Rebel music: Tanya Tagaq and the KW Symphony

I wasn’t prepared for Tanya Tagaq.

Oh, I had my concert tickets, which is good, because both her shows were complete sellouts. And I knew she was an Inuit singer who had her own take on traditional throat singing. I remembered her winning the Polaris prize in 2014.

But I hadn’t listened to any of her music in advance.

And thank goodness for that! Because you can only hear Tanya Tagaq for the very first time once in your life, and what better way than seeing her live, from just a few feet away? (We were in the second row.)

The problem is, I have no idea how to describe her sound and performance to you. I’ve never heard anyone else do anything like what she does. As we were revelling in her show afterward, Jean made an attempt: “It’s like she took you on a journey through a whole lifetime of dreams.”

This is traditional throat singing:

The adorable 11-year-old Inuit girls throat-singing at Justin Trudeau’s swearing-in ceremony

Tagaq does use this technique, but—in own words—in a completely punk way. She plays with pitch, vocal styling, breathing, making no literal sense but clearly conveying emotion. And she puts her whole body into it, swaying, gesturing, sinking to the floor. It’s just mesmerizing.


Tanya Tagaq’s Animism album on Spotify

And how does that work with the symphony? Well, first they prepared us to hear some unusual sounds by presenting the works of two Canadian composers (both in attendance, both women), along with a version of Grieg’s “In the Hall of the Mountain King” that was so rockin’ it rivaled The Who’s take on the same.

They then let Tanya Tagaq do her thing on her own, totally improvised.

Next was a work by another Canadian composer, Rodney Sharman, (“I texted with him today,” said Tagaq. “He seems nice.”), and she improvised over that soundtrack.

Finally, Tagaq and orchestra came together on a chamber music piece written for her, called “Cercle du Nord III”. Ms. Tagaq said that the fuller sound provided by the larger symphony (vs. original string quartet) gave the piece another dimension.

(Her personality is quite charming, by the way. For example, she was taken aback at having to come back and acknowledge the rapturous applause she was receiving. She was unsure to do, she said. What does she normally do? “I go out for dinner,” she answered. She then told us, mock sternly: “OK, I’m leaving now. Don’t make me come back out again!”)

A few years ago, Edwin Outwater, Musical Director of the KWS and this concert’s conductor, gave a Ted Talk in which he argued that rock / pop music wasn’t the music of rebels anymore. That classical music was.

I think he has a point. Much as I still love rock music, there isn’t much danger or innovation in it anymore, is there? What is more choreographed, corporate, and scripted than a big, modern rock show? Who can improvise when everyone has to play to same click track?

Whereas tonight’s Tanya Tagaq concert could be a whole different experience than last night’s.

And this is following on two other KW Symphony shows we saw recently, in which they:

  1. Completely reconceived German opera Die Fleidermaus with local references, a hilarious narration absent in the original, and even a special guest spot for a former mayor.
  2. Along with the Art of Time, presented the Beatles’s Sgt. Pepper not just orchestrated, but truly rearranged such that every song was both familiar and strange (though wonderfully so, in my opinion).

As rock retreats to safety, the traditional symphony is taking it to the edge. Don’t let the strings and horns fool you: today, this is punk.

Songs of 2015

That I can rather easily put together a list of recent songs that I liked is certainly a change from my usual of being steeped in the music of the past. I can, of course, attribute much of this to one Adam Mitchell Lambert, my current celebrity crush, who also happens to be quite generous about recommending the work of his fellow musicians.

It’s also been bolstered by increased use of streaming services, along with Google Music’s habit of making entire albums of new music free or 0.99 to download. (This week: The new Pentatonix Deluxe Edition, free to own! I’m quite liking it so far.) Music radio, on the other hand, continues to have no influence on me, as I never listen to it.

Two songs, one title

Ghost Town – Adam Lambert

Ghosttown – Madonna

We all knew Adam Lambert’s “Ghost Town” was going to be here, so might as well get it out of the way. A catchy song that is musically and lyrically off-beat enough to stand up to multiple (and I do mean multiple) listenings. But it’s only recently I actually listened to other “Ghosttown” song—the one by Madonna. It’s quite good as well! And completely different.

Hello – Adele

Hello – Hedley

Saying you don’t like Adele is like saying you don’t like The Beatles: It doesn’t make you as cool as you think, and you’re just lying to yourself anyway. What I find amazing is that it seemed after only one listen, I knew all the lyrics already. How is that even possible?

And also, no one much comments on the slightly disturbing aspects of what Adele is doing in this song, eh?

As for Hedley: Hello! This is rock! Hedley is current and successful and they make rock music not pop music and that’s a reason to love them right there. Always like Jason Hoggard’s voice, too.

The Idols

carly-rae-jepsen-names-new-album-emotionOne category, two non-winning yet ultimately successful alumni from American or Canadian Idol, so let’s add another: Carly Rae Jepsen.

Carly Rae made many “Best of” lists this year, and I agree; her new album is terrific. But there is a certain mystification that it hasn’t sold better. (Could it be inept management? The CD is often out of stock at Amazon, which just seems odd.)

At any rate, the single, “Run Away with Me” is just incredibly infectious.

And although I seem to be the only one, I just adore the blatant come-on of “I Didn’t Just Come Here to Dance” – Do you know what I mean? You know what I mean. If you just give me a chance, you’ll see what I see.

And speaking of horny women

Selena Gomez all grew up this year with the slinky “Good for You” and its yowza video. Leave this dress a mess on the floor, indeed.

Selena Gomez – Good for You official video

tove-lo-talking-bodyAnd then we had Tove Lo, following up “Habits” with “Talking Body”.

And if you’re talking body, you’ve got a perfect one, so put it on me.
Swear it won’t take you long. (!)
If you love me right, we fuck for life… On and on and on

Why so subtle, Tove?

Little Big Town’s singer so wanted this guy, she developed a “Girl Crush” on his girlfriend. Pretty good for a country song.

The Fifty Shades of Grey soundtrack was hella better than the movie (not that’s it’s much of a bar), a nice collection of smooth, sexy songs. My tops from it are Beyonce’s “Haunted” and Ellie Goulding’s big hit, “Love Me Like You Do”.

And while it’s more quirky and lively than the above, one can’t miss Janelle Monae’s repeated request for her baby to “bend over” and “Let me see you do the yoga” in the wonderful “Yoga”.

Janelle Monáe, Jidenna – Yoga

What does this say about me?

That I like so many, uh, passionate songs? Not going there, but did feel that Alessia Cara was describing me in her big introvert anthem, “Here”, about how horrible it is to be at a party with a bunch of people you don’t really know.

French kiss

Bilingualism can be handy, because some French artists are great. And to widen their appeal, some of them sing in English also.

When on The Daily Show, Trevor Noah described France’s Christine and the Queens as “weird. But good. Good weird!” That’s about right. They are actually good; can’t help it if they’re tilted.

Christine and the Queens – Tilted

(Also check out “Paradis Perdus”, a take on “Heartless”.)

Quebec’s Coeur de Pirate also put out a really good album this year, with more English than French songs. I like several (such as “Carry on”), and I guess “Crier tout bas” is the single.

And le groupe Swing released a new album this year as well, with “La Folie” having some success in French Canada.

Who rule the world? [Girls, girls]

taylor-swift_mNot sure if you’ve noticed yet, but this a very female-dominated list. And until Adele came along, no one was more dominant than Taylor Swift, whose 2014 1989 I finally acquired this year, partly on the strength of the 2015 single, “Style”.

I also like Ryan Adams’ take on this album. (Here’s his version of “Style”, for example.) Although the original is still better.

But a few other guys not named Adam also put out some interesting music.

I know nothing at all about Lost Frequencies and their song “Are You With Me”, except that I adored from the first time I heard and still do, every time since.

Lost Frequencies – Are You With Me

Also great fun was Mark Ronson’s “Uptown Funk”. Watch me, baby, don’t stop! And Duran Duran (remember them?) put out a rather good album called Paper Gods. The single (I’m just learning) is “Pressure Off”. (I also liked “Sunset Garage”.)

And Zhu’s “Faded” highlighted his unusual voice.

And speaking of unusual voices

Elle King was one of those cheap albums I acquired this year. Her voice has been described as Joplin-esque. “Ex’s and Oh’s” was her big song. Also check out “America’s Sweetheart”.

Remixes!

Aka how to get The Who on this list, as a rather excellent Lovelife Remix of “Love Reign O’er Me’ came out this year.

And to bring this full circle, I also enjoyed many remixes and mashups of Adam’s “Ghost Town”. In the “remixed live” category, Queen + Adam Lambert gave it a rock edge. In the non-live category, tt was nicely combined with Bieber’s “What Do You Mean”: What do Ghosts Mean? and even more successfully with “Prayer in C” by Robin Shulz and Lilly Wood & The Prick: Prayer in Ghost Town. But my favorite was the “Ghost Body” mashup of Talking Body with Ghost Town, with Tove’s blatant come-on met with Adam’s “Meh. My heart is a ghost town.”

Tove Lo vs. Adam Lambert – Ghost Body (Mixed Mashup)

(By the way, Tove and Adam do actually sing a duet called “Rumors” on his album.)

The songs

  • Ghost Town – Adam Lambert
  • Ghosttown – Madonna
  • Hello – Adele
  • Hello – Hedley
  • Run Away with Me – Carly Rae Jepsen
  • I Didn’t Just Come Here to Dance – Carly Rae Jepsen
  • Good for You – Selena Gomez –
  • Talking Body – Tove Lo
  • Girl Crush – Little Big Town
  • Haunted – Beyonce
  • Love Me Like You Do – Ellie Goulding
  • Yoga – Janelle Monae, Jidenna
  • Here – Alessia Cara
  • Style – Taylor Swift
  • Style – Ryan Adams
  • Tilted – Christine and the Queens
  • Paradis Perdus – Christine and the Queens
  • Carry on – Coeur de Pirate
  • Crier tout bas – Coeur de Pirate
  • La Folie – Swing
  • Lost Frequencies – Are You With Me
  • Uptown Funk – Mark Ronson ft. Bruno Mars
  • Pressure Off – Duran Duran
  • Sunset Garage – Duran Duran
  • Faded (Big Gigantic Remix) – Zhu
  • Ex’s & Oh’s – Elle King
  • America’s Sweetheart – Elle King
  • Love Reign O’er Me (Lovelife Remix) – The Who
  • Ghost Town – Queen + Adam Lambert
  • What do Ghosts Mean? – Adam Lambert and Justin Bieber
  • Prayer in Ghost Town – Adam Lambert, Robin Shulz, and Lilly & The Prick
  • Ghost Body (Mixed Mashup) – Adam Lambert and Tove Lo

YouTube playlist of everything

Spotify playlist of most things (email people, you have to look at this post in a browser to get the Spotify playlist. And to see the embedded YouTube videos, for that matter):

The albums

  1. The Original High – Adam Lambert
  2. E.M.O.T.I.O.N – Carly Rae Jepsen
  3. Fifty Shades of Grey soundtrack – Various
  4. Swing. – (le groupe) Swing
  5. 1989 – Ryan Adams
  6. Paper Gods – Duran Duran
  7. Roses – Coeur de Pirate
  8. Pentatonix – Pentatonix

About my last post

I’ve admittedly had some relapses in my “ignore the election” resolve, but the previous post was actually written before said resolution. I sent it as a letter to the editor, but it appears it’s been rejected. As I actually spent a lot of time writing that sucker (takes so much longer to write less!), I just wanted it published somewhere!

(And by the way, Braid used the exact same line to avoid an all-candidates debate on Science held at University of Waterloo.)

Still, sorry for adding to the discussion of topic that I know Canadians are tired of, and non-Canadian don’t give a fig about. (But just for the record, progressive Canadians: Please do get out and vote!)

And frankly, though voiced in a bit of jokey way in my “shit’s making me crazy” post, it’s pathetically absolutely true that my mental health degrades when I pay too much attention to politics. It literally sucks the joy out of my life. And I can’t write about something without thinking about it.

So it’s time this blog got back to the admittedly trivial topics that actually make me happy to ponder.

Starting with a poll in which none of the results could be depressing.

Movie review – Mad Max: Fury Road

On paper, Mad Max: Fury Road is not my kind of movie. Little sounds less promising to me, movie-wise, than “it’s basically just one big car chase”.

Mad Max: Fury Road is, basically, just one big car chase.

But somehow, the visuals and the pacing of this thing make it work. Visually, everything looks so amazing. Like this dude:

Flame-throwing guitar player in Mad Max: Fury Road

This character has no lines, and bringing him along on this chase makes no sense. (“What, they couldn’t just play a CD?”) But man, did he look cool. (And boy, could he play guitar.)

I read in Wired that the action sequences were, as much as possible, actually filmed rather than just being CGI’d against a green screen. Apart from enhancing the visuals, I think it also heightened the sense of danger the characters were in, motivating this constant motion against their pursuers.

The story, such as it is, has Max getting kidnapped by these white-skinned people who live in a compound where bad guy Immortan Joe rules the population by controlling the water supply. The action begins when Furiosa (Charlize Theron), secretly stashes away Immortan Joe’s “wives” in her armed vehicle on a purported fuel supply run. Furiosa is reported as having gone off-route, and then the women are found missing. Immortan Joe gathers his troops (including the guitar player) to get them back. Max is taken along as unwilling blood donor.

Mad Max in Fury Road
Mad Max, living blood bag

A crash allows Max to join Furiosa’s side, despite mutual suspicion. Interestingly, despite his titular status, Max remains pretty much her sidekick through the movie.

Is this a feminist movie? You can make a case for it. The women are not just supporting the men’s story; they aren’t just victims or girlfriends. And yes, that was kind of refreshing.

Furiosa
Furiosa, hero

And the violence level? Well, nothing that especially upset my delicate sensibilities. Maybe it all went by too fast.

Now, Jean did complain that much of the movie didn’t really make sense, plot-wise. “It was kind of a bad movie, wasn’t it?”

Yet the next day we had a big old discussion about it, aided in part by this article in The Toast: Welcome to Your Steampunk Future. Sorry There’s No Water, but We Did Put Skulls on Everything. (And read the Comments on this article, too. Yes, really — it’s OK. Comments are moderated at The Toast.) And we had did come to agree that while much of what happened was a bit mystifying, that didn’t really matter. They didn’t go on and on talking about this strange world and its ways, and you didn’t have to understand all the details to follow what was happening.

So yes, it’s an illogical movie that is basically one long car chase. Nevertheless, it provides plenty of food for thought.

*** (out of 4)

Your movie may be cool, but it will never be Mad Max: Fury road guy playing a flamethrower guitar cool

Movie review: Inside Out

Armed with a gift certificate, we made our way to the unfamiliar confines of the big, glitzy Galaxy Cinema to see the well-reviewed Pixar film, Inside Out.

Turns out that the “Pre-show” for a General Admission film means a great deal of tedious talk about kid’s movies. Much as I have found Wallace and Gromit amusing in the past, that was way too much talk about Shaun the Sheep! Then we had to sit through commercials, then yet more trailers for kid’s movies, including, of course, freakin’ Shaun the Sheep!

So when the animated short that preceded Inside Out finally started, the little Lewis Black’s inside our heads were firmly in charge of the control panel.

Pixar's Anger

Inside Out largely takes place inside the mind of a young girl named Riley. Riley has great parents, friends, love of hockey, and a comfortable middle-class existence. Her various emotional states are played by five characters.To this point in her 11 years, Joy (Amy Poehler) has mostly been in the driver’s seat. But others step in when needed. Fear (Bill Hader) helps keep her safe. Anger (Lewis Black) defends her against injustice. Disgust (Mindy Kaling) prevents her from being poisoned. And Sadness (Phyllis Smith)… Well, nobody’s too sure what Sadness is for.

Insider Out characters

When Riley’s parents uproot her from Minnesota to San Francisco, however, Joy has trouble maintaining control. All the pillars of Riley’s life to this point, depicted as island’s in her mind, seem to be crumbling away—old friendships fading, family stressed, school now strange and scary, hockey no longer a refuge…

Riley’s experience of all this emotional turmoil is depicted as an interior journey. Joy tries to keep Sadness at bay, but that just leaves openings for Fear, Disgust, and finally Anger to take over.

As if often the case in Pixar movies,there’s a lot here that would go right over kids’ heads. You have to see to appreciate how they depict the inner workings of our minds, such as the management memories—core, subconscious, fading, and just… gone. And the characters’ scary trail through abstract thought (“we’ve become two-dimensional!”). And the peculiar timing and persistence of ear worms. And the even more peculiar production of dreams. And losing one;s train of thought.

To add to the fun, we also get glimpses into the mind’s of other characters. (I especially liked that every adult women seemed to have her own fantasy boyfriend in there…) And be sure to stay for the credits to see more.

Sure, Joy and Sadness’s journey back to headquarters (get it?) might have gone on a bit long, and main character Joy could be a little darn annoyingly cheery.

But overall, I didn’t care. The whole thing was on the main so delightful. And so effective in explaining the role of Sadness. Even if doing so caused Sadness to take over my mind as well, and make me wish I’d brought far more Kleenex. (At least I managed not to sob. Whole theatre was so quiet at this point in the movie! Everyone so busy trying not to sob!)

My only wish was that we could have spent more time in more minds. But at the end, mine was still filled with Joy.

Inside Out trailer

To breed or not to breed (redux)

Selfish, Shallow, and Self-AbsorbedA new book is out called Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids. It seems to be getting a lot of buzz (and selling pretty well).

I have not read it, so can’t comment on its contents. As one of this selfish, shallow, and self-absorbed tribe, however, it did surprise me a bit that my choice remains of such interest. Or still be so hard to understand.

Mind, I had my own phase of reading a number of books on this subject—looking for kindred spirits, I guess. Some years ago I wrote a review of three of them. I got quite a bit of feedback on it, which was very unusual for content on a personal website. Thought I might repost the reviews now. It’s only very lightly edited from how it appeared then.


Despite the declining birth rate, it’s still considered odd for a heterosexual couple to not have children. The default is to have children (preferably two, one of each sex), and if you don’t, you’re expected to explain why. But if you’re going to go just on logic, there isn’t much reason to have children. We no longer need them to help on the farm, and there’s no guarantee they’ll take care of us when we’re old. Better to build up good RRSP savings.

No, the decision to have children is all about emotions, no logic. People want them. And when they have them, they love them, and can’t imagine life without them.

I guess. I wouldn’t know, would I? But I can say that my reasons for not going there are also mostly emotional. I just don’t want children. I can’t really say why I don’t; I just don’t. Never have. Have never heard the biological clock ticking; have never looked at children with an aching wish they were my own. Apparently this is unusual, especially for women.

This is why I tend to be drawn to artistic artifacts that reflect how I feel (or don’t feel, I suppose). Such as the following three books, all of which I’ve read (or listened to) in the past year. Warning that some of my comments may spoil the two fiction books.

We Need to Talk about Kevin coverLionel Shriver (a woman) wrote the fictional We Need to Talk about Kevin as her way of working through the question of whether she should have children. The book is told in the voice of a woman, Eva K., who never wanted children, but acquiesed because she knew her beloved husband would never be happy without them.

To say that the child, Kevin, does not turn out well is an understatement: After a difficult childhood, he becomes a high school mass murderer. The question is, how much of that violence and anger was genetic (nature), and how much is due to Eva’s admitted reluctance to becoming a mother (nurture)? With the whole story told for her point of view, looking back with the knowledge of how her son has turned out, Eva is not a completely reliable narrator. For example, she sees willfulness even in the newborn Kevin, who seems to be inconsolable with her but quiet and happy as soon as her husband comes home.

Shriver is a skillful writer and, despite the darkness of the novel, I found it a compelling read. I couldn’t help but feel enormous sympathy for the narrator as she dealt with her husband’s fervent desire for a child, his over-protectiveness during her pregnancy, her reluctance to push during childbirth, her disappointment at how their lives changed to accommodate the child. Apparently much of this material has also struck a chord with women who weren’t reluctant mothers but still struggle with these issues. (Motherhood is hard. Or so I’ve heard.)

Of course, the novel takes it to an extreme. Taking an abnormally long time to be toilet trained or wantonly destroying prized possessions may not be that unusual, but school murder and somehow contributing to your sister losing an eye to corrosive chemicals—well, those are pretty rare events.

The sister. Yes, an interesting turn Shriver’s novel takes is that Eva decides that another child is needed. Her husband, noting the difficult relationship she has with Kevin, is completely against this. Eva tricks him into impregnation. The second child couldn’t be a greater contrast to Kevin, and Eva finds she has no difficulty loving her.

Her relationship with her husband, however, gets strained beyond repair. He, of course, accepts his daughter, but can’t get beyond Eva coldness toward her son. They agree to separate after the school year, but the murder intervenes.

Eva addresses all of the writing is to her husband; the whole novel is in the form of letters he never responds to. (We find out why near the end of the book.) While she claims to love him always and unconditionally, and greatly mourns his loss, I felt strangely unsympathetic toward him. Eva really felt that she saw Kevin as he really was, while Kevin just put on a happy act for his father. Seeing the whole story through her eyes, it was hard for me not to feel some contempt for this apparently wilful blindness, and to not quite get why Eva loved her husband so much. Whether that aspect is a failure of writing or just my personal issues, I’m not sure.

(Postscript: After writing the novel, Ms. Shriver shows to remain childless.)

Baby Proof coverMuch lighter and different in approach is Baby Proof by Emily Griffin, a mother of two. Griffin wanted to explore the conflict between a couple who didn’t agree on whether to have children, and she wanted the woman to be the reluctant one. It’s another first-person novel, though not in the form of letters this time.

The main character, Claudia, has always felt that she didn’t want children. She had resigned herself to the fact that this might mean she would never have a husband, either, until she met Ben, who shares her views. They wed, and all is well for the first couple of years, until Ben changes his mind and tries to change hers. Their arguments grow increasingly heated until they decide that divorce is the only answer. But neither ends up being that happy in divorce, either.

In this novel, the deck really seemed to be stacked against Claudia, who didn’t seem to have anyone in her life who understood her point of view. Ben changed his mind about kids then kept demanding reasons why she wouldn’t have any, just so he could shoot them down. Claudia runs to her friend Jess, who would have a family herself if only she could find Mr. Right, only to be once again pressed to come up with reasons for not having children. Then there is her one sister who is desperately undergoing fertility treatments, and her other sister with the two great kids.

Honestly. For a novel about being childfree, it felt oppressively child-full.

The resolution was also somewhat unsatisfying. Where Kevin ended on a small yet plausible ray of hope (believe it or not), Baby Proof has Claudia deciding that Ben is her soul mate, and that if she must have a baby to keep him, so be it. Meantime, unbeknowst to her, Ben is also resolving that she is more important to him than a child. In the end, they are back together, and she’s still on birth control, but she’s wavering about it.

Child Free and Loving It! coverPerhaps Claudia needed to read some of the testimonials in Nicki Defago’s Childfree and Loving It! In this non-fiction collection, the married but childfree by choice Defago examines the issues around the question of whether to have children: over-population, the environment, work, life as a couple, obnoxious parents. I didn’t find much of this information all that startling or new (though some might). But what I did find particularly interesting were the personal testimonials.

Under cover of anonymity, she got comments from people content with their decision to have or not to have children, but also those who had them but regretted it. In some cases, they’d had their doubts before, but went ahead to please their partners. In other cases, they hadn’t given the matter that much thought, then been overwhelmed by the reality. These people tended to emphasize that while they loved their children, they still felt their lives would have been better without them. And this wasn’t just from new (stressed) parents, but also from those with older children and teenagers and some looking back from a very welcome empty nest.

These sorts of sentiments are very rarely expressed, but important to hear, I think. While it may be sad to regret not having children, how much sadder to regret having them!

Award season

Movie award season has come around and I find myself somewhat more interested than some years. If nothing else, at least the talk of movies and actors is a nice distraction from the alarming events going on in the world.

Movie award trophis
Trophies for the Academy Awards, Golden Globes, and SAG awards

However, I haven’t seen that many of the big contenders yet. I am pleased that The Grand Budapest Hotel, which we saw back in April, has been remembered and is getting recognition, as it really was quite delightful. But Wild is only getting recognition for Reese Witherspoon’s acting, when I thought the film as a whole was very good. And the fantastic Pride was up for a Golden Globe, but nowhere in the Oscar list.

So I guess my interest is that I would like to see many of the other contenders as well: The Imitation Game, Selma, The Theory of Everything, Into the Woods, Big Eyes, Still Alice, and Boyhood. Mind you, except for Boyhood—which I was deliberately waiting for the rental version of—those are in theatres now. Rather unlikely I find time to see all of them before award show season ends.

Birdman posterWe did get to Birdman, however, back in December. And I’m still trying to figure out exactly I what I think of it! It tells the story of an actor who had been the star in a superhero movie franchise, and is now trying to adapt, direct, and star in a revival of a Raymond Carver play on Broadway. The effort of putting on the play is not going smoothly, however, and the stress causes him to break down and hallucinate at times. The hallucinations are largely presented as though they’re actually happening.

So it’s an unusual film, and for me that makes it hard to unabashedly love. But I didn’t dislike it, either. It’s certainly creative, and the actors—star Michael Keaton, Edward Norton as another actor in the play, and Emma Stone as Keaton’s daughter—are very good. And you certainly end up rooting for the main character, despite his flaws. Worth seeing if you’re up for a moderate challenge.

Some of the other Oscar contenders, though, I’ve decided I’m not up for the challenge of: Foxcatcher, Nightcrawler, Whiplash, American Sniper. All these movies about dark men being nasty. Oscar clearly loves that shit, but I do not.

Oscar also snubbed the Roger Ebert document, Life, Itself, which we had found quite good. Admittedly, though, I didn’t see any of the documentaries they did nominate, so can’t really say whether they were all better than Life, Itself.

The Lego Movie posterSimilarly with the animated movie category: I haven’t seen any of the nominees, but I did recently see The Lego Movie.(which was nominated for a Globe, but didn’t win), and found it to be one heck of a fun and entertaining movie, no matter your age. Jean was quite skeptical when I suggested we watch it, but he quite enjoyed it, too. (As an aside, he had the same reaction to 2012’s Pitch Perfect, the movie about the all-women a capella group, so that’s another recommended one from us, if you haven’t seen it already.)

At least the “Everything is Awesome” song was nominated, but I really think Lego Batman deserved more recognition for his work. 🙂

The Globes also give awards for TV shows and actors, and I’ve hardly seen of any of those nominees. But weirdly, many of the few I was acquainted with actually won. The Affair got best dramatic series—which appalled the TV critics—and best actress in a drama., and the star of Jane the Virgin won for best actress in a comedy—which delighted the TV critics. I, of course, have caught up with both of those shows recently.

In the mini-series category, Maggie Gyllenhaal took it for the amazing Honourable Woman, which I did watch on CBC. The network’s commercial insertions were jarring, but the series was a fascinating, complex look at Israeli / Palestian relations, and Gyllenhaal was great in it (as she usually is). And Matt Bomber won a supporting actor award for HBO’s The Normal Heart, an interesting movie about the early days of the AIDS crisis, that I watched not long after I subscribed to HBO.

I leave you with some links.

Hollywood Foreign Press (Golden Globe) nominees and winners list

Oscar 2015: Nominations in full (in case you really need to know who’s up for sound editing and for hair and makeup)

Oscar snubs: Shocks and surprises from the 2015 nominations (at least according to The Telegraph)

Wild women! Some reviews

Wild movie posterIt seems apropos to begin with Wild, the movie starring Reese Witherspoon, that we recently saw at the theatre. I was quite looking forward to it, as I’ve really enjoyed every other movie Jean-Marc Vallée has made. I also thought the rugged, outdoors-y story would appeal to Jean.

Wild is the story of Cheryl Strayed, who decides to solo hike the Pacific Coast Trail, which is over 1000 miles long and doesn’t have a lot of “comfort stations.” As her overly full backpack attests, she doesn’t have any experience with this type of trip. As she slogs along, she flashes back to the memories of her past that have led her to this point.

So it’s not inherently the most cinematic movie. The writer, director, and actors deserve credit for making it as compelling as it is.

Cheryl Strayed was kind of wild. Depressed after her mother dies of cancer, she spirals… drops out of schools, engages in casual sex, drinks, experiments with heroin. She does the hike as a kind of act of atonement. Instead she learns that maybe she has nothing to atone for.

The Affair posterThe Affair, an HBO Canada (Showtime in the US) series that we finished watching over Christmas, presents another woman for whom a tragic death leads to “bad” behavior—notably, an affair. The conceit of the series is that each episode is show from two points of view: His (Noah’s) and hers (Alison’s). What’s interesting is how differently each of them recalls the same events. With this series, you can never be sure what the truth is.

Underpinning the story of the affair is a murky murder investigation: For the longest time, we’re not even sure who’s dead. But particularly at the start of the series, it’s the personalities and relationships that are of interest, anyway.

Watching this with Jean was added entertainment, as he’d get so frustrated with the characters and situation at times, he’d have to get up and pace to work off the tension. At one point he commented, “I don’t know why she’s so much more sympathetic than he is.” But she is. It’s sad but understandable that the strain of tragedy has damaged the relationship with her husband. Noah, on the other hand, seems to be undergoing a petulant midlife crisis, with his wife and four children as the victims.

It seems like the kind of series in which everything would get wrapped up at the end of the season, but not so much. This is TV, they wanted a season 2, so it ends in a kind of cliffhanger. That’s worrisome, as I don’t see this necessarily continuing to work well for another 10 episodes.

Jane the ViringJane the Virgin, on the other hand—which we started watching on Shomi about a month ago and have nearly finished already—has enough plot and characters to run for years, probably. Central character Jane is, indeed, a virgin. In a bid to avoid becoming a teenage mom like her own mother, she has vowed to wait until marriage.

Unfortunately, a medical mistake in the first episode causes her to get pregnant anyway. And that’s just one plot among many.

The series is based on and includes Mexican telenovellas, which I know nothing about. But it seems to mean:

  • Fast-moving storylines
  • A large cast of intersecting characters
  • Painfully good-looking actors
  • High drama

(Or maybe that impression is just the result of watching so many episodes in such a short time.) At any rate, it is highly entertaining. If Jane isn’t wild, the same can’t be said of anyone around her: The number and variety of hookups is astonishing. They all (even her mother) see Jane and her morals as a kind of a mysterious, rare bird. Yet she’s not some preachy, perfect, dull character: She’s just a young woman trying to make the best decisions for herself.

In a really crazy world.

Pamela SmartBut HBO documentary Captivated: The Many Trials of Pamela Smart remind us that the real world can be pretty crazy as well.

The Pamela Smart story is one you probably think you know, at least if you were around in 1993. She was the pretty, blonde school worker who had an affair with a teenage boy, who later murdered her husband. She was convicted of conspiring to commit murder, the story being that she had seduced her young lover into committing the act. The case inspired the movie To Die For, starring Nicole Kidmann.

The documentary covers the media circus surrounding the case at the time. I hadn’t realized just how nuts it was on American TV, down to presenting a full re-creation of the supposed crime on television before the fully televised trial (the first ever) even took place! It points out which often-repeated “facts” presented in the media weren’t true, and some of the lax aspects of the case itself (such as allowing the four young men involved to stay together in prison pre-trial; and maybe get their stories straight?).

The “seductress” story was so compelling, it seemed any reality that contradicted it got dismissed.

I went into watching this assuming she was guilty, and the documentary wasn’t necessarily trying to establish her innocence. Still, I’m left wondering, particularly given the inclusion of recordings by one of the jurors (made at time of trial), who had extreme doubts about the evidence as presented. Perhaps Pamela Smart is guilty, But after watching this, I don’t think that’s been proven beyond a reasonable doubt.

Nevertheless, she’s in jail for life, The actual murderers are due to be released soon.

Masters of Sex

Masters of Sex is an hour-long drama that airs on Showtime in the US and The Movie Network (TMN) in Canada. It is about sex researchers William Masters and Virginia Johnson.

I’ll admit that it was pure prurience that made me check it out. And the opening credits—which someone had way too much fun putting together—seemed to bear that out.

Opening credits

The actual program, however, turned out to be remarkly un-sexy, particularly for something with so much sex in it. The encounters were often clinical, or awkward, or clinical and awkward. And ultimately, the show wasn’t really about that.

Much like Mad Men, it’s about complicated people living in the US at a time of rapid social change: The late 1950s and into the 1960s. Unlike Mad Men, though, these characters are based on actual people.

Mind you, it’s not aspiring to documentary-like realism. It is a drama, so the facts of history are enhanced with made-up stories and side characters to make them dramatic. Bill Masters did start his work with prostitutes, and one of them did suggest it would go better if he had a female partner. Did that woman then go on to change her life and become Masters and Johnson’s office manager? Not that we know of, but it did make for good TV.

Masters of Sex image

And as can be the case, the parts that seem most implausible in the drama are the ones based in reality. As a doctor, Bill Masters is presented as wonderful to his patients, and incredibly progressive. You cheer him as he advocates for them against the ignorance of the times. But as a husband, friend, partner, colleague, Bill Masters can be so cold, and often behaves appallingly (though he is evolving, and we’re getting to understand better why that is). And that is apparently what the historical records: His patients loved him. His colleagues… Eh.

As for Virginia Johnson, Bill Master’s partner (in more ways that one)—her character is much easier to like: She’s charming, warm, beautiful. So her almost pathological need to prevent anyone from getting too close to her are an ongoing puzzle. But again, this is grounded in reality, including the fact that the actual Virginia Johnson insisted she never loved Bill Masters—despite being married to him for 20 years. (A time period the show has not yet reached.)

And the other characters, including Bill’s wife, Libby, are generally given equal attention, presented as true and not stock characters.

Masters of Sex has little violence, no crimes to solve, no underlying conspiracy theories, and not even that much sexy sex. Furthermore, you somewhat know where this is going: Masters and Johnson will publish a book, it will be very popular, they will be recognized as pioneers in their field.

What holds the interest are the characters: Both the ones based on real people and the fictionalized ones surrounding them. Trying to guess these people’s motivation, who will interact with whom next and how that will go, is just incredibly compelling. Even my husband, who will often complain of character-based movies that the plot itself is lacking (“but nothing happened!”), is caught up in it.

Part of that intrigue might also be how the show plays with time. Not only are the characters an ongoing mystery to discover and understand, but we can never be sure how much time will have passed between episodes. Or even during one episode. The next episode may start the day after the last we saw, or it might start four weeks or eight months later. Two episodes this season covered a single day; another single episode took us through three years.

So, being based on some history doesn’t mean that this program is particularly predictable. Still, it’s probably not for everyone. But it is for me. Happy it’s renewed for another season.

Movie review-lets, with bonus thoughts on Muppet gender

Movie poster for The MuppetsWe recently watched the 2011 movie, The Muppets, which “rebooted” the characters from The Muppet Show, which ran from 1976 to 1981, and then launched a series of movies. It was fun, especially if you do remember the show. (If you don’t, as with most kids, a lot of the references would go over your head). It’s a musical, with catchy original songs and some hilarious covers, such as a barbershop quartet versions of “Smells like Teen Spirit” and chicken-clucking version of C Lo Green’s “F(orget) You”.

But I became super-distracted by something I’d never really noticed before: Almost all the freakin’ muppets are boys. You have Miss Piggy, of course, and then… Janice, in the band, who rarely says anything, and then… The chickens? Who also don’t talk. So one speaking female Muppet character.

This, my friends, would be your Smurfette principle in action: the tendency of movies for children to have only one female character amongst an ensemble of male characters.

It Happened One Night movie posterAnd speaking of sexism, we also saw It Happened One Night recently. This romantic comedy, starring Clarke Gable and Claudette Colbert, maybe didn’t always have the most enlightened view of the role of women? It does have the excuse, though, that it was made in 1934.

I don’t watch a whole lot of 1934 movies, but some movies are classics for a reason. The two stars have chemistry, the script is lively, and it’s enjoyable watching them play out the romantic comedy pattern of meet, repel, attract, obstacle, reunion.

Not really sure about the title, though, since it doesn’t all happen in one night; it takes places over a few weeks. Unless that’s a reference to the night the walls of Jericho came down? In which case, naughty, naughty!

The Libertine movie posterSpeaking of naughty, naughty, I also saw The Libertine, 2006, starring Johnny Depp as John Wilmot, notorious for writing bawdy poems and plays. The movie wasn’t a hit with audiences or critics, but it’s not that it was badly made. It just took a rather dark view of this character, and that made the movie rather less fun that it might have been. It particularly didn’t shy away from the effects of alcoholism and venereal disease in the last third of the film.

Jean’s review? “Remind me not to get syphilis.”