I’m probably late to this whole thing, but in case anyone else is too…
Earlier this year I’d written about the baffling and frequent ways that pricing on Amazon varies. My example was a blu-ray of a Queen+Adam Lambert concert. I’d described a price range of $145 to $48. And wondered if I should have waited even longer for a cheaper price.
Among all the Black Friday / Cyber Monday coverage this week, I read about the very handy camelcamelcamel.com website (this link will bring you to the Canadian site, but you can pick another country from there). Here you can paste in a URL of an Amazon item, and see just how much that item’s price has ranged in the last six months. Here’s what I got for that QAL blu-ray:
Showing that not only had it at times been more than $145, I had indeed purchased it at a historic low price.
Clearly a handy tool if you’re wondering just how good a current Amazon sale price is. (Turns out I should have bought that toaster oven at $203 Friday; that’s just $4 above its historic low and now it’s at $230. Meh.)
Just because I haven’t been blogging lately doesn’t mean I haven’t been thinking about stuff…
Not writing about news is good news
I’ve actually started a number of posts about current events, but it all gets so depressing. And it changes so fast.
Like after Charlottesville, I was going to write a thing about how Canadians could join the Sleeping Giant twitter campaign to discourage companies from advertising on the alt-right Rebel Media website. But within days, The Rebel seemed to be sort of falling apart anyway, and it no longer seemed, maybe, the best way to spend one’s limited amount of time for activism.
Then I went to see An Inconvenient Sequel, on climate change. That seemed a better target for activism. And then with Harvey’s severity clearly being an illustration of what climate change looks like… But me writing about that, seems like piling sanctimony on top of tragedy. Better to leave it to those who have studied it longer, and have more skin in the game like Eric Berger (This is probably the worst US flood storm ever, and I’ll never be the same) and Brian Merchant (Climate change denial should be a crime).
Whereas I will write more trivial stuff, like…
The chipmunk invader
“We have a chipmunk living behind our TV cabinets”, I wrote to our catsitter.
That was mid-July, and it had already been around for a couple weeks. Nearing September, the chipmunk was still with us.
Yes, they’re cute. But they’re still rodents.
It seemed to have a developed a routine of leaving its hiding place mid-morning to drink water from the cats’ bowls (handily kept right near the TV cabinets) and scrounge for food—which it was clearly doing successfully, given its longevity.
[Something I just learned from “Interesting facts about chipmunks: “Chipmunks are diurnal. In other words, they only come out during the daytime. The reason is not because they are blind at night, but because everything is too dark for their main defense system—their eyes—to work to their advantage.” Would explain why I never saw it in the evening.]
The chipmunk became increasingly brazen, stopping to give me a look to determine that I still appeared unable to catch (it was right; there is no catching a chipmunk!) before scurrying up the stairs to see what treasures could be found on the main floor. The cats occasionally decided to give chase, but more often just watched it, bemused.
The chipmunk was too big to be caught in mouse traps, too small to set off the squirrel trap, which we’d find untripped, bait missing. (“Great,” I said. “Now we’re purposefully feeding it.”)
We’d leave windows open a crack, but it showed no interest in exiting.
Maybe we need a rat trap, Jean suggested.
Before going that lethal route, we tried one more live trap, this one apparently designed for chipmunks: The Havahart Model #1025.
It took three days, but it actually worked: Chipmunk out for its rounds, almost immediately entered the trap, and… Trap door shut!
Chipmunk not happy.
I was a little freaked out by the success, especially as the little thing was making a terrible ruckus trying to bang its way out. Then I got it together enough to throw a pillow case over the trap (that’s supposed to calm the animal), and cary it out and over to the park, where I released it into the woods.
Herein ends your unrequested lesson in how to get a chipmunk out of your house. Now if only we could locate its entry point, so it can’t find its way back in…
Beyond the Lights or under the radar?
It was nominated for an Oscar and won some BET and critic’s awards, but I’m not sure how many people have heard of the movie Beyond the Lights. I was sort of looking out for it when it was released in 2015, but if it came around, it didn’t stay long.
I saw it recently as a DVD loaner from the library (it’s also on US Netflix). It’s about a young black woman, Noni, whose latest single is a big hit and whose first album is hotly anticipated. But after an award-winning night, she goes off alone and stands on the balcony of her fancy hotel room, thinking about jumping. She’s rescued by the young black officer on duty to protect her. They really seem to connect…
So yes, this is a romance, but better-written than most. Their challenges as a couple—the paparazzi, parental disapproval on both sides, conflicting career aspirations (the police officer also has political ambitions)—seem believable, not just plot contrivances. That Noni has a stage mom is a bit of cliche, but the character isn’t just a cartoon villain. The movie also offers a critique of the highly sexualized way young women are marketed in the music industry. (The film was written and directed by a woman, Gina Prince-Bythewood.) The actors are good, and lead Gugu Mbatha-Raw does have a lovely voice.
So if this sounds like your kind of thing, I think you’ll enjoy it. (And if not, like Jean, you’ll likely still admit it’s a decent film.)
Also recommended—but I assume most people have heard of this movie—the “still in theatres” The Big Sick. Making comedy out of the unfunny matters of race and illness.
Amazon pricing: Maybe it’s a game?
So back in November, the first-ever official live Queen + Adam Lambert blu-ray was released, initially sold only from a Japanese website. I most definitely wanted this thing, but when I did the conversion from Yen, it was $120 Canadian for the single disc + CD, plus shipping from Japan, which seemed… pricey, given that your average blu-ray is about $20.
So I waited for it to be available from Amazon as an import, whereupon it was listed for… $145. This was not going in the right direction. I kept checking it periodically, but the price remained stubbornly high, and nowhere else (including ebay) seemed to offer anything better.
Then one day Amazon emailed me to inform me that the price had dropped. Which it had… To $101.
I was considering that, but wasn’t yet convinced.
Then a little over a week ago, I had a random look Friday at lunch time and… It was $48.
So, fine, I ordered it. (And despite them telling me that by not choosing Prime, I’d have to wait til Thursday to get it, it arrived on Monday, Prime time!)
But the thing is, when I looked at the price again later that very same day—when I happened to be logged in as Jean—it was $62.
And right now, for both of me and Jean, it’s $67.
I’ve heard that Amazon has these sophisticated pricing algorithms that causes pricing to vary at any given time based on your past purchasing habits.
Which makes me wonder: Did I cave too soon? If I had kept checking at random times and days, would I have eventually acquired this item at $25?
And does this mean that all Amazon items are cheaper for me at lunchtime? Or on Fridays? Or have I ruined both now by going through with a purchase at that time and day?
And what’s up with the wildly different prices on the same piece of clothing at different sizes?
One dress, but each of its four sizes is a different price with a $140 range!
Anyway. The blu-ray is a gorgeous thing, with the best video and sound I’ve ever seen and heard on recorded Queen + Adam Lambert material. So I’m happy with it, even if the camera operator doesn’t always know when it’s important to focus on Adam (like, when he’s getting on his bike, and riding!).
Netflix: Giving us the sitcom revivals we didn’t know we needed
I don’t know that the world was clamoring for a remake of the Bonnie Franklin-starring 70s / 80s sitcom One Day at a Time, but Netflix has gifted it with one anyway. I was surprised to see how high it appeared on lists of best Netflix originals, so I decided to check it out.
What has it retained from the original? Well, there’s still a single Mom living in an apartment with her two teenage children, and a building supervisor named Schneider. Also, the same theme song, only re-recorded in a cooler version.
Other than that, not much. The family is Cuban-American; Mom Penelope is an army veteran; there is a daughter and son, not two girls; her mother lives with them, also; and Schneider is a wealthy Canadian ex-pat who never wears denim, carries a toolbox, or hits on Penelope. (See Why the New Schneider on One Day at a Time Is So Much Better Than the Old One.)
With its live studio audience and typical sitcom wisecracks flying, the series initially lulls you into thinking it will be super-light entertainment. But though it never gets too heavy, almost every episode touches on serious and often timely subjects: Dealing with PTSD. The challenges veterans have getting help from the VA. Figuring out your sexual identity. Raising boys in the age of online porn. Crackdowns on undocumented immigrants. Pay equity. Affirmative action.
(Hey, I somehow circled back to news, sort of.)
It wasn’t the sort of addictive thing that I had to keep watching, but I enjoyed every episode and grew quite fond of the characters. Despite that list of Serious Issues, it is a comedy, and a funny one. I was sad to see the end of Season 1. Fortunately, it has been renewed for a second season.
We took a week off in July in lieu of the one originally planned in June, when Jean’s work commitments meant he couldn’t get away. We had to go to Toronto on Tuesday, July 18 anyway, because we had tickets to a Queen + Adam Lambert concert. We built the rest of the vacation around that.
The city can look purty
We’d first thought of going to Québec City after Toronto, but that’s a really popular destination this time of year. Finding a hotel was a challenge, and we started to think it would just be unpleasant with so many people crowded into the Old Town there. We switched over to Kingston, which is much less of a drive, so thought of adding a day in Toronto.
But Toronto is also a very popular destination this time of year. And while we could have stayed at our hotel an extra night, the price for that extra night jumped dramatically. (And this was for a hotel room that was probably the smallest we’ve ever had in Canada. Mind, the hotel itself—the Strathcona—was very conveniently located downtown, though something of a nightmare to drive to and expensive to park at.) So, we decided to stick with just two days in “The 6”.
At night also
We took some time while there to visit my sister and brother-in-law in their lovely new apartment. That didn’t leave much time for doing Toronto “stuff”. Mainly, during the day, we walked around various neighbourhoods: The Harbourfront area, the Distillery District (highlight: visiting the Soma chocolate store), Kensington Market.
Unofficial poster. Seems to be one of these for each stop.
You see this warning sign? This show has strobe lights, it has lasers, it has smoke, it has explosions. You name it, this show has it. You’re allergic to any of these things? I suggest you go home now.
It was the first time I’d had to go through a metal detector at an Air Canada Centre concert, but all the ACC staff (like the one quoted above) were really very cheery and nice, helping everyone out to ensure we all got through quickly and safely. This was a relief to Jean, who’d been worried on seeing the lineup when arrived. As was the fact that we had no problem getting his camera in (only “professional” cameras were banned, but what is that?).
We sat next to a woman from Newfoundland, a fan of Queen but especially of Adam Lambert, who’d flown up special for the concert. (Jean shared that we’d flown all the way to Berlin for our Adam Lambert concert.) Her husband was in town with her, but not at the show, which caused Jean to give me a look. Well, he couldn’t very well abandon me on our 25th wedding anniversary night, could he?
Our view was from here—and it actually wasn’t bad. Though Jean complained that they played more to the other half of the room.
And truly, it was a really great show. Would have been a shame if he missed it.
The staging, the lights, the effects
I’m not sure I’ve ever seen better. Before the show started, we could tell the stage was in a guitar shape, but were having trouble figuring out how things (like the projection screens) were laid out… Then the show began with this huge robot hand smashing through the screen, then looking out, then raising it with both hands to reveal the band playing “We Will Rock You.” Awesome!
Other highlights included Adam Lambert literally rising from the floor to sing the exquisite “Who Wants to Live Forever”; the stunning laser show; the effect of a simple disco ball in a stadium; the interesting, multi-level video background for Brian May’s solo (built around the Queen logo, deconstructed); and the stunning amount of confetti at the end.
Disco inferno!Dynamite with a laser beam! Source: ror0roror0ro at https://www.instagram.com/p/BWthmNKDLlL/That’s a lotta confetti! Source: lauracjthistle at https://www.instagram.com/p/BWtkqdOFbbQ/
The music!
Of course I love all the songs. But the band also performs them so well—without vocal modulators or click tracks. And, the sound mixing at the ACC was quite good. So I could hear Adam Lambert’s impeccable, incredible vocal flourishes on songs like “Don’t Stop Me Now”, “Somebody to Love,” and “Who Wants to Live Forever.” And the band’s excellent harmonies on songs like “I Want It All”.
One great band
The drum battle between Roger Taylor and new recruit (from Queen Extravaganza) Tyler Warren was fun. And the guitar solo—which I’d been dreading a bit, having found it somewhat long and dull at their last concert—was fantastic. It was shorter, for one, and all built around familiar melodies (at least to a Queen fan) from “Lost Horizon” and “Brighton Rock”. Kudos.
All the feels
The set list is designed to take you on an emotional journey. You start with the powerful adrenaline rush of a snippet of “We Will Rock You,” followed by the powerhouses “Hammer to Fall” and “Stone Cold Crazy.”
Power!
There is then a gradual segue to the fun and frothy part of the evening, introduced by Adam Lambert singing “Killer Queen” atop the head of Frank the robot, while wearing a hot pink suit. (“Gayest suit ever!” he proclaimed.) Included at the juncture was an Adam Lambert single, “Two Fux,” along with “Don’t Stop Me Now” and “Bicycle Race,” wherein Adam rode around on a pink, flower-laded tricycle.
Thanks to Adam’s super-tights pants, propensity for hip thrusting, and just general handsome-ness, the entire evening was somewhat lust-inducing (if you like that sort of thing).
Adam’s groiny interpretation of Fat Bottomed Girls
But they really amped up to 11 on “Get Down, Make Love,” a welcome addition on this tour. The whole backdrop for this song was red, dripping, sexy imagery, which Lambert only enhanced with his orgasmic vocal prowess.
“Was it good for you?” he asked. (Umm, excuse me, I’ll be in my bunk.)
But Adam wasn’t the only significant contributor to this portion of the evening. Roger Taylor took lead vocals on another recent set addition, “I’m in Love with My Car,” a song that really shouldn’t be sexy, but somehow is, the way he sings it.
Brian May? Well, he introduced the poignant part of the evening, moving to the front of the stage to sing “Love of My Life,” accompanying himself on accoustic guitar. The effects here were a sea of cell phone lights, which was just beautiful. And though I knew that video Freddie Mercury would make an appearance near the end, the way they did that, with Freddie seeming to stand right beside Brian, I couldn’t help tearing up.
Stars in the cell phone firmament. Source: a_jm_v, https://www.instagram.com/p/BWtmDWGFpq-/
Through “Somebody to Love”, and “Under Pressure,” and “Radio Ga Ga,” [aside that I’m not listing every song they played], the band managed to create a more intimate feel in this large space.
So close you could touch them. (Not really.)
Of course, the ending was triumphant. I liked how they rejigged “Bohemian Rhapsody.” They included the usually skipped “Is this the real life?” introduction, with Adam taking lead vocals. He also sang both verses, instead of sharing those with video Freddie. Of course, the operatic part is still from the original video. Freddie just appears at the very end, trading off lines with Adam.
The finale? “We Will Rock You / We Are the Champions,” of course. Full Toronto set list
The crowd was really great (as I usually find with Toronto). I thought we’d spend most of the concert sitting, but no, they were up for standing for probably three-quarters of the show. Brian May’s birthday was the following day, when there was no concert, so we got the fun of singing “Happy birthday” to him, after he honoured us with a selfie stick photo (posted here: https://www.youtube.com/watch?v=Vw6i-QMjSuY). At the end, Adam thought Brian should wear his crown (though that proved a bit of a problem, as it was sized for Adam’s bigger head).
(This is turning an epic post, but why stop now.) The evening before the concert, we’d originally hoped to dine at Canoe, but it was summerlicious time in Toronto (that is, specially priced meals at certain restaurants), which meant that Canoe was fully booked for two weeks. (And that likely happened on the first day summerlicious reservations were open.)
So, we went to Richmond Station, a new restaurant for us, even though we couldn’t get in til 8:30 pm. We’d read that they offered surprise, multi-course “chef’s menus”, but that wasn’t mentioned on their printed menu. Jean asked about it, though, and they confirmed that it was on offer, and the head chef was in that day, so it should be a good one.
They also asked us if we had any special occasion, and Jean mumbled something about, no, we’re just here for a darn Queen concert, but I piped about it being our 25th wedding anniversary the next day. That was good, because it resulted in a complimentary glass of bubbly each, to go along with our half-liter of (delicious) Oregon Pinot Noir that we thought should be generally food friendly.
The bubbly with our first course, oyster and trout tartar
What a nice meal we had there. All courses—eight of them—were prepared with care and delicious. The service was attentive. Our late start meant that we had a waiter switchover near the end, but that was handled very well. Tables were close together, so it was a bit loud, but that somehow didn’t bother us. And the whole thing was like, $200? Which seemed a great deal for a meal of this caliber in Toronto.
Beef tartar is not a thing I normally eat, but theirs was flavored very well. There was a small charcuterie plate. This amazingly light zucchini tempura. A set of two salads: one beet, one tomato, both great. [I feel like there might have been sweetbreads in here somewhere also?] Seared salmon with great vegetables. A smoky sirloin beef with potatoes (the smoke made it special).
Two saladsLe saumon
It was all topped off by a very special dessert of ice cream, peanut butter, and hazelnut.
Before the concert on Tuesday, we went to our reliable Ki, where they once again did a really nice job of their “modern Japanese” food and excellent service.
Maple tamari with pine nuts—so goodI think this is dessert
Wedding anniversary celebrations aren’t until later in the year, but since one has to plan ahead for those things, it’s consuming some mind-space now. One detail I’ve pondered is whether we can play our own music during dinner in the restaurant space we’ve rented. I’m guessing no, but if we could, I wouldn’t have to spend time creating the playlist.
Many years ago I made Jean a mixed CD sort of thing (back when one still did that sort of thing) of songs that reminded me of him / us. Since then I’ve continued to add to it when so inspired. (That being one of those things I do—maintain lists of stuff.)
Since it might not actually get played, I thought I would at least share it:
The list reflects different stages of our relationship.
In the beginning
Songs like Bob Geldof’s “Dazzled by You” and Alanis Morissette’s “Head over Feet” cover the wonder of new relationships. But I think the one that best captures our specific “I now see you in a different way” encounter at a dance bar is Madonna’s “Crazy for You”.
“We’re so close but still a world away / What I’m dying to say / Is that I’m crazy for you”
(Young love. It’s so wonderfully sappy.)
As for our first date, this is best summed up by a recent addition—“Satisfied” from Hamilton. It really captures that amazing rush when a conversation clicks so well.
“So so so— / So this is what it feels like to match wits / With someone at your level! … The feeling of freedom, of seein’ the light / It’s Ben Franklin with a key and a kite! You see it, right? … Ev’rything we said in total agreement, it’s / A dream and it’s a bit of a dance / A bit of a posture, it’s a bit of a stance. He’s a / Bit of a flirt, but I’m ‘a give it a chance”
(… Even though it didn’t actually work out for Alexander and Angelika. They’ll never be satisfied.)
Let’s not rush things
We were kind of young when we met. We dated for two years before moving in together, and another two before marrying. Carly Rae Jepsen’s “The One” definitely captures that “everything is fine, but don’t rush me” feeling of the earlier years.
“If you want to / You can stay the night / I don’t want to be the one, the one / It’s too much pressure”
We’re one, but we’re not the same
We are rather different personalities, and that required some adjustment, as expressed in, yes, U2’s “One” (though I think that might actually be about a relationship with God) as well Joe Jackson’s “Breaking Us in Two” and even Bruce Springsteen’s “Brilliant Disguise” (really a divorce song).
“You don’t do the things that I do / You want to do things I can’t do”
Secure in love
But there’s a lot more of these types of songs, among them “Automatic” by Prince, “Don’t Get Me Wrong” by The Pretenders, “You Make Loving Fun” by Fleetwood Mac, “As Sure as I Am” by Crowded House, “Je savoure ton amour” by Swing, and the beautiful “Lost Together” by Blue Rodeo.
“I want all the world to know / That your love’s all I need”
Which doesn’t mean it’s boring
Come to think of it, maybe “Automatic” by Prince belongs in this category, but Sade is truly the queen of the naughty but lovely love song.
Your Love Is King: “You’re making me dance… Inside”
It’s been a long time but it’s still great
“Still the One” by Shania Twain should be the ultimate of these songs, but it’s kind of ruined by knowing how her marriage to “Mutt” Lange actually ended up. Similar issue with Billy Joel’s “Just the Way You Are”, written for the wife he left he left for Christie Brinkley (and which didn’t even make the list).
But those Beatles guys were really into their wives. (The second wives, anyway, in most cases.) Paul McCartney wrote “Maybe I’m Amazed” about Linda. John Lennon has a bunch of great Yoko-inspired songs: “Woman”, “Grow Old with Me”, and my favourite, “Out the Blue”. And Sting, though he’s a bit intellectual about it, also has the lovely (and presumably Trudie-inspired) “Straight to My Heart”.
The actual ultimate of these, I think, is “You’re My Best Friend”, by Queen’s John Deacon, who to this day still with wife #1.
“You’re the best friend / That I ever had / I been with you such a long time / You’re my sunshine … You make me live”
Unconditional love
The problem with this playlist is that a lot of the songs do make me uncomfortably emotional, none more so than “Everything” by Alanis Morissette.
“And you’re still here”. Jesus, it kills me every time.
Distinctly unsentimental
Still, it’s not just as an emotional breather that songs like Tim Minchin’s “Confessions (in three parts”, the “Bones Theme” by Crystal Method, and Spirit of the West’s “Home for a Rest” are included as well. But I’ll leave you to ponder just why they’re included.
“I’ve been gone for a week / I’ve been drunk since I left”
A lot of grim things are happening in the world, the sun was awol for much of January, and I succumbed to one of the season’s cold viruses last week. (And now Jean is complaining of chills.)
But hey, instead complaining at length about all that, I’ll list a few things that made me happy in the past few weeks.
1. KW Glee: Redux
Two years ago we were blown away by a KW Glee (show choir) + KW Symphony concert. This year they did it again. There’s just deep entertainment value in watching a huge group of talented, enthusiastic, and attractive young people sing and dance to popular songs, in costume, while accompanied by a full orchestra.
Last time I had mentioned that I didn’t know a lot of the songs performed—they were too current for me. This time they rectified that with a set from various eras. To the point where I felt kind of bad that they were played so little of of their own generation’s music, though there was one Imagine Dragons song and one by David Guetta / Sia, both very powerful performances.
The outstanding youth singer (a girl—don’t know any names) wailing through the Jackson 5’s “ABC” and “I Want You Back”
The beautiful contemporary dance accompanying “Falling Slowly”, from Once
Not one, not two, but four different lead female singers proving they were up to the challenge of singing Adele’s “Rolling in the Deep”.
“Bohemian Rhapsody”. Performed in full, featuring two lead singers, one male, one female, and treated not as campy fun, but as the somber piece it actually is. Outstanding.
The youth choir’s 80s attire during one segment, some of which looked like it actually dated from that time. The “Frankie Say Relax” T-shirt was my favourite.
Remember the 80s? These kids don’t, but they’re dressing the part anyway.
The youth boys running scared during “Ghostbusters” only to be have the youth girls toughly emerge, declaring that they were “Bad”.
The use of sign language during “Imagine”—very touching, somehow.
The terrific soul singer who performed “Signed, Sealed, Delivered (I’m Yours)”. (It is great that so many of the participants get to try a lead, but with some of them, you do wish for more than one song!)
The reprise of “Hallelujah” that blew everyone away last time, performed by the same quartet, back from university for the occasion.
A Spotify playlist of their set list!
2. The Good Place
Holy motherforking shirtballs, The Good Place was good.
This is a half-hour, 13-episode, network TV show starring Kristen Bell and Ted Danson, debuted this year to very little notice—Jean’s the only other person I know who watches it.
But it’s like nothing else I’ve ever seen. And I’m loathe to even say that much about it, as it was so much fun to go along for the ride. And it’s so full of twists! Also, hilarious! Week to week, it was the show I found myself looking forward to most.
I will give the premise. Eleanor (Kristen Bell), a not-so-stellar human being while alive, is surprised to find herself in “the good place” (yeah, that one) after she dies. They have somehow mixed her up with some good Eleanor! How does she stay in the good place?
Look, I know there’s too much good TV, no one can keep with it all. So I won’t say you must watch The Good Place. I will just point out that if you do, it might make you happy. And that at 13 22-minute episodes, it’s less time-consuming that many series. And that despite mediocre ratings, it has already been renewed for season 2, so you don’t have to worry about being left hanging.
And by the way, Jean won another photo contest recently. (Not with this photo. Just thought I’d mention it now.)
While there, we went to Sandra Shamas’ one-woman show about “climbing mount menopause”. Despite that intro and the predominantly female audience, it wasn’t all about the hormonal challenges of being over 50. She covered a gamut of topics from her life.
Having recently dealt with a series of similar plumbing issues, we could relate to the mix of disgust and determination in which she handled the events that started when she flushed her toilet and it “came up my bathtub”. I took (hypothetical) heart in her discovery—having failed to make herself lesbian (“turns out it’s not a choice!”)—via dating apps, that plenty of 20-something men will seek the attention of women in their 50s. (She can’t bring herself to take advantage. “Does your mother know what you’re up to?”)
I wonder if I, too, will soon be entering my “ranting” years. (“I always talked to myself. Now I do it in public. And I’m angry!”) And it was hard not to be inspired by how she made it through a serious ice storm two years ago: “I was without hydro for 8 days. But I was never without power.”
My opinion of this year’s top music? That I probably didn’t hear most of it. Last year, under Adam Lambert’s Spotify / Twitter guidance, I actually heard a fair amount of the top 40. This year Adam had other priorities (tours, movies, TV shows), so I reverted to more typical behaviour for someone my age, and listened more to older stuff.
Still, some audio releases of 2016 managed to grab my attention.
Albums
The Hamilton Mixtape
We went to New York this year, but did not see Hamilton, the Broadway musical. I tried for tickets, but without really knowing much about the play, other than that it was super-p0pular. We did see the New York Library exhibit about Alexander Hamilton’s life, however, and it certainly was a colourful. So on my return, I finally listened the musical soundtrack, and really liked it. I definitely got into the story line, and a lot of the songs are just catchy. They’re not all hip-hop, but I liked those ones, too, generally.
So The Hamilton Mixtape, a collection of covers, re-imaginings, and out-takes from the musical, was the only album I got my hands on the day it came out. It did not disappoint. It just highlights why this story of someone from so long ago resonates today.
Favorite track: “It’s Quiet Uptown” by Kelly Clarkson, though it always makes me weepie
It actually took me a few listens to really get into the original E*MO*TION album, but I had no such trouble with Side B. Why these particular tracks didn’t make the original cut is a mystery, as they seem as strong as those.
Favourite track: “The One”
The Queen Extravaganza: A Night at the Apollo Hammersmith Live
The Queen Extravaganza are the officially sanctioned Queen tribute band, and on this outing they tackle the entirety of A Night at the Opera—something the original band never did. The do an impressive job of it. And then we get some other Queen hits.
What’s particularly striking about this band, though, is just how much singer Marc Martel sounds like Freddie Mercury. You’d occasionally swear this is a new recording by him, which is a mix of awesome and weird. The album is not available for streaming, but must be acquired from Pledge Music.
Favourite track: “The Prophet’s Song”. I dare you to not be impressed by it.
(You know it’s quite the year if on my favourite bands of all time is third!)
Via semi-legal webcast, I also enjoyed the Queen + Adam Lambert Rock in Lisboa, and by totally legal national broadcast, the Tragically Hip’s last show of their tour.
Podcasts
It didn’t occur to me to compile a list of particularly good podcasts, but I did spend part of the Christmas break working through Wired’s recommendations. Good list, though I have concluded I’m not really a fan of fiction podcasts, even if well done.
Audiobooks
Easy, because I only finished one (not enough road trips this year): Trevor Noah’s Born a Crime. This book has been well-reviewed and I can assure you, it’s deserved. His life is fascinating, and he tells it well.
Trevor Noah was born in South Africa, during the Apartheid era, of a black mother and a white father. Their relationship was illegal; hence, “born a crime”. He spent much of his early childhood indoors. When out with either of his parents, a ruse was necessary. He’d walk with a lighter-skinned friend of his mother’s, and his mother pretended to be maid. He walked across the street from his father.
Apartheid ending just changed the complications of figuring out where he fit in.
Though it’s his life story (and does not include the tale of how he became a successful comedian in South Africa, and ultimately star of The Daily Show), his mother is the real star here. What amazing woman, to be so strong and independent in a society that gave her no training or support for being so.
Noah does narrate the book himself (unabridged) and does a great job of it. It’s fun hearing him read out the various African languages and to get the proper pronunciation of everything. It wasn’t a very easy life, but as comedians will, he pulls many funny moments out of it nonetheless. One of the best things I heard this year.
Yes, I do, Deidra. So I expected an amusing accounting of a phenomena I’m quite familiar with.
But then she went to say, “I have a few that I cycle through.” And went on to list exactly… three songs.
Three? Your whole life, just three?
And her main one was “Can’t Take My Eyes Off You” by Franki Valli. Two lines of it, to be exact. “I don’t even know the rest of the words,” she writes.
Uh, you’ve had this song stuck in your head off and on for years and you’ve never bothered to hear and learn the rest of it? What? (Tip: Listening to a “stuck” song can actually be a way to get it out of your head.)
Then the other two are:
A folk song
A children’s show theme song.
I mean… Having such a limited and unappealing internal playlist sounds like a freakin’ nightmare.
Yet, Deidra seems perfectly content with this situation, not describing it at all negatively but just as an amusing little fact of her life.
I have to stop being surprised that people aren’t like me.
Thing is, I know there are people who basically never get songs stuck in their head—I’m married to one of those. But I had just assumed that those who did experienced much as I do: That while it was fairly common to have some song stuck in one’s head, the song in question changed frequently over a life time. Three songs? I’ve surely experienced this phenomenon with hundreds.
Most of these occurrences come and go without making it into my long-term memory. But some I recall because they’re associated with an unusual place or event. When I was in Berlin, U2’s “Zoo Station” rattled around after we visited that very train stop (the U2). On our Napa trip, I kept hearing “California Dreamin’”. When we adopted our cat Mocha, I inherited “Livin’ La Vida Loca” on internal repeat longer than was really pleasant (no matter how cute Ricky Martin is).
“And her skin’s the color mocha…”
Getting a Koodo phone spawned some days of Alanis Morrisette’s “Thank U” becoming my internal soundtrack, though it took me a while to figure out the association. Can you get it? It was this line:
“How’ bout that ever elusive kudo”…
And after 9/11, I was rather haunted by “American Tune”. (And I dreamed I was dying / I dreamed that my soul rose unexpectedly / And looking back down at me / Smiled reassuringly / And I dreamed I was flying / And high up above my eyes could clearly see / The statue of liberty…)
Sorry to bring down the room.
On a lighter note, spring 2013 was all “Blurred Lines” on repeat, which was so annoying! But that one didn’t relate to any particular event or place. It’s just a super-sticky song. (As is that horrid “We Built This City” song. Ugh!)
Often I don’t know what inspires the song stickiness, though. This week’s song in my head is Adam Lambert’s “For Your Entertainment”, a fave kitchen karaoke (complete with dance steps). Of course, that it’s Lambert is certainly no surprise; but why not a Queen song, since that’s mainly what I’m listening to him sing these days? (Queen + Adam Lambert being back on tour.)
(Speaking of karaoke, now I’m reminded of someone who insisted the only songs she possibly knew well enough to karaoke where ones by Wham! Apart from the very weirdness of only being melodically familiar of a single 80s band (what, no Beatles? No We Will Rock You?), now I wonder: Does this poor person have “Wake Me Up Before You Go-Go” as their one and only earworm?)
So many questions.
Fortunately, science is on it! You can follow along with the Earworm Project to learn:
What features do typical earworm music tunes have in common?
What do people who frequently experience earworms have in common?
What causes earworms?
What cures earworms?
One intriguing finding:
We’re working with the hypothesis that people are getting earworms to either match or change their current state of arousal—or a combination of the two.” She adds, “Maybe you’re feeling sluggish but need to take your child to a dance class, so it could be that an earworm pops into your hear that’s very upbeat, to help you along. Or working in reverse, can earworms act to calm you down?” It would explain why we sometimes get earworms even when we haven’t been listening to music at all, or why people who spend a great deal of time in nature often report beginning to hear every sound—wind blowing, leaves rustling, water rippling—as music, which their brain spontaneously plays over and over. Just as important, it would help explain why our brains often seem to linger on music that we don’t particularly care for.
Playlist of ear worms referenced in this post (including Deidra’s big opportunity to hear the rest of “Can’t Take My Eyes Off You” but excluding “We Built This City”, because I’m not a sadist).
My “big plan” for the Friday of the long weekend was to watch the webcast of the opening show of Queen + Adam Lambert’s tour, performed as part of the Rock in “Rio” festival in Lisbon. So it was a bit dismaying when, on Wednesday or so, the webcast company announced that, “at the band’s request”, they would no longer be showing it.
Someone contacted Brian May about it on Twitter. And he actually answered.
So then the Glambert hunt was on to find some way to watch Portuguese broadcast TV from the Internet.
The “best” source finally found was a bit of Trojan horse one that kept trying to lure you in with “free” logins and “mandatory” Flash upgrades that actually installed malware on your computer. But with the installation of a browser ad blocker + being very careful not to click anything other than maximize video button, we were in!
Of course, it wasn’t the full-fidelity video or sound we would have had with the official webcast, but it was still a professional recording of the whole show, not just some fan’s Periscope.
So it’s really too bad the concert itself sucked.
I kid! The show was terrific, as though they’d hadn’t taken nearly a year-long break from performing together. They added a bunch of new songs (truly new to many of the Glamberts): The Hero. Hammer to Fall, Stone Cold Crazy, The Game. They had some new props. And Adam had six costume changes, all of which featured very tight pants.
I do wonder at the promoter’s logic here as well. Surely the number of people who’d decide that, having seen the webcast, they don’t need to an actual show would be outweighed by the number who do see it and decide it’s awesome enough that they want to be there themselves? Certainly that’s been the history of this band (all of which I was there for—watching from my living room):
Their Live Aid performance, broadcast on TVs worldwide at the time, reminded everyone how amazing Queen was live. Increased album sales and sold-out tours followed.
A great webcast might be the closest to live you can get—but it ain’t live. It’s just not the same as being there.
Ah well. At least I got to see it, since I’m not flying off to Europe for this set of shows. And there is hope that a better-quality version will see the light of day eventually (as the promoter has also been diligent about getting any YouTubes of the Portuguese broadcast taken down). Queen Official did release this one high-quality track from the show today. Enjoy.
That I can rather easily put together a list of recent songs that I liked is certainly a change from my usual of being steeped in the music of the past. I can, of course, attribute much of this to one Adam Mitchell Lambert, my current celebrity crush, who also happens to be quite generous about recommending the work of his fellow musicians.
It’s also been bolstered by increased use of streaming services, along with Google Music’s habit of making entire albums of new music free or 0.99 to download. (This week: The new Pentatonix Deluxe Edition, free to own! I’m quite liking it so far.) Music radio, on the other hand, continues to have no influence on me, as I never listen to it.
We all knew Adam Lambert’s “Ghost Town” was going to be here, so might as well get it out of the way. A catchy song that is musically and lyrically off-beat enough to stand up to multiple (and I do mean multiple) listenings. But it’s only recently I actually listened to other “Ghosttown” song—the one by Madonna. It’s quite good as well! And completely different.
Saying you don’t like Adele is like saying you don’t like The Beatles: It doesn’t make you as cool as you think, and you’re just lying to yourself anyway. What I find amazing is that it seemed after only one listen, I knew all the lyrics already. How is that even possible?
And also, no one much comments on the slightly disturbing aspects of what Adele is doing in this song, eh?
Hi, it’s me, that person who broke your heart in high school, I heard you’re finally over me & it really bothers me; I keep calling…Hello?
As for Hedley: Hello! This is rock! Hedley is current and successful and they make rock music not pop music and that’s a reason to love them right there. Always like Jason Hoggard’s voice, too.
The Idols
One category, two non-winning yet ultimately successful alumni from American or Canadian Idol, so let’s add another: Carly Rae Jepsen.
Carly Rae made many “Best of” lists this year, and I agree; her new album is terrific. But there is a certain mystification that it hasn’t sold better. (Could it be inept management? The CD is often out of stock at Amazon, which just seems odd.)
At any rate, the single, “Run Away with Me” is just incredibly infectious.
And although I seem to be the only one, I just adore the blatant come-on of “I Didn’t Just Come Here to Dance” – Do you know what I mean? You know what I mean. If you just give me a chance, you’ll see what I see.
And speaking of horny women
Selena Gomez all grew up this year with the slinky “Good for You” and its yowza video. Leave this dress a mess on the floor, indeed.
And then we had Tove Lo, following up “Habits” with “Talking Body”.
And if you’re talking body, you’ve got a perfect one, so put it on me.
Swear it won’t take you long. (!)
If you love me right, we fuck for life… On and on and on
Why so subtle, Tove?
Little Big Town’s singer so wanted this guy, she developed a “Girl Crush” on his girlfriend. Pretty good for a country song.
The Fifty Shades of Grey soundtrack was hella better than the movie (not that’s it’s much of a bar), a nice collection of smooth, sexy songs. My tops from it are Beyonce’s “Haunted” and Ellie Goulding’s big hit, “Love Me Like You Do”.
And while it’s more quirky and lively than the above, one can’t miss Janelle Monae’s repeated request for her baby to “bend over” and “Let me see you do the yoga” in the wonderful “Yoga”.
That I like so many, uh, passionate songs? Not going there, but did feel that Alessia Cara was describing me in her big introvert anthem, “Here”, about how horrible it is to be at a party with a bunch of people you don’t really know.
French kiss
Bilingualism can be handy, because some French artists are great. And to widen their appeal, some of them sing in English also.
When on The Daily Show, Trevor Noah described France’s Christine and the Queens as “weird. But good. Good weird!” That’s about right. They are actually good; can’t help it if they’re tilted.
Quebec’s Coeur de Pirate also put out a really good album this year, with more English than French songs. I like several (such as “Carry on”), and I guess “Crier tout bas” is the single.
And le groupe Swing released a new album this year as well, with “La Folie” having some success in French Canada.
Who rule the world? [Girls, girls]
Not sure if you’ve noticed yet, but this a very female-dominated list. And until Adele came along, no one was more dominant than Taylor Swift, whose 2014 1989 I finally acquired this year, partly on the strength of the 2015 single, “Style”.
I also like Ryan Adams’ take on this album. (Here’s his version of “Style”, for example.) Although the original is still better.
But a few other guys not named Adam also put out some interesting music.
I know nothing at all about Lost Frequencies and their song “Are You With Me”, except that I adored from the first time I heard and still do, every time since.
Also great fun was Mark Ronson’s “Uptown Funk”. Watch me, baby, don’t stop! And Duran Duran (remember them?) put out a rather good album called Paper Gods. The single (I’m just learning) is “Pressure Off”. (I also liked “Sunset Garage”.)
Elle King was one of those cheap albums I acquired this year. Her voice has been described as Joplin-esque. “Ex’s and Oh’s” was her big song. Also check out “America’s Sweetheart”.
And to bring this full circle, I also enjoyed many remixes and mashups of Adam’s “Ghost Town”. In the “remixed live” category, Queen + Adam Lambert gave it a rock edge. In the non-live category, tt was nicely combined with Bieber’s “What Do You Mean”: What do Ghosts Mean? and even more successfully with “Prayer in C” by Robin Shulz and Lilly Wood & The Prick: Prayer in Ghost Town. But my favorite was the “Ghost Body” mashup of Talking Body with Ghost Town, with Tove’s blatant come-on met with Adam’s “Meh. My heart is a ghost town.”
Spotify playlist of most things (email people, you have to look at this post in a browser to get the Spotify playlist. And to see the embedded YouTube videos, for that matter):
Then I went to see An Inconvenient Sequel, on climate change. That seemed a better target for activism. And then with Harvey’s severity clearly being an illustration of what climate change looks like… But me writing about that, seems like piling sanctimony on top of tragedy. Better to leave it to those who have studied it longer, and have more skin in the game like Eric Berger (
So back in November, the first-ever official live Queen + Adam Lambert blu-ray was released, initially sold only from a Japanese website. I most definitely wanted this thing, but when I did the conversion from Yen, it was $120 Canadian for the single disc + CD, plus shipping from Japan, which seemed… pricey, given that your average blu-ray is about $20.
While there, we went to Sandra Shamas’ one-woman show about “climbing mount menopause”. Despite that intro and the predominantly female audience, it wasn’t all about the hormonal challenges of being over 50. She covered a gamut of topics from her life.
Easy, because I only finished one (not enough road trips this year): Trevor Noah’s Born a Crime. This book has been well-reviewed and I can assure you, it’s deserved. His life is fascinating, and he tells it well.
One category, two non-winning yet ultimately successful alumni from American or Canadian Idol, so let’s add another: Carly Rae Jepsen.
And then we had Tove Lo, following up “Habits” with 
Not sure if you’ve noticed yet, but this a very female-dominated list. And until Adele came along, no one was more dominant than Taylor Swift, whose 2014 1989 I finally acquired this year, partly on the strength of the 2015 single, 
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