Tag: tv

Full-time job

I can’t believe we were on vacation a total three days and somehow have an overflowing PVR again, after finally catching up from our last vacation.

Clearly, being a TV couch potato is a full-time job that allows for no time off. At least not during sweeps month.

So I officially hate So You Think You Can Dance (US) being on in the fall, when it’s so busy, instead of the summer, when it’s almost the only thing on and you can bask in it. Now I can’t keep up with it and can’t get into it. And having the judges make the selections for the first two weeks (due to the gods of baseball) was just weird.

What I have managed to get into? Battle of the Blades! I thought it would be sort of a joke, but those guys have turned into pretty decent figure skaters there. I’m impressed.

And it was very nice to see Ron Duguay again. Very nice.

And on Being Erica—is the idea that she is going to turn into a therapist? Because it sure seems as though everyone around her is a lot more messed up than she is, now. Well, except for that apparent sexual incompatibility she’s having with Ethan. Which I must say I found incredibly frank for a network show. (Or even a cable show—I don’t recall that even Sex and the City dealt with quite that situation…)

And the Glee soundtrack turns out to be best in smaller doses, or you end up feeling sort of overwhelmed by the cheese. It’s also missing some of the best stuff, like the two mash-ups, and “Push It”. (Of course, you can buy those songs individually.) But with some nice chasers of authentic music in between (a little Who, a little Joni, a little Johnny Cash), it’s kind of great. Though still a bit alarming to get such warm feelings about songs like “Can’t Fight This Feeling”.

TVTV

A hazard of going on vacation when all the new fall shows are starting, and the summer fill-in shows aren’t quite done, is that you come home to heck of a lot of recordings on the PVR. We’re still trying to catch up, not much aided by the fact that every day, new episodes get added.

But here are a few thoughts on what we have managed to watch.

Best new show: Glee

Of course, this post will also reveal Glee is almost the only new show we’ve managed to watch, which perhaps diminishing that “Best” label. Still, we do like it a lot. Both of us, which is getting rare. It’s funny, wonderfully absurd (I particularly like that the cheerleaders always wear their cheerleading outfits to everything, no matter what), often touching, and will have a great soundtrack album.

New show I intended to watch but haven’t: Flashback

Though if I ever get around to it, I’ll be able to see all episodes in one marathon weekend, as they’re all stacked up on the PVR there. Anyone see this? Worth my time at all?

New show I was supposed to be offended by, but wasn’t: Cougartown

I don’t know; I just thought it was kind of funny. But after the first episode, just haven’t had the time or space to tape it again.

Old show I finally managed to drop: Grey’s Anatomy

Thank you, Katherine Heigl, for coming back to work on this show, thus freeing up my Thursday nights. Though I have to admit to being a little intrigued by the commercial for tonight’s episode. Who’s getting fired? Wait, who are all those characters? I don’t recognize half of them.

Show I’ve dropped for the time being: So You Think You Can Dance [USA]

Couldn’t do it—couldn’t watch both this and So You Think You Can Dance Canada. And since the US one is dragging out the audition episodes (to free up people for the Canadian show?), and since I can actually vote in the Canadian one, that’s the only one I’m watching now.

I’ve actually been pretty impressed at Canada’s voting taste. I’m OK with whoever wins the title. There is no Evan (or Cody) here.

Show we’re wondering about dropping: Bones

I watch for the characters; Jean watches for the plots; we’re both feeling kind of disappointed. Me, I’m particularly tired of them thinking that I’m desperate for Bones and Booth to get together. Get together, don’t get together; I don’t care—just stop dealing with it so much. I find the other characters more interesting, anyway.

Most strangely addictive show: Mad Men

It’s slow and understated and most of the characters are awful and some of the best characters have left the firm and… I love it. I’m totally drawn in. Three more episodes this season. Where do we go from here?

On Iggy, Izzie, Steve, and Nico

A few odds and sods here…

Ignatieff “coronation”

Someone asked if I was if I was OK with Michel Ignatieff being “installed” as Liberal leader. And I have to say, yes, I’m just fine with it, thanks. I don’t have that much fondness for the guy—took a real dislike to him during the last Liberal leadership convention—but whatever.

At least the Liberals did what I suggested by rapidly dismissing M. Dion and accelerating their leadership process. By contrast, the Conservatives never listen to my advice. So big props for that.

And frankly, now, or in May, what’s the difference? He was going to be the next leader anyway. I like Bob Rae better, but the man has serious baggage from leading Ontario during a recession. I can just imagine the Conservative attack ads on that theme.

With limited options and time, the Liberals took the best available course. Just hope this coronation works out better for them than the Turner / Martin ones.

Shark jumpin’

So, I’m OK with Iggy, but I’m not the least bit OK with Izzie. Stevens. Grey’s Anatomy?

Even if you don’t watch the show, you may have heard about its recent, most gallactically stupid plot line ever, wherein Izzie first has visions of (that was OK), then starts having sex with, her dead fiancee! No! Not OK! This isn’t Buffy! Dead is dead in this series.

Then I realized I never really liked Izzie anyway (apparently she was a great character in season 1, but since I’ve been watching this series, she’s been awful), so I could just fast-forward all of her scenes, then just enjoy the rest of the show.

That worked OK for one episode, but then I ran into problem 2: Melissa George. Introduced about the same time as the dead fiancee, she plays this super-annoying old friend of Meredith’s, now an intern at Seattle Grace. Fast-forwarding her as well proved a lot trickier, especially since she started flirting with Callie, whom I really like.

But wait… Why is Callie flirting with another girl? After doing a pretty good job of contrasting Hahn, who was just realizing she was a lesbian, and Callie, who wasn’t—but was just really taken with Hahn, this turn of events is nonsensical. (Melissa George, you are no Jessica Hahn.)

So Izzie, Melissa, Callie, and Alex (too many scenes with Izzie) are out, and now I’m little troubled about this strange new relationship between McSteamy and “little Grey”. Much more of this stuff, and there won’t be anything left worth fast-forwarding to.

Dance redux

As for more worthy television….

One more thing I liked more on the Canadian dance series: Each of the four finalist got a profile and moment in the spotlight before the results were announced. Despite the really excessive blah blah that resulted, it was much better than what happens to the runner-up on the US series—they are unceremoniously shunted aside while the winner is showered with confetti. Always makes me feel bad for them.

(And congratulations, Nico. A deserving winner.)

Steve and the Senate

As for our less deserving “winner”, Mr. Harper…

I can’t seem to bring myself to get that outraged about the new Conservative Senate appointments. P-M’s are allowed to appoint Senators. So he previously said he’d rather reform the House than appoint them. Small potatoes, really. I’m much more concerned about them stalling on Climate Change talks and underestimating the degree to which Canada is at risk from sub-prime mortgages.

I will say it is unfortunate the P-M is still busying himself with political games instead of dealing with real problems like those. But it’s unfortunately not surprising.

Also not surprising

D’oh Canada! Survey reveals Canadians barely understand their political system [This was a valid link at the time…]

Dolls, Mad Men, and the US election

So I just finished Jacqueline Susann’s Valley of the Dolls. It’s a novel about three beautiful women who all become rich and famous—but not without being victimized, betrayed by love, and addicted to valium (sedatives, the “dolls” of the title). It’s an addictive read, and while certainly not literary, I was left pondering just what the message was supposed to be here.

The novel is set between 1945 and 1965, or so, and the portrayal of women is something to behold. Like the assumption, throughout the novel, that a woman should quit her job—no matter how fabulous—the minute marriage or even just engagement is on the horizon. Pile on the more dramatic horrors of involuntary incarceration in a mental institution and choosing suicide over the potential loss of fabulous breasts to cancer, and you’re left feeling rather glad to be living in these times.

One gets a similar sense from the much-hyped TV series Mad Men, set in 1960. One character, Peggy, becomes the first “since the War” to do any copy-writing for the Stirling-Cooper ad agency feature. “It’s like watching a dog play piano” says one of the men, of Peggy’s writing abilities.

The most recent episode I watched focused on the Nixon-Kennedy election. The firm—which the creator notes is a “dinosaur”, destined to be rocked by the changes of the times, not participating in them—is backing Nixon. And having to accept that their man has been bested by the young, charismatic Senator from Massachusetts.

And here we are, with the year’s US election, and the old man of the Republican Party figures his best chance of defeating the young, charismatic Senator for Illinois is to put a young, dynamic woman on his ticket.

Good thing she didn’t quit her job when she got married.

Watching the new Battlestar Galactica

As mentioned previously, during the TV writers’ strike, we stared renting DVDs of the remade Battlestar Galactica series, which I’d read was really good, but felt I was too far behind on to watch on “live” TV. (One friend was amazed I’d never seen this series; another equally amazed that I had any interest in seeing it. In the immortal words of Dr. Temperance Brennan, I don’t know what that means.)

I’ll start by saying that I don’t remember the old series at all, though I imagine that I watched some of it at the time. So until watching the extras, I had no idea that Boomer and Starbuck were men in the original, or that one of the recurring guest stars was played by Richard Hatch, the original Apollo. So I judged this one on its own merits. And found it to be good.

It is, indeed, a drama in space, and not so much a space drama. Character is paramount, and each episode continues from the last—two features I always prefer in my television. So I’m drawn in by the story, and I care what happens to these people—even the ones who aren’t really people. The underlying mythology retains its interest. We’re halfway through season 2 now, and the full motives of the cylons remain mysterious.

The series is dark. There are moments of joy and triumph, but mostly the characters are struggling, running, and fighting. It can be kind of haunting. So though we’re getting through the disks pretty quickly—an average of an episode a day, I suppose—it’s also good to have a break from that world, to watch something else. To enjoy an escape that the characters themselves rarely experience.

“Surviving” the TV writer’s strike

It’s been somewhat amusing reading some TV columnists on the strike, using adjectives like “dire” and “desperate”, that seem just a wee bit strong to describe a temporary weakness in entertainment options. Truthfully, it’s taken me a while to really notice. After all, shows didn’t run out of scripts immediately. But an awful lot of them have reached that point now. So what am I doing?

Well, probably watching a little less TV, for one! I’m doing more workouts to fitness videos instead of to prerecorded DVR programming (on the treadmill). Maybe I’m reading a little more. But of course, I haven’t given up TV entirely. I’m still watching:

  • CBC stuff. They have four new dramas. I’ve checked them all out, and have stuck with two (the low-rated ones): Jpod, which is weird, but I read the book; and MVP, which has its moments of awkwardness, but is mostly soapy fun. Then there’s the stalwart Marketplace, which I really think more people would benefit from watching.
  • Jon Stewart. It’s not quite the same—he’s calling it A Daily Show instead of The Daily Show—but it remains worth watching in this time of particularly interesting US races for the White House.
  • Documentaries. On PBS, CBC, CTV, and even the Documentary Channel. Often somewhat depressing programming, is the thing, but this week’s DocZone documentary is about Happiness, so it’s not all doom and gloom.
  • Reruns that are new to me. Only this year have I regularly been watching Bones. Lately they’ve been rerunning episodes from past seasons. They’re all new to me, and it’s fun to catch up. (They should start doing that with How I Met Your Mother.)
  • DVDs. Done rewatching My So-Called Life, working on WKRP, with more on standby. And just rented Battlestar Galactica; let’s see how I’ll like that.

I hope the strike doesn’t end until the writers get what they want. Their demands seem perfectly reasonable, the networks very greedy. Be great to have some new episodes back, but in the meantime, I’m “coping” just fine.