Women on the brink: “20 Feet from Stardom” and “Game Change”

Comments on two films I recently watched, sans Jean…

Poster: 20 Feet from Stardom20 Feet from Stardom is a documentary profiling backup singers, a group of people I hadn’t given much thought to before—which is what made it interesting. Though a few male backup singers are interviewed, most of the time is devoted to the women who dominate this profession.

What they all have in common is talent. No “weak but interesting” voices here; they all sing with range, power, pitch, and control. So the question is, why are they just supporting the stars?

The answers vary. Darlene Love was long cheated out of stardom by producer Phil Spector, who would not release her performances under her name. The incredible Lisa Fischer had a successful record—even won a Grammy—but ultimately decided she was frankly happier in a supporting role. Many others tried and failed, because of having the wrong look, poor material, lack of promotion… Or just because.

Through their stories, we get the history background singing in pop music from the subdued style of the 1950s to the increasingly expressive 1960s and 1970s (“rock’n’roll saved us”) to its diminishing popularity in more recent years. It’s a reminder of how important those backup vocals are to many of the songs we love, like “Walk on the Wild Side”, “Thriller”, “Young Americans”, “A Little Help from my Friends” (Joe Cocker), and “Gimme Shelter”. (I had the lines “Rape! Murder!” in my head for days afterward, which was somewhat disturbing.)

Stars are also interviewed in the film, including Sting, Bruce Springsteen, and Mick Jagger. But it’s nice to see the spotlight finally turned on the talented performers behind them.

This movie received a 99% positive rating on Rotten Tomatoes.

Poster for Game ChangeI finally got my hands on Game Change, the HBO docu-drama about Sarah Palin’s campaign for the vice-presidency, starring Julianna Moore. It’s somewhat old news now, but maybe it’s best to watch it when Palin is at a low point in her political popularity, because man…Otherwise it would be terrifying.

Admittedly, some scenes may have been slightly exaggerated for dramatic effect, but I did some research, and the essence of what was presented is true. The depth of this woman’s ignorance about the world was astonishing, as though she’d had no historical or geographic education whatsoever.

It’s not an entirely unsympathetic portrayal, either. You do kind of, sometimes, feel bad for her as she struggles to cram in mass numbers of facts in a very limited and very high-pressure time, while being made fun of on SNL. I did find myself rooting for her in the Vice-Presidential debate (which was certainly not the case at the time).

But when on more of an upswing, oh my God, she comes across as arrogant and self-centered and just… entitled and horrible. The way the woman herself often strikes me.

John McCain, by contrast, is given a very sympathetic portrayal throughout. But it’s not really his story anyway.

No longer a current event, but this is still fascinating and well-scripted biopic with a great cast. You get behind the scenes to understand how this could have happened: How someone so unqualified was running to be a heartbeat away from the most powerful office in the world. It’s not the easiest thing for the HBO-less to get, but well worth tracking down.

Movie review: The Way, Way Back

**** The Way, Way Back (July 2013) – Theatre

The Way, Way Back posterSteve Carell, Toni Collette, Liam James. Awkward, introverted 14-year-old Duncan suffers through a summer vacation at a cottage with his mom, her unlikable boyfriend Trent, and Trent’s self-absorbed daughter Steph, until he finds refuge with the employees of a water park, particularly the manager.

She says: I’m sure there are critiques to be made of this movie, but I don’t care, because it’s just such a satisfying journey. The movie isn’t but feels set in the past—Trent drives a vintage station wagon (does anyone really do that?), no one uses a cell phone, and the water park where much of the action takes place is noted for having had no upgrades since the 1970s. Perhaps that’s an homage to the many teen “coming of age during the summer” movies of the past. This one takes a proud place among them. It’s engaging, has a strong cast, and leaves you smiling.

He says: I don’t know if I should say. You get annoyed, sometimes, when I don’t like shows that you do.

Well, they didn’t have to make Trent so unlikable. Duncan would have hated him, regardless.

Yes, sometimes I’m kind of picky.

But bottom line? I liked that movie. I really did.

Movie review: Much Ado About Nothing

***½ Much Ado About Nothing (June 2013) – Theatre

Much Ado About Nothing posterAmy Acker, Alexis Denisof. Shakespeare’s classic comedy in a modern setting.

“I’m bored.” — Text from my husband, just before the movie started.

She says: On a warm summer’s evening, I had proposed an outing of walk in the park, gelato, and movie. He eagerly embraced the proposal—except for the movie. He feared being bored by that.

I was not so concerned. But as noted, the movie is set in modern times, and begins wordlessly. When the characters begin speaking in iambic pentameter, I must say I did find it a bit jarring, as though I was hearing Esperanto without subtitles. But I got into the flow of the language pretty quickly, and was fine thereafter. A lot of the comedy is physical, as well, which helps it along.

Overall, I found it very enjoyable. It’s very funny where it’s supposed to be, throughout. The dramatic moments are suitably so. The inserted backstory of Beatrice and Benedict adds interest. And it is fun seeing some of Joss Whedon’s favorite TV actors again: Topher! (from Dollhouse, as Claudio), Fred! (from Angel, as Beatrice), Captain Reynolds! (from Firefly, as Dogberry).

Don’t fear the Shakespeare.

He says: OK, it wasn’t totally boring. Nathan Fillion was really good—really funny.

Movie review: Before Midnight

**½ Before Midnight (May 2013) – Theatre

Before Midnight posterEthan Hawk, Julie Delpy. Third in the series of movies featuring one day in the life of this couple. They are now in their early 40s and struggling with the stresses of children and ex’s.

He says: Whatever you do, don’t say I liked that movie.

She says: So, he did not like that movie. But it wasn’t because he found it boring, or badly written, or unrealistic. It wasn’t a quality problem.

It was that Céline drove him nuts.

He says: God! She was so irritating!

She says: It’s true; Céline was really irritating. See, in this installment, the couple spends an awful lot of time arguing. And I must admit that I also found myself more often taking Jesse’s side. Céline often did seem over-dramatic, stubborn, unfair… even mean.

But these are movies of talking. And she would have her moments of being to explain why she was responding as she was. The strain of having to deal with their infant twins while he was on book tour. The feeling that she had to take on more of the burden of care. And she’d kind of win me back. (And maybe someone with kids would be more on her side in the first place… I dunno.)

Overall, there’s no way for this one to be quite as enjoyable as the first two, which involved falling in love, then reconnecting. Staying together is just a more difficult theme. But it is explored effectively in this movie, if you’re brave enough to go there. And Greece does look really lovely in it…

Movie review: 21 Jump Street

*** 21 Jump Street (May 2012) – Rental

21 Jump Street posterJonah Hill, Channing Tatum. Two rookie police officers get assigned to go undercover as high school students to find the source of new dangerous drug.

She says: This is one of the stupid comedies that works, partly because it’s not totally stupid. It is far-fetched, but it’s hard not to enjoy the self-reflexive in-jokes and some inspired guest casting. And the premise that what is cool at high school today—environmental consciousness, sensitivity to gay rights, earnestness—is very different from what was cool ten years ago feels kind of true (though how the heck would I know, at my age) and definitely makes for some funny moments. Was is it with American movies and the idolizing of male friendships, though? Wow…

He says: You liked that? It was kind of stupid, wasn’t it?

[She adds: And y’all think I’m the movie snob…]

Movie review: Star Trek Into Darkness

Once in a while we go see a blockbuster…

Star Trek Into Darkness poster*** Star Trek Into Darkness (May 2013) – Theatre

Chris Pine, Zachary Quinto, Zoe Saldana. The second movie in the Star Trek reboo. The Federation itself is attacked, and the Enterprise is sent on a mission of vengeance that doesn’t sit well with all the crew.

She says: Not quite as good as the first in this series, I don’t think, but I still enjoyed this outing. The characters, plotting, and ethical issues are richer than in many action movies, making it more enjoyable to me—even though at least one plot twist was just too easy to guess, kinda ruining one dramatic moment for me (though I won’t spoil it, regardless). I still find it funny that much of the action in this a sci fi series just involves fisticuffs—shouldn’t there be light sabers or something? :-)—but I guess that’s an homage to the original Star Trek.

As for the change from the original in how the villain was handled; well, I don’t remember at all what the original story was (although I know I saw that movie, but it’s been years), so gotta say that it didn’t bother me in the least.

He says: That was good; I enjoyed it. It wasn’t terribly intellectual or anything, but it kept me entertained.

Movie reviews: The Sapphires and My Idiot Brother

Both these movies are comedic, and built around family dynamics.

The Sapphires poster

***½ The Sapphires (March 2013) – Theatre

Chris O’Dowd, Deborah Mailmen, Jessica Mauboy. A group of singing Australian aboriginal sisters are discovered by British talent scout who encourages them to sing R&B, and gets them a gig in Vietnam.

She says: The setting of this movie in the 60s give it a certain cool factor (oh, the fashion!) and the location of Vietnam gives it real thrills at times (oh, the bombs!). But the core is three sisters and their once-estranged cousin dealing with the legacy of racism that has left them scarred, but also able to access and convey the pain and fight in R&B music, just as their new British manager insists.

Loosely based on a true story, the movie features love stories, great musical interludes, and a lot of comedy with a good dash of drama. It’s an independent film that’s well worth seeking out.

He says: OK, now I’m glad you brought me to the movies! That was really enjoyable. I’m not sure which sister was my favorite character, but that Julie sure had quite the voice.

Our Idiot Brother movie poster

*** Our Idiot Brother (August 2011) – Rental

Paul Rudd, Zoe Deschanel, Emily Mortimer. Ned is a good guy, but his innate trust of others sometimes lands him in trouble, even jail. His sisters take turns housing him in his time of need, and find him disrupting their lives.

She says: Ned is not really an idiot, but the fact he insists on trusting other people despite getting burned does put him in contrast with his three sisters’ approach to life. This is a strong cast, and it’s fun watching them interact as Ned’s natural openness tears open information they would prefer be kept secret. It’s not a wildly inventive movie, but there are worse ways to spend your time.

He says: Entertaining enough, though some of the situations got kind of uncomfortable. (And sometimes he was a bit of an idiot.)

Movie review: Silver Linings Playbook

We did not see too many of the Oscar-nominated movies this year, but can now add another to the list.

Silver Linings Playbook poster

***½ Silver Linings Playbook (April 2013) – Theatre

Bradley Cooper, Jennifer Lawrence. Pat Solatano leaves the mental hospital he entered on a plea bargain with a determination to rebuild his life with his wife. The slightly unstable Tiffany offers to help, if he’ll do something for her.

She says: This movie works by putting a new spin on the romantic comedy. With both lead characters dealing with some degree of mental illness, and one still married, the barriers are real. The movie also feels more real than your average rom-com: The mental illness, the family dynamics, are not always pretty, not always comfortable.

Both Bradley Cooper and Jennifer Lawrence are very good in their roles, and they’re surrounded by quite the cast, including Robert DeNiro and Julia Stiles. The dark moments are effectively balanced with humorous, and I love movies that include great scenes about learning to dance! I went in not knowing too much about this one, despite its acclaim, and came out quite the fan.

[I have to preface this part by saying that I gave Jean a very poor (and not so accurate) synopsis of what this movie was about. And he hadn’t heard anything else about it.]

He says: God, I liked that so much more than I was expecting! It was kind of sexy, in a weird way (for a movie with no sex), and had good acting, with an interesting relationship and story. It was actually a really good movie!

Movie review: Secret Things

Secret Things poster*** Secret Things (April 2003) – Rental

Coralie Revel, Sabrina Seyvecou. Two young women band together to use their powers of seduction to take advantage of a wealthy, powerful man. Only to find the tables turn…

She says: By the time zip.ca sent this to me, I had no recollection of why I’d added it to my zip list, except for a fuzzy idea that Roger Ebert might have covered it. Reading the description on the envelope, I was expecting it to be kind of trashy, and kind of bad. But hopefully in a fun way.

And it did open on a big, erotic strip tease. But overall, it really wasn’t that trashy. It was definitely aspiring to be kind of arty, with all this religious and other symbolism. And despite all the nudity (attractive people of both sexes), it wasn’t all that sexy, either.

Also, it was French (with subtitles, though the translations weren’t always quite spot on). Another thing I wasn’t expecting.

But overall, I found it pretty interesting. A story of people using each other in often cruel ways, it wouldn’t be everyone’s cup of tea. But I didn’t mind it at all, despite it being nothing like what I was expecting.

He says: Definitely more arty than trashy. Pretty girls, but not a very sexy movie. But yeah, it held my interest. Not a bad movie at all.

Movie review: Side Effects

*** Side Effects (February 2013) – Theatre

Side Effects movie poster

Rooney Mara, Jude Law, Catherine Zeta-Jones. Twisty story featuring a young woman with depression, her husband released from prison after serving his sentence for insider trading, and the woman’s current and former psychologists.

She says: I never could guess where this one was going, as the power and viewpoint shifted from one character to another. The side effects of the title refer to the fact that all the medications the young woman takes to manage her depression have side effects, and one in particular gets the plot moving through its disturbing paces.

I don’t want to say too much as the whole fun of this movie is watching the elaborate plot unfold, but it struck me in particular how the story says your sympathies should shift from one character to another as secrets are revealed, that doesn’t quite happen. Instead, you really end up sympathetic to no one, just shaking your head at how people can be.

He says: OK, yes, that was enough plot. And no, I didn’t guess how it would go. It was just mind-bending following all that.