The joyful sound of Dwayne Gretzky

That’s Dwayne, with a D, and not Wayne, the former hockey great we’re no longer so fond of these days. On February 22, we went to see Dwayne Gretzky in concert at Centre in the Square.

It was not based on much in-depth knowledge about this band. I knew they did covers. I had heard a couple of these covers, probably on CBC Radio, and I’d thought they were good. They were supposed to perform with the KW Symphony as part of their (the symphony’s) ultimately doomed 2023–24 season. I’d been left a bit curious about them ever since.

The show was a party.

It was really well attended, and many of the attendees were pretty well lubricated. Jean and I were sober as judges, but were still infected with the mood. Stand or sit? was the question, as it often is at these “soft seat” venues. Sitting was initially winning out… But not for that long! Soon there was a lot of standing… And dancing… And singing along.

The show was a party.

The Dwayne Gretzky band is… large. I think I counted 16 people? Because they cover lots of instruments—horns and strings and stuff, along with the expected guitars, bass, drums, keyboards—and lots of vocal styles. And these vocal stylings are great, some fantastic voices on display. And great instrumentation as well.

This video gives a pretty decent overview of what the band is like

The covers were largely from my era—1980s, with a side of 1970s and 1990s. So, though I’d never seen this band in concert before, I still knew all the songs. This is the key to the fun, if you’re in the right demographic (as most of the audience appeared to be).

This was the playlist (thank you, Setlist.fm):

  1. Owner of a Lonely Heart (Yes cover)
  2. Dreams (The Cranberries cover)
  3. Don’t Stop Me Now (Queen cover)
  4. You Can Call Me Al (Paul Simon cover): The crowd was definitely starting to rise here
  5. We Don’t Need Another Hero (Thunderdome) (Tina Turner cover): Though we sat back down for this
  6. Rosanna (Toto cover)
  7. Baba O’Riley (The Who cover)
  8. Walking on Broken Glass (Annie Lennox cover): During intermission, had to Google who did this originally. Still recognized it, though.
  9. Maybe I’m Amazed (Paul McCartney cover)
  10. How Will I Know (Whitney Houston cover): They brought out yet another singer, a guest, to handle these Whitney / Abba / Celine tunes
  11. Gimme! Gimme! Gimme! (A Man After Midnight) (ABBA cover)
  12. Drive (The Cars cover): A new one in their large repertoire, they said
  13. Dancing in the Dark (Bruce Springsteen cover): We were, we were dancing in the dark.

Intermission!

  1. 1999 (Prince cover)
  2. Let’s Go Crazy (Prince cover): At some point, they mentioned how much livelier this crowd was then their previous night’s (so suck it, Peterborough, I guess)
  3. 9 to 5 (Dolly Parton cover)
  4. Crazy (Patsy Cline cover): A vocal virtuosity
  5. I Will Survive (Gloria Gaynor cover)
  6. Higher Love (Steve Winwood cover)
  7. It’s All Coming Back to Me Now (Céline Dion cover)
  8. I’m Gonna Be (500 Miles) (The Proclaimers cover): So much dancing and clapping!
  9. Bang the Drum All Day (Todd Rundgren cover): A youngster joined for this on-stage, very cute
  10. Piece of My Heart (Janis Joplin cover): This singer, man! The rasp! Fantastic.
  11. Bobcaygeon (The Tragically Hip cover): Ah, my heart! So good.
  12. Radio Ga Ga ((Queen cover)): Yes, we did the arms.
  13. Under Pressure (Queen & David Bowie cover)

Encore!

  1. Come and Get Your Love (Redbone cover)
  2. With a Little Help From My Friends (Joe Cocker cover)

So basically, if you need a lift, if you want a high, quick as the speed of light, a Dwayne Gretzky concert might be the ticket. Especially if you’re GenX-y.

The music of 2023 wasn’t

Of 2023. Meaning, this year I spent most of my time listening to music I already own, rather than discovering new sounds on streaming services or radio. So not that much of it was music released in 2023.

Not sure how much this was cause vs. effect, but I also had trouble settling with any particular music streaming service this year.

  • Spotify: A service I’ve tried off and on over the years (whenever they offer me a discount, as I don’t like the ad version), but it was mostly off in 2023.
  • YouTube Music: I did subscribe to this earlier in the year. As a previous Google Play Music user, I’d built up a pretty good music data set in there. But YouTube Music has never been as good as Google Play Music was. On the July long weekend, I tried to find some sort of Canada Day playlist there, and pretty much came up empty. (Maybe because Google was at this point fighting with the federal government over streaming service regulations?) This led me to try out…
Apple, Spotify, Amazon, YouTube, Deezer logos.
Apple Music, Spotify, Amazon Music, YouTube Music, Deezer, and ?
  • Amazon Music Unlimited which offered me a three-month free trial. I found that they had quite a few fun Canada Day playlists! Of course, in general they had only a fuzzy idea of my music tastes, but it still a decent enough service for when I wanted to listen to something other than “my” music. Still, when this offer ran out, we decided to switch to…
  • Amazon Prime Music: Because it was included with Prime, which we already had. But I had not realized that with Prime, in most cases, you can only listen to albums or playlists in shuffle mode. And it won’t even show you in what order it’s shuffled songs into.
    While this was perfectly fine for Jean, it was overly limited for me. Sometimes I want to shuffle; sometimes I do not. Either way, I like to see what’s up next. Hence, I decided to take up another three-month offer to try…
  • Apple Music: It’s pretty nice. No ads, no limitations, clean interface, good queue, embedded lyrics. Will I pay for it when the free period is done? Tbd.

No Spotify Wrapped for me

I did not use that service enough. I did find it pretty amusing that most every other digital service of any kind that I used tried to offer something similar. My Kobo erReader: What a bookish year it’s been! My Washington Post Newsprint: What’s your reader type? My Starbucks year in review? I’m not even kidding! Look back at your Starbucks routine!

I mean…

YouTube Music had enough data to cobble something together for me. Apparently the song I listened to those most on that service last year was…

Continue reading “The music of 2023 wasn’t”

Agit-Pop!

It was just a small listing in the What’s Happening Waterloo newsletter:

Agit-Pop! Musical Meditations on the Pre-Post-Apocalypse

Intriguing.

Reading further:

Superstar drag comedienne Pearle Harbour performs her doomsday cabaret. Laughs & tears through the headlines, and hits from David Bowie, to Britney Spears. A hilarious and heartbreaking cabaret for the end times.
Agit-Pop! reimagines the hits of Bowie, Britney, Judy Garland, Tom Waits and more as you’ve never heard them before.

A portion of proceeds from ticket sales will be donated to The Healing of the Seven Generations.

The Registry Theatre

Sounded right up my alley, really. Drag. Doom. Pop.

Pearle Harbour performing in Agit-Pop.

Jean, ever the trooper, agreed to come along.

As we approached the door, I noticed that all the theatre staff were masked, which was refreshing. Then the man a bit ahead of us in line turned around to go back out, stating “I’ll just go get the mask in my car!” Huh. Then I noticed the “Please wear a mask for this performance” sign. Double huh! Hadn’t seen one of those in many a moon!

Policy was not strictly enforced, so some people remained unmasked. But, I’d say a good 90% to 95% went along with it. Peer pressure, eh. Can also be a force for good!

But. On with the show.

Though it’s not the easiest to describe, as I’ve never seen anything quite like it. Admittedly, I don’t go to a ton of drag shows regardless, but have seen a few, and I don’t think this was a typical one of those.

Pearle Harbour, accompanied by a single musician who can play multiple instruments, discusses the various challenges and problems facing our world. The need for Indigenous reconciliation. The climate crisis. The ongoing Covid epidemic. Anti-immigration sentiments.

And interspersed it with pop music, not as a distraction, but as a commentary.

5 years. That’s all we’ve got.

My loneliness is killing me.

There’s a land I dream of… Somewhere, over the rainbow

I think I just wasn’t made for these times…

But it was still drag. So it was not all po-faced. There was bawdiness, there were jokes, there was a whole lot of audience engagement and participation. A tragicomedienne, she is called, and that sounds about right.

Given all the interaction, Jean enjoyed the evening as much as I did. We did the wave—the Covid wave! We discussed the etymology of agit prop. We shared guilty pleasures. We stood en masse to do the duck and cover. To a background of Cold War era cartoons (some of which are quite something).

Bit late to tell you this now, but she also play Waterford and Fergus. Then she’s moving on to other provinces (and bigger cities—Montreal, Calgary).

Hey look! I found a YouTube!

Poignant and oddly healing

Now Magazine

Sounds about right to me.

What a Jagged Little Pill

I decided to go see Alanis Morissette’s Jagged Little Pill: The musical because I am a big fan of Jagged Little Pill, the album, and indeed of much of her other oeuvre. But I didn’t know anything about the musical itself, or what kind of story they’d woven around the songs.

Jean agreed to go also because, well, because he’s a sport I guess, given that he hadn’t super enjoyed the last two musicals we’ve seen, the acclaimed Hamilton and the also acclaimed Rent. Couldn’t quite follow the former (lots of plot, admittedly), and couldn’t quite get the latter.

And what I wouldn’t give to find a soul mate?
Someone else to catch this drift
And what I wouldn’t give to meet a kindred?

All I Really Want, Alanis Morissette

Fortunately, Alanis, Diablo Cody (who wrote the book), and Glen Ballard (who co-wrote many of the songs), were kindred with Jean. He really enjoyed this musical. As did I. Because it was awesome!

The songs are used to tell the story of a year in the life of a family of four: the tightly wound Mary Jane, her workaholic husband Steve, their academically inclined son Nick, and their activist adopted daughter Frankie. Big, heavy topics are addressed: Sexual assault. Opioid addiction. Racism. Sexism. Some moments are super uncomfortable. But there’s a lot of humour in between. And all those great songs!

The playbill includes everything from Jagged Little Pill along with some selections from other albums, like “So Unsexy”, “Uninvited”, and “Thank U”. Lyrics are occasionally modified to suit the character and the situation. They really supported the story; none seemed to be just trotted out because they were big hits that needed including! “You Oughta Know” is not necessarily sung by whom you’d expect, to whom you’d expect, but it builds to an undeniable thrilling climax nonetheless. The audience responded ecstatically, as they should have.

But I had to laugh that after the line:

Why are you so petrified of silence? Here, can you handle this?

The audience totally could not handle the following silence, and had to fill it in with random clapping.

Anyway. This thing was really well cast, with the actors playing Mary Jane, Frankie, and Jo (a friend of Frankie’s) particularly standing out. Amazing singing voices, and just outstanding performances.

5 stars. No notes.

Getting there and back

This was in Toronto, so we had to make our way there. For Jean, this trip turned out to be the day after he got back from a later-scheduled work trip, so that wasn’t ideal, but he coped! We took Flixbus again. They’re finally using proper branded Flixbuses on the Kitchener-Toronto route (previously it was a generic bus), which even had wifi, albeit somewhat flaky.

For some reason we couldn’t seem to leave from our usual Waterloo stop, and had to get on at the Kitchener stop. Not a big deal—just meant staying on the Ion (our local light rail) for four stops instead of one. Still seemed odd, though, because on the way back, we did get off at the Waterloo stop.

Waterloo Park with fall foliage
Waterloo Park, which is near our usual Flixbus stop

The bus was weirdly overheated for the first portion of the trip back. I was starting to wonder if I could actually handle the entire 1 hour, 45 minute trip (not that it was clear what the alternative was) when the heat finally stopped pouring out.

We managed the Toronto subway pretty well also (we have Presto cards now!), though Google kept confusing us with mentions of line outages. Took us a while to realize that said outages were occurring much further up the line than we intended to go.

Other stuff we did

It was a quick trip: we left Saturday morning and returned Sunday morning. Of course, that was long enough that we needed a hotel room. We went with the Courtyard Marriott, which was a “mere” $300 or so for the night. Was nice that the room was available despite our arriving pretty early, around 11:00 AM, and even nicer that they gave us a little bag of snacks and bottles of water. Totally worth the $300! (I joke. But it actually was nice.)

We grabbed lunch from a Freshii, which, oddly, we’ve never eaten at before. It was good. We each had a smoothie and a wrap. Quite fascinating how much stuff they can fit into those wraps.

Since we have memberships, we spent a bit of time at the AGO (Art Gallery of Ontario). Their special exhibit was featured the artist Kaws, who does stuff like this:

Big red and gray bears
Pile of stuffed toys.

Which was kind of interesting. For one part, you had to download an app on your phone, then point it (the phone) at a particular spot in the gallery to see the art, as a 3D image. We took a picture after doing that, but are not clear on where that pic ended up…

And overall, we probably enjoyed the Cornelius Krieghoff room (part of the permanent collection) the most during this visit.

Our post-musical dinner was at Avelo, where we’ve been twice before. Since our last visit, though, they’ve changed things up. The beautiful room upstairs, where we sat both times previously, has been converted into a bar. Meals are now served downstairs, in a smaller, darker, noisier room. Since we had both envisioned the previous visits, we were a bit miffed.

To be fair, I think they had emailed me about these changes—it just hadn’t really registered. (I thought their new Bar Avelo was at some other location than our Avelo.) With generous table spacing and visible HEPA filters, the previous seating area felt as safe as a maskless, indoor dining experience could possibly be. And while the new downstairs room did still have a couple HEPA filters, and not all the tables in the small room were filled, it still didn’t feel as comfortable.

On the plus side, the food was still amazing from start to finish, the service was very good (though we still missed our upstairs guy), and the wine pairings were spot-on. It has lost what made special, though—other Toronto places also have good food, service, and wine.

(Not that Avelo needs me. From where I was sitting, I could overhear that the new bar was super-popular: so full that they had to turn people away.)

Swallow it down (what a jagged little pill)
It feels so good (swimming in your stomach)
Wait until the dust settles

You Learn, Alanis Morissette

No escape from reality

Ooh, Buffy‘s on. Could be a nice distraction.

Xander: She fell.
Willow: The flu.
Cordelia: She fainted.
Xander: The flu, fainted and fell. She’s sick, make it better!

Giles: Death and disease are, are things, possibly the *only* things that, that Buffy cannot fight.

Killed by Death

Huh. Well, how about some tunes.

I can’t stay on your life support
There’s a shortage in the switch

I think I’ll get outta here, where I can
Run just as fast as I can
To the middle of nowhere
To the middle of my frustrated fears
And I swear you’re just like a pill
‘Stead of makin’ me better
You keep makin’ me ill

Pink, Just Like a Pill

Jesus.


But hey, y’all, we’re doing all right. Feeling healthy, first of all, which is the main thing. Both still employed full-time, which is certainly something to be grateful for. Managed to get toilet paper this week, which is good, especially since they were all out of Kleenex.

And yes, they had no bananas.

Which leaves me with my final words of wisdom for now: Plantains are not at all the same thing as bananas. Do not put raw plantains in the chocolate cream pie!

Leonard Cohen, Dance Me

Ballet Jazz de Montréal brought their Leonard Cohen – Dance Me program to Centre in the Square recently. It assembles the work of three choreographers into a single program that pays tribute to Leonard Cohen’s body of work.

Much of it was, of course, very sexy. Less expected was the funny—“Tower of Song” is a pretty wry piece, when you think about it. And the dance interpretation definitely did have you thinking about those poetic lyrics in a new way. Though just when you were getting into that groove, they’d shake it up. Interspersing Leonard’s image, his voice (in interviews), his words (projected on a screen). For “So Long, Mariane”, the dancing stopped in favor of a woman just singing the song. The inevitable “Hallelujah” was treated similarly, albeit with two singers.

The whole thing was terrific. Despite not being particularly a Leonard Cohen fan, Jean quite enjoyed it as well. It was very well attended (not quite sold out, but “limited availability”) and was much lauded at the end.

Most of the music came from the later part of Leonard Cohen’s career, with a number of live selections. This pleased me, as to this day, I have trouble listening to his earlier, folky oeuvre.

I first got into Leonard Cohen music via Jennifer Warnes’ Famous Blue Raincoat album, which I adored (and still rather like). I thought of that when they danced to “Famous Blue Raincoat”, obviously using Leonard’s version, not Jennifer’s. Warnes subtly changed the lyrics of that song, such that I could never make heads or tails of what was going on in it. When I finally listened to the original, it was like, oh, now see I. Not “You treated some woman to a flake of your life”, but “You treated my woman to a flake of your life.” Completely changes the meaning and feeling of the next line, “And when she got home, she was nobody’s wife.”

Jennifer’s take
And Leonard’s

I recently heard Joan Baez’ version. She just sings the original lyrics, right down the the “Sincerely, L. Cohen” at the end. His songs are so “covered”; I guess everyone, especially women, have to decide how to make them work. K.d. lang’s “Hallelujah” skips the verse with the line “I remember when I moved in you”; other women (like Emilie Claire Barlow) keep it in. At Ballet Jazz (where it was mostly sung by a man; a woman provided harmonies) they did a shortened version overall. I would guess might have skipped the song entirely—it not being that danceable—except that you can’t, really…?

Amazing how iconic it’s become, given a what a flop it originally was (and Cohen’s original version… still isn’t my favourite thing to listen to). Malcolm Gladwell has a really interesting podcast episode on the song’s long road to success (even if it doesn’t have enough k.d. lang in it).

All about Hallelujah

“Dance Me to the End of Love” and “Take This Waltz” were more obvious choreographic choices, and were featured early in the program. Warming up the room nicely. Brought to mind the film Take This Waltz, which features one of the sexiest scenes I’ve ever seen… though that’s probably a woman thing, because the two participants are fully clothed and don’t touch each other. They’re contemplating what to do with their lust for one another, given that she’s married (and not to him). “I want to know what you’d do to me,” she says.

And then he tells her. Wow.

Take This Waltz trailer

Leonard Cohen himself played Centre in the Square once. This was after he’d decided to go on tour, to make some money, having found out that his manager had embezzled all his earnings. Not being sure how the tour would be received, Cohen played some smaller venues, like this one.

I had the opportunity to buy tickets early, but I was like, well, do I even really like Leonard Cohen himself, versus some woman singing his songs? So I passed. Which, of course, turned out to be really stupid. The tour was amazing because (as the podcast gets into) Leonard Cohen is something of a late bloomer, and his mature voice and (especially) his terrific full backup band—not to mention all those great songs—made them so. I love his live albums.

Other residents of KW were smarter than I, and the show sold out quickly, so there was no getting late tickets, either. After that initial, very successful tour, it was all stadiums in big cities. So I never saw him live, except on video.

Leonard Cohen, Live in London

But at least I didn’t miss this dance tribute.

Very Important People at the Queen show

I’ve already written about how the stress of fast-moving Queen + Adam Lambert tickets led me to invest (sure, let’s call it that) in VIP tickets this time around. It was mainly for the better seats, but Jean wondered what else was included.

Not sure, I responded. Some kind of separate entry. Maybe a keychain or something.

Unofficial poster of the Toronto show. Design @nicole42.
Continue reading “Very Important People at the Queen show”

Movie review: Yesterday

The movie Yesterday has a great premise. And a great trailer about that premise.

Yesterday movie trailer (YouTube)

In case you missed it (and don’t want to watch it now), said premise is that after a mysterious, world-wide blackout, the entire world has forgotten that The Beatles ever existed. Save one guy. This guy–Jack Malik, a failed singer-songwriter–capitalizes on this anomaly to ignite his career by singing Beatles songs, claiming they are his own.

Even though I know–I know–that great trailers can be made for really poor films, I liked this one so much I made a point to go see this movie on opening weekend.

And… Maybe it’s not quite as great as the trailer? But it was still a very enjoyable, funny, fun, romantic movie.

Romantic? Yes, at heart it’s a romantic comedy about Jack and his manager, Ellie. Ellie has been carrying a torch for Jack for years; Jack has somehow failed to notice. Now she’s letting him know. But his increasing fame is, as one can imagine, nothing but a complication.

It actually fits in well with the story of him trying to build a singing career on singing Beatles tunes, given that they wrote so many love songs. And that part of the movie–Jack introducing the world to The Beatles canon–is as fun as you’d hope. (“Interesting you called it the USSR [re “Back in the USSR”]. Russia hasn’t been called that since before you were born.”) I especially liked the detail that Jack keeps munging up the lyrics. He knows the songs–of course he knows the songs, we all do–but he doesn’t necessarily deeply know the songs. He’s no Beatles guru, and he can’t look up the lyrics on Google. So he has to wrack his brain trying to remember them, and doesn’t always succeed. We get changed words here, reordered verses there, and a truly epic struggle to put “Eleanor Rigby” together.

Also good? While there is plenty of appreciation for The Beatles work (look, those are some catchy songs), it’s not instantaneous nor universal. Many of Jack’s early attempts to revive his career by singing their songs is met with a shrug.

I enjoyed the film’s twists, including the controversial one that I don’t want to spoil (but you, unlike Jack, can Google what that is). You can’t ponder the premise too deeply, of what the world would really be like had The Beatles never existed (no Oasis, sure, but who else…?), or what the nature of this “blackout” really is. You really just have to go with it. And thereby be rewarded with a film full of people that are great to spend time with.

And some pretty nice interpretations of the songs…

Cheap Trick

As I kept telling people, Cheap Trick was not a band I’d go out of my way to see in concert.

But Kitchener’s Centre in the Square is only a 15-minute drive away. So when I heard that Cheap Trick was playing there, on a night I didn’t have anything else booked, I figured, why not?

I was somewhat into Cheap Trick back in the day. I owned the At Budokan and Dream Police albums. I knew all the words to “The Flame”. I thought that Robin Zander and Tom Petersson were babes and hung their pictures on my wall.

But it wasn’t a band I’d particularly kept up with lo these many years. Still, when it’s easy, and I could score 4th row centre seats at a reasonable price, why not go?

Initially Jean thought that he couldn’t join me, but his work schedule changed such that he could. I was pleased to have company, and he ended up pleased to be at the show.

My goodness, they were entertaining! 30 seconds in, and Robin Zander made it clear that he had lost none of his vocal power.

He also still looks pretty good…

Continue reading “Cheap Trick”

Short bits

Trying to write a longer, coherent blog post on one topic was not working, so here’s a series of short takes, instead.

What I’m watching

All of the time I’ve not been spending writing has really opened up time to watch TV. Nothing is at the level of Travelers, but here are the current favorites, per source.

Warning:

Will not include Game of Thrones, because I have yet to see a single episode of that.

Network TV: The Orville

Seth McFarlane’s take on Star Trek. I’ve always liked this show more than I would have expected, and it’s become kind of serious this year, making me like it even more. Hope it gets renewed!

Netflix: Santa Clarita Diet

Back for season 3, and I’m still loving it. You have to admire Joel and Sheila’s ability to make a marriage work despite her being undead and thus having to eat people.

Crave: Orphan Black

I know, finally, right? I always thought I would like this show, but it wasn’t until my free 3-month trial of Crave that I finally put it to the test. Tatiana Manslany is just amazing in playing all these different clones (and clones pretending to be other clones). And the story has so much twisty goodness! We’re nearly done Season 2.

Amazon Prime: Catastrophe

The humour is a bit much for Jean, but I’m going to see it through! After all, it’s only six episodes per season, and I only have two left (episodes, not seasons). A very unsentimental look at marriage, but I think I love it for the sentimental reason that these two really love each other.

Also because they’re really funny.

How is Zoë doing?

Very well, thanks. She’s adapting to life as an only cat, and getting way more attention than she used to seems to suit her. She’ll never be cuddly, exactly, but she does like to be pet, tolerates being picked up, and will even lie down on us, as long as we put a blanket barrier between her and us. (Bit of an odd duck, Zoë.) She’s also been pretty chatty, and occasionally even purry.

She also likes her new cat tree

News, ugh

I’m rather missing the days when, as a Canadian, you could feel kind of smug while reading the news from elsewhere. But now we have Quebec passing blatantly racist laws, unashamed they violate Charter rights; an Ontario government denying help to kids with disabilities; the Trudeau Liberals deciding that Canada should not be so welcoming of refugees after all; and Alberta about to elect a party full of alarming candidates, including the leader.

Reading about Brexit has almost been a relief. Of course, that’s also a story about irresponsible leadership, from so many sides, causing harm—and you have to feel bad for those who voted to Remain. But the degrees and varieties of incompetency have just been so interesting! (Though with yet another extension, the drama might start to wear thin.)

And, if you haven’t already read the comparison of Brexit to building a submarine out of cheese (an oldie but a goodie), do yourself a favor and do that. Here’s the first tweet:

Then you can see the rest of the thread, and the responses, here: Guy Explains Brexit In 12 Hilarious Tweets And It Will Crack You Up.

We will still need a song

I’ve been listening to more George Michael lately, after watching the George Michael: Freedom documentary on Crave. It was so good! Assuming you have some fondness for George Michael, of course. It made me realize that I really needed to check out his oeuvre beyond the Faith album and the “Freedom ’90” song. He made good music long beyond that.

Heard some good live music, too. Like The Beatles One show last night, a good reminder that this band could really put together a tune, and that a shit-ton of them went to number one. We also enjoyed hearing a subset of the KW Symphony perform Vivaldi’s “The Four Seasons” (subset because that piece doesn’t require a whole orchestra), led by guest violinist Nikki Chooi. It was just riveting. The whole 40 minutes of it.

Also exceeding expectations was Drayton Theatre’s performance of the musical Priscilla: Queen of the Desert. A terrific cast, creative staging, enormously fun song list. And really something to see the usual Drayton crowd of grandparents, kids, parents all totally there for this celebration of gay pride.