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Corsi-Rosenthal, Elvis, & Juliet

February 2022

American Express “Front of the Line” offer: Elvis Costello and The Imposters, live at Massey Hall in Toronto in August. Sure, why not get tickets to that? Massey Hall is a great little theatre. And surely everything will be fine by summer.

March 2022

Tickets now on sale for & Juliet

Created by the Emmy®-winning writer from “Schitt’s Creek,” this hilarious new musical flips the script on the greatest love story ever told. & Juliet asks: what would happen next if Juliet didn’t end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way.

Juliet’s new story bursts to life through a playlist of pop anthems as iconic as her name, including Since U Been Gone‚ Roar, Baby One More Time, Larger Than Life‚ That’s The Way It Is, and Can’t Stop the Feeling—all from the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there’s life after Romeo. The only thing tragic would be missing it.

Well, that sounds fun. And hey look, it’s playing in August. We’re going to be in Toronto anyway. Why not get tickets for this the day before the Elvis Costello concert?

July 2022

“What are we going to do with this?” Jean asked, about the Corsi-Rosenthal box that he’d agreed to build, to humor me. And which had turned out much larger than we’d expected.

Corsi-Rosenthal box with teen builder
A Corsi-Rosenthal box, with the teen who built it (because I don’t have pictures of ours, but it looks pretty much like this one)

Literally four MERV-13 furnace filter duct-taped to a floor fan, a Corsi-Rosenthal box is a kind of homemade HEPA filter. Viruses and other nasties get trapped in the filters, and the fan blows out clean air. Thus replacing bad room air with cleaner air.

I mumbled something about it being useful when we had people over, but had to concede we don’t really have much by way of visitors these days.

“It could also be useful if we ever have to isolate from one another,” I mumbled.

One week later

“Where did you put that Corsi-Paranoid box?” Jean asked, using his “affectionate” nickname for it.

“In the closet,” I said. “Why?”

“We might want to run it for a bit…”

We had a plan (of sorts) that we executed. Jean got the upstairs rooms, running the C-R box. I got the downstairs. Main floor was the masking zone. Windows open. Doors closed. Cats rather confused.

His symptoms started two days after exposure, and were confirmed by rapid test after three. Thanks to four vaccine doses, the worst of it was two days spent in bed, feeling achy and exhausted, and the only lingering symptom a bit of cough. With ongoing positive tests, though, the isolation had to continue quite a few days after he was on the road to recovery.

One week later (August 2021)

Jean gets a call from his sister, reporting that she’s not sure how much more time his mother has. (She had a stroke in February.) He reconsiders his plan to wait until Labour Day before visiting her again.

We’re both tired of the in-house Covid protocols, but having stuck with them this long, it seems important to continue. It would just suck to get infected at the very end, after making so much this effort to avoid it for so many days.

One week later

Finally his test is negative. I have never developed symptoms, and the tests I subsequently take are negative as well. Jean thinks he should visit his Mom.

I had a nice visit with Jean’s Mom in June. (Jean was there too, to be clear!) He’s OK with me not travelling with him this time. I’m OK with doing my Toronto activities with my sisters instead of with him. Brief first hug in two weeks, then we’re each off to different parts of Ontario.

Elvis & Juliet

I’m not one to drive myself to Toronto, so I have to research what transit options have survived the pandemic. It’s pretty sad, people! Via Rail has only a single train running on Sundays, and it won’t get me there in time. Go Bus is a possibility (Go Train does not run on Sundays, why would anyone want to go to Toronto on a weekend), though it’s a convoluted route. Then I find: Flixbus! It’s cheap, the stop is nearby and reachable by local transit, and it’s a direct route to Toronto that gets me there in time.

CO2 reading of 78
Bus CO2 reading is pretty good, too. (Did I mention Jean was infected in a car?)

It’s the first time I have taken transit since early 2020. Except for a bit of trouble finding the actual Flixbus stop, everything went well. Local bus to Ion to and Flixbus, all stops were close to one another (and to my house)., and all were on time. And no big traffic tie-ups on the way to Toronto, either… We actually arrived early.

Despite the heat warning that is to persist all weekend, I do the half-hour walk to my hotel. So many people on the streets! So many people in the hotel lobby! It’s all a bit mind-bendy after two weeks of studiously avoiding everyone, even my husband.

The hotel room is fairly uninspiring, despite its high cost (cheapest decent hotel we could find; Toronto is not a cheap city normally, and it’s still not quite “normal” times), and slightly high in CO2. Can’t do anything about the price, but I am able to quickly improve the CO2 reading by opening the patio door for a bit, letting in all the steamy, humid air!

But then I have to be off. Juliet, and my sister, await.

I grab some lunch on the way. We mwet up at the Princess of Wales theatre (six air exchanges per hour, MERV14 filters, yes I asked). I soon forgot about all that, though, because we have excellent orchestra seats, and the show is so freakin’ fun!

It’s all music by producer / writer Max Martin, so that means songs by Britney and Katie and Backstreet Boys and Bon Jovi and Kelly Clarkson and even Adam Lambert...! Between that, and the Shakespearean premise, and the themes of girl power, and being your authentic self, and… I don’t know, I was just so entertained. I would see this musical again in a heartbeat.

Then it’s a nice family dinner with my sister, then a call with Jean back at the hotel. His trip is less entertaining than mine, but between naps (hers), his Mom is happy to see him.

Next day

After my hotel patio breakfast, with pigeon companion, I had planned to go to the AGO (Art Gallery of Ontario). But I checked first, and learned that it’s only open on holiday Mondays, not regular Mondays like this one. It’s another steamy day. I decide to just amble up to the Yorkville area, and take in some of its nice shops, plentiful park seating, cafes, and gelato shops.

Meanwhile, my other sister and I are emailing, trying to figure out dinner plans. Rain was threatening later in the day. I came across a list of covered patios, and found that one was near Massey Hall: the Rabbit Hole, and make a reservation there.

Sis and I meet at the hotel, and walk over. I “convince” her that we want to sit outside, despite the steamy heat. After some water, and sitting, it’s not so bad. And hey, we’re in time for “happy hour” $5 glasses of wine! We both settle on fish dishes: mackerel for me, salmon for me. They are really good! And are their nice, light desserts: the lemon posset, and the strawberry rhubarb trifle.

Then over to Massey Hall for Elvis Costello and the Imposters, with special guest Nick Lowe. Rather good seats for this show as well! (And I’ve finally stopped thinking about air exchanges—mostly.) And it all starts quite promptly.

Though I’m not as familiar with Nick Lowe and his oeuvre, he and his band (who did a few familiar instrumentals) were very good. And he did conclude with “Cruel to Be Kind”!

And Elvis Costello was just fab, and far more chatty than he had been when I’d last seen him live, many moons ago. He praised Nick Lowe, reminisced about previous trips to Toronto, mentioned the El Mocambo, talked about his musician father… And he played plenty of old favorites along with some from the new album and few others he just felt like including (Set list). His voice was still good, his band terrific, and his stage presence compelling.

And yes, he played Peace, Love, and Understanding with Nick Lowe

Tuesday I was on the early Flixbus back to Waterloo. And I had it all to myself! (Except the driver. Which is good, because I can’t drive a bus.)

Two days later

Jean back, me still testing negative, we go out with a couple friends to the local Babylon Sisters Wine Bar. It was great to meet with them, and we were very impressed with the venue, both with the interesting wine selections (very flexible on how you can make up a wine flight), and the delicious food (supplied by Little Mushroom Catering).


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Movie night

The world is on fire and I’m feeling a bit overwhelmed. So I’ve decided to write about movies.

The last movies we saw before the theatres shut down were Knives Out and Parasite. Knives Out was a terrific, twisty, murder mystery with an incredible cast. ****

Parasite was last year’s Academy Award winner as Best Picture. In it, a low-income South Korean family con a rich family into gradually hiring each of them. Then things get twisted… ***½

Those are both available for streaming rental now.

Warming up

Since then, we’ve been dubbing one night each weekend “movie night”, making the popcorn, and watching a flick on the TV. Initially, it was an anxious time, we wanted something not too heavy. Eddie Murphy’s Dolemite Is My Name (Netflix) was a great inaugural, telling the story of how failed comic Rudy Ray Moore (a real guy!) reinvented himself and became an unlikely success. Reminded me of The Disaster Artist. ****

Then we tried The Greatest Showman (Netflix), a movie that critics dumped on but audiences loved. Jean was skeptical about a musical based on PT Barnum, but we ended up siding with audiences and enjoying it. *** As we did Shazam (HBO), a humorous superhero movie from the DC Comics universe. ***

Tom Hanks

Was one of the first famous people to come down with coronavirus (remember that?), which somehow inspired us to catch up with a couple of his movies. Sully (cable) told the story of the pilot who landed the plane on the Hudson River, saving all 150 passengers. We hadn’t realized there had been some doubt as to just how heroic his actions were. *** And Charlie Wilson’s War (Netflix) told the rather interesting story of the US’ involvement in supporting Afghanistan rebels in their fight against the Soviets—without ignoring how that all went wrong in the end. ***½

Girls behaving badly

While not viewed in sequential weeks, for whatever reason we seemed to be drawn to movies about women breaking the law. Or maybe it’s just that they’ve making more of these lately? At any rate…

Ocean’s 8 (HBO) is part of the movie franchise that started with George Clooney’s Ocean’s 11. Kind of a trifle, but entertaining. The difference is that the group of eight are all women, and that does add a layer of fun. ***

Molly’s Game (Netflix) was written and directed by Arron Sorkin, so there is a whole lot of smart, fast-paced dialogue in the telling of the story of Molly Bloom, a former champion skier who ran an exclusive poker game for rich people, including some very famous ones. Initially run legally, ultimately it was not, and the movie starts with her legal troubles and flashes back.

Jean liked this one more than I did. It’s definitely an interesting story; my problem was in the great effort to turn Molly into a noble hero, which I didn’t quite buy. ***

Hustlers (Prime) told the story of strip club employees who, after the Wall Street crash, started drugging their clients to lower their inhibitions and get them to spend more than they otherwise would have on booze and women. Definitely behaving badly! But what’s really compelling is the relationship between the women. It’s like friendship porn. And this one, I liked more than Jean did. My score would be ***½.

Arty farty

Have you heard of Tubi? It’s another movie and TV streaming service, only free—ad supported. Very few ads, in my experience, so I wouldn’t let that put you off.

I noticed they had We Need to Talk About Kevin, based on a good but disturbing novel I’d read of the same name, about a woman who decides to have the child her husband wants, but she doesn’t. That it doesn’t turn out well is a bit of an understatement.

I got it in my head that I’d like see how they adapted the novel to film. They didn’t do a bad job of it—Tilda Swinton is very good in the lead—but overall I preferred the novel’s elaboration of the story to the movie’s inevitable compression of it. As for Jean, he might not forgive me for having him watch this. The story haunted him for days afterward. **½

The movie also led Tubi to recommend a whole series of other disturbing movies to me, none of which I would ever watch. To try clean that up, I selected The Lady in the Van as my next Tubi movie. This British film tells of the relationship between an educated homeless woman and a single male writer. It’s pretty enjoyable—Maggie Smith is terrific—but it is based on a true story that wasn’t overly “Hollywood-ized”, leaving the overall narrative arc a little less satisfying. ***

And I don’t know that it’s truly “arty farty”, except that it’s now an older classic, isn’t it? But we watched Saturday Night Fever (Hollywood Suite), the first time either of us had seen it. Since it’s mostly remembered for John Travolta’s disco dancing, the grittiness of it is a bit shocking: the casual use of the n word, the date rape… But it is a movie worth seeing. ***½

The Princess Cinema started offering some streaming movies recently, and in support of them, we rented The Trip to the Greece. It’s the fourth in a series, and we hadn’t seen any of the previous ones, so it was a bit odd to just jump into this one. Not that there’s a whole lot of complex plot to follow, mind. It’s just two guys who take a road trip, banter with each other, see spectacular scenery, and eat great meals.

The banter is often amusing, but very pop culture–driven, and Jean, particularly, often couldn’t get into it as he didn’t know what they were on about. The funnest part was us saying “Bastard!” every time they sat down for another amazing restaurant dinner, the likes of which are not accessible to us right now, of course. **½


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52 candles

Not a particularly significant birthday this year, so I wasn’t thinking too much about it. However, some months ago, when looking to pick a date to go see Sting’s The Last Ship in Toronto, I figured why not pick my birthday weekend.

Then events got built around that. I took the Friday off (to do a whole lot of nothing special—but still better than a work day). And I noticed that the KW Comedy Festival was having their opening gala the Thursday night before, so I got tickets.

I don’t think it was as strong as last year. My favorite act of the first half was Arthur Simeon, originally from Uganda but now living in Toronto. In the second half it was Emily Galati, the only woman featured, along with the headliner, Sean Majunder. The rest of the comedians were a bunch of white guys. And to be fair, one of them, host Derek Seguin, provided the evening’s most hilarious bit, in his description of the challenges of man-scaping.

But overall, it was some absurdist comedy, which is not really my thing, and a lot of jokes about their kids, or about why they don’t have kids—maybe one of the few safe subjects for white guys to joke about these days? But not as effective, for me, as Simeon, Galati, and Majunder’s takes on politics, social media, racism, and sexism. Tricky time to be funny, I guess, but the event would have benefited from more diversity than it had.

Everywhere you go, always take the weather

When we booked our bus to Toronto, we discovered that the Greyhound schedule isn’t as good as it used to be. Not as many buses, and they all have more stops. (This is just annoying. It’s not as though the train service is any better on Saturdays.) There was one bus that would have gotten us there around 10:50, which would have been ideal, but it would have taken three hours. So we went with the one that scheduled to arrive around 11:30, because it was only supposed to take two hours.

I didn’t think the forecasted 2 cm of snow would really affect it, but I was wrong. For one, I think it was somewhat more snow than that. Regardless, it slowed down all the traffic. We clearly weren’t going to make our 12:15 lunch reservation, so I texted my sister about that, and suggested that she could order for us, and we’d aim to arrive by 1:00.

Off the bus, we had trouble finding a cab, so we called an Uber, and initially had trouble finding them, too, but we did connect. Only to find that they had the wrong Holiday Inn listed as the destination, which I needed to change in the app. Which was not as easy to do as one would hope. By the time I finally got it to work (Jean’s suggestion to turn off wifi was key), we were there!

Fortunately, hotel check-in went smoothly, and calling a second Uber to take us to lunch was drama-free. We ate the O&B Canteen at the TIFF Bell Lightbox. A bit pricey for what you got ($19 for a burger?), but everything was very good.

I didn’t know a whole lot about The Last Ship other than that Sting wrote the music (it was not one of those musicals built around an artist’s famous songs), inspired by the ship building heritage of his home town. But it was really good! Strong cast, great singers, and a very moving story. In the first half, I was kind of with the capitalists (“Be realistic! The ship building industry is dying!”) and identifying with the characters who felt they just had to leave the town to secure their futures elsewhere. But by the end of the second half, I was totally with the workers.

We had an hour after the play before our dinner reservation, which gave us time to walk back to the hotel, and stay there briefly before walking to dinner at Buca Yorkville.

That was a fine meal. We started with three kinds of house-cured fish, which were small taste sensations. We added in a nice rosemary foccacia that was served with the most amazing olive oil. As a main, I had chestnut-stuffed ravioli with porcini, that was just fantastic, and a side of Swiss chard.

Buca Yorkville mmmmm!

Jean had the day’s special of uni spaghetti, also good, but not quite as good as the ravioli.

Uni Spagetti (Sea Urchin)

The wine with that was the waiter’s suggestion of an Italian Riesling, which did work well.

For dessert, Jean went with the waiter’s suggestion of the affogato using decaf espresso, and it really was delicious (they make their own ice cream). I also enjoyed the cranberry millefeuilles that I had.

Birthday Girl!

Apart from the candle on the dessert plate, as my birthday bonus I got a takeout of fresh pasta with little containers of olive oil and pepper and little containers of cheese. And instructions on how to cook this into a meal for two. This I did this past Thursday, and it was very nice.

The whole experience somewhat reminded of New York dining: Impeccable service, fantastic food, but no dawdling. One course arrived promptly after another, and we were done by 8:00. Probably because they needed the table for someone else.

Lazing on a Sunday afternoon

After that rather packed Saturday, it was nice not to have anything planned ahead for Sunday, other than our bus back. We had breakfast at Cora, and decided it was better than the Cora we’d tried previously (forget where, but not the one in KW). We then decided to visit the ROM, as they were featuring this year’s winners of the Wildlife Photography contest. That exhibit was terrific, again. The work to get some of those shots!

We then visited the “Treasures of the Earth” exhibit, that I don’t recall having been to before. It featured some beautiful minerals, gems, meteorites, and rocks, and had a section on Canadian mining, in which my home town featured prominently.

Gold from Northern Ontario mines

Since Richmond Station is very difficult to get dinner reservations at, but recently started opening Sundays, we thought we’d try to just go there and see if we could get in for a late lunch. It worked! We got a table.

To start, with shared the duck liver pate—creamy and rich. Then I had the lamb forestiere cavatelli, while Jean had duck two ways. We had a half-glass of sparkling to start with that, then a glass of red each. We were left too full for dessert.

Duck Paté at Richmond Station!

All that was left was to gather our luggage back at the hotel, then get to the station. There was a bit of Uber drama here too, that I won’t get into. But we made it to the station in plenty of time, and that bus was not delayed.


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Sing-along musicals

The KW Symphony recently presented “Sing-Along Musicals”! I got tickets even though Jean is not so big on “singing along”. When I saw the program, I wasn’t so sure how much of that I would be doing, either. South PacificOklahomaThe King and I? Those are some old-timey musicals! Did I even know any of the songs from those?

Turns out I did, at least somewhat. “I’m Going to Wash That Man Right Outta my Hair” has not always been a shampoo jingle, it turns out. Oklahoma includes “Oh What a Beautiful Morning”, “The Surrey with the Fringe on Top”, “ I Can’t Say No”, and “People Will Say We’re in Love”. The King and I has “I Whistle a Happy Tune”, “Getting to Know You”, and “Shall We Dance”. And they projected the lyrics, so you didn’t need those memorized.

sound20of20music20two

The second half got a bit more modern, with “Defying Gravity” (done as a solo, mind you), selections from The Sound of Music, and a surprise encore of “Let It Go” from Frozen. The whole evening was fun, the concert featuring a youth choir, two talented young singers leading the sing-along (when they weren’t solo-ing), and young dancers making an appearance during some numbers. Conductor John Morris Russell, of the Cincinnati Pops, was lively as usual. So Jean enjoyed it also.

It got me thinking, though: What would be my picks if programming a sing-along musicals concert? Excluding any musicals based on the works of great rock and pop artists (such as We Will Rock You, Tommy, American Idiot, Mamma Mia, and Jersey Boys), because that would be cheating. And I guess that also excludes Moulin Rouge, though kudos to Baz Luhrmann for truly re-imagining all those pop songs in that music.

But merely having mentioned Moulin Rouge, I can now include this Virtue and Moir dance video, right?

First up, musicals with multiple great numbers in them, so we could do a bit of a singalong medley with those. In no particular order…

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Hairspray comes to town

Do you like musicals?

Interesting how people often lump all types of “musicals” as being one thing, and categorically answer “yes” or “no” (more often “no”) to that question.

Do I like musicals? Some, very much. Others, not really. Loved Moulin Rouge, Les Miz, Once More With Feeling (Buffy musical), Rocky Horror, Singing in the Rain, Tommy (the play), Hair (the critically drubbed movie), and Grease. Didn’t so much care for Chicago (despite the Oscars), Oklahoma (the play), Tommy (the movie), and Hair (the play).

So wasn’t sure what I’d make of Hairspray, part of the Broadway Series playing at Centre the in Square. Would I be transported, or sighing as yet another song stopped everything dead?

Not having seen the original movie, the movie remake, nor any other version of this play live, I have to say, I thought this was fantastic. (And so did Jean which, trust me, is high praise.) The swing dancing was top-notch and a lot of fun to watch; the very good-natured plot moved along swiftly; the tiny lead actress had a serious set of chops; and many characters—particularly that of the best friend—were just comic gold.

I will recognize that the lead actress was not quite as good a dancer as the part requires, and that a couple of the slower numbers in the second half did seem a little—slow. Overall, however, no matter. I went in sleepy and grumpy and emerged upbeat and smiling. That’s a fine musical in my book.

Up next: the local production of The Producers. [Postscript: Which turned out to be another musical… I didn’t enjoy.]


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Rocky Horror [no Picture] Show

I get invited to plays put on at UW each year. Not exactly sure why I get the invites, but I’m guessing it’s because I donate, and have given my email address. At any rate, this year the performance was a live version of the Rocky Horror Show.

I must say, that was great fun. The story (such as it is), and songs are pretty much exactly like the movie (Rocky Horror Picture Show). But it’s really cool to see it live, and the actors / musicians / makeup and costume people / videographers did a great job. We thoroughly enjoyed it, and would highly recommend it, even if you don’t get to go free (like we did) and don’t get to eat pastries afterward (like we did).

Plus, you’ll be spared the somewhat uncomfortable experience we had in being at a “special” performance full of dignitaries. Who tend to be a little more, uh, aged.

‘Cause sweet transvestites from transsexual Transylvania? A bit of a weird thing to be watching with people who remind you of your grandparents.