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Skating’s greatest hits

The KW Symphony’s intersections series was about combining orchestra and… something else. Physics. Fiddling. Food. Heavy Metal. Though Friday’s concert was not part of that series (sadly not offered this year), it was still of that ilk. The partner this time was figure skating.

cover_kurt-browning-bea9d304There was no way I was missing this one. Particularly as it was being hosted by three-time world champion, first man to ever land a quadruple jump in competition, Kurt Browning.

Jean was considerably less enthused about attending.

If wondering, no, they did not somehow bring an ice rink into Centre in the Square, not have the symphony decamp to play at a hockey arena. Instead, most of the skating seen on video.

After an opening performance of An American in Paris, our celebrity host explained that while music was incredibly important in figure skating, it had to go through a certain amount of mangling to fit the sport’s requirements: Cropped to fit into the time constraints. Tempo adjusted to match the tricks. Bit recombined to create certain moods.

This meant that when the symphony played the soundtrack to a video of Browning’s world championship performance of Casablanca, they couldn’t just the pull out the sheet music for “As Time Goes By”. Instead, the conductor had to write a new orchestral score for the Frankenstein version of that piece that Browning skated to.

It was gorgeous.


Example of Cranston’s art

Browning was so moved by it, he barely knew what was on next, so conductor Lucas Waldin stepped in to explain that it was a tribute to Toller Cranston (who apparently pioneered this whole orchestra / figure skating idea), featuring selections from the ballet Gayane.  This time, the screens showed scenes of Toller’s amazing paintings and decor before showing his Sabre Dance skate with live orchestra. Just fab.

Given the chance to recover, Browning emerged to point out that while artistic, figure skating is still a sporting competition with some serious rivalries over the years. The Symphony played Sing Sing Sing while we saw clips from the battle of the Brians, the battle of the Carmens (though they didn’t mention that both were defeated by Canuck Liz Manley), Tonya Harding vs. Nancy Kerrigan (remember that?), Virtue/Moir vs. Davis/White, and so on.

We then moved on to a montage tribute to skaters past, when they had to skate outdoors (!), and future, in the form of the youngsters at the KW Skating Club. And Kurt Browning introduced Don Jackson, 1962 World Figure Skating Champion, who was in the audience. Cool! Oh, and the tune played for that piece was Tchaikovsky’s Swan Lake.

The next bit seemed to be interrupted by a badly timed cell phone call—only it was Kurt Browning’s phone, and on the line was Olympic Bronze medallist Joannie Rochette. (Seriously.) She talked about she managed to get through that Olympic performance just days after her mother died. Then the symphony played La cumparsita to a video of it. (Using a few stills so as to not have to cut the piece down to exactly 4 minutes.)

YouTube of Rochette’s Olympic performance from European TV

Kurt then dragged out a collection of his costumes from over the years, selecting a purple velvet hat and robe for conductor Lucas Waldin to wear. We then got a montage of some of the more interesting sartorial choices figure skaters had made (admittedly, many from gala and not competition pieces), to selections from Mel Brooks’ The Producers.

Kurt emerged in his Singin’ in the Rain outfit, and we got a singer! And tap dancer, it turned out: Mr. Geoffrey Tyler. With all that going on live, this song was not played to video footage of that famous skating piece. Instead, via roller blades, we got some live Kurt Browning skating! And the first standing ovation of the night.

The video we didn’t see of Singing in the Rain

At intermission, Jean said we very pleased about high entertainment value of the evening so far.

And he was not being sarcastic!

The second half kicked off with the Symphony playing Phantom of the Opera, on their own. Kurt came out to discuss the fact that many skaters tried to skate to that piece—but none had really succeeded in achieving an iconic performance with it. Too big a song, perhaps, for the white, bright, bare stage of figure skating competition.

Singer Tyler returned to perform What a Wonderiful World, a show piece of Kurt Browning’s. Tyler also talked about how he’s worked with figure skaters. on the dramatic aspects of their performance, on connecting emotionally. We then did a bit of a 180 into an Abba medley (though Abba sounds great orchestrated!), highlighting scenes from the world of professional figure skating.

And then, the hauntingly beautiful Mahler piece, Adagietto from Symphony No. 5. Conductor and Browning discussed how only very special skaters could do it justice. Katerina Gordeeva was one; she skated it solo as a tribute to her partner, Sergei Gringov, after his sudden death.

Ekaterina Gordeeva 1996 Celebration of Life / Mahler – Symphony No. 5 (Serguei Grinkov Tribute)

Another were Tessa Virtue and Scott Moir, who won Gold with it at the Vancouver Olympics. The video played to this beautiful piece wasn’t either of those performance in their entirety, but compilations of them along with some from Jamie Sale and David Pelletier, who didn’t use the music (that I know of) but certainly brought emotion and drama to their pairs performances.

The next piece didn’t need, and therefore didn’t get, video accompaniment: Ravel’s Bolero, forever synonymous with Torville and Dean. Though Browning informed that Carolina Kotsner is one of the few who has successfully skated to the piece since that team’s perfect performance.

Our finale was the theme of the Vancouver Olympics, I Believe, featuring the adorable singers of the Grand Philharmonic Children’s Choir. And then they gave us an encore! (Note: This is rare at the symphony.) Conducted by Kurt! The Toreador Song.

As a figure skating fan, I was thrilled to bits with the evening.

As a non-figure skating fan, Jean declared that he glad he had been “dragged out” to this performance. (Again, not sarcastically.)

It was a great intersection.

(Thanks to Skate Canada for all the footage they provided they provided for the show. Much higher quality than what you can find on YouTube…)

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To the late night, double feature, picture show

Rocky Horror Picture Show and I go way back.

I read about the movie years before I actually saw it. In my small, Northern Ontario town back in the day, there were no late-night (or any time) showings, but I read about them in the rock magazines. I recall being quite taken by the photos of Tim Curry in his fishnets. (I later learned that many women found themselves surprised by how much they were taken by Tim Curry in his fishnets.)


Attending the film itself had to wait until I went to university in Montreal.  The McGill Film Society showed it and my friends and I were there, armed with newspapers and rice, but not in costume. The audience was a mix of newbies and, fortunately, some veterans who knew what you were supposed to shout at the screen when. I wasn’t entirely sure if the movie was good (so campy!), but I found the whole experience fun.

2016-08-16 20_51_21-rocky horror picture show audience - Google Search

Not the performance I was at–back then we didn’t take pictures of everything…

I never did become a regular screening attendee, but I’ve certainly seen the movie a number of times since then. Our local repertory cinema still plays it every year at Halloween. Jean and I attended with friends at least once. We hadn’t planned for enough ahead to get fully costumed as any character, but I did aim for a sort of Goth look. (And I believe that Jean eccentrically went as a clown.)

Since then, I’ve seen Rocky Horror on network TV, purchased and devoured the DVD–including all extras–saw a very fun live performance of it courtesy of the University of Waterloo drama department (being a performance for alumni and faculty, that was a different audience than previous), and even checked out the TMN parody (more nudity, but much less gay).

So when I read that JM Drama Productions had another local version on this past weekend, it was an easy to decision to go.

Most appropriately, we had to run through heavy rain to get to the theatre, where we were confronted by a number of scantily clad Goth types. Rocky Horror is always a sexy beast, but this production really laid that on thick, aided by the many very attractive young actors cast. For instance, Janet starting panting the minute she saw Dr. Frank (and who can blame her), and the choreography ensured that you didn’t miss any of the double entendres in the lyrics.


The JM Drama cast; picture from The Waterloo Region Record

JM Drama is community theatre, so their budgets were small. But their costumes and makeup were top-notch, and they were very creative about the props and sets. The vocals weren’t always great; but then, that’s not as important for this particular musical. (It’s hardly Les Miz.) Fortunately, some of the best singing was done by lead Dr. Frank, who gave an excellent, charismatic performance.

Appropriately, there was some gender-bending within the casting. Both the narrator and Dr. Scott were played by women, and why not? It even allowed for some fun Frank / Dr. Scott flirtation. And Magenta was played by the absolutely fabulous David Cho.

Overall, the whole thing was a hoot (to quote Jean’s post-show assessment). Of course, with a live production, the audience couildn’t (and didn’t) yell back or throw any projectiles. But, they did invite everyone on stage at the end for a reprise of “The Time Warp.” Jean promptly sat back in his chair, but I went for it! And yay me, as I got to dance near the two hunkiest members of the cast, Rocky immediately to my right and Frank directly in front. (Which is why Jean didn’t manage to get a picture; the actor playing Frank was very tall.)

This isn’t the kind of play that’s meant to be contemplated on too deeply, but this production gave rise to some thoughts:

  • They weren’t nearly as clear on the difference between transsexuals, transvestites, and bisexuals back when this was written as we are now, eh?
  • All that stuff we used to yell at the screen? “Slut!” “The f word for gay!” That would just be uncomfortable now.
  • Is there supposed to be some sort of lesson here, and if so, what is it? Frank is very cool but really the villain, and he doesn’t win in the end. But what of Brad and Janet? Is it good for them that they let loose? They were so uptight at first, but seem so traumatized at the end.

Eh. Too serious. It’s just a jump to the left. And a step to the right.

See you back here after I watch Fox’s Rocky Horror reboot on TV, coming up in October.

Trailer for the new Rocky Horror Picture Show on Fox

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New year’s eve in Berlin

No, not that Berlin. (Though stay tuned on that score.)

We didn’t have any New Year’s Eve plans until mere days before. Still kind of in mourning for Verses New Year’s, nothing else seemed to be working out. Langdon Hall sold out ages ago. Solé’s menu didn’t look that interesting. The meal at the club where our ballroom dance friends were going seemed even less enticing.

12362206_548974178612796_1918227964_nBut a new restaurant named The Berlin, by a former Langdon Hall chef, opened on December 21. And on December 26, they tweeted that they would be doing a New Year’s Eve dinner. Though just announced, already the only times available were 5:00, 5:30… Then 9:00 or later.

Apparently, many people were just waiting for the right dinner to appear. (We went with 9:00.)

The Berlin has a nice room, but it was packed that evening, and just the proximity of so many neighbours did make it a bit loud. And, unsurprisingly for a restaurant so newly opened, there were a few glitches in the service.

But the food, though.

On offer was a four-course menu with four or five choices at each stop, for $75. Optional wine pairings were an additional $45.

Jean started with a poached egg item, while I was intrigued by smoked roasted beets with sour cream, bread crumbs, and herbs. I don’t know how you smoke beets, but oh my God, were they delicious (as long as you like beets, I guess).

Smoked Beets! Great Dish ... yes both!

Suddenly, I don’t care so much about the noise

In one service glitch, the food arrived before our matching wines. But once notified, the Sommelier came over and apologized, and poured us each a sparkling wine: a fine champagne rosé for me and an even better brut reserva for Jean (which, by the bottle, was half the price of mine, by the way).

For the appetizer course, we did that rare thing of both ordering the same item: Potted duck leg with duck liver parfait, and apple chutney. Fortunately, it was divine. And served with a really intriguing, off-dry Niagara Chenin Blanc from Big Head winery. We did get that before the food, and had to resist drinking it all ahead of time.

Duck in a pot ... lovely duck meat under that paté

Onto the mains! (Although not before they tried to bring us some starters again, in another small glitch. But honestly, we didn’t mind a bit of wait at this point.) Jean went with the pork belly served with chick peas and cabbage stew. I had trout with wild mushroom and leek. Both were excellently prepared and flavorful.

Pork Belly ... now in my belly :)

Not the trout

Jean got a really interesting red Italian wine with this, called Etna Terre Nerre Rosso. I had a nice Riesling.

This was a good amount of food, but it’s true there’s always room for dessert. Mine was an amazing dark chocolate terrine with lavendar ice cream. It was served, believe it or not, with this spicy dark beer! Which totally complemented the chocolate!
Have to have CHocolate, with a weird spicy beer - not  a bad combination!

Jean’s cheese dessert was frankly richer and creamier than the chocolate, and served with this freakin’ amazing truffle honey. The earthy truffle, plus the sweetness… Whoah. He got an off-dry wine from Spain with this.

Gobs of double creme Cheese with a truffled honey ... very very good!

We were done around 11:15 or so, so we made it home to ring in the New Year there. Cheers, everyone!

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The naked oyster

“How did you even hear about this place?” my friend asked.

The Naked Oyster restaurant is in Cambridge, and none of us are too familiar with Cambridge restaurants.

But based on a good review in Waterloo Region Record (that’s how I heard about it, through the exotica of the local newspaper), it seemed worth trying.

It’s fairly small  and casual. The menu is written on a chalkboard, with a few additional items the waitress told us about. It’s not a great choice for those who don’t like seafood; they only had one meat entree to offer (though it did sound good). But we were all fans of the fish, so it worked for us.

The alcohol on offer is also quite limited: three whites, three reds, and one type of beer, along with mixed drink options. But among the whites was the excellent Oyster Bay Sauvignon Blanc, so that’s what we ordered.

We started with two types of oysters: raw and Rockefeller. They were both lovely. The raw ones were from PEI, and served with three dipping sauce options. The Rockefeller were covered in butter, breadcrumbs, and Parmesan.


Naked oyster selection

(The appetizer items not ordered included options such as salads and smoked salmon.)

For mains, two us of opted for the mussels, one in garlic and white wine sauce, the other in a more decadent smoked bacon and cream sauce. Both quite delicious, with very few mussels having to be discarded for being insufficiently open.

Mussels with Double Smoked bacon and Cream at
Not my meal, but somehow I’m still in the photo…

I had the Cioppino, a tomato-based seafood stew with mussels, clams, shrimp, and white fish. That was quite tasty as well.

Ciopino (Sea Food Stew - Italian) @

Dessert options were limited to two: bread pudding and crème brulée. But these were both quite fine as well. And a very cute size.

Bread Pudding
Bread pudding for two—though this didn’t stop Jean from trying to get extra

The service was friendly and knowledgeable about the menu. There was, however, a big wait between taking our order and the appetizers being served. The reason wasn’t a mystery: They were dealing with a really big group who had arrived before we had. Still, it would have helped to at least have been given the bread ahead of time, or something.

After that initial hiccup, though, the pacing of each course was as one would hope and expect. And I would note that despite the restaurant being completely full this evening, it wasn’t overly loud. We could converse without shouting. Hurray for that.