Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


Leave a comment

The Who: Moving on! Live in Toronto

It was hard not to compare The Who show at the Scotiabank Arena in Toronto with the Queen + Adam Lambert one, since that was only a few weeks ago. I wasn’t a Very Important Person at The Who show, which made it cheaper. So I didn’t get any merchandise. I considered a T-shirt, but they didn’t seem to carry any women’s styles. (I need a waist in my clothes, damn it!) I was in the 35th row on the floor, not the 13th, and there was no catwalk. The Who were playing each show with a symphony orchestra, and likely in part due to the expense of that, the staging and lights were really pretty simple for a big arena rock show. Not in the Queen style at all.

On their last tour, celebrating 50 years of the band, The Who presented a crowd-pleasing set list of greatest hits. In this one, they really challenged themselves. And the audience. That, too, was unlike Queen.

To take advantage of the orchestral accompaniment, The Who dove deeper into their catalog. They started with a sampler from Tommy: Overture, 1921, Amazing Journey, Sparks, Pinball Wizard, and We’re Not Going to Take It. Given the popularity of that album, it might not seem such a risk, but a more casual fan will only know “Pinball Wizard” and the “See Me / Feel Me” chorus. They followed that sequence with the popular “Who Are You” and “Eminence Front”, but then: “Imagine a Man” from Who by Numbers! The first time the band has performed it live (though Roger Daltrey did tackle it in some solo shows). It was gorgeous, and I was thrilled to hear it.

Roger Daltrey and Pete Townshend with orchestra
Photo by Andrei Chlytchkov. Jean wasn’t at the show (I went with my sister) and none of my photos turned out.

The orchestra gets a break partway through way (union), and the songs performed by the rock band alone were all well-known (though “I Can See for Miles” isn’t that often performed live), but not always presented in the familiar way. “Won’t Get Fooled Again” was an acoustic version, which was great. “Behind Blue Eyes” was new arrangement with strings (two musicians got leave to start back early), and it sounded amazing.

When the full orchestra returned, they got into a set from Quadrophenia, without the backing visuals used on the last two tours, which helped to focus on the creative musical arrangements. When they got to the only song that more casual Who fans would know, “Love Reign O’er Me”, Roger Daltrey was clearly struggling with his voice. (I wondered if the pot smoke had anything to do with it. I could definitely smell it, and Roger is seriously allergic to it. His voice had been great up til then.) At one point he just stopped trying to sing the verse. He came back for another push at the chorus, to great cheers, but still couldn’t complete the whole thing. The final song was “Baba O’Riley”, and he mostly let the crowd sing it. Which we were all pleased to do. (And the final violin solo was great.)

There’s a risk to taking risks.

The Who have a new album coming out. Not mentioned yet is that they performed two songs from that, even though none of us would know those, of course. Another pretty gutsy move. By my watch, the show was 2 hours and 15 minutes.

And very much worth my time, vocal glitches and all. Pete Townshend did most of the talking, expressing how important Toronto has always been to the band, how much they love it and feel the love. “Also,” he said, “Canada is one of the only major countries that makes any sense these days. I got off the plane and thought, I should just stay.” And the crowd did seem appreciative. It skewed somewhat older than the Queen one (on average), and given the more mellow nature of the set list, they did more sitting–even those in the floor area. This was just as well for me, as there was a virtual giant two rows ahead of me, and whenever he stood up I had to do a jiggling dance from one side to the other to try to see around his head.

The Who now wisely avoid declaring any particular tour their last, but one has to think there can’t be too many more. The musical arrangements and song choices on this one were so cool and different, I’d love a recording of it.

Admittedly, of a night when Roger did get through “Love Reign O’er Me”.

Set list

With Orchestra

  1. Overture
  2. 1921
  3. Amazing Journey
  4. Sparks
  5. Pinball Wizard
  6. We’re Not Gonna Take It
  7. Who Are You
  8. Eminence Front
  9. Imagine a Man
  10. Hero Ground Zero

Band Only

  1. Substitute
  2. I Can See for Miles
  3. The Seeker
  4. Won’t Get Fooled Again (acoustic)
  5. Behind Blue Eyes (with strings)

With Orchestra

  1. Guantanamo
  2. The Real Me
  3. I’m One
  4. The Punk and the Godfather
  5. 5:15
  6. Drowned
  7. The Rock
  8. Love Reign O’er Me
  9. Baba O’Riley


1 Comment

Very Important People at the Queen show

I’ve already written about how the stress of fast-moving Queen + Adam Lambert tickets led me to invest (sure, let’s call it that) in VIP tickets this time around. It was mainly for the better seats, but Jean wondered what else was included.

Not sure, I responded. Some kind of separate entry. Maybe a keychain or something.

Unofficial poster of the Toronto show. Design @nicole42.

We received an email a few days before explaining where to go for the VIP entry. There was still a line-up there, but a shorter one. They checked our name off a list, gave us tickets (the old-fashioned paper kind), and handed us each a Queen-logoed bag with something in it.

The something turned out to be this purple silk boxing robe with the Queen crest front and back. What could be more perfectly Queen? It was ridiculous, but also fantastic. Who needs a T-shirt if you have this? (It also allowed me to avoid the huge, huge line-up to buy merchandise!)

[To be inserted later: A photo of me wearing the robe. I can’t get a good selfie of this, and Jean’s not around to take the photo right now.]

We made our way to our seats in a very roundabout way (though we were trying to follow the instructions). We ended up 13 rows from the stage. Pretty good seats in a stadium regardless, but at a Queen show, it’s even better than that, because they use a catwalk that goes right down into the floor section. When they were on that, we were very close to them.

20190728-Tortonto_Queen_Lambert-396-HDR
This happened right by our row…

Talking to some other fans, I realized that the popularity of this show wasn’t only due to the movie, but also to the fact that this was one of only two Canadian shows this time out—they didn’t play Ottawa, Calgary, or even Montreal… Just Toronto and Vancouver. So we had a few travelers joining the new Bohemian Rhapsody fans (who skewed the age a bit younger than at past QAL shows, though they’ve all been multi-generational).

Unlike the last iteration, this concert began fairly punctually, counted down by the last, untitled track from Made in Heaven, which people cheered throughout its 22 minutes. Then a bit of “Innuendo” (by which I mean the song, I’m not insinuating anything), and they took the stage. Now they were here. Now they were there.

There wasn’t a ton of chatter during this 2.5 hour concert. They mostly let the music do the talking. The Bohemian Rhapsody movie was mentioned only once, when Brian asked if anyone had seen it, but it absolutely informed the set list. Every song from the soundtrack was included. Even “Doing All Right” (the song Smile performs). Even “Ay-Oh”—led by Freddie, of course. (Hey, first time I do “Ay-oh” with Freddie in a crowd, I think.) And including honorary soundtrack song, “I’m in Love with My Car.” So we can all judge for ourselves whether it’s “strong enough”. (It is.)

These three are so comfortable with each other by now…

This was great, because it meant hearing a lot of the early tracks that aren’t as often performed, to which they added “Seven Seas of Rhye” and “Lap of the Gods”. To fit everything in, many of the songs were shortened and medley-ed, which also suited me fine.

He’s a Killer Queen (this picture was super popular on Twitter!)

There were changes from past shows. Adam again noted the obvious fact that he wasn’t Freddie, but fairly perfunctorily, and only after noting that he’s been Queen’s singer for 8 years now. He did not comment about trying to find somebody to love, now that he has fallen in love (and this time he knows it’s for real.) He did not run around slapping people’s hands during “Radio Ga Ga”. (Was that disappointing, given that I was closer? Nah. I still wasn’t within hand-slapping distance.) The tricycle was traded for a motorbike (for “Bicycle Races”). The sexy “Get Down, Make Love” was absent.

But the omissions were made up for by the additions, which were not all movie-inspired. Brian performed the wonderful “39” to images of the Apollo astronauts, in homage to the anniversary of the moon landing. They performed the truly obscure track, “Machines (or Back to Humans)” (from 1989’s The Game), probably because its lyrics seem so contemporary.

The very photogenic Brian May

And everything you wanted to be there still was.

Adam Lambert demonstrating that he’s one of the best singers alive throughout, but particularly on tracks like “Somebody to Love”, “Who Wants to Live Forever”, and “I Want It All”.

20190728-Tortonto_Queen_Lambert-501-HDR
If you could hear this, you’d be very impressed

Brian managing to not bore everyone during a guitar solo, and only partly because of the very cool space effects.

20190728-Tortonto_Queen_Lambert-540-HDR
Not sure this is during the guitar solo, but a cool picture regardless

Brian singing “Love of My Life”, accompanied by the crowd, who also provided the lighting. And Freddie joining in at the very end, which somehow continues to bring me to tears.

20190728-Tortonto_Queen_Lambert-605
The best use of a cell phone, per Brian. (And this isn’t even peak lighting.)

The trio on the catwalk, performing “Under Pressure” (and a few other tunes).

20190728-Tortonto_Queen_Lambert-749-HDR

Costume changes (and not only by Adam).

This photo was even more popular on Twitter! I captioned it: I’m glad the fringes are back. And I was. Lambert meets Daltrey.

All the biggest hits–Another One Bites the Dust (with Adam dance), Crazy Little Thing Called Love, Bohemian Rhapsody, We Are the Champions, We Will Rock You.

The magnificent laser show during “Who Wants to Live Forever”.

Confetti. We were drowning in it!

Pre-confetti. Post-confetti, it’s all you could see!

The crowd was fantastic, on its feet through the whole show (and not only in the floor section), and ably singing along. The next day on Instagram, Brian May said that Toronto was the loudest crowd so far! Both Brian and Adam made comments about putting phones down, and there were times I wish people had, as they do block the view. On the other hand, the wish is a bit hypocritical of me, as I have the luxury of being totally in the moment and not taking a single photo, secure in the knowledge that Jean was taking over a thousand of them (with a camera, and not a phone, but…).

Being so close, I had to remind myself to sometimes look at big screen to see what the projected effects were. Very cool, as always–like in “Radio Gaga”, the band was integrated into what looked like scenes from the past. But much more prominent overall was a theme of forward movement, and looking ahead. Queen, founded in 1970 (or so), is one of hottest bands of 2019. Who woulda thunk.

Toronto set list (courtesy @JamieBester)

More Jean photos (no, not a thousand–he picked out a few): https://www.jean-cathy.com/CathysPhotos/Queen-and-Adam-Lambert-2019/

And thanks to “Fiercealien” here, you can see video of the entire Toronto show, from seats on the opposite side and just a few rows closer than we were. (If you’re hooked, Firecelian also offers video of the New York, Vancouver, and Los Angeles shows. Expensive hobby!)

Playlist of videos of the entire Toronto show


1 Comment

Ticketmonster

I was on vacation in Seattle, and awake before Jean was, for some reason, when I got an email about a pre-sale for a Who concert in Toronto nearly a year later. Buying a concert ticket on a tablet while on vacation isn’t the ideal scenario, but I had the time, so I figured I might as well see what I could get.

As anyone who’s tried it knows, buying tickets from Ticketmaster is a roll of the dice. Who knows what seats it will cough up for your consideration, and at what price, at any given time?

But this time the dice landed landed on: Floor seats! In the front centre section! And at the normal price, no VIP / resale nonsense!

Stunned, I started the checkout process…

Only to lose the connection partway as the flaky hotel wifi conked out.

Cue the swearing. (Quiet swearing, as Jean was still sleeping.)

Wifi returned, I tried again, and… So did my luck! I was still able to get front center floor seats at the normal price! And this time managed to complete the purchase. (The show was great.)

View from the floor was pretty good!

I have no idea how or why that happened or how I could possibly replicate it. I don’t recall who I got  this presale offer for, except that it wasn’t the fan club and it wasn’t American Express (I’ve never had an American Express). Was it just that the sale took place so far ahead? Did The Who just decide not to hold back that many seats as “VIP”?

We know the deal with Ticketmaster, that it’s exceedingly difficult for any human to beat out the resell bots—that, it turns out, Ticketmaster is in cahoots with). And that presales (and even the general sale) only have a subset of seats on offer, giving a constant impression that they are going fast.

I have had great, even front row, seats at other rock concerts, but that involved either not dealing with Ticketmaster (Bob Geldof in Ottawa, Roger Daltrey at Casinorama), or paying for VIP (Adam Lambert, who, as a solo artist, at least has moderate prices. If you don’t count the expense of getting to Berlin.).

Views from the front row

But for big shows in arenas, I think that Who concert was my once-in-a-lifetime good ticket-buying experience that won’t come around again. Especially since Ticketmaster keeps finding ways to make things worse.

Their latest ploy is to not tell you what the ticket prices are ahead of time. I don’t buy tickets often enough to know when this changed, but I’m certain that in the past you could look up ahead of time what ticket prices would be at different levels, so you could plan. They seem to not do that now.

I thought their main motivation must be that, in the frenzy, people might spend more than they otherwise would had they been able to plan ahead. But according to the CBC report on Ticketmaster, it’s also because they sometimes raise the prices a few hours after they initially go on sale.

They’re taking their queue from the airline industry.

Then there’s the new “Waiting room”. Admittedly, it wasn’t ideal before, sitting on the ticket buying web page waiting for the on-sale time, then refreshing and hoping nothing crashed before you could get in there to roll your dice.

So now, about an hour before the on-sale time, you can click to go into a “waiting room”. At on-sale time, it refreshes and you are “randomly” assigned a place in line.

I had over 2000 people in line ahead of me. The only other person I know who’s tried this also started with over 2000 people in line ahead of her. Make of that what you will.

There’s a little animation of your place in line that moves along as the number of people in front of you drop. You daren’t go anywhere else, but it’s not the most compelling viewing. (I can’t find a screen cap of it. Everybody must be too stressed while waiting to take one.)

Finally, your turn comes up, you copy in your presale code, you see what seats come up! And how much they are!

My target this time was yet another Queen + Adam Lambert tour. It was awful. I switched between seeing what was available for general sale and what the “cheaper” VIP offered. You couldn’t seem to look at both options at once, and of course, every time I went back to one or the other, the available seating was less. (Also, the Best Available sorting? Really wasn’t in that order!)

I finally picked something. I winced at the total, but smiled at the seating chart.

I don’t have a solution to this. If you want to see a big rock concert at an arena, Ticketmaster and resellers are your only option. Queen + Adam Lambert are encouraging use of Twickets, where people aren’t allowed to sell the tickets at higher than the price they paid. So that’s nice, but they currently have 0 tickets on offer. (Admittedly, there’s a lot of time for people’s plans to change.)

In Europe, they seem to have many more places where you can still buy general floor seats, then end up with a good spot if you’re willing to wait in line for them. Not all that helpful for North Americans.

So, I’m just glad there aren’t that many artists for whom I’m willing to go through this.

AdamLambert-Queen_7-1-14_SJ-e1543849102217

One of the few