Cultureguru's Weblog

Of food, technology, movies, music, and travel—or whatever else strikes my fancy


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About that new normal

Things are tentatively reopening in Ontario—parks (not for camping yet), stores (but not the ones in malls), some medical and veterinary procedures (excluding dentists and optometrists).

But Ontario simply hasn’t been testing enough. So we just don’t know what the real levels of community spread are. The only certain thing, at least in my part of Ontario, is that there is some.

So you really have to do your own risk assessment to determine what newly possible activities you want to take advantage of. The blog post The Risks – Know Them – Avoid Them has been really influential, with a lot of newspaper articles covering similar points. What’s the gist?

Successful infection = Exposure * Time.

The worst cases occur with a group of people close together indoors in a building with poor ventilation who are speaking loudly (or singing) and sharing food. So it’s safer to be outdoors, and when indoors, best to be able to keep some distance from others, and not stay too long.

This means that some activities that many of us have been worried about—because it’s the only ones we privileged types have been going out to do—aren’t actually that much of a risk. Walking (or riding or jogging) past people outside, even if it’s a bit less than six feet away—is not that risky because the interaction is so brief and the virus doesn’t transmit that well in open air.

Going to the grocery store? Also not that bad, because you’re not there that long, the number of people is restricted such that it’s not crowded, and you’re moving around fairly quickly past different people. Plus with the lone shopping, not so much talking going on. Wearing a mask is a nice gesture also, mostly to protect the store workers from you.

So it will be with other stores that can now open but with restricted occupancy. Plan what you want to buy there, get it efficiently while keeping space, then get out. Wash your hands, and wash them again after unpackaging whatever you bought. (And wash your mask if you wore one.)

Odds are you’re going to be all right.

Working 9 to 5

But what about working in our own offices for 8 to 9 hours a day?

I would note that I have not been asked to do this, so this is merely hypothetical musing.

Atul Gawande, in the New Yorker, notes that hospitals have done a pretty good job of preventing spread among healthcare workers there, and wonders if some of there approaches can be adapted to other workplaces: Amid the Coronavirus Crisis, a Regimen for Reentry. The four-point plan is basically:

  1. Employee screening, with orders to stay home if you’re sick

Gawande notes the issue with relying on temperature checks only: Apart from the fact that some with the disease never do develop a high fever, for those that do, the onset is typically later than with other, milder symptoms. So you really want people with scratchy throats or body aches staying away, even if they’re fever-free. That would need to be made clear.

2. Frequent hand washing

Great, as long as there is copious hand sanitizer about. Otherwise, there would be serious sink lineups happening.

3. Keep distance between employees as much as possible

Definitely a challenge in my office, which (like many) has gone for cramming more cubicles into less space, and even some “banquet table” style seating (side by side and facing, with no separation at all). Many of us having standing desks that put us above divider height (as lower dividers were installed to encourage collaboration). Is it possible to rearrange everything to actually seat everyone six feet apart, with higher dividers? Dunno.

4. Wear masks

Yeah, it’s one thing to wear a mask for a brief shopping trip or transit ride, but quite another to wear one for most of an 8-hour work day. Yes, healthcare workers do, and thank you to them: I’ve seen the photos of how uncomfortable that is. But surgical masks, at least, are better masks than the ones we can get (per the Gawande article); less hot, more breathable.

Furthermore, what about my drinking habit? Seriously, at work, I drink all day long. First coffee…

Then water, then maybe a tea, a decaf, some more water… I think it somewhat defeats the purpose if you’re constantly taking the mask off and on (and so is everyone else). But working dehydrated and with a caffeine headache, with a sweaty face and foggy glasses, does not sound like a recipe for great productivity. (And what about lunch? My afternoon snack?)

So I think some thought needs to be given as to the purpose of actually returning to work at the office.

Environmental factors

For me, though I’m slowly working on it, it’s still true that my office setup is more ergonomic than my home one; my desk there is just better For some people, home might not be a particular good workspace due to noise, pets, lighting, other family members, etc. For those purposes, it could make sense to allow a certain percentage to work at the office each day, as potentially the numbers could be kept low enough that spacing is fairly easy and masks less necessary.

Social factors

Seeing people, and the ease of talking to them. Team building. Building culture. All being missed, but how easy to get back?

You can’t be cramming people into small meeting rooms to have discussions like we used to. We can’t have fitness classes with the previous numbers of attendees. The communal kitchen is a bit of a hazard. Coffee machines might be have to be disabled, so more chats there. Going over to talk to someone might be less welcomed. We can’t open windows. Outside meetings could be nice in July, less so in January. The elevator could become a scary space. Also, the bathroom.

Basically, it’s hard to build warm and fuzzy feelings toward your coworkers when they seem like disease vectors.

And what about leisure activities

The Saturday Globe and Mail featured a list of 46 changes they predicted for the post-pandemic world. (Most of these items are not available online, I’m finding—so no links for you.) I didn’t find it too depressing til I got to the Arts section. (Whereas, the point that flying might not be that fun—or cheap? Not exactly new, right? And at least we might finally get more space.)

But it wasn’t the one about rock concerts likely moving toward smaller venues with sky-high ticket prices. For one thing, there aren’t that many bands still on my “must-see” list. For another, if I did feel I could indulge in such an experience, it could be kind of cool. The article also postulated a cheaper streaming option might be available—which doesn’t sound bad.

And the one claiming that movie theatres would only play blockbusters seemed doubtful. Wouldn’t your little art movies, attracting only the smaller crowds you want, be more feasible?

No, it was the one about theatres moving more to one-act plays, because:

a) They’re cheaper, so the crowd can be smaller

b) Makes it way easier for the actors to keep distance than in a big musical

But not because of plays themselves, which I don’t go to that often anyway.

It’s that it made me think about symphonies.

By their nature, that’s a whole lot of musicians crowded together, some of them playing wind instruments. (Which sometimes need to be cleared of spittle mid-concert, as I recall.) Let alone when it’s a special show with singers or dancers or trapeze artists, or what have you.

And how close the audience seats are? And the crowded lobbies before? And the bathroom lineups? How do you get this to work?

This might not be feasible

Is it viable for a symphony to play with the musicians spaced apart on the stage, to a 25% capacity house, if that’s what’s needed?

I’m doubtful. And it makes me really sad.


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52 candles

Not a particularly significant birthday this year, so I wasn’t thinking too much about it. However, some months ago, when looking to pick a date to go see Sting’s The Last Ship in Toronto, I figured why not pick my birthday weekend.

Then events got built around that. I took the Friday off (to do a whole lot of nothing special—but still better than a work day). And I noticed that the KW Comedy Festival was having their opening gala the Thursday night before, so I got tickets.

I don’t think it was as strong as last year. My favorite act of the first half was Arthur Simeon, originally from Uganda but now living in Toronto. In the second half it was Emily Galati, the only woman featured, along with the headliner, Sean Majunder. The rest of the comedians were a bunch of white guys. And to be fair, one of them, host Derek Seguin, provided the evening’s most hilarious bit, in his description of the challenges of man-scaping.

But overall, it was some absurdist comedy, which is not really my thing, and a lot of jokes about their kids, or about why they don’t have kids—maybe one of the few safe subjects for white guys to joke about these days? But not as effective, for me, as Simeon, Galati, and Majunder’s takes on politics, social media, racism, and sexism. Tricky time to be funny, I guess, but the event would have benefited from more diversity than it had.

Everywhere you go, always take the weather

When we booked our bus to Toronto, we discovered that the Greyhound schedule isn’t as good as it used to be. Not as many buses, and they all have more stops. (This is just annoying. It’s not as though the train service is any better on Saturdays.) There was one bus that would have gotten us there around 10:50, which would have been ideal, but it would have taken three hours. So we went with the one that scheduled to arrive around 11:30, because it was only supposed to take two hours.

I didn’t think the forecasted 2 cm of snow would really affect it, but I was wrong. For one, I think it was somewhat more snow than that. Regardless, it slowed down all the traffic. We clearly weren’t going to make our 12:15 lunch reservation, so I texted my sister about that, and suggested that she could order for us, and we’d aim to arrive by 1:00.

Off the bus, we had trouble finding a cab, so we called an Uber, and initially had trouble finding them, too, but we did connect. Only to find that they had the wrong Holiday Inn listed as the destination, which I needed to change in the app. Which was not as easy to do as one would hope. By the time I finally got it to work (Jean’s suggestion to turn off wifi was key), we were there!

Fortunately, hotel check-in went smoothly, and calling a second Uber to take us to lunch was drama-free. We ate the O&B Canteen at the TIFF Bell Lightbox. A bit pricey for what you got ($19 for a burger?), but everything was very good.

I didn’t know a whole lot about The Last Ship other than that Sting wrote the music (it was not one of those musicals built around an artist’s famous songs), inspired by the ship building heritage of his home town. But it was really good! Strong cast, great singers, and a very moving story. In the first half, I was kind of with the capitalists (“Be realistic! The ship building industry is dying!”) and identifying with the characters who felt they just had to leave the town to secure their futures elsewhere. But by the end of the second half, I was totally with the workers.

We had an hour after the play before our dinner reservation, which gave us time to walk back to the hotel, and stay there briefly before walking to dinner at Buca Yorkville.

That was a fine meal. We started with three kinds of house-cured fish, which were small taste sensations. We added in a nice rosemary foccacia that was served with the most amazing olive oil. As a main, I had chestnut-stuffed ravioli with porcini, that was just fantastic, and a side of Swiss chard.

Buca Yorkville mmmmm!

Jean had the day’s special of uni spaghetti, also good, but not quite as good as the ravioli.

Uni Spagetti (Sea Urchin)

The wine with that was the waiter’s suggestion of an Italian Riesling, which did work well.

For dessert, Jean went with the waiter’s suggestion of the affogato using decaf espresso, and it really was delicious (they make their own ice cream). I also enjoyed the cranberry millefeuilles that I had.

Birthday Girl!

Apart from the candle on the dessert plate, as my birthday bonus I got a takeout of fresh pasta with little containers of olive oil and pepper and little containers of cheese. And instructions on how to cook this into a meal for two. This I did this past Thursday, and it was very nice.

The whole experience somewhat reminded of New York dining: Impeccable service, fantastic food, but no dawdling. One course arrived promptly after another, and we were done by 8:00. Probably because they needed the table for someone else.

Lazing on a Sunday afternoon

After that rather packed Saturday, it was nice not to have anything planned ahead for Sunday, other than our bus back. We had breakfast at Cora, and decided it was better than the Cora we’d tried previously (forget where, but not the one in KW). We then decided to visit the ROM, as they were featuring this year’s winners of the Wildlife Photography contest. That exhibit was terrific, again. The work to get some of those shots!

We then visited the “Treasures of the Earth” exhibit, that I don’t recall having been to before. It featured some beautiful minerals, gems, meteorites, and rocks, and had a section on Canadian mining, in which my home town featured prominently.

Gold from Northern Ontario mines

Since Richmond Station is very difficult to get dinner reservations at, but recently started opening Sundays, we thought we’d try to just go there and see if we could get in for a late lunch. It worked! We got a table.

To start, with shared the duck liver pate—creamy and rich. Then I had the lamb forestiere cavatelli, while Jean had duck two ways. We had a half-glass of sparkling to start with that, then a glass of red each. We were left too full for dessert.

Duck Paté at Richmond Station!

All that was left was to gather our luggage back at the hotel, then get to the station. There was a bit of Uber drama here too, that I won’t get into. But we made it to the station in plenty of time, and that bus was not delayed.


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Discombobulated (or at least discomfited)

Been a bit quiet on my blogging front lately, but not for any major reason. Just that things have been a bit off—just off enough to prevent me from focusing on a blog post.

Canoe trip

Not mine, of course—Jean’s. He was away for two weeks in the northwest Ontario wilderness. No wifi. No cell service. Just a brief, one-way, satellite-delivered daily message giving location and brief status update.

Away from it all at Wabakimi Park

By a combination of organization and happenstance, I had enough activities booked at that time to keep me busy and stave off loneliness: barbecue with dance friends, dinner and lunch with other friends, an outing to Stratford with my sister and brother-in-law to see To Kill a Mockingbird, blood donation appointment, Canada Day fireworks, even an unusual number of meetings at work, including some over lunch and dinner.

But it was still all out of the ordinary: Jean being not only away but basically out of touch (I think “out of touch” is just harder to deal with in these days, when we expect everyone to always be in cell range), combined with so many other social activities.

I wonder if I’ve been changed in the night. Let me think. Was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I’m not the same, the next question is ‘Who in the world am I?’ Ah, that’s the great puzzle!

— Alice, Alice in Wonderland

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Sometimes political art

Concerts, plays, stand-up, and movies are sometimes an escape from current events, sometimes a reflection of it.

Beethoven 9 / Mijidwewinan

The two final concerts of the KW Symphony’s season, featuring new conductor, Andrei Feher, were both sellouts. The draw, besides Feher himself, was the performance of Beethoven’s Symphony No. 9 in D minor, a choral piece better known as the Ode to Joy. It’s always a worry, when facing a 65-minute symphonic live performance: Will my pop-music brain be able to stay focused for that long?

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Sing-along musicals

The KW Symphony recently presented “Sing-Along Musicals”! I got tickets even though Jean is not so big on “singing along”. When I saw the program, I wasn’t so sure how much of that I would be doing, either. South PacificOklahomaThe King and I? Those are some old-timey musicals! Did I even know any of the songs from those?

Turns out I did, at least somewhat. “I’m Going to Wash That Man Right Outta my Hair” has not always been a shampoo jingle, it turns out. Oklahoma includes “Oh What a Beautiful Morning”, “The Surrey with the Fringe on Top”, “ I Can’t Say No”, and “People Will Say We’re in Love”. The King and I has “I Whistle a Happy Tune”, “Getting to Know You”, and “Shall We Dance”. And they projected the lyrics, so you didn’t need those memorized.

sound20of20music20two

The second half got a bit more modern, with “Defying Gravity” (done as a solo, mind you), selections from The Sound of Music, and a surprise encore of “Let It Go” from Frozen. The whole evening was fun, the concert featuring a youth choir, two talented young singers leading the sing-along (when they weren’t solo-ing), and young dancers making an appearance during some numbers. Conductor John Morris Russell, of the Cincinnati Pops, was lively as usual. So Jean enjoyed it also.

It got me thinking, though: What would be my picks if programming a sing-along musicals concert? Excluding any musicals based on the works of great rock and pop artists (such as We Will Rock You, Tommy, American Idiot, Mamma Mia, and Jersey Boys), because that would be cheating. And I guess that also excludes Moulin Rouge, though kudos to Baz Luhrmann for truly re-imagining all those pop songs in that music.

But merely having mentioned Moulin Rouge, I can now include this Virtue and Moir dance video, right?

First up, musicals with multiple great numbers in them, so we could do a bit of a singalong medley with those. In no particular order…

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Rocky Horror [no Picture] Show

I get invited to plays put on at UW each year. Not exactly sure why I get the invites, but I’m guessing it’s because I donate, and have given my email address. At any rate, this year the performance was a live version of the Rocky Horror Show.

I must say, that was great fun. The story (such as it is), and songs are pretty much exactly like the movie (Rocky Horror Picture Show). But it’s really cool to see it live, and the actors / musicians / makeup and costume people / videographers did a great job. We thoroughly enjoyed it, and would highly recommend it, even if you don’t get to go free (like we did) and don’t get to eat pastries afterward (like we did).

Plus, you’ll be spared the somewhat uncomfortable experience we had in being at a “special” performance full of dignitaries. Who tend to be a little more, uh, aged.

‘Cause sweet transvestites from transsexual Transylvania? A bit of a weird thing to be watching with people who remind you of your grandparents.