managing to pull off all those notes, and guitar chords, and that crazy intricate timing, was truly impressive. We were in the second row, and you could almost see them sweating blood trying to get everything in at the right time, in right pitch. The announcer said it was the most difficult one they’d ever tackled, and I believe it.

I’m in Love with My Car performance (video)

The second half featured more Queen songs, some quite well known (We Will Rock You, We Are the Champions, Under Pressure, Bicycle Race—complete with bike bells, Somebody to Love), and some not as much (Brighton Rock, Keep Yourself Alive, Get Down Make Love). The show seemed to go by in a flash.

Brighton Rock performance (video)

warhorse

And on Sunday, still in Toronto, we saw the Mirvish production of War Horse, which really deserves all the praise it has received.

The puppetry used for the horses (and a goose!) is just incredible. Despite seeing people legs and bodies beneath and around the horses, they really seem very horsey, and you gradually don’t even really notice the puppeteers.

The story, of course, is not a totally cheery one, as nothing about the First World War is cheery. It’s interesting, though, how Joey’s encounters with British, Germans, and French in turn shows all in an ultimately sympathetic light. The plot is very well constructed and emotionally compelling.

Toronto Star review: War Horse is bold, brave and heart-stoppingly wonderful

That’s about right.

Toronto building

Photo taken on our walk over to see War Horse

Queen documentary

Queen: Days of Our Lives“In 1971, four college students got together to form a rock band.”

Queen: Days of Our Lives is a relatively recently released documentary about the band. The core of it is a two-part band history that played on the BBC. The Blu-Ray adds about 90 minutes of bonus material.

There have been many Queen biographies before this one, a number sanctioned by the band. The special thing about this one is that Brian and Roger provided a lot of new interview material for it.

As someone who has seen a lot of those earlier documentaries, not to mention read a number of books about the band, I didn’t learn too many new facts. But I definitely still enjoyed the structure of the documentary. It was well-edited, moving briskly along from milestone to milestone. Aspects of the band’s story that have really been covered to death by now—the early success in Japan, Bohemian Rhapsody, Live Aid—are of course here again, but not especially dwelled upon, as how much new is there to say?

Instead, the insights are more personal. For example, Brian discusses how his father, understandly, was just flabbergasted that his son chose rock music over completing his PhD in physics. And it wasn’t until well unto his career that a huge show at Madison Square Garden really brought home to his Dad that Brian wasn’t wasting his life or his education. Brian still tears up at the memory.

John DeaconJohn Deacon, generally considered the least interesting member of the band, casts a surprisingly large shadow over the production. There is, for example, a fair amount of attention given to “Another One Bites the Dust”, which he wrote. One fact I hadn’t know that came out is that it, and not BoRhap, is Queen’s best-selling song. And one of the extras amusingly relates how, in later years, John kept a full bar behind some of the stage equipment, and would nip back there for drinks when his bass playing was not required. (Which reminds me of another rather humorous anecdote from this, of the very rare occasion where Fred was really too inebriated to perform the first part of the show, and the rest of the band struggled to cover. Of course, Freddie brought it home in the end.)

Of course, the fact that John is alive and yet did not provide any new insights for this project is hard to ignore. Naturally, Mr. Deacon has every right to retire, and doesn’t owe the fans any more than the 20+ years he already gave to a band that, this documentary reveals, he was surprised to find become such a big success. Still, it would have been nice to hear from him. And it is a bit sad to hear Brian comment that “We’ve lost John, too.”

Also clear from this project? “Queen were never cool,” as Roger said. And as a fan from the time, I can tell you, this is true. Except for a fairly short time in the late 70s, Queen fandom was something I tried to keep quiet. Because it was not cool to be into them.

The 1970s were a battle between disco and punk, and Queen were… Queen. The 80s brought Brit pop, but except for a little ill-received (though I liked it) foray into funk sounds, Queen still kept sounding like… Queen. Ultimately, this has made them endure. But at the time, they were about as respected as Nickleback as is now.

Never cool. Just really popular.

Well put-together though the documentary was, I also enjoyed the extras. Some were extensions of was seen in the film, some were additional interviews that didn’t make the cut at all. The only thing I found a bit superfluous were the seven music videos, supposedly “all new”. But many are so close to the original videos, it took me a while to realize they were different cuts (often with more “backstage” views of what was going on).

I live you with a video one of the most delightful extras from the disk: Scrabble Wars.

Weekend viewing

In preparation for Tuesday’s concert by one of those Queen tribute bands, I re-watched my Queen Live at Wembley DVD, otherwise know as The Last Concert Ever by the Original Four Members of Queen.

Talk about going out on top. This late in their career, it’s just wall-to-wall hits… so many they can’t include them all, since they also want to include some surprises as well. It’s the end of a long tour, so the set is well-honed; they sound fantastic. The massive crowd is adoring and lively.

Most awe-inspiring: The part where Freddie does these solo gymnastics with his voice, teasing around his highest register, demonstrating why he’s the best rock singer ever. Then followed by Brian May pyrotechnics on guitar. Then “Brighton Rock.”

Most fun: When all four members of the band gather at the front of the stage and swing through a medley of early rock classics: “(You’re so Square) Baby I Don’t Care”, “Hello Mary Lou (Goodbye Heart)”, “Tutti Frutti”, and “Gimme Some Lovin’”. Then BoRhap.

Most heartwarming: The crowd singalong during “Love of My Life”. I love the British fans—unlike the North Americans, they know all the Queen songs, not just the greatest hits.

Most chilling: Freddie, the only man in the room with an inkling that this might be the band’s last concert ever (he hadn’t yet told his band mates of his HIV-positive status), explaining how rumors of Queen’s breakup are highly exaggerated, and that the band is going to be together “until we fucking well die—I’m sure of it!” Then launching into “Who Wants to Live Forever?”.

And then for something completely different…

Jean and I watched Lisztomania, director Ken Russel’s 1976 or so film, very loosely based on the life of pianist and composer Franz Liszt. Definitely one of the weirdest movies I’ve ever seen. It starts as a kind musical comedy-romance, then gradually becomes this sort of gothic horror movie with vampires and demons, and then there’s kind of a bit with war and Nazis, and finally there’s a space ship. And some singing.

It’s hard to believe this thing was ever made, because it’s not some B movie thing. It’s a high-budget picture with cinematographers and famous people in it. Must have been some really good drugs in the 1970s. And so, while it’s certainly not a good movie, it’s definitely an interesting failure.

Most awe-inspiring: Awe-inspiring? Geez, I don’t know. When Listz sprouts a giant penis for the four ladies to ride? When Richard Wagner sprouts vampire teeth and drinks Listz’s blood? The demon-worshiping scene with all the naked girls and the candles? So many options…

Most fun: The opening scene really is hoot. Liszt and the contessa’s fun romp to the ever-increasing beat of a metronome is rudely interrupted by her sword-bearing husband, leading to duel featuring chandelier-swinging, banana-eating, and a quickly improvised loin cloth made of sheets.

Most heartwarming: Well, the Chaplinesque scene where Liszt thinks back on his romance with the contessa actually is kind of sweet.

Most chilling: You know, when the dead Wagner rises as a zombie Hitler and starts mowing down the Jews—that really is kind of chilling. Especially as it’s intercut with Liszt being tortured, then killed, by his daughter, wielding voodoo pins on a “tiny daddy” doll.

Soundtrack to Valentine’s Day

Billboard Magazine has compiled a list of the 50 sexiest songs of all time. It’s Billboard, so the criteria is sales—the more of those, the higher the position in their chart. And which songs qualify to be counted? Apparently, those who subject matter is sex (even with oneself, as “She Bop” makes the list). So the results are kind of bizarre, unless your idea of great romantic evening is listening to Olivia Newton’s John “Physical” (number 1!), Anita Ward’s “Ring My Bell” (number 17), or Def Leppard’s “Pour Some Sugar on Me” (number 37). Topped off with “She Bop”, I guess (number 49).

We aren’t doing too much for Valentine’s Day this year—just dinner at home, probably with some nicer wine, and a dessert featuring chocolate. But if we can tear ourselves away from the Olympics for a bit, we may put on some “mood” music. Which would not include any of the above songs (or other entries like “Smack That”, or “Sledgehammer”, or “Afternoon Delight”), but might—iPod shuffle willing—include the following (links to YouTube videos of song, where available):

1. I Need You Tonight – INXS

Featuring an intensely erotic vocal performance by Michael Hutchens, possibly the sexiest rock star ever, only highlighted by his charismatic video performance.

“So slide over here / And give me a moment”

2. A Case of You – Diana Krall

Her Bourbon-soaked voice ideally suits this classic, poetic Joni Mitchell song. Blew me away completely the first time I heard her do this (on her husband’s show).

“And I could drink a case of you / And still be on my feet”

3. Save the Last Dance for Me – Ben E. King

An oldie but a goodie, with another sensuous vocal performance. (Background story is apparently that Ben E King was wheelchair-bound and could not dance with his wife himself.) Doesn’t hurt that it was used as the prom dance soundtrack for Justin and Brian on Queer as Folk.

“But don’t forget who’s talking you home / And in whose arms you’re going be”

4. Without Your Love – Roger Daltrey

I do find Roger Daltrey’s husky-to-sweet-and-back-again voice kind of sexy (big surprise, I know), but The Who sure isn’t one for uncomplicated songs of love. Or lust. So it’s kind of refreshing to hear that voice wrapped around one (as I’d probably find it too mooshy if sung by anyone else).

“I could forget my home / Be like a rolling stone / But what would it mean, without your love?”

5. Temple – Jane Siberry

Known mostly for quirky tunes like “Mimi on the Beach” and “Everything Reminds Me of My Dog”, Siberry is probably one of the last artists you’d think of coming up with something so sensual. But from the opening, whispered “gimmes”… wow.

“You call that rough? Well it’s not… rough enough”

6. I’m in Love with My Car – Queen

I know, I know. This one is weird. It’s a completely un-sarcastic song about a guy so taken with his car, he doesn’t want or need a girl. (Or a boy.) But with its driving 6/8 beat and the sheer passion behind Roger Taylor’s singing, it’s just, somehow, very hot. (Much hotter than Queen’s actual songs about sex, like “Get Down, Make Love” or “Body Language” or — God forbid — “Fat Bottomed Girls”.) I don’t think cars are sexy, but this song makes me understand that other people do. They really do.

“When I’m holding your wheel / All I feel is your gear / When my hand’s on your greasegun / Oh, it’s like a disease, son”

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That’s enough for now. I’ll be in my bunk.

The Shuffler

Spent some time today reading this thread in Salon –

Inspired by The Onion’s Random Rules feature. Select “Shuffle Songs” from your iPod’s main menu and tell us the first five songs that it plays. No cheating, no skipping embarrassing songs you’d rather not tell us you have on your iPod, and feel free to give some commentary on the songs themselves or how you feel the five songs do or do not work in conjunction with one another.

Considering it was mostly just a very random list of songs, it was fairly interesting. I wasn’t too surprised at the number of people with songs I’d never heard by cool new bands I’d never heard of, because the list of cool new bands I’ve never heard of is just so very long. But I was surprised at the number of people with only classical musical on their iPod. At least, there were only classical pieces amongst their five songs.

Anyway, of course I had to try this. Not that I hadn’t shuffled all songs many times before, but this was the first time for this purpose. Here is what I got:

1. The Kinks – Property

OK, so one of my favorite Kinks songs ever. That’s a good start.

2. I’m a Believer – Smashmouth (from Shrek)

I don’t even know where I got this song from. I like it, though. Not too different from the Monkees’ original.

3. Layla – Eric Clapton (from Live Aid)

I extracted this from the DVD. It’s a lively version.

4. It’s Gonna Be a Beautiful Night (Live) – Prince

Ooh, iPod bringing in the funk!

5. Flash! U96 (from Queen Dance Traxx)

Oh, I love Queen Dance Traxx! Though I bet the vast majority of Queen fans find it completely appalling. But I love dance versions of Queen songs. This one is basically a dance remix of Flash!, with Freddie and band’s original vocals retained.

(I stopped the pod then, but it was heading into the Classical, with some Schubert.)

Nothing too embarrassing, though if I’m not embarrassed by Queen Dance Traxx, perhaps I’m not embarrassed by much…