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Movie night

The world is on fire and I’m feeling a bit overwhelmed. So I’ve decided to write about movies.

The last movies we saw before the theatres shut down were Knives Out and Parasite. Knives Out was a terrific, twisty, murder mystery with an incredible cast. ****

Parasite was last year’s Academy Award winner as Best Picture. In it, a low-income South Korean family con a rich family into gradually hiring each of them. Then things get twisted… ***½

Those are both available for streaming rental now.

Warming up

Since then, we’ve been dubbing one night each weekend “movie night”, making the popcorn, and watching a flick on the TV. Initially, it was an anxious time, we wanted something not too heavy. Eddie Murphy’s Dolemite Is My Name (Netflix) was a great inaugural, telling the story of how failed comic Rudy Ray Moore (a real guy!) reinvented himself and became an unlikely success. Reminded me of The Disaster Artist. ****

Then we tried The Greatest Showman (Netflix), a movie that critics dumped on but audiences loved. Jean was skeptical about a musical based on PT Barnum, but we ended up siding with audiences and enjoying it. *** As we did Shazam (HBO), a humorous superhero movie from the DC Comics universe. ***

Tom Hanks

Was one of the first famous people to come down with coronavirus (remember that?), which somehow inspired us to catch up with a couple of his movies. Sully (cable) told the story of the pilot who landed the plane on the Hudson River, saving all 150 passengers. We hadn’t realized there had been some doubt as to just how heroic his actions were. *** And Charlie Wilson’s War (Netflix) told the rather interesting story of the US’ involvement in supporting Afghanistan rebels in their fight against the Soviets—without ignoring how that all went wrong in the end. ***½

Girls behaving badly

While not viewed in sequential weeks, for whatever reason we seemed to be drawn to movies about women breaking the law. Or maybe it’s just that they’ve making more of these lately? At any rate…

Ocean’s 8 (HBO) is part of the movie franchise that started with George Clooney’s Ocean’s 11. Kind of a trifle, but entertaining. The difference is that the group of eight are all women, and that does add a layer of fun. ***

Molly’s Game (Netflix) was written and directed by Arron Sorkin, so there is a whole lot of smart, fast-paced dialogue in the telling of the story of Molly Bloom, a former champion skier who ran an exclusive poker game for rich people, including some very famous ones. Initially run legally, ultimately it was not, and the movie starts with her legal troubles and flashes back.

Jean liked this one more than I did. It’s definitely an interesting story; my problem was in the great effort to turn Molly into a noble hero, which I didn’t quite buy. ***

Hustlers (Prime) told the story of strip club employees who, after the Wall Street crash, started drugging their clients to lower their inhibitions and get them to spend more than they otherwise would have on booze and women. Definitely behaving badly! But what’s really compelling is the relationship between the women. It’s like friendship porn. And this one, I liked more than Jean did. My score would be ***½.

Arty farty

Have you heard of Tubi? It’s another movie and TV streaming service, only free—ad supported. Very few ads, in my experience, so I wouldn’t let that put you off.

I noticed they had We Need to Talk About Kevin, based on a good but disturbing novel I’d read of the same name, about a woman who decides to have the child her husband wants, but she doesn’t. That it doesn’t turn out well is a bit of an understatement.

I got it in my head that I’d like see how they adapted the novel to film. They didn’t do a bad job of it—Tilda Swinton is very good in the lead—but overall I preferred the novel’s elaboration of the story to the movie’s inevitable compression of it. As for Jean, he might not forgive me for having him watch this. The story haunted him for days afterward. **½

The movie also led Tubi to recommend a whole series of other disturbing movies to me, none of which I would ever watch. To try clean that up, I selected The Lady in the Van as my next Tubi movie. This British film tells of the relationship between an educated homeless woman and a single male writer. It’s pretty enjoyable—Maggie Smith is terrific—but it is based on a true story that wasn’t overly “Hollywood-ized”, leaving the overall narrative arc a little less satisfying. ***

And I don’t know that it’s truly “arty farty”, except that it’s now an older classic, isn’t it? But we watched Saturday Night Fever (Hollywood Suite), the first time either of us had seen it. Since it’s mostly remembered for John Travolta’s disco dancing, the grittiness of it is a bit shocking: the casual use of the n word, the date rape… But it is a movie worth seeing. ***½

The Princess Cinema started offering some streaming movies recently, and in support of them, we rented The Trip to the Greece. It’s the fourth in a series, and we hadn’t seen any of the previous ones, so it was a bit odd to just jump into this one. Not that there’s a whole lot of complex plot to follow, mind. It’s just two guys who take a road trip, banter with each other, see spectacular scenery, and eat great meals.

The banter is often amusing, but very pop culture–driven, and Jean, particularly, often couldn’t get into it as he didn’t know what they were on about. The funnest part was us saying “Bastard!” every time they sat down for another amazing restaurant dinner, the likes of which are not accessible to us right now, of course. **½


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52 candles

Not a particularly significant birthday this year, so I wasn’t thinking too much about it. However, some months ago, when looking to pick a date to go see Sting’s The Last Ship in Toronto, I figured why not pick my birthday weekend.

Then events got built around that. I took the Friday off (to do a whole lot of nothing special—but still better than a work day). And I noticed that the KW Comedy Festival was having their opening gala the Thursday night before, so I got tickets.

I don’t think it was as strong as last year. My favorite act of the first half was Arthur Simeon, originally from Uganda but now living in Toronto. In the second half it was Emily Galati, the only woman featured, along with the headliner, Sean Majunder. The rest of the comedians were a bunch of white guys. And to be fair, one of them, host Derek Seguin, provided the evening’s most hilarious bit, in his description of the challenges of man-scaping.

But overall, it was some absurdist comedy, which is not really my thing, and a lot of jokes about their kids, or about why they don’t have kids—maybe one of the few safe subjects for white guys to joke about these days? But not as effective, for me, as Simeon, Galati, and Majunder’s takes on politics, social media, racism, and sexism. Tricky time to be funny, I guess, but the event would have benefited from more diversity than it had.

Everywhere you go, always take the weather

When we booked our bus to Toronto, we discovered that the Greyhound schedule isn’t as good as it used to be. Not as many buses, and they all have more stops. (This is just annoying. It’s not as though the train service is any better on Saturdays.) There was one bus that would have gotten us there around 10:50, which would have been ideal, but it would have taken three hours. So we went with the one that scheduled to arrive around 11:30, because it was only supposed to take two hours.

I didn’t think the forecasted 2 cm of snow would really affect it, but I was wrong. For one, I think it was somewhat more snow than that. Regardless, it slowed down all the traffic. We clearly weren’t going to make our 12:15 lunch reservation, so I texted my sister about that, and suggested that she could order for us, and we’d aim to arrive by 1:00.

Off the bus, we had trouble finding a cab, so we called an Uber, and initially had trouble finding them, too, but we did connect. Only to find that they had the wrong Holiday Inn listed as the destination, which I needed to change in the app. Which was not as easy to do as one would hope. By the time I finally got it to work (Jean’s suggestion to turn off wifi was key), we were there!

Fortunately, hotel check-in went smoothly, and calling a second Uber to take us to lunch was drama-free. We ate the O&B Canteen at the TIFF Bell Lightbox. A bit pricey for what you got ($19 for a burger?), but everything was very good.

I didn’t know a whole lot about The Last Ship other than that Sting wrote the music (it was not one of those musicals built around an artist’s famous songs), inspired by the ship building heritage of his home town. But it was really good! Strong cast, great singers, and a very moving story. In the first half, I was kind of with the capitalists (“Be realistic! The ship building industry is dying!”) and identifying with the characters who felt they just had to leave the town to secure their futures elsewhere. But by the end of the second half, I was totally with the workers.

We had an hour after the play before our dinner reservation, which gave us time to walk back to the hotel, and stay there briefly before walking to dinner at Buca Yorkville.

That was a fine meal. We started with three kinds of house-cured fish, which were small taste sensations. We added in a nice rosemary foccacia that was served with the most amazing olive oil. As a main, I had chestnut-stuffed ravioli with porcini, that was just fantastic, and a side of Swiss chard.

Buca Yorkville mmmmm!

Jean had the day’s special of uni spaghetti, also good, but not quite as good as the ravioli.

Uni Spagetti (Sea Urchin)

The wine with that was the waiter’s suggestion of an Italian Riesling, which did work well.

For dessert, Jean went with the waiter’s suggestion of the affogato using decaf espresso, and it really was delicious (they make their own ice cream). I also enjoyed the cranberry millefeuilles that I had.

Birthday Girl!

Apart from the candle on the dessert plate, as my birthday bonus I got a takeout of fresh pasta with little containers of olive oil and pepper and little containers of cheese. And instructions on how to cook this into a meal for two. This I did this past Thursday, and it was very nice.

The whole experience somewhat reminded of New York dining: Impeccable service, fantastic food, but no dawdling. One course arrived promptly after another, and we were done by 8:00. Probably because they needed the table for someone else.

Lazing on a Sunday afternoon

After that rather packed Saturday, it was nice not to have anything planned ahead for Sunday, other than our bus back. We had breakfast at Cora, and decided it was better than the Cora we’d tried previously (forget where, but not the one in KW). We then decided to visit the ROM, as they were featuring this year’s winners of the Wildlife Photography contest. That exhibit was terrific, again. The work to get some of those shots!

We then visited the “Treasures of the Earth” exhibit, that I don’t recall having been to before. It featured some beautiful minerals, gems, meteorites, and rocks, and had a section on Canadian mining, in which my home town featured prominently.

Gold from Northern Ontario mines

Since Richmond Station is very difficult to get dinner reservations at, but recently started opening Sundays, we thought we’d try to just go there and see if we could get in for a late lunch. It worked! We got a table.

To start, with shared the duck liver pate—creamy and rich. Then I had the lamb forestiere cavatelli, while Jean had duck two ways. We had a half-glass of sparkling to start with that, then a glass of red each. We were left too full for dessert.

Duck Paté at Richmond Station!

All that was left was to gather our luggage back at the hotel, then get to the station. There was a bit of Uber drama here too, that I won’t get into. But we made it to the station in plenty of time, and that bus was not delayed.


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Sing-along musicals

The KW Symphony recently presented “Sing-Along Musicals”! I got tickets even though Jean is not so big on “singing along”. When I saw the program, I wasn’t so sure how much of that I would be doing, either. South PacificOklahomaThe King and I? Those are some old-timey musicals! Did I even know any of the songs from those?

Turns out I did, at least somewhat. “I’m Going to Wash That Man Right Outta my Hair” has not always been a shampoo jingle, it turns out. Oklahoma includes “Oh What a Beautiful Morning”, “The Surrey with the Fringe on Top”, “ I Can’t Say No”, and “People Will Say We’re in Love”. The King and I has “I Whistle a Happy Tune”, “Getting to Know You”, and “Shall We Dance”. And they projected the lyrics, so you didn’t need those memorized.

sound20of20music20two

The second half got a bit more modern, with “Defying Gravity” (done as a solo, mind you), selections from The Sound of Music, and a surprise encore of “Let It Go” from Frozen. The whole evening was fun, the concert featuring a youth choir, two talented young singers leading the sing-along (when they weren’t solo-ing), and young dancers making an appearance during some numbers. Conductor John Morris Russell, of the Cincinnati Pops, was lively as usual. So Jean enjoyed it also.

It got me thinking, though: What would be my picks if programming a sing-along musicals concert? Excluding any musicals based on the works of great rock and pop artists (such as We Will Rock You, Tommy, American Idiot, Mamma Mia, and Jersey Boys), because that would be cheating. And I guess that also excludes Moulin Rouge, though kudos to Baz Luhrmann for truly re-imagining all those pop songs in that music.

But merely having mentioned Moulin Rouge, I can now include this Virtue and Moir dance video, right?

First up, musicals with multiple great numbers in them, so we could do a bit of a singalong medley with those. In no particular order…

1. Jesus Christ Superstar

The first collaboration between Tim Rice and Andrew Lloyd Weber, and maybe the best. The songs from this are so good, if lyrically a little weighty, given the subject matter. I loved the Stratford version of this play (which later went on to Broadway).

Roger Daltrey’s take on “Heaven on Their Minds” (because, why not Roger Daltrey’s take)

2. Grease

I believe that sing-along versions of the movie Grease actually are a thing. And it is a bunch of great songs. Even if the gender dynamics of the whole movie are a bit troubling, at this point. (“Did she put up a fight?” “She’s a real pussy wagon”)

But Rizzo, women are under no obligation to have sex just because they batted their eyes and danced close! (Still a nice tune, though.)

3. Hamilton

Sing-along-wise, all the rapping sections would be problematic. I think we’d all have to stop at that point and leave those bits to a solo rap artist. There’s also the issue that only the privileged few have managed to see Hamilton at this point (me not among them)—though anyone can listen to the soundtrack on Spotify (just sayin’). And it’s such good music.

4. Rocky Horror Picture Show

Creepy, wonderful fun here—I’m planning to see the Stratford production this summer. Everyone knows “Time Warp”, but it also has “Hot Patootie”, “Touch-A, Touch-A”, “Superheroes”, and the theme song:

Adam Lambert was the only good thing about Fox’s Rocky Horror TV remake, however

5. Buffy the Vampire Slayer: Once More with Feeling

Once upon a time, there were live showings of the Buffy singalong, whereupon this season five episode in which all the characters magically found themselves singing, as though they were in a musical, played on a big screen with subtitles, while people sang along. But the poo-poo heads at Fox shut it down before I could get myself to one.

The beauty of singing along with this is—some of these actors don’t sing a whole lot better than you do, probably, so it’s much less intimidating. And the songs are surprisingly catchy.

Spike’s big number in the musical, the rockin’ “Rest in Peace”

Then a few individual pieces from musicals.

1. “Seasons of Love” from Rent

Maybe Rent has a bunch of other good songs, but I only know this one, the most famous one.

“Seasons of Love” from Glee, where it was used in tribute to Finn / Cory (and it still kills me)

2. “I Got Life” from Hair

We’re allowed to sing about “tits” and “ass” in these days, aren’t we? Especially as it’s not in a sexual context here?

Treat Williams was amazing in this movie

Actually, with “Aquarius”, “Good Morning, Starshine”, and “Where Do I Go”, Hair almost qualifies for the medley treatment—though a lot of its other songs are considerably more problematic, lyrically, than “I Got Life” (once taken out of context of the play / movie, at any rate).

[I’m being all serious here, as if I’ve actually ever going to program a musical concert.]

3. “The Rainbow Connection” from The Muppet Movie

Look, it’s a beautiful song, and it’s been covered by everybody.

4. “America” from West Side Story

West Side Story is a brilliant musical and I love it. But I don’t find myself listening to the soundtrack much. Except for “America”.

5. “Dogs in the Yard” from Fame

Leaving the obscurest for last, this is a song from the 1980 movie Fame that I think was just played over the credits. But I had the soundtrack LP, and I’ve always loved this song.

You wild man—you go and play poker! Live a little!