Jean says I need a new post to replace the sad one. So, how about them Oscars, eh? (This is a topic Jean will find boring, but I assume that’s a preferable feeling.)
I have the PVR set to record the Academy Awards (plus the News at 11:00 pm that will, in fact, be the Academy Awards, continuing into overtime). But I do plan to watch the opening live. Because this:
Can you say squeee!!! (Even though the news has brought out the Adam Lambert haters. Get over yourselves!)
But, I can’t say how much of the rest I’ll watch live, since there are only some categories I’m interested in. And the show does go kind of late for a school night.
Unlike the actual awards, I’ll start here. No clear front runner this year! I don’t really expect Bohemian Rhapsody to take it, though if it did, I would be quite tickled. Can’t honestly argue that it deserves the honor, though. While I still think a lot of the criticism of it was on a weak foundation (that it should have aspired to documentary realism or portrayed Freddie in the way that individual imagined him to be), it remains true that some of the dialogue was clunky, and a number of the scenes were cliche (Freddie walks off in the rain, alone…[where is he going? Does he even have a wallet?]). It would deserve a Most Entertaining Picture award, but this is supposed to be Best Picture.
Of the remaining contenders, I’ve seen four. Black Panther was a very smart superhero movie, and probably what I’d like to see win if not BoRhap. A Star Is Born hasn’t done too well this award season. I liked it, but it didn’t hit me emotionally the way it seems to have other people. BlacKkKlansman would be a real dark horse win, as most seem to admire it more than love it—me too, I suppose (though it was pretty entertaining, also). And Roma? A real contender, they say, but too slow and low on plot for me. Of the ones I’ve seen, I’d rank it last in order of preference.
(And they do vote on Best Picture by ranked ballot, did you know that? Makes predictions even trickier, as people’s second and third choices can come into play.)
Of the ones I haven’t seen, it’s not due to lack of opportunity. Vice? Why would I see a movie about Dick Cheney? Green Book—actually, I’d probably like that one, and likely will see it at some point. It does sound rather Driving Miss Daisy, though, so I can see why it’s a controversial front-runner. And The Favourite? Is directed by the same person who directed The Lobster, which is not a selling point for me. The Lobster was creative and sort of compelling, but so disturbing! Too disturbing. And The Favourite is sitting at 94% with critics but only 65% with audiences. I remain leery of it.
The New York Times talked to 20 Academy Award voters about their Best Picture choice, and found no consensus (and a fair amount of mumbling about Bohemian Rhapsody being a guilty pleasure).
All 20, however, had the same pick for…
And that was Rami Malek. So yes, he’s the favorite, and I would be disappointed if he didn’t win. He was so good in the role! And he gives the most gracious acceptance speeches, right up there with Alanis Morissette and Jared Leto.
I don’t really care about the other acting nominations—I do think it would be nice for Glenn Close to finally get recognized, but I haven’t seen The Wife—so moving on to the key category of…
Admittedly, sound was one of the better aspects of Roma, with this surround thing happening that was something of an unprecedented experience. (But most people will see the movie on Netflix and miss all that.)
But Bohemian Rhapsody, people—that was one fine, fine-sounding film. Those were fantastic mixes of Queen songs, and they also did a great job of incorporating audience sounds (and making sure we could hear the dialogue)! I think it deserves this one.
Bohemian Rhapsody is also up for Sound Editing, but I’m not quite so sure what that is…
It’s also up for Film Editing, and I do know what that is, but also don’t feel qualified to comment on whether it merits that honor. (Though the American Cinema Editors thought it did, for what that’s worth.)
But getting back to sound…
It’s got to be “Shallow” from A Star Is Born, right? And that’s fine with me. I don’t know any of the other songs, but I really like this one. Apart from Queen + Adam Lambert, the Lady Gaga / Bradley Cooper performance of it is the musical moment I’m most looking forward to.
And poor Mr. Cooper was snubbed for…
Which most people think will go to Alfonso Cuaron for Roma. But I think it should be Spike Lee, for BlacKkKlansman. Because I liked that movie more, and because it’s absurd that Spike Lee hasn’t even been nominated until now!
Looking for anything else I at all care about…
I only saw one of them, Spider-Man: Into the Spider-Verse, but it was good, and is considered a leading contender. I’d be fine with that.
This weekend we might go see all the nominated…
films, but until or if that happens, I of course have no opinion here.
Well, that leaves a lot of Categories of Indifference. It would likely be wise to turn elsewhere after the Queen performance, and let the PVR pile up some footage that I could fast-forward through as required.
In the meantime, I shall distract myself with Adam Lambert’s new song, to be released tonight at midnight. (Bite me, haters.)