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Of food, technology, movies, music, and travel—or whatever else strikes my fancy

Live and on the CBC

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I did watch The Tragically Hip show on CBC television last night. It seemed the thing to do, and I was interested enough. I’m of the age where their music formed the soundtrack of my life, whether I realized it or not. I own only two Tragically Hip albums (Up to Here and Road Apples), yet I knew the chorus of almost every song they played last night.

For any non-Canadians who stumble on this: The Tragically Hip’s lead singer and songwriter Gord Downie has incurable brain cancer. He’s in remission, and the band has done a cross-country tour, ending in their hometown of Kingston last night. National broadcaster CBC interrupted their Olympic coverage to bring the concert to everyone, commercial-free.

There’s been a lot of great writing about this band, and this tour, in Maclean’s, the Globe and Mail, The Washington Post, The New Yorker. I can’t compete. It’s not only that I’m not as good a music writer—though that is true—but also that, familiarity with choruses notwithstanding, I’m not a big enough fan. I could observe that the band were quite good, that they mostly pumped through the songs without a lot banter with the audience (hard to know what to say, one thinks), that Gord Downie restricted his talking to thank you’s and a comment on First Nations people up north, that they did three encores, that the show was about three hours long.

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Gord Downie from an earlier Toronto show as, in a very strange decision, the promoter would not allow official photographers at the Kingston show

But I couldn’t truly get into the emotion of it. I’m not sure why, in all these years, their songs have never really touched my soul. They’re catchy, they’re in a genre I like, the lyrics are smart and highly original.

Maybe it’s simply that, until last night, I had never seen this band live.


Friday night Jean and I went to our first-ever CD release party. No, not our CD (heavens!); Alysha Brilla’s. Alysha Brilla is a local artist with some (not Tragically Hip level) national fame.

She once lived in LA, and was signed to a big recording contract. But she couldn’t fit into that little commercial box they wanted to put her in.

“They wanted me to write songs about going to the club. And picking up guys.” she commented on Friday. “And I’m like, but I don’t go to clubs. I don’t pick up guys.”

So she scampered away from that contract, and set up as an independent artist in Canada. And the only reason most of us have heard of her is the CBC Radio often plays her songs. (See her public love letter to CBC Radio.)

Her music has always been a kind of fusion of jazz / world sounds with a touch of pop, but the latest album, Human, has more Indian influences than her past work. I listened to it on Google Music (and yes, heard a couple tracks on CBC Radio) before picking it up on Friday, but I wasn’t sure about it. It has a lot of spiritual themes (one song is actually called “Spiritual”), it’s all peace and love and changing the world (another song is literally called “Changing the World”).

It’s very granola, you know?

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Music, singer, songwriter, producer, artist Alysha Brilla

But after having seen her perform several tracks live, I’m kind of digging it. For one thing, she’s just such a charmer live—gets you in her corner right from the opening, and keeps you there. She was playing the Jazz Room, which has an unfortunate rectangular shape that is not ideal for live music, and was very full, and pretty hot, and during the 1.5 hour or so wait before she started, we actually pondered leaving.

But I’m glad we didn’t; the show was interactive and so fun. We got the stories behind some of the new songs: “Gender Rollz” was inspired by her time in LA, and the strict modes of behaviour expected of both men and women in the big music industry. “Ahimsa” (which means peace) came to her while on vacation in Kenya. The “Bigger Than That” singalong has great lyrics. And her cover of Amy Winehouse’s “Valerie” was awesome.(“Until Amy Winehouse came along”, she said, “I thought, ‘What hope is there for an olive-skinned weirdo like me?’”) It’s not on the album, but it is on YouTube.

And here’s some more:

Introducing Alysha Brilla (Soundcloud)

 

6 thoughts on “Live and on the CBC

  1. Ah, the gift basket of Canadian delights had the Tragically Hip cd therein. I listen to it periodically, but didn’t realize the groups national importance until reading about it this week. Thanks for the intro to them and to Alysha Brill.

  2. Tragically Hip was new to me, but I’m sure I just saw something about Gord Downie in the New York Times. I’m sad to hear of his illness.

  3. I did not watch the Hip — I watched the Jays game. I’ve never particularly liked the band, and could probably name only one of their songs. So I have to say that Twitter was very alienating on Saturday night. I felt like one of those people who, back in the days before the internet, didn’t have a TV and so hadn’t seen/heard about some major news event that everyone else had and was totally left out of the conversation. I had no idea that they’re supposedly the very embodiment of Canada. Well, better them than Nickelback or Bieber, I guess.

    • It’s not much fun watching a concert when you don’t know most of the songs. I was surprised how many I knew — certainly went beyond the two CDs I have. Must be from back when I still listened to music radio.

      It is true that better them than Bieber or Nickelback to represent Canadian-ness.

  4. Pingback: Sounds of 2016 | Cultureguru's Weblog

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